31st out of 88 books
—
3 voters
Almost No Memory
by
Lydia Davis
Philosophical inquiry, examinations of language, and involuted domestic disputes are the focus of Lydia Davis’s inventive collection of short fiction, Almost No Memory. In each of these stories, Davis reveals an empathic, sometimes shattering understanding of human relationships.
Paperback, 208 pages
Published
September 8th 2001
by Picador
(first published June 1st 1997)
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"The Professor" — "A few years ago, I used to tell myself I wanted to marry a cowboy."
"The Cedar Trees" — "When our women had all turned into cedar trees they would group together in a corner of the graveyard and moan in the high wind."
"St. Martin" — "We were caretakers for most of that year, from early fall until summer."
"Smoke" — "Hummingbirds make explosions in the dying white flowers——not only the white flowers are dying but old women are falling from branches everywhere——in smoking...more
"The Professor" — "A few years ago, I used to tell myself I wanted to marry a cowboy."
"The Cedar Trees" — "When our women had all turned into cedar trees they would group together in a corner of the graveyard and moan in the high wind."
"St. Martin" — "We were caretakers for most of that year, from early fall until summer."
"Smoke" — "Hummingbirds make explosions in the dying white flowers——not only the white flowers are dying but old women are falling from branches everywhere——in smoking...more
Between the considerable avoirdupois of Zola's Germinal and Perec's Life A User's Manual I needed to insert some verbal economy into my reading life. Lydia Davis's Almost No Memory was the perfect choice: subtly unlike anything else I have ever read, Davis takes the short story to new heights of concision, and does so in such a distinctive narrative voice that I walked around for days with a Davis-esque internal narrator commenting on my every move. Then I read a selection of these stories over...more
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Davis needs no introduction, nor pithy summary. These stories are mathematical riddles, little sentences twining and twirling around their own meaning. At the end of the collection, I felt as though trapped at the centre of a maze, as though reading them backwards would free me from the spiral of captivity.
Her style is homely-cum-brainy, the self-awareness of a part-time egghead, part-time wife-and-mother. The shorter stories tickled me the most, the longer ones felt like forced digressions. Ho...more
Her style is homely-cum-brainy, the self-awareness of a part-time egghead, part-time wife-and-mother. The shorter stories tickled me the most, the longer ones felt like forced digressions. Ho...more
Well, such an odd one! I don't know what to make of it.
This is the first collection of short stories I have read by Lydia Davis. I had no idea what it would be like, and if I had read the back cover that would not have given me much clue.
Most of these stories are very short, and it is hard to call them "stories" at all. Many of them explore a state of mind, a thought, an observation, turning it this way and that and looking at it. A few stories are longer, some identifiable as a story, others mo...more
This is the first collection of short stories I have read by Lydia Davis. I had no idea what it would be like, and if I had read the back cover that would not have given me much clue.
Most of these stories are very short, and it is hard to call them "stories" at all. Many of them explore a state of mind, a thought, an observation, turning it this way and that and looking at it. A few stories are longer, some identifiable as a story, others mo...more
At her best, Lydia Davis creates strange little worlds that revolve around their own logic, a logic both strange and beautiful. A town with 12 woman, and a 13th who doesn't fully exist; a town where the woman become trees; an analysis of what a man means when he tells his lover to "go away" - these all make sense in the context of Davis' structuring, even though you'd sound crazy trying to describe them as stories. Her amazing use of language is displayed in stories like "The Outing," where 8 br...more
In this second volume of Davis' collected stories, there are several which are more outward-looking and anchored in the actual concrete details of the world. The stories in which other characters appear and have an effect on what happens, or the setting is treated as interesting, are the best to read, although there is still a deadness and a repetitiveness to most of them which makes the overall task of reading feel like a chore.
And we still have plenty of the circular, obsessive, repetitive rum...more
And we still have plenty of the circular, obsessive, repetitive rum...more
Lydia Davis: The ultimate in literary bathroom lit. Keep copies of Lydia Davis' books in your guest bathroom and impress your visitors with your highbrow literary taste, coupled with two minute reads.
Easy to show your literary cred when your bathroom reading material contains paragraphs like this:
"I am reading a sentence by a certain poet as I eat my carrot. Then, although I know I have read it, although I know my eyes have passed along it and I have heard the words in my ears, I am sure I haven...more
Easy to show your literary cred when your bathroom reading material contains paragraphs like this:
"I am reading a sentence by a certain poet as I eat my carrot. Then, although I know I have read it, although I know my eyes have passed along it and I have heard the words in my ears, I am sure I haven...more
Reading this was an interesting experience, as many of the stories contained in this book were short, as in a page, or even just a paragraph, long. There is minimalist, and there's paring down a story to a fragile lacework. The author is excellent at this lacework, telling a story in the fewest words possible in most cases. Some readers will find this wonderful, but to me the suggestion of a story isn't a story. That's why I couldn't rate this book higher.
My major pet peeve, as a (quasi)retired...more
My major pet peeve, as a (quasi)retired...more
I really like Lydia Davis, not because she's an interesting writer, but because she is boring and she knows it. Many of these little stories, paragraphs really, I read and thought afterward, "how pointless," but I was laughing about it; because her boring-ness is exasperating and enviable. She is a very refined writer, with this book she reminded me of Sebald.
If I believed that what I felt was not the center of everything, then it wouldn't be, but just one of many things, off to the side, and I...more
If I believed that what I felt was not the center of everything, then it wouldn't be, but just one of many things, off to the side, and I...more
Although Lydia Davis is plainly a force to be reckoned with in current letters, I postponed a bit (half a decade or so) because of my sometime impatience with short stories. Sure enough I did get a bit impatient here and there, mostly with the ones that are two paragraphs (or two sentences) long - ideas for stories more than stories in any conventional sense. And no doubt she isn't always trying to write stories in any conventional sense but the ones I like best were in the 20+ page range, givin...more
Not a huge fan of this one.
The characters I enjoyed and stories I was interested in were never properly fleshed out and the stories that seemed to go nowhere (see "Center of the story").
I give props for doing something fresh to the short story, but other than that I found this to be nothing more than the constant affirmation that, despite your initial feelings, you are almost always wrong and you will grow from the experience; which was, I believe, the theme for each and every one of the stories...more
The characters I enjoyed and stories I was interested in were never properly fleshed out and the stories that seemed to go nowhere (see "Center of the story").
I give props for doing something fresh to the short story, but other than that I found this to be nothing more than the constant affirmation that, despite your initial feelings, you are almost always wrong and you will grow from the experience; which was, I believe, the theme for each and every one of the stories...more
Yesterday, halfway through the collection, I sat and wrote a scathing review in the 'style' of Lydia Davis complaining about the following things: the fact that she wrote in such a cerebral way, the fact that she was so deliberately economical and detached, the fact that she was so reminiscent of Carver, how claustrophobic her writing felt at times. It was easy to mimic Davis' writing style, so it felt like a cheap shot and I didn't post it.
Today I finished the book (I know, a strange way to app...more
Today I finished the book (I know, a strange way to app...more
I found this collection of short stories to be tedious. There were a number of stories I began reading but became so desperately bored with that I chose to close the book and not return to them. Often, I would forget the point of many of her strem-of-consciousness ramblings and would garner nothing from her words. "St Martin" was among the few stories I found intriguing but lacking a resolution. I finished the story wanting more.
Collection of short, flash, and ultra-flash fiction. Some stories are stories about themselves, which is confusing but interesting. Picked this up after a mention on thxthxthx.com and found I had read one of the stories in a prior collection of flash fiction. Interesting & quick reading.
Good stories were really good. Some were not. The author is a big fan of 2-page sentences, which usually involved deconstructing an event.
REALLY good ultra-short stories about interacting with a spouse.
I'll p...more
Good stories were really good. Some were not. The author is a big fan of 2-page sentences, which usually involved deconstructing an event.
REALLY good ultra-short stories about interacting with a spouse.
I'll p...more
Those of you on my friends list know I have a bias against length so it will come as no surprise that I liked the short short stories much better than the long short stories. The piercing beauty of The Mice, Odd Behavior, or A Second Chance cannot compare to Lord Royston’s Tour, which rambles on for no discernible reason.
She's good, i like her. This is the first i've read of Lydia Davis, and i liked this book more and more the deeper i got into it. The stories are neurotic, incredibly observant, and poetic. I've really been feeling prose poetry lately and her style is inspiring me.
Examples of Confusion is beautiful:
"I have decided to take a certain book with me when I go. I am tired and can't think how I will carry it, though it is a small book. I am reading it before I go, and I read: 'The antique bracelet she...more
Examples of Confusion is beautiful:
"I have decided to take a certain book with me when I go. I am tired and can't think how I will carry it, though it is a small book. I am reading it before I go, and I read: 'The antique bracelet she...more
there's like 50 short stories in this collection, most of which are 2 pages or less. i liked the pieces that sounded most autobiographical best. she's interested in logical and emotional paradoxes, and the reasons people act poorly towards the ones they love. she's introspective, sometimes obsessively so--but in small doable doses. the magic realism stuff i didn't like as much, and some stories seemed like they were more fun probably to write than they were to read (that's my knock on a lot of j...more
Excellent collection of short pieces (usually around a page long), some a bit too clever clever for my liking, but I really enjoyed the longer pieces: St Martin about a couple housesitting in rural France, begging dinners from their odd neighbours, superbly evoking the atmosphere of drift and neglect. The one about the murder (The Front House?) also set in France was fantastic in its peeling back of social mores. Also loved the cowboy one (where the narrator wants to marry a cowboy) and who coul...more
Lydia Davis has the ability to tell a seemingly simple, sometimes paragraph long story, and make it the most complex, yet satisfying around. She takes things that seem mundane and everyday (story about a grocery store lobster tank) and turns them into works of fiction that are so pure and amusing.. She makes me want to write. Enough said.
One of my favorites is definitely The Professor (one of them, they are all in some way), read it, love it and read it again.
One of my favorites is definitely The Professor (one of them, they are all in some way), read it, love it and read it again.
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Lydia Davis, acclaimed fiction writer and translator, is famous in literary circles for her extremely brief and brilliantly inventive short stories. In fall 2003 she received one of 25 MacArthur Foundation “Genius” awards. In granting the award the MacArthur Foundation praised Davis’s work for showing “how language itself can entertain, how all that what one word says, and leaves unsaid, can hold...more
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