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Signatures of the Visible
The visual is essentially pornographic," writes Fredric Jameson, "films ask us to stare at the world as though it were a naked body." In Signatures of the Visible, one of America's most influential critics explores film and the culture surrounding it, interrogating the relationship between the imaginative screen world and the historical world onto which it is projected. By ...more
Paperback, 262 pages
Published August 14th 1992 by Routledge
(first published 1990)
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Esto nos lleva a un resultado inesperado: no se trata solo de que la fantasía encarnada en el lenguaje mudo de un edificio pueda articular la utopía de la justicia, libertad e igualdad, traicionada por las relaciones sociales reales; esta fantasía también puede articular un anhelo por la desigualdad, por una jerarquía claramente definida y por distinciones de clase. Jameson toma la película de Stanley Kubrick El resplandor, otra película centrada en la arquitectura, como un ejemplo de esta ambig ...more
Once again, this book is lacking a definition of allegory and I'm not a Marxist so I don't really believe that everything ("The Shining" for example) can be read as an allegory for class consciousness. But it at least gives you something to talk about.
Fredric Jameson (born 14 April 1934) is an American literary critic and Marxist political theorist. He is best known for his analysis of contemporary cultural trends—he once described postmodernism as the spatialization of culture under the pressure of organized capitalism. Jameson's best-known books include Postmodernism: The Cultural Logic of Late Capitalism, The Political Unconscious, and Marxi ...moreMore about Fredric Jameson...