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  <title><![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]></title>
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  <description><![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]></description>
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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  <read_at>Fri Mar 20 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[Oh, the U.S. music industry: you made us hate you. You really, really did. Don't be angry because we learned to hate you too well.<br/><br/>This was an excellent look at the battle between major music labels and their heels-dug-in resistance to changing technology, opinions, and taste over the pas...<a href="http://www.goodreads.com/review/show/42470510">more...</a>]]></body>
    
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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  <read_at>Wed Jul 01 00:00:00 -0700 2009</read_at>
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  <date_updated>Mon Aug 03 07:19:59 -0700 2009</date_updated>
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    <body><![CDATA[This book is part hard journalism; part celebrity gossip.  In both cases, the targets are not the musicians who create music, but their managers; the A&amp;R people; the music industry CEO's of large companies -- in short, most everyone responsible for pushing trends and pop tarts, soulless and manufact...<a href="http://www.goodreads.com/review/show/65981645">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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  <date_added>Tue Jul 21 02:02:28 -0700 2009</date_added>
  <date_updated>Tue Jul 21 02:09:46 -0700 2009</date_updated>
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    <body><![CDATA[pretty interesting history of exactly what the subtitle indicates.  Author pushes the view that record companies did not have to suffer when downloading became possible, if they had had the foresight to get on board with ideas such Itunes rather than fighting rearguard action to try to protect the o...<a href="http://www.goodreads.com/review/show/64332332">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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  <read_at>Wed Mar 04 00:00:00 -0800 2009</read_at>
  <date_added>Mon Mar 02 10:43:46 -0800 2009</date_added>
  <date_updated>Fri Mar 06 09:04:10 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Well I've never been a fan of the majors even when my favorite acts ended up on them (eventually). This book gave me more insight and answers to questions I had into why they f'd up with the digital evolution. I ended up seeing a similarity between the exec's of the music industry and the greed of W...<a href="http://www.goodreads.com/review/show/48008595">more...</a>]]></body>
    
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
  </description>
  <published>2009</published>
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  <date_added>Thu Aug 20 06:21:52 -0700 2009</date_added>
  <date_updated>Wed Aug 26 10:32:15 -0700 2009</date_updated>
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    <body><![CDATA[Key takeaway from the book: &quot;...the record business is doomed.  The music business, however, has a bright future.&quot;<br/><br/>No surprise; we probably already knew that, but Rolling Stone Contributing Editor Steve Knopper provides a lot of interesting details and background on how this cam...<a href="http://www.goodreads.com/review/show/68164524">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/68164524]]></url>
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      <review>
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  <title>
    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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  <read_at>Tue Feb 03 13:36:25 -0800 2009</read_at>
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    <body><![CDATA[Here is the history of the music business in brief: There used to be hundreds of labels all over the world, then the radio companies started buying up artists and they owned all the means of production and distribution for LPs which were heavy and expensive to ship and fans boycotted any record that...<a href="http://www.goodreads.com/review/show/43863033">more...</a>]]></body>
    
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    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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  <read_at>Fri Jul 31 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[An interesting journey through the record industry's arrogant missteps as they tried to both maintain the status quo, milk the fat profits of the CD-ROM revolution, and get completely blindsided by peer-to-peer file sharing. The book itself is well-researched but lacks an overall cohesiveness, tendi...<a href="http://www.goodreads.com/review/show/68898826">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/68898826]]></url>
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    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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  <date_updated>Sat Jan 24 16:49:09 -0800 2009</date_updated>
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    <body><![CDATA[Finally, somebody has the balls to tell the real reasons why the record business is dying. Yes, downloading is one of the reasons, but as Knopper reports, if record companies had worked WITH Napster they could have had a working model for online sales before the majority of consumers even realized t...<a href="http://www.goodreads.com/review/show/44218116">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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  <read_at>Thu Jun 25 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[A nice survey of the music industry from the 1980s til now. There aren't any real conclusions drawn about the digital-driven sea changes of the past few years, other than the usual finger-pointing and scapegoating. What I did enjoy, though, was how Knopper so vividly paints a portrait of the CD-era ...<a href="http://www.goodreads.com/review/show/61019443">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/61019443]]></url>
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    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
  </description>
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  <read_at>Thu Feb 05 00:00:00 -0800 2009</read_at>
  <date_added>Tue Jan 13 11:57:58 -0800 2009</date_added>
  <date_updated>Thu Feb 05 17:30:32 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I really enjoyed this book. I have developed an avid interest in the <em>recording industry</em>, from its inception pre-1900 to the current digital miasma. I lived through records and 8-tracks (I purchased music in both formats! Don't ask what--I'll never tell!), built my high-school music collection on cas...<a href="http://www.goodreads.com/review/show/42926034">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/42926034]]></url>
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    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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    <body><![CDATA[The chain of self-destruction from the music industry as taste-maker to the public to the current sorry state of nearly universal antipathy is actually a long, complicated, almost deliberate course of willful ignorance about the changing nature of the business.  Only be completely ignoring the world...<a href="http://www.goodreads.com/review/show/61610943">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/61610943]]></url>
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      <review>
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    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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    <body><![CDATA[Not the best thing ever, but a crisp history of how the record business screwed the pooch w/r/t digital music.  Suffers a bit from the whole &quot;Obviously Napster was the answer&quot; boosterism of the internet futurist set.  Still, some amusing anecdotes about the old-time record folks and what s...<a href="http://www.goodreads.com/review/show/58284696">more...</a>]]></body>
    
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    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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    <body><![CDATA[A really interesting and quick read. The real highlight of the book are the 8 big music big mistakes. Instead of the story being just about the rise of Napster and iTunes, Knopper talks about the Cd Longbox, the Decline of the Single. A really fascinating read for music lovers with an interest in th...<a href="http://www.goodreads.com/review/show/47278603">more...</a>]]></body>
    
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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    <body><![CDATA[More of what we already figured, with more detail.  I thought this book would add something new to the discussion, but it seemed to rehash the same ideas already thrown around.  The only part I really enjoyed were the case studies - about 4 - 5 pages per chapter covering a reason for the recording i...<a href="http://www.goodreads.com/review/show/61234121">more...</a>]]></body>
    
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    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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    <body><![CDATA[A great, compulsively-readable history of the music industry from the disco era through last year.  Huge personalities, decadence, excess, and thoroughly boneheaded decisions.  Delicious schadenfreude.  Highly recommended to anyone who likes music and technology, or came of age in the Napster era.]]></body>
    
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    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
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  <date_added>Wed Jun 03 14:58:19 -0700 2009</date_added>
  <date_updated>Wed Jun 03 15:00:10 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I more skimmed this book than read it. A lot of gossip about all of the players involved. And I just don't care about Tommy Mottola and Mariah Carey. Some chapters were interesting, but I thought this would focus more on the future of the record industry. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/58332888]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/58332888]]></link>
</review>
      <review>
  <id>51869987</id>
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  <title>
    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
  </title>
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  <average_rating>3.54</average_rating>
  <ratings_count>94</ratings_count>
  <description>
    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
  </description>
  <published>2009</published>
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    <rating>3</rating>
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  <read_at>Sun Apr 19 00:00:00 -0700 2009</read_at>
  <date_added>Tue Apr 07 17:29:50 -0700 2009</date_added>
  <date_updated>Sun Apr 19 17:29:05 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A look at all the ways the music industry has gone wrong in the last 25 years. Much of the book is a play-by-play at the executive decision-making level.  It would have been better had it included a broader array of perspectives, such as musicians and record store owners, and provided some more bird...<a href="http://www.goodreads.com/review/show/51869987">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/51869987]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/51869987]]></link>
</review>
      <review>
  <id>50245296</id>
    <user>
    <id>977989</id>
    <name><![CDATA[Dave]]></name>
    <location><![CDATA[Berea, OH]]></location>
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  <title>
    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
  </title>
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  <average_rating>3.54</average_rating>
  <ratings_count>94</ratings_count>
  <description>
    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
  </description>
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  <read_at>Tue Mar 31 00:00:00 -0700 2009</read_at>
  <date_added>Mon Mar 23 19:53:49 -0700 2009</date_added>
  <date_updated>Tue Mar 31 15:38:32 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Interesting for its information on the stupidity of record companies/moguls (about what you might think, only worse).  Nice bits on Shawn Fanning and Napster.  Note:  this is about big business, not music or musicians.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/50245296]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/50245296]]></link>
</review>
      <review>
  <id>42582701</id>
    <user>
    <id>1852826</id>
    <name><![CDATA[Brett]]></name>
    <location><![CDATA[Ballwin, MO]]></location>
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  <title>
    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
  </title>
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  <average_rating>3.54</average_rating>
  <ratings_count>94</ratings_count>
  <description>
    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
  </description>
  <published>2009</published>
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  <date_added>Sat Jan 10 11:41:36 -0800 2009</date_added>
  <date_updated>Sat Jan 10 11:42:35 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Am fascinated by how the music biz has handled the digital revolution.  This book looks like it will shed some light on the matter.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/42582701]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/42582701]]></link>
</review>
      <review>
  <id>43063184</id>
    <user>
    <id>174714</id>
    <name><![CDATA[Christina]]></name>
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  <title>
    <![CDATA[Appetite for Self-Destruction: The Rise and Fall of the Record Industry in the Digital Age]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
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  <average_rating>3.54</average_rating>
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  <description>
    <![CDATA[For the first time, <em>Appetite for Self-Destruction</em> recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, <em>Rolling Stone</em> contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.<p>Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen.<p>With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, <em>Appetite for Self-Destruction</em> is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.</p></p>]]>
  </description>
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  <date_added>Wed Jan 14 16:47:25 -0800 2009</date_added>
  <date_updated>Wed Jan 14 16:47:50 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I listened to the interview with the author on Fresh Air (NPR) tonight and it was fascinating.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/43063184]]></url>
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