The Devil Wears Prada

published	May 30th 2006 by Anchor
first published	2004
binding	Mass Market Paperback
isbn	0307275558 (isbn13: 9780307275554)
pages	448
description	It's a killer title: The Devil Wears Prada. And it's killer material: author Lauren Weisberger did a stint as assistant to Anna Wintour, the al...more [close] It's a killer title: The Devil Wears Prada. And it's killer material: author Lauren Weisberger did a stint as assistant to Anna Wintour, the all-powerful editor of Vogue magazine. Now she's written a book, and this is its theme: narrator Andrea Sachs goes to work for Miranda Priestly, the all-powerful editor of Runway magazine. Turns out Miranda is quite the bossyboots. That's pretty much the extent of the novel, but it's plenty. Miranda's behavior is so insanely over-the-top that it's a gas to see what she'll do next, and to try to guess which incidents were culled from the real-life antics of the woman who's been called Anna "Nuclear" Wintour. For instance, when Miranda goes to Paris for the collections, Andrea receives a call back at the New York office (where, incidentally, she's not allowed to leave her desk to eat or go to the bathroom, lest her boss should call). Miranda bellows over the line: "I am standing in the pouring rain on the rue de Rivoli and my driver has vanished. Vanished! Find him immediately!" This kind of thing is delicious fun to read about, though not as well written as its obvious antecedent, The Nanny Diaries. And therein lies the essential problem of the book. Andrea's goal in life is to work for The New Yorker--she's only sticking it out with Miranda for a job recommendation. But author Weisberger is such an inept, ungrammatical writer, you're positively rooting for her fictional alter ego not to get anywhere near The New Yorker. Still, Weisberger has certainly one-upped Me Times Three author Alex Witchel, whose magazine-world novel never gave us the inside dope that was the book's whole raison d' etre. For the most part, The Devil Wears Prada focuses on the outrageous Miranda Priestly, and she's an irresistible spectacle. --Claire Dederer [close]
date added	12-07-06 edit book

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Libbie rated it:

05/27/08

bookshelves: fiction

Read in May, 2008

recommended to Libbie by: My mom. Big surprise.
recommends it for: people who are easily amused and don't care about good writing.

This review has been hidden because it contains spoilers. To view it, click here.

Meh.

I actually listened to the audiobook version of The Devil Wears Prada on a recent road trip. I hope that counts as "reading" it.

Maybe "gossip fiction" (as the back of the CD case repeatedly called this book) just isn't my thing. I know that chick lit isn't my thing, but I was desperate for something other than static hiss or Christian preaching as I drove through the Oregon Cascades. Wherever the hangup occurred, I couldn't like The Devil Wears Prada in spite...more Meh.

I actually listened to the audiobook version of The Devil Wears Prada on a recent road trip. I hope that counts as "reading" it.

Maybe "gossip fiction" (as the back of the CD case repeatedly called this book) just isn't my thing. I know that chick lit isn't my thing, but I was desperate for something other than static hiss or Christian preaching as I drove through the Oregon Cascades. Wherever the hangup occurred, I couldn't like The Devil Wears Prada in spite of my attempts to enjoy it.

The plot moved along rapidly enough, I suppose, although what little conflict was there was barely enough to be called a plot. Let's see: Andy feels ambitious; Andy is abused by her boss; Andy doesn't like it; Andy's friend and boyfriend start to resent her ambition; Andy tells her boss to fuck off. The end. I'm sorry; I missed the conflict here. Where is it, exactly? I suppose it was stuck somewhere in with the whole "deciding whether she should quit her job or not" thing, but that was going on throughout the whole interminable narrative and never really changed in terms of intensity. An unvarying conflict with two-dimensional characters all over the place is just not my idea of a good time.

I will say that the voice used was fairly well done. It felt like it was coming from the mouth of a 23-year-old, if a fairly ineloquent one. I found it somewhat hard to believe that Andy graduated from Brown with a degree in English and that she had aspirations to edit the New Yorker. She seemed fairly limited in her modes of expression. Still, she did seem young and "hip," and that worked well enough with the gossipy tone of the book.

The heavy-handed name-dropping was obnoxious - I can't really see Annie Liebovitz giving two shits what Cruella DeVille thinks of her; not enough to send her ridiculously expensive Christmas gifts, anyway - and some of the cultural references will date this book in a most severely crippling way in about six years. Plus, I get that Miranda Priestly is fabulously wealthy, but how many fashion magazine editors REALLY have THAT much money? I just found it to be a tad on the unrealistic side. Maybe I know too many editors to believe that they can own private jets and can fly to Paris on a whim for the express purpose of acting like a bitch. It didn't ring true, but maybe Miranda was a trust fund kid and invested wisely.

Other aspects of the book were hard to swallow but I was willing to suspend my disbelief in order to get through the experience. I find it exceptionally difficult to believe that a magazine editor who makes huge sums of money from her wildly successful rag would care AT ALL about whether her assistant was wearing Prada or Banana Republic, even IF she is absolutely obsessed with fashion. A woman who's turned a fashion magazine into the kind of success that allows her to demand that two copies of the new Harry Potter book be jetted to her hotel room in Paris the day before the book is released is going to be far more concerned with efficiency and performance from her employees than the label on their clothing. Again, maybe I just know too many business people to swallow the milieu Lauren Weisberger has conjured up out of her fashion-addled imagination. Said fashion editor keeping a staff and a huge closet full of spare high-end clothing specifically to make sure her staff looks right just didn't fly with me.

The characters in this book were flatter than a tortilla. Nobody changed at all throughout the course of the novel. Even Lily's drinking didn't appear to increase, even though Alex said her drinking was increasing. O RLY? Because from the first time we "meet" Lily she has a glass of the alky in hand and never puts it down once. Speaking of which, I suppose we as readers are supposed to sympathize with poor Lily, driven to alcoholism by the neglect of her eight-grade BFF, but instead I found myself laughing at the character. Lady, if you can't get over the fact that your bestest pal from EIGHTH GRADE is trying to build a successful career for herself and has more ambitions in life than sleeping with as many creepy men as she can lay her hands on, then you have bigger problems than alcoholism. The DWI-induced coma Lily lands in is the drippy, maudlin icing on the two-dimensional character cake. Boo.

Far more interesting than the day-to-day minutiae of Andy's job and struggles to receive her lunch breaks (hey, Andy - ever heard of OSHA?) is the obvious memory problems of her boss, "devil" Miranda Priestly. I thought there was a much more intriguing story buried among the lifeless characters and the pop-culture references. Why couldn't Miranda remember a damn thing, and how did a woman with an obvious case of early-onset Alzheimer's disease manage to be so successful at editing a major magazine? I kept expecting some explanation of Miranda's severe memory issues, but none ever came. I guess she was borderline demented because she's a bitch, not because she had some serious problem that would have added whole layers of interest to this book. Nope. She was just a bitch. That's all, folks.

This would be a one-star review but for the fact that there is one deft bit of writing in the entire novel. It struck me after I finished the last audio CD and gratefully managed to tune my crappy iPod radio-sync player into some band of static I could use for greater entertainment that Miranda Priestly is never described as wearing Prada. At least, not as far as I could recall. Andy, however, admits that she feels good about herself when she leaves her apartment decked out in Prada from head to heel. Thus implying, of course, that the titular "devil" is Andy and not Miranda Priestly at all. Alas for Weisberger, Andy never comes across as a true devil; just a young woman trying desperately to do what it takes to establish a good career in the publishing world.

All in all, I would not recommend this book to anybody. It may be that the film was more entertaining. I might watch it some day, but it will be a while before I can scrub the spectacle of the novel from my fevered brain....less

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Samantha rated it:

01/28/08

Read in August, 2006

God have mercy, I finally finished this horrific book! Honestly, it wasn't so bad, just tedious and repetitive. I picked it because (a) the movie was coming out and (b) I recognized the title as a popular book, albeit a couple years ago. The premise to the book is that a young woman takes a Junior Assistant position at a high-fashion magazine and the She-Devil who runs the show. The movie had the same premise, but that's practically where the similarities end.

Andrea Sachs takes ...more

Andrea Sachs takes the job, even though her dream job is an Editor position for the New Yorker Magazine, with the promise of getting said dream job much easier after devoting a year of her life to Miranda Priestly (the She-Devil). One year is all it'll take to bypass several years of grovelling, or so she is led to believe. But the year is spent instead in the most belittling, degrading and de-humanizing environment that, frankly, pissed me off more than the main character.

If you've seen the movie, dont' think you know the book. Meryl Streep is overly demanding, despicable, and down-right evil to snarky, quirky Anne Hathaway. Eventually Anne's character loses her fashion victim status and transforms into one of her dreaded Clackers. She reaches a point where she understands Meryl's character -- even <em>sympathizes</em> but makes a break when enough's enough.

Andrea, instead, distances herself from the fashionistas, makes futile spiteful jabs at Miranda and Co. at every chance, and still loses herself. She doesn't become the trendy girl (not until she's far from the scene) but does lose her identity by placing the needs of a neurotic insomniac before herself, her friends, and her family. The book delves into her relationships on a completely differnt level (actually the movie doesn't even touch them). Let's do a short list of comparisions, shall we?

<table>
<tr>
<td><h3>The book</h>
<ol>
<li>Andrea has a steady boyfriend Ales, and lives with her best friend from childhood, Lily</li>
<li>Takes the job because it's the only magazine in New York that offered an interview</li>
<li>Puts her personal life on hold to be the beck-and-call girl for a Bitch</li>
<li>Meets a hot writer who is totally jonesing for her and offers her several opportunities to, <em>ahem</em> improve her social standing</li>
<li>She kinda ignores her failing love life and her best friend's alcohol addiction until it's too late to reverse either</li>
<li>Goes to Paris with Miranda because the Sr. Assistant gets Mono</li>
<li>When is Paris she gets the call that her best friend's drinking caused a terrible accident and she must come home</li>
<li>Finally has her fill and tells Miranda off, then gets fired</li>
<li>Kinda blah ending in which she gets freelance work and gets to waltz back into the <em>Runway</em> office for a potential writing assignment</li>
</ol>
</td>
<td><h3>The movie</h3>
<ol>
<li>Andrea lives with her boyfriend, and has a small group of friends, one of which happens to be a black girl we could assume is Lily</li>
<li>Takes the job because it was available</li>
<li>Puts her personal life on hold to be the beck-and-call girl for a Bitch</li>
<li>Meets a hot writer who keeps popping up in her life when she desperately needs help and a little pick me up, flirt-wise</li>
<li>Her boyfriend eventually gets fed up and sorta calls for a 'break'</li>
<li>Goes to Paris with Miranda because the Sr. Assistant gets hit by a car and is then fired (by Andrea) because her mind is too adled when sick at an event to immediately recall a guest's name</li>
<li>Discovers a plot to overthrow Miranda (after she recently viewed a vunerable side) and does her best to warn her, only to learn Miranda knew all along and didn't need her help. This is when she decides she's had enough and litterally walks off the job </li>
<li>Happy ending ensues with her getting a crap job and, unknowingly is seen by Miranda, who approves of her own fashion sense</li>
</ol>
</td>
</tr>
</table>

If I had read the book then saw the movie, I think I would have been pissed off at the screenwriters. As it was, I did the opposite, but am still pissed. I thought the book sucked large portions of ass. There was quite a bit that was humorous, I'll grant you and the author that much, but it was <em>so</em> repetitive when describing her tasks (which I guess was the point) that I simply felt beat down. Gotta give that to her: she did know how to make her readers relate to her misery.

Did I like the book? No.

Would I read another by her? Not likely.

Would I recommend the book to others? Not a chance. Go rent the movie and at least laugh at it all.

...less

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Ana T. rated it:

02/11/08

bookshelves: bookrings, contemporary

I finished The Devil Wear Prada last night. I had some trouble getting into the book, those first descriptions of Andrea's adventures before joining the magazine were really not that interesting to me. After she enters the magazine world I became more interested in her relationship with everyone else. Meaning I'm not that into fashion so some people might actually appreciate the fashion angle in this book more than me.

Andrea Sachs, a small-town girl fresh out of college, lands the job "...more I finished The Devil Wear Prada last night. I had some trouble getting into the book, those first descriptions of Andrea's adventures before joining the magazine were really not that interesting to me. After she enters the magazine world I became more interested in her relationship with everyone else. Meaning I'm not that into fashion so some people might actually appreciate the fashion angle in this book more than me.

Andrea Sachs, a small-town girl fresh out of college, lands the job "a million girls would die for." Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of Runway magazine, Andrea finds herself in an office that shouts Prada! Armani! Versace! at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child.

After Andrea starts working at the magazine she has to deal with her boss's impossible requests, rude manners and every hour calls. She feels compelled to try to answer every request because everyone tells her that after one year of putting up with Miranda Priestly she will be able to choose the job she wants.

As the action progresses Andrea is more and more into the Runway spirit, where everybody wears designers clothes, is sickly thin and lives in fear of the boss. Her relationship with Priestly's Senior Assistant Emily shows exactly that - either Emily is defending her boss and her rudeness or, when she is also a target, she is bad mouthing her in secret.

Although she becomes more of a Runway girl Andrea keeps herself focused on the real job she wants - to write for The New Yorker, and can't resist sometimes feeling superior to everyone else who works for the magazine. With that goal in mind she keeps accepting Miranda's demands thus hurting her relationship with family and friends. The climax come during a trip to Paris where Andrea is preparing to help Miranda organise a party even though her best friend is cometose in the hospital. Miranda makes one more impossible demand - to removate her daughter's passports in 3 hours - and Andrea finally tells her F*** ***.

That's the end of the job and she comes home to be with friends and family even if her relationship with her boyfriend is already damaged.

I thought this was a fun book to read after I made through those first pages because Miranda's rudeness and everyone else's reaction too it are actually really fun and make for some LOL moments.
However once you close the book there's really nothing that stands out. As an example of chick lit I think it lacks some growth of the main character, in the end Andrea only learned to dress herself better and maybe to pay better attention to her family. But she already had her own set of values and principles at the beginning of the book.
A C+....less

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K rated it:

02/07/08

bookshelves: 2008, owned

Read in January, 2008

Lauren Weisberger
The Devil Wears Prada
2006, Anchor
432 pages
Book bought in: Moab, Utah – USA

In this review, the book has not been compared to the movie; I wanted to review the book in itself.

As a horribly unfashionable person myself (at least, that’s what I believe, as Prada does nothing for me and I can’t for the life of me walk in heels, oh, and I like my hips), picking up The Devil Wears Prada with all of its fashion stereotypes meant indulging in a guilty pleasu...more

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Michelle rated it:

10/29/07

Read in October, 2007

A woman came up to me while I was reading this book and said, "Oh, how is that book? I've been meaning to read it." I answered, "Um, well, it's kind of fun." She raised her eyebrows at me. "I see." I added, "I wouldn't pay full price for it. I got it on sale for, like, a dollar." She nodded as she began to walk away, "Okay, I know what you're saying."

I can explain more if you still feel like reading this book. Honestly, I won't stop y...more A woman came up to me while I was reading this book and said, "Oh, how is that book? I've been meaning to read it." I answered, "Um, well, it's kind of fun." She raised her eyebrows at me. "I see." I added, "I wouldn't pay full price for it. I got it on sale for, like, a dollar." She nodded as she began to walk away, "Okay, I know what you're saying."

I can explain more if you still feel like reading this book. Honestly, I won't stop you from reading The Devil Wears Prada, I just don't suggest you push off absolutely everything else in order to do it. There are many, many more worthy books.

The main character, Andrea/Andy, is just really not likeable. I wish she was. I kept trying to see her point of view. But she really bothered me. She had a great opportunity to get into the publishing business, fashion business, or whatever else. She just had to hold out for a year. Fine, she's getting four or five hours of sleep a night. I really don't care. Fine, her boss is ridiculous. But Andrea defiantly sighs at her to show her how she feels, which really, just makes her a big baby. I didn't like a lot of the people I worked for, but if you're a hardworker, you're not going to huff and puff to prove your point that all of this is beneath you. You're going to suck it up and do it. Andrea acts like the super expensive, fashionable clothes that everybody wears are ridiculous, and yes, she sells what she has at the end, but she also puts down Franco Sarto shoes and Ann Taylor (or was it Express?), which made Andy pretty hard to relate to since most people reading the book are probably wearing those things. She doesn't treat her best friend well the entire time, which okay, sometimes these things get left behind when you're busy, but come on, she was an alcoholic. Pull it together, Andy, and be a friend. And when she tells off Miranda at the end, God, I really think the author was going for that whole, Yeah, sock it to her, Andy! thing, but that's really not how I felt. I wanted to tell Andy to grow up. Wouldn't a decent person and adult have said, "Look, Miranda, my friend has been in an accident. I'm sorry if you want me to stay, but I have to go." Which, okay, that's not the best ending either, but really, don't bring up the whole friend in an accident thing, and then have Andy blow up and quit because she couldn't get Miranda's two kids some passports. (Yes, I understand that in the back of her head Andy was probably upset about her friend, but that really didn't come out at all.) There's a lot more to complain about, but really, do I have to say anything else?

Weak....less

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Khaya rated it:

(review of isbn 0767914767)

02/15/08

So I finally saw this movie, and I thought I'd share the experience with my goodreads friends, who I'm sure are dying to hear from me!

Basically, I will add my opinion to that of countless other goodreads reviewers -- this story worked much better as a movie than as a book. When I read the book, it felt like "The Nanny Diaries" but with a more superficial premise/setting. The movie, however, conveyed some things that the book either couldn't, or didn't, get across (at least, from ...more So I finally saw this movie, and I thought I'd share the experience with my goodreads friends, who I'm sure are dying to hear from me!

Basically, I will add my opinion to that of countless other goodreads reviewers -- this story worked much better as a movie than as a book. When I read the book, it felt like "The Nanny Diaries" but with a more superficial premise/setting. The movie, however, conveyed some things that the book either couldn't, or didn't, get across (at least, from my hazy memory of the book):

1. Meryl Streep. was. fantastic. in this role. The role of Miranda/the devil was one which easily lent itself to major overacting, a la Bais Yaacov-girl-plays-Nazi-in-camp-play. Meryl Streep truly did the role justice in all her evil chilliness, without making you want to snort and roll your eyes.

2. I thought they did something cute with the devil symbolism which I don't remember from the book (although it may have been there). There was one interaction between Miranda and Andrea (note, just ONE -- they did not overdo this, for which I give them credit) where Miranda points out to Andi that she had become cutthroat as a result of working for her, in choosing to stiff her colleague. It was clearly reminiscent of all that Faustian literature, "The Devil and Daniel Webster," etc. Like I said -- had they kept emphasizing this aspect of the story, it would have been way overdone, but the fact that it happened just once made it subtle and powerfully symbolic. Speaking of overdoing things, I don't want to overdo this and suggest that it was more than a chick flick, but things like this made it better than the average chick flick, in my opinion.

3. I suppose this was conveyed in the book as well, but I don't remember relating to it as personally -- maybe that 's just the difference between reading about something and watching it onscreen, or maybe this really was done better in the movie. I really empathized with that experience of starting a new job, feeling overwhelmed and incompetent, getting yelled at, feeling depressed, and eventually getting good at what you do. It just felt so real for me in the movie -- I so know what that process is like, and I could really feel all aspects of it as I watched the movie.

Overall, if you're looking for a fun movie that's enjoyable and not too deep or demanding, yet not ridiculously dumb, I recommend this....less

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4 comments

Jennifer rated it:

09/21/07

bookshelves: chicklit, nytimes

recommends it for: No one

This is one of the only books I have ever read in my entire life where the film actually improved my perception. It took me about three years to read this, and the only reason I ever finished it was because everyone else seemed to think it was so great, I thought I must be missing something.

I am generally bothered by books and films wherein the main character is offered an incredible opportunity, but because they are worried they are sacrificing themselves, they toss it out the window. (I ...more

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Sarah rated it:

04/04/08

This debut novel sat on the New York Times bestseller list for months, and was turned into an Academy Award-nominated film. I did the non-bookworm thing: I saw the movie first. When I finally picked up the book, I was both delighted and irritated. I was delighted that Andrea had a more complicated personal life in the book than in the movie. Her best friend and roommate, Lily, is a promiscuous, alcoholic graduate student and her boyfriend, Alex, is an idealistic elementary school teacher. She lo...more

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Dayna rated it:

(review of isbn 038550926X)

01/16/08

Read in January, 2008

recommends it for: Fans of gossip novels, and maybe some fashionistas.

More and more often I find myself saying that the movie was, in fact, better than the book. This is one such case. I was not so much disappointed as I was bored ... I couldn't help comparing the book and movie (which I saw first) and, maybe just because it was in that order, the book fell flat. It's maybe better suited for on-screen, not paper. I loved Meryl Streep as Miranda ... she was believable and therefore even more supremely evil, whereas in the book that character is mostly just ridiculo...more

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Jack rated it:

(review of isbn 038550926X)

07/23/07

Read in June, 2007

Not bad, I suppose—especially interesting when compared to the film adaptation, which I'd seen first.

The movie was no great shakes, really, although the cast did a solid job with what they'd been given. Still, I sought out the book because I felt that, as with most film adaptations, a lot of depth had probably been jettisoned, and rightly so, in the translation to the screen. After all, a novel can tackle a lot more than two hours of screen time can.

Imagine my surprise to find that t...more

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Katie rated it:

(review of isbn 0767914767)

02/13/08

Read in June, 2004

recommends it for: people working their way up to fine literature from STAR magazine

I picked this up because it was in the guest room at my aunt's beach house and it seemed like good "summer is here, I just finished finals, don't make me think" reading. I think I read it in about 3 hours, and I couldn't remember a single thing that happened to the main character once I was done.

In fact, if they hadn't come out with the movie (which I'm a big fan of, by the way), the book would have probably disappeared from my radar forever.

Nothing really happened in t...more

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Jamie added it

01/20/08

Read in January, 2008

Where to start with this one! Seldom have I ever read a book that actually made my blood boil with rage, but this did it! I can, unfortunately, relate to the utter misery that Andy faces while at Runway, while my own clearly does not amount to her cataclysmic year of agony.

Having seen the movie well over 20 times, I found the book to be very little like the movie in most regards. The book is far more depressing, but far more real, and thus far more enjoyable. If you've never read this bo...more

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liz rated it:

(review of isbn 0767914767)

04/26/07

bookshelves: fun-slash-junk

Read in February, 2007

I thought Andy, the main character in the book, was much more sympathetic than her character in the movie. In the book, Andy is much more about "sticking it to the man" (expensing $10 for $6 taxi rides, picking up Starbucks for all the bums on the block on her way back from the morning run), and her best friend figures much more heavily. (This is something that I've noticed in the Harry Potter movies vs. books, too, that the secondary characters are given much shorter shrift in the mov...more

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Alana rated it:

07/31/07

bookshelves: awful, chicklit

Andrea Sachs, a recent college grad yearning to work for The New Yorker, accepts a job as personal assistant to the editor in chief of the ever successful fashion magazine Runway. (For those of you who missed it, the author worked as personal assistant to chief editor at Vogue). She soon discovers, however, that she is completely at the mercy of her boss-from-hell 24/7.

The story was amusing to begin with, parts of it were laugh-out-loud funny, but as the book drags on, it simply begins to r...more

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Alina rated it:

04/07/08

Read in March, 2008

The Devil Wears Prada is one of those books that were meant to be good but somehow didn’t make it. The style is almost lively; the characters are almost believable; the dialogues are almost funny. The story of the country mouse being wiser than the town mouse is none the worse for being one of the “seven original plots”. What, then, is missing?

A quick summary. Andy is a small-town American girl who dreams of writing for the New Yorker. In the meantime, she lands “the job a millio...more

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Abby rated it:

07/06/08

Read in July, 2008

Andy Sachs just graduated from Brown and her dream job is to write for The New Yorker. What she lands instead is an assistant position for Miranda Priestly, editor of Runway magazine. The job is total hell - Andy is at Miranda's beck and call 14 hours a day for urgent queries such as "Find me that restaurant review I read yesterday" or "Get copies of the newest Harry Potter book for my two daughters the day before they're released". But Andy is assured that if s...more

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Jun rated it:

05/05/08

bookshelves: fiction

Read in March, 2008

This review has been hidden because it contains spoilers. To view it, click here.

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