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  <title><![CDATA[Art of Two Germanys/Cold War Cultures]]></title>
  <isbn><![CDATA[0810984040]]></isbn>
  <isbn13><![CDATA[9780810984042]]></isbn13>
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  <default_description>&lt;DIV&gt;&lt;P style=&quot;MARGIN: 0in -1.5in 0pt 0in; LINE-HEIGHT: 12pt; mso-pagination: none; tab-stops: 9.7pt; mso-layout-grid-align: none&quot;&gt;Throughout the Cold War, the creation and reception of art in Germany was inseparably linked to divided political realities. Artists in East and West Germany redeployed the traditions of abstraction and realism in new national and international contexts, creating a wide range of powerful artworks, often responding to popular culture and technologies of reproduction.&lt;/P&gt;&lt;P style=&quot;MARGIN: 0in -1.5in 0pt 0in; LINE-HEIGHT: 12pt; mso-pagination: none; tab-stops: 9.7pt; mso-layout-grid-align: none&quot;&gt;&#160;&lt;/P&gt;&lt;P style=&quot;MARGIN: 0in -1.5in 0pt 0in; LINE-HEIGHT: 12pt; mso-pagination: none; tab-stops: 9.7pt; mso-layout-grid-align: none&quot;&gt;This substantial and profusely illustrated book, with sixteen important essays by major art historians and cultural critics, is the first comprehensive look at the full extent of postwar German art. It includes work by Georg Baselitz, Willi Baumeister, Bernd and Hilla Becher, Joseph Beuys, Hanne Darboven, Hermann Gl&#246;ckner, Hannah H&#246;ch, J&#246;rg Immendorf, Anselm Kiefer, Blinky Palermo, A. R. Penck, Gerhard Richter, Rosemarie Trockel, Werner T&#252;bke, Wolf Vostell, and many others.&lt;/P&gt;&lt;P style=&quot;MARGIN: 0in -1.5in 0pt 0in; LINE-HEIGHT: 12pt; mso-pagination: none; tab-stops: 9.7pt; mso-layout-grid-align: none&quot;&gt;&lt;I&gt;&lt;/I&gt;&#160;&lt;/P&gt;&lt;P style=&quot;MARGIN: 0in -1.5in 0pt 0in; LINE-HEIGHT: 12pt; mso-pagination: none; tab-stops: 9.7pt; mso-layout-grid-align: none&quot;&gt;&lt;I&gt;Art of Two Germanys/Cold War Cultures&lt;/I&gt; is the catalogue for a groundbreaking international exhibition that reveals for the first time the contribution of both Germanys to the development of contemporary art.&lt;/P&gt;&lt;/DIV&gt;</default_description>
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  <original_publication_month type="integer">2</original_publication_month>
  <original_publication_year type="integer">2009</original_publication_year>
  <original_title>Art of Two Germanys/Cold War Cultures</original_title>
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      <name><![CDATA[Sabine Eckmann]]></name>
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      <name><![CDATA[Eckhart Gillen]]></name>
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      <name><![CDATA[Stephanie Barron]]></name>
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  <date_added>Mon Mar 02 17:58:14 -0800 2009</date_added>
  <date_updated>Mon Mar 02 18:31:34 -0800 2009</date_updated>
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    <body><![CDATA[I haven’t read a gigantic exhibition catalogue in a long time, but the Los Angeles County Museum of Art is presenting “Art of Two Germanys: Cold War Cultures,” their most ambitious show in years, so I thought I’d go all in.<br/><br/>So far, the essays are fair. The curators of the exhibiti...<a href="http://www.goodreads.com/review/show/48056794">more...</a>]]></body>
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    <name><![CDATA[Cameron]]></name>
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  <read_at>Fri Feb 06 00:00:00 -0800 2009</read_at>
  <date_added>Fri Feb 06 19:54:04 -0800 2009</date_added>
  <date_updated>Fri Feb 06 20:00:04 -0800 2009</date_updated>
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    <body><![CDATA[During my attendance at the LACMA exhibition of <em>Two Germanys/Cold War Cultures</em> I had the pleasure of engaging with fragments from this book.  Paging through the museum's exhibit copy, the act of perusing photos of artistic works took on spectacularly new resonance when I could look up and view the p...<a href="http://www.goodreads.com/review/show/45615863">more...</a>]]></body>
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  <date_added>Sun Nov 15 17:00:02 -0800 2009</date_added>
  <date_updated>Sun Nov 15 17:00:02 -0800 2009</date_updated>
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