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    <![CDATA[The Best American Essays 2008]]>
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    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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    <body><![CDATA[It is exceedingly difficult to rate an anthology with any more than three stars, because almost inevitably there will be some essays I love and some I despise (or rather, that bore me so to death that I don't even dignify them with a complete read).  And when you average out love and despise you get...<a href="http://www.goodreads.com/review/show/41163496">more...</a>]]></body>
    
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    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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  <read_at>Wed Jul 01 00:00:00 -0700 2009</read_at>
  <date_added>Wed Jul 01 19:22:32 -0700 2009</date_added>
  <date_updated>Sun Jul 05 15:00:27 -0700 2009</date_updated>
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    <body><![CDATA[<u>The Best</u><br/>- Atul Gawande's &quot;The Way We Age Now&quot;<br/>- Sam Shaw's &quot;Run Like Fire Once More&quot;<br/>- Charles Simic's &quot;The Renegade&quot;<br/><br/><u>Other Highlights</u><br/>- Adam Gopnik's introduction<br/>- Rich Cohen's &quot;Becoming Adolf&quot;<br/>- Anthony Lane's &quot;...<a href="http://www.goodreads.com/review/show/61835846">more...</a>]]></body>
    
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      <review>
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    <name><![CDATA[David]]></name>
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    <![CDATA[The Best American Essays 2008]]>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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    <rating>2</rating>
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  <read_at>Thu Nov 27 00:00:00 -0800 2008</read_at>
  <date_added>Thu Nov 27 01:11:18 -0800 2008</date_added>
  <date_updated>Tue Dec 02 07:09:35 -0800 2008</date_updated>
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    <body><![CDATA[I thought this was a pretty disappointing effort this year. But this may simply be a reflection of the fact that Adam Gopnik gets on my last nerve. His meandering, pretentious introduction is a painful reminder of just how much David Foster Wallace's brilliance, wit, and low tolerance for bullshit w...<a href="http://www.goodreads.com/review/show/38743458">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[The Best American Essays 2008]]>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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    <rating>4</rating>
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  <read_at>Wed Jul 08 00:00:00 -0700 2009</read_at>
  <date_added>Wed Jul 08 10:52:47 -0700 2009</date_added>
  <date_updated>Wed Jul 08 10:59:58 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[There were some really amazing pieces in this collection, and some that didn't really reach me.  <br/><br/>My favorites were Rich Cohen's mustache essay (possibly the best last line in the book), Atul Gawande's essay about aging, Sam Shaw's piece about the transcendent runners, Lauren Slater's ess...<a href="http://www.goodreads.com/review/show/62639544">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/62639544]]></url>
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</review>
      <review>
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    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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  <read_at>Tue Jun 16 00:00:00 -0700 2009</read_at>
  <date_added>Sun May 31 12:07:55 -0700 2009</date_added>
  <date_updated>Tue Jun 16 13:39:26 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Maybe it's primacy in the book allowed for an easier impression, but Patricia Brieschke's brief and very moving essay tore at my soul.  I don't usually give in so easily to supposedly facile ploys at emotional impacts such as children, the elderly, the sick, the dying, etc. but I did with this one. ...<a href="http://www.goodreads.com/review/show/57963497">more...</a>]]></body>
    
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    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
  </description>
  <published>2008</published>
</book>

    <rating>5</rating>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Sep 01 00:00:00 -0700 2009</read_at>
  <date_added>Wed Sep 09 06:53:45 -0700 2009</date_added>
  <date_updated>Wed Sep 30 09:30:56 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I signed up for Creative Nonfiction, not because I was particularly interested in essay writing, but because it was the only graduate workshop class the university where I work was offering this semester. This book was the first thing we were assigned to read, and it was like being struck by lighten...<a href="http://www.goodreads.com/review/show/70583381">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/70583381]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/70583381]]></link>
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      <review>
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  <title>
    <![CDATA[The Best American Essays 2008]]>
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    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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  <read_at>Fri May 01 00:00:00 -0700 2009</read_at>
  <date_added>Sun Jan 11 15:53:39 -0800 2009</date_added>
  <date_updated>Wed May 06 07:14:58 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Adam Gopnik sets out three &quot;chief kinds of essays being written these days&quot; in his introduction: the review essay, the memoir essay, and the &quot;odd-object&quot; essay. This last type of essay takes up far too much space in the collection he's edited. Some are good: Lee Zacharias' essay ...<a href="http://www.goodreads.com/review/show/42717650">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/42717650]]></url>
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      <review>
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    <![CDATA[The Best American Essays 2008]]>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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  <read_at>Tue Nov 18 00:00:00 -0800 2008</read_at>
  <date_added>Thu Oct 09 21:14:58 -0700 2008</date_added>
  <date_updated>Wed Nov 19 08:02:36 -0800 2008</date_updated>
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    <body><![CDATA[There are some really great essays in this years collection.  It's funny, I didn't feel like any of the essays blew me away while I was reading them, but now that I look back on them, I can't help but think that my life would be a little duller if I hadn't read them.  Some highlights include how Ric...<a href="http://www.goodreads.com/review/show/34958835">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/34958835]]></url>
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</review>
      <review>
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    <name><![CDATA[Leif Erickson]]></name>
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    <![CDATA[The Best American Essays 2008]]>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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  <recommended_for><![CDATA[Anyone who likes current essays on a variety of subjects]]></recommended_for>
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  <read_at>Sat Jan 10 00:00:00 -0800 2009</read_at>
  <date_added>Wed Jan 28 15:47:51 -0800 2009</date_added>
  <date_updated>Wed Jan 28 15:51:22 -0800 2009</date_updated>
  <read_count>1</read_count>
    <body><![CDATA[Some really great essays in here, along with some so-so ones and one I couldn't stand (&quot;Everybody's Nickname,&quot; which I really should have loved if the writer had not been so gimmicky).  I am teaching from the book this semester, and so far we are really enjoying dicsussing and debating it....<a href="http://www.goodreads.com/review/show/44688521">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/44688521]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/44688521]]></link>
</review>
      <review>
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    <![CDATA[The Best American Essays 2008]]>
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    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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  <date_added>Mon Apr 13 16:24:52 -0700 2009</date_added>
  <date_updated>Mon Apr 13 16:27:24 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is probably the best &quot;Best American Essays&quot; collection I have read (out of the few I've read). The earlier editions I have read tended to drift toward the same content (dogs; being young in New York). I just found this particular collection intellectually challenging, in a good way; e...<a href="http://www.goodreads.com/review/show/52556551">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/52556551]]></url>
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</review>
      <review>
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    <name><![CDATA[Plwest]]></name>
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    <![CDATA[The Best American Essays 2008]]>
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  <average_rating>3.55</average_rating>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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  <date_added>Sat Nov 14 14:11:58 -0800 2009</date_added>
  <date_updated>Sat Nov 14 14:13:34 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I look forward to this collection of essays every year.  I read them over the Thanksgiving weekend.  They bring me to my knees.  How I learn about the world, besides watching Southpark, is through the Best American Essays series.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/77777831]]></url>
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      <review>
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    <name><![CDATA[Scott]]></name>
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    <![CDATA[The Best American Essays 2008]]>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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  <read_at>Sat Nov 01 00:00:00 -0700 2008</read_at>
  <date_added>Fri Dec 26 12:30:43 -0800 2008</date_added>
  <date_updated>Sun Jan 11 03:10:37 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[There were a few essays in here that I really liked, but for the most part I was unimpressed and a little bored.  Part of this is undoubtedly the mere fact that I prefer short stories to essays, but I feel very strongly that writing should be entertaining (or, at least, interesting and compelling), ...<a href="http://www.goodreads.com/review/show/40945503">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/40945503]]></url>
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</review>
      <review>
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  <isbn>0618983228</isbn>
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  <text_reviews_count type="integer">38</text_reviews_count>
  <title>
    <![CDATA[The Best American Essays 2008]]>
  </title>
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  <average_rating>3.55</average_rating>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
  </description>
  <published>2008</published>
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    <rating>3</rating>
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  <read_at>Tue May 05 07:32:46 -0700 2009</read_at>
  <date_added>Thu Apr 23 10:04:55 -0700 2009</date_added>
  <date_updated>Tue May 05 07:32:46 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This collection of essays spanned so many topics that I was frequently outside my own zone of interest. They're all well-written, though occasionally a little too ... literary ... for my taste. I especially enjoyed &quot;The Lesbian Bride's Handbook,&quot; while &quot;The Constant Gardener&quot; was...]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/53719913]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/53719913]]></link>
</review>
      <review>
  <id>55825598</id>
    <user>
    <id>248848</id>
    <name><![CDATA[Wendy]]></name>
    <location><![CDATA[Memphis, TN]]></location>
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  <isbn>0618983228</isbn>
  <isbn13>9780618983223</isbn13>
  <text_reviews_count type="integer">38</text_reviews_count>
  <title>
    <![CDATA[The Best American Essays 2008]]>
  </title>
  <image_url>http://www.goodreads.com/images/books/45/825/4586825-m-1256107402.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/books/45/825/4586825-s-1256107402.jpg</small_image_url>
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  <average_rating>3.55</average_rating>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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    <rating>5</rating>
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  <date_added>Tue May 12 12:44:22 -0700 2009</date_added>
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    <body><![CDATA[The essay, Solipsism, which has been panned as much as it's been praised, appeared first (or rather, second!) in The Pinch, for which I was the managing editor.  So, I'm biased.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/55825598]]></url>
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      <review>
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  <title>
    <![CDATA[The Best American Essays 2008]]>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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    <rating>4</rating>
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  <read_at>Sun Mar 01 00:00:00 -0800 2009</read_at>
  <date_added>Sun Feb 08 12:19:02 -0800 2009</date_added>
  <date_updated>Sun Mar 08 21:21:08 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I wasn't sure I was even going to read this collection, but Adam Gopnik's introduction sucked me in. Semi-committed, I proceeded to get bowled over by Patricia Brieschke's essay, which was perhaps the saddest thing I've ever read, and then righted again by humor with Richard Cohen's essay about the ...<a href="http://www.goodreads.com/review/show/45747832">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[The Best American Essays 2008]]>
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  <average_rating>3.55</average_rating>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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    <rating>5</rating>
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  <read_at>Wed Jul 01 00:00:00 -0700 2009</read_at>
  <date_added>Tue Jul 07 06:59:19 -0700 2009</date_added>
  <date_updated>Tue Jul 07 07:00:45 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I'm teaching this collection this fall.  Lots of good essays to choose from, and some not so good, which I won't assign.  The Gopnick intro's so-so.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/62458912]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/62458912]]></link>
</review>
      <review>
  <id>73919865</id>
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    <name><![CDATA[Katie]]></name>
    <location><![CDATA[The United States]]></location>
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  <title>
    <![CDATA[The Best American Essays 2008]]>
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  <image_url>http://www.goodreads.com/images/books/45/825/4586825-m-1256107402.jpg</image_url>
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  <average_rating>3.55</average_rating>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Thu Oct 01 00:00:00 -0700 2009</read_at>
  <date_added>Thu Oct 08 18:45:31 -0700 2009</date_added>
  <date_updated>Fri Oct 09 07:52:20 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I loved the path Emily R. Grosholz's &quot;On Necklaces&quot; took me down. I savoring the rest of these gems. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/73919865]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/73919865]]></link>
</review>
      <review>
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  <title>
    <![CDATA[The Best American Essays 2008]]>
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  <average_rating>3.55</average_rating>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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    <rating>3</rating>
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  <read_at>Fri Feb 27 00:00:00 -0800 2009</read_at>
  <date_added>Fri Feb 20 23:23:47 -0800 2009</date_added>
  <date_updated>Fri Feb 27 19:28:32 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I like the essay about facial hair--namely, Hitler's &quot;toothbrush mustache&quot; and how it symbolizes evil so much that it can possibly change one's character.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/47025802]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/47025802]]></link>
</review>
      <review>
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    <![CDATA[The Best American Essays 2008]]>
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  <average_rating>3.55</average_rating>
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  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
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  <date_added>Sat Jan 17 18:20:55 -0800 2009</date_added>
  <date_updated>Sat Jan 17 18:21:45 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The single weakest book in the series that I've encountered so far.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/43407170]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/43407170]]></link>
</review>
      <review>
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  <isbn>0618983228</isbn>
  <isbn13>9780618983223</isbn13>
  <text_reviews_count type="integer">38</text_reviews_count>
  <title>
    <![CDATA[The Best American Essays 2008]]>
  </title>
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  <average_rating>3.55</average_rating>
  <ratings_count>122</ratings_count>
  <description>
    <![CDATA[&lt;DIV&gt;Here you will find the finest essays “judiciously selected from countless publications” (Chicago Tribune), ranging from The New Yorker and Harper’s to Swink and Pinch. In his introduction to this year’s edition, Adam Gopnik finds that great essays have “text and inner text, personal story and larger point, the thing you’re supposed to be paying attention to and some other thing you’re really interested in.”     David Sedaris’s quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In “The Ecstasy of Influence,” Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in “The Lesbian Bride’s Handbook” of her efforts to plan a party that accurately reflects her lifestyle (which she notes is “not black-tie!”) as she confronts head-on what it means to be married. And Lauren Slater is off to “Tripp Lake,” recounting the one summer she spent at camp—a summer of color wars, horseback riding, and the “wild sadness” that settled in her when she was away from home.<br/>    In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik’s words, “the breath of things as they are.”&lt;/div&gt;]]>
  </description>
  <published>2008</published>
</book>

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  <date_added>Fri Jan 16 06:09:49 -0800 2009</date_added>
  <date_updated>Fri Jan 16 06:10:02 -0800 2009</date_updated>
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    <body><![CDATA[For my creative writing class.]]></body>
    
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