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  <title><![CDATA[And Our Faces, My Heart, Brief as Photos]]></title>
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    <![CDATA[And Our Faces My Heart Brief As Photos]]>
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    <![CDATA[In an extraordinary distillation of his gifts as a novelist, poet, art critic, and social historian, John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality.]]>
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  <read_at>Sun Jan 04 00:00:00 -0800 2009</read_at>
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    <body><![CDATA[You should read writers that the writers you love love. Gerald Vizenor always seems to work a mention of John Berger into his texts. <br/><br/>This was brilliant and expressed quite a few ideas about time far better than I ever could have expressed them myself. A collection of philosophical sketch...<a href="http://www.goodreads.com/review/show/41316549">more...</a>]]></body>
    
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    <![CDATA[And Our Faces, My Heart, Brief as Photos]]>
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    <![CDATA[In an extraordinary distillation of his gifts as a novelist, poet, art critic, and social historian, John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality.]]>
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  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
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    <body><![CDATA[Weaving between prose and poetry, John Berger manages to get to the heart of love, distance, and loss.  An amazing read.  At least monthly, I pick it up to reread my favorite parts.]]></body>
    
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  <description>
    <![CDATA[In an extraordinary distillation of his gifts as a novelist, poet, art critic, and social historian, John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality.]]>
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  <recommended_for><![CDATA[waking dreamers]]></recommended_for>
  <recommended_by><![CDATA[read an article of his in Harpers and went looking]]></recommended_by>
  <read_at></read_at>
  <date_added>Sun Mar 30 16:29:22 -0700 2008</date_added>
  <date_updated>Sun Mar 30 16:50:33 -0700 2008</date_updated>
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    <body><![CDATA[this was my first book of Berger's and still the one i love the most. his passions illuminate my own, or open me up to new ones.  <br/>it is a combination of poetry and prose that mirrors those elements in everyday experience, everyday willingness to experience as fully as possible.<br/><br/>in m...<a href="http://www.goodreads.com/review/show/19030100">more...</a>]]></body>
    
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      <review>
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    <name><![CDATA[Anthony]]></name>
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    <![CDATA[And Our Faces, My Heart, Brief as Photos]]>
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    <![CDATA[In an extraordinary distillation of his gifts as a novelist, poet, art critic, and social historian, John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality.]]>
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  <date_added>Mon Sep 22 09:26:17 -0700 2008</date_added>
  <date_updated>Mon Sep 22 09:33:43 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[A gorgeous and very unique work; it moves from  personal and introspective prose to lyrical free verse to academic prose without seeming fragmented.  The discussion of Caravaggio totally changed the way I see &quot;Boy Being Bitten by a Lizard&quot;.  Recommended to me by Mylinh. Thanks :-)]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/33519753]]></url>
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      <review>
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    <name><![CDATA[James]]></name>
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    <![CDATA[And Our Faces, My Heart, Brief as Photos]]>
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  <average_rating>4.34</average_rating>
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    <![CDATA[In an extraordinary distillation of his gifts as a novelist, poet, art critic, and social historian, John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality.]]>
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  <date_added>Fri Aug 29 07:02:09 -0700 2008</date_added>
  <date_updated>Fri Aug 29 07:03:38 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I read this again and again and again when I was Estonia years ago--on the one hand I only had a small pile of books, but on the other I really love Berger's humanist aesthetics--hovers somewhere in the company of Kundera and Rilke.  Good stuff.<br/><br/>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/31512035]]></url>
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      <review>
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    <name><![CDATA[Gary]]></name>
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    <![CDATA[And Our Faces, My Heart, Brief as Photos]]>
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    <![CDATA[In an extraordinary distillation of his gifts as a novelist, poet, art critic, and social historian, John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality.]]>
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  <date_added>Thu Sep 18 19:33:52 -0700 2008</date_added>
  <date_updated>Thu Sep 18 19:34:43 -0700 2008</date_updated>
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    <body><![CDATA[Rensch recommends. Library?]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/33219069]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/33219069]]></link>
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      <review>
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    <name><![CDATA[Mark]]></name>
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    <![CDATA[And Our Faces, My Heart, Brief as Photos]]>
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  <average_rating>4.34</average_rating>
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    <![CDATA[In an extraordinary distillation of his gifts as a novelist, poet, art critic, and social historian, John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality.]]>
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  <read_at>Thu Oct 09 00:00:00 -0700 2008</read_at>
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  <date_updated>Thu Oct 09 16:34:36 -0700 2008</date_updated>
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    <body><![CDATA[Lovely, insightful, comforting.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/31494340]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/31494340]]></link>
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    <name><![CDATA[Ian]]></name>
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  <title>
    <![CDATA[Another Way of Telling]]>
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  <average_rating>3.80</average_rating>
  <ratings_count>20</ratings_count>
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    <![CDATA[Photographs don't lie--or do they? Two of our most thoughtful and eloquent interrogators of the visual examine the ambiguities of what is seemingly our most straightforward art form. ANOTHER WAY OF TELLING explores the tension between the photographer and the photographed, between picture and viewer, and between the filmed moment and memories it resembles.]]>
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  <published>1982</published>
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  <date_added>Fri Dec 11 10:41:53 -0800 2009</date_added>
  <date_updated>Fri Dec 11 10:41:53 -0800 2009</date_updated>
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  <url><![CDATA[http://www.goodreads.com/review/show/80668232]]></url>
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    <![CDATA[And Our Faces, My Heart, Brief as Photos]]>
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