Fernand Lager is the only major modern artist to choose modernity itself as his subject. From his early series "Contrastes de formes" of 1913-14--the first fully abstract works to emerge from Cubism--through his paintings of construction workers from the late 1940s and early 1950s, his enduring subject was the pulse and dynamism of everyday life. Lager saw the 20th century...more
Hardcover, 304 pages
Published January 1st 2002 by Museum of Modern Art
(first published March 1st 1998)
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