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  <title><![CDATA[Sword and Brush: The Spirit of the Martial Arts]]></title>
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  <description><![CDATA[This moment of perfect clarity that is the force behind all the traditional Japanese arts—from archery to flower arranging—is celebrated here in Dave Lowry's exploration of the common principles shared by calligraphy and the martial arts. Forty-two examples of Lowry's calligraphy, accompanied by his essays, show how the way of the brush reflects the strategic principles of the way of the sword. Each calligraphy represents a term from the martial arts—such as <em>do,</em> the way, or <em>wa, </em>harmony. The accompanying text amplifies our understanding of the term, what it meant to Japanese warriors, and what it means to practitioners of calligraphy and the martial arts today. What becomes clear is that these two seemingly unrelated disciplines actually partake of the same profound elemental spirit.]]></description>
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    <![CDATA[This moment of perfect clarity that is the force behind all the traditional Japanese arts—from archery to flower arranging—is celebrated here in Dave Lowry's exploration of the common principles shared by calligraphy and the martial arts. Forty-two examples of Lowry's calligraphy, accompanied by his essays, show how the way of the brush reflects the strategic principles of the way of the sword. Each calligraphy represents a term from the martial arts—such as <em>do,</em> the way, or <em>wa, </em>harmony. The accompanying text amplifies our understanding of the term, what it meant to Japanese warriors, and what it means to practitioners of calligraphy and the martial arts today. What becomes clear is that these two seemingly unrelated disciplines actually partake of the same profound elemental spirit.]]>
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    <body><![CDATA[If you’re familiar with key Japanese terms found in the martial arts – Ki, Do, Kata – Lowry will take your understanding a stage deeper. He examines the written characters that make up these concepts, explaining their origins and meaning in a way that often leads to a fascinating new perspecti...<a href="http://www.goodreads.com/review/show/74641010">more...</a>]]></body>
    
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    <![CDATA[Sword and Brush: The Spirit of the Martial Arts]]>
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    <![CDATA[This moment of perfect clarity that is the force behind all the traditional Japanese arts—from archery to flower arranging—is celebrated here in Dave Lowry's exploration of the common principles shared by calligraphy and the martial arts. Forty-two examples of Lowry's calligraphy, accompanied by his essays, show how the way of the brush reflects the strategic principles of the way of the sword. Each calligraphy represents a term from the martial arts—such as <em>do,</em> the way, or <em>wa, </em>harmony. The accompanying text amplifies our understanding of the term, what it meant to Japanese warriors, and what it means to practitioners of calligraphy and the martial arts today. What becomes clear is that these two seemingly unrelated disciplines actually partake of the same profound elemental spirit.]]>
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    <body><![CDATA[My aikido teacher recommended this book and I really liked it. Lowry has been a student of Japanese martial arts most of his life, and this book is a series of short meditations on how the written character for various martial-arts vocabulary words relates to the spirit behind the words' definitions...<a href="http://www.goodreads.com/review/show/62401567">more...</a>]]></body>
    
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    <![CDATA[This moment of perfect clarity that is the force behind all the traditional Japanese arts—from archery to flower arranging—is celebrated here in Dave Lowry's exploration of the common principles shared by calligraphy and the martial arts. Forty-two examples of Lowry's calligraphy, accompanied by his essays, show how the way of the brush reflects the strategic principles of the way of the sword. Each calligraphy represents a term from the martial arts—such as <em>do,</em> the way, or <em>wa, </em>harmony. The accompanying text amplifies our understanding of the term, what it meant to Japanese warriors, and what it means to practitioners of calligraphy and the martial arts today. What becomes clear is that these two seemingly unrelated disciplines actually partake of the same profound elemental spirit.]]>
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  <read_at>Mon Jan 01 00:00:00 -0800 2007</read_at>
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    <body><![CDATA[Exoticizes the calligraphy of martial arts terms and oversimplifies the stories attached to them. Better to learn of them in other texts instead of in this isolation.]]></body>
    
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      <review>
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    <![CDATA[Sword and Brush: The Spirit of the Martial Arts]]>
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    <![CDATA[This moment of perfect clarity that is the force behind all the traditional Japanese arts—from archery to flower arranging—is celebrated here in Dave Lowry's exploration of the common principles shared by calligraphy and the martial arts. Forty-two examples of Lowry's calligraphy, accompanied by his essays, show how the way of the brush reflects the strategic principles of the way of the sword. Each calligraphy represents a term from the martial arts—such as <em>do,</em> the way, or <em>wa, </em>harmony. The accompanying text amplifies our understanding of the term, what it meant to Japanese warriors, and what it means to practitioners of calligraphy and the martial arts today. What becomes clear is that these two seemingly unrelated disciplines actually partake of the same profound elemental spirit.]]>
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    <body><![CDATA[This is both a beautiful and insightful book but will be of interest only few.  Namely those fascinated by the realtionship between the martial arts and calligraphy.]]></body>
    
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    <![CDATA[This moment of perfect clarity that is the force behind all the traditional Japanese arts—from archery to flower arranging—is celebrated here in Dave Lowry's exploration of the common principles shared by calligraphy and the martial arts. Forty-two examples of Lowry's calligraphy, accompanied by his essays, show how the way of the brush reflects the strategic principles of the way of the sword. Each calligraphy represents a term from the martial arts—such as <em>do,</em> the way, or <em>wa, </em>harmony. The accompanying text amplifies our understanding of the term, what it meant to Japanese warriors, and what it means to practitioners of calligraphy and the martial arts today. What becomes clear is that these two seemingly unrelated disciplines actually partake of the same profound elemental spirit.]]>
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    <![CDATA[This moment of perfect clarity that is the force behind all the traditional Japanese arts—from archery to flower arranging—is celebrated here in Dave Lowry's exploration of the common principles shared by calligraphy and the martial arts. Forty-two examples of Lowry's calligraphy, accompanied by his essays, show how the way of the brush reflects the strategic principles of the way of the sword. Each calligraphy represents a term from the martial arts—such as <em>do,</em> the way, or <em>wa, </em>harmony. The accompanying text amplifies our understanding of the term, what it meant to Japanese warriors, and what it means to practitioners of calligraphy and the martial arts today. What becomes clear is that these two seemingly unrelated disciplines actually partake of the same profound elemental spirit.]]>
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    <![CDATA[This moment of perfect clarity that is the force behind all the traditional Japanese arts—from archery to flower arranging—is celebrated here in Dave Lowry's exploration of the common principles shared by calligraphy and the martial arts. Forty-two examples of Lowry's calligraphy, accompanied by his essays, show how the way of the brush reflects the strategic principles of the way of the sword. Each calligraphy represents a term from the martial arts—such as <em>do,</em> the way, or <em>wa, </em>harmony. The accompanying text amplifies our understanding of the term, what it meant to Japanese warriors, and what it means to practitioners of calligraphy and the martial arts today. What becomes clear is that these two seemingly unrelated disciplines actually partake of the same profound elemental spirit.]]>
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