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  <id>485018</id>
  <title><![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image (Live Girls)]]></title>
  <isbn><![CDATA[1580051081]]></isbn>
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  <description><![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]></description>
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  <original_title>Body Outlaws: Rewriting the Rules of Beauty and Body Image (Live Girls)</original_title>
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        <name><![CDATA[Ophira Edut]]></name>
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  <title>
    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
  </title>
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  <description>
    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
  </description>
  <published>2000</published>
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    <rating>5</rating>
  <votes>1</votes>
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  <read_at>Sat Mar 01 00:00:00 -0800 2008</read_at>
  <date_added>Mon Mar 02 10:50:12 -0800 2009</date_added>
  <date_updated>Mon Mar 02 10:55:33 -0800 2009</date_updated>
  <read_count>3</read_count>
    <body><![CDATA[Body Outlaws is a challenging book.  I think it challenges women to think differently about their body issues, the issues of the women around them, and to look at the structures in place that are designed to make women feel insecure.  Also, while a reader might not love every chapter, I think there'...<a href="http://www.goodreads.com/review/show/48009295">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/48009295]]></url>
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</review>
      <review>
  <id>65118748</id>
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    <id>1339682</id>
    <name><![CDATA[Heather]]></name>
    <location><![CDATA[Portland, OR]]></location>
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  <isbn>1580050433</isbn>
  <isbn13>9781580050432</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Body Outlaws: Young Women Write About Body Image and Identity]]>
  </title>
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  <average_rating>3.29</average_rating>
  <ratings_count>14</ratings_count>
  <description>
    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
  </description>
  <published>2000</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Jul 28 00:00:00 -0700 2009</read_at>
  <date_added>Mon Jul 27 07:50:58 -0700 2009</date_added>
  <date_updated>Wed Jul 29 21:04:52 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Think you're an outcast from society? This book is a series of essays from a vast array of women regarding body image and identity issues. They are transgendered and wheelchaired. They have big butts, big noses, and big mouths. Their skin is too light, too brown, or too pimply. They are inspirationa...<a href="http://www.goodreads.com/review/show/65118748">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/65118748]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/65118748]]></link>
</review>
      <review>
  <id>24314013</id>
    <user>
    <id>142816</id>
    <name><![CDATA[Miss CC]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/142816-miss-cc]]></link>
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  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Body Outlaws: Young Women Write About Body Image and Identity]]>
  </title>
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  <link>http://www.goodreads.com/book/show/1580610.Body_Outlaws_Young_Women_Write_About_Body_Image_and_Identity</link>
  <average_rating>3.80</average_rating>
  <ratings_count>121</ratings_count>
  <description>
    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
  </description>
  <published>2000</published>
</book>

    <rating>4</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
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            <shelf name="feminism" />
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jan 01 00:00:00 -0800 2001</read_at>
  <date_added>Thu Jun 12 07:32:57 -0700 2008</date_added>
  <date_updated>Thu Jun 12 07:38:05 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Amy Herron gave me this book one year during the winter holidays.  (She celebrates Hanukkah; I don't celebrate any of those winter holidays anymore, but I come from a Christmas background.)<br/><br/>Anyway, this book is all about young women loving their bodies, including fat, scars, hair, tattoos...<a href="http://www.goodreads.com/review/show/24314013">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/24314013]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/24314013]]></link>
</review>
      <review>
  <id>47152011</id>
    <user>
    <id>1325029</id>
    <name><![CDATA[Diana]]></name>
    <location><![CDATA[Paoli, PA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1325029-diana]]></link>
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  <isbn>1580051081</isbn>
  <isbn13>9781580051088</isbn13>
  <text_reviews_count type="integer">13</text_reviews_count>
  <title>
    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1175141010m/485018.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1175141010s/485018.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/485018.Body_Outlaws_Rewriting_the_Rules_of_Beauty_and_Body_Image</link>
  <average_rating>3.80</average_rating>
  <ratings_count>121</ratings_count>
  <description>
    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
  </description>
  <published>2000</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Feb 22 00:00:00 -0800 2009</read_at>
  <date_added>Sun Feb 22 10:17:48 -0800 2009</date_added>
  <date_updated>Sun Feb 22 10:20:02 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I typically don't like creative non-fiction (funny, because that's the only I write when I bother to write at all), but this volume of essays is wonderful.  It has woman of various races and body types all railing against the standards of beauty imposed by media and society in this country.  Surpris...<a href="http://www.goodreads.com/review/show/47152011">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/47152011]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/47152011]]></link>
</review>
      <review>
  <id>59107637</id>
    <user>
    <id>275015</id>
    <name><![CDATA[jill]]></name>
    <location><![CDATA[Baltimore, MD]]></location>
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  <isbn>1580051081</isbn>
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  <text_reviews_count type="integer">13</text_reviews_count>
  <title>
    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1175141010s/485018.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/485018.Body_Outlaws_Rewriting_the_Rules_of_Beauty_and_Body_Image</link>
  <average_rating>3.80</average_rating>
  <ratings_count>121</ratings_count>
  <description>
    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
  </description>
  <published>2000</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[Lani]]></recommended_by>
  <read_at>Thu Jun 18 00:00:00 -0700 2009</read_at>
  <date_added>Tue Jun 09 21:58:10 -0700 2009</date_added>
  <date_updated>Sat Jun 27 13:22:43 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I think I would have liked this collection better if more of the essays were a little more narrative and a bit less philosophical, for lack of a better term.  The ones that stood out to me were the ones that described specific anecdotes, especially from childhood, and built their stories from there....<a href="http://www.goodreads.com/review/show/59107637">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/59107637]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/59107637]]></link>
</review>
      <review>
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    <name><![CDATA[Lani]]></name>
    <location><![CDATA[Baltimore, MD]]></location>
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    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
  </title>
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  <average_rating>3.80</average_rating>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
  </description>
  <published>2000</published>
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    <rating>4</rating>
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  <read_at>Fri May 01 00:00:00 -0700 2009</read_at>
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  <date_updated>Fri Jun 05 08:03:32 -0700 2009</date_updated>
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    <body><![CDATA[Definitely one of my more enjoyable feminist/body image reads. This is a collection of essays written by women of color, lesbians, strippers, and academics. To name a few. All of these are women resisting the societal expectations of the perfect woman. There were several essays that made me face my ...<a href="http://www.goodreads.com/review/show/54683103">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
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  <read_at>Sun Nov 02 00:00:00 -0700 2008</read_at>
  <date_added>Thu Oct 23 22:24:14 -0700 2008</date_added>
  <date_updated>Sun Nov 09 22:12:09 -0800 2008</date_updated>
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    <body><![CDATA[I was never so proud to be a woman than when I read this book. Some of the essays were much better written than others, but that didn't change how inspired I was after reading each individual experience.<br/><br/>No one other than Diana Courvant could have convinced me that stripping could actuall...<a href="http://www.goodreads.com/review/show/36080333">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
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  <read_at>Tue Jan 20 00:00:00 -0800 2009</read_at>
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  <date_updated>Tue Jan 20 16:04:59 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Body Outlaws challenged me to continue to reevaluate what i consider to be beautiful...to broaden my concept of beauty for myself and others. ]]></body>
    
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    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
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  <date_added>Wed Oct 14 11:02:22 -0700 2009</date_added>
  <date_updated>Wed Oct 14 11:02:31 -0700 2009</date_updated>
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    <body><![CDATA[For book club<br/>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/74517085]]></url>
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      <review>
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  <title>
    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
  </title>
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  <average_rating>3.80</average_rating>
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  <description>
    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
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  <date_added>Mon Jul 21 09:58:21 -0700 2008</date_added>
  <date_updated>Mon Jul 21 10:00:57 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[A great introduction to feminism and the politics of the body.  Some of the essays are standouts while others are mediocre, but the candid tone and the importance of the topics make the entire book worth reading.  I would have enjoyed it more with more critical analysis of the topics covered and a l...<a href="http://www.goodreads.com/review/show/27858893">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
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  <average_rating>3.80</average_rating>
  <ratings_count>121</ratings_count>
  <description>
    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
  </description>
  <published>2000</published>
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    <rating>4</rating>
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  <read_at>Wed May 27 00:00:00 -0700 2009</read_at>
  <date_added>Fri May 01 18:10:13 -0700 2009</date_added>
  <date_updated>Wed May 27 09:29:22 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A great anthology, but I particularly enjoyed the essay written by the vegan!]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/54646656]]></url>
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      <review>
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    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
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  <date_added>Thu Aug 23 12:05:57 -0700 2007</date_added>
  <date_updated>Thu Aug 23 12:05:57 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Timely idea, the essays themselves vary greatly in quality and outlook. Also in topic: the scope's a bit broad... yet I can see no way around that. What would you cut? Race? Height? Weight? Shape? It all counts and it's all here...]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/5015497]]></url>
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      <review>
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  <title>
    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
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  <average_rating>3.80</average_rating>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
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  <published>2000</published>
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    <rating>5</rating>
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  <read_at>Wed Jan 01 00:00:00 -0800 2003</read_at>
  <date_added>Tue Apr 15 00:54:23 -0700 2008</date_added>
  <date_updated>Fri Aug 15 14:05:02 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I read this book in my college womens study class. I love the way the women in the book talk about their bodies, very empowering. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/20201311]]></url>
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      <review>
  <id>17246668</id>
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    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
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  <read_at>Sat Mar 01 00:00:00 -0800 2008</read_at>
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  <date_updated>Wed Apr 09 10:36:55 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I loved the honesty and vulnerability each writer carried through.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/17246668]]></url>
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      <review>
  <id>16441945</id>
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    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
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  <read_at>Fri Dec 04 06:18:56 -0800 2009</read_at>
  <date_added>Tue Feb 26 13:29:07 -0800 2008</date_added>
  <date_updated>Fri Dec 04 06:18:56 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I'm not that far into it yet, but it is fabulous already.]]></body>
    
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      <review>
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    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
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  <average_rating>3.80</average_rating>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
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    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
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    <![CDATA[Body Outlaws: Young Women Write About Body Image and Identity]]>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
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    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
  </description>
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  <isbn>1580051081</isbn>
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  <title>
    <![CDATA[Body Outlaws: Rewriting the Rules of Beauty and Body Image]]>
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    <![CDATA[The breezy, irreverent essays in <em>Adios, Barbie</em> are a welcome antidote to the narrow cultural consciousness the tiny doll has fostered for more than 40 years. While thousands of little girls worship Barbie's plasticine perfection, those who wind up dissatisfied with the message she sends--be white, be skinny, be stacked, be pretty, and then you'll be loved--can tell you how a toy skews body image in the real world. Among whites talking trash about blacks and upwardly mobile black folks, notes Erin J. Aubry, big butts are suspect--&quot;low-class and ghettoish,&quot; the antithesis of Barbie's tightly tucked derriere. Yet on good days, Aubry applauds her ample proportions, for &quot;unlike hair or skin, the butt is stubborn, immutable--it can't be hot-combed or straightened or bleached into submission. It does not assimilate; it never took a slave name.&quot; <p>  In &quot;Fishnets, Feather Boas, and Fat,&quot; Nomy Lam--a 250-pound, 22-year-old disabled woman--and friends elbow their way to the front of a determinedly different club, &quot;dancing like fiends toward revolution.&quot; Lee Damsky tells us why her mother's model of scientific prowess took a dusty third-place to big-screen images of &quot;beauty and femininity [that] seem to offer me absolute power rivaled only by a fascist dictatorship.&quot; Because the various writers gathered together here are young, their conceits and world-views are sometimes annoyingly unexamined; by the same token, though, their energy, heckling, and bone-deep assurance make large and pleasing dents in mainstream assumptions. <em>--Francesca Coltrera</em> </p>]]>
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  <published>2000</published>
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