82nd out of 100 books
—
5 voters
Where You're At
Spurred by his own deep love of the music and its central role in his life, but troubled by the current state of mainstream hip-hop culture, Patrick Neate sets off to discover if the music and culture that mean so much to him have retained true cultural vitality and significance anywhere in the world. Covering five continents and cities as diverse as New York, Rio, Tokyo,...more
Paperback, 288 pages
Published
August 3rd 2004
by Riverhead Trade
(first published June 21st 2004)
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I know this isn't a well thought-out review, but wanted to get a few points out:
At first, I thought I was really going to like this book. The author travels around the world to several locations to compare hip-hop in these areas and how it affects the social landscape and possibility of social change. It's a great concept and idea, but Neate doesn't tie it together as well as he hopes (which is kind of the point of the book).
The intro, on how he fell in love with hip hop as a white kid in the UK...more
At first, I thought I was really going to like this book. The author travels around the world to several locations to compare hip-hop in these areas and how it affects the social landscape and possibility of social change. It's a great concept and idea, but Neate doesn't tie it together as well as he hopes (which is kind of the point of the book).
The intro, on how he fell in love with hip hop as a white kid in the UK...more
I read this after reading 'City of Tiny Lights' and was very disappointed. I understand that this book is, by no means, in the same style as 'Tiny Lights' but I figured that, given how much I enjoyed reading that book, I would enjoy Neate's other works. This book intends to be a history of hip-hop in relation to Neate's life and his experiences. An interesting concept and one that appeals to me on paper but, for whatever reason, it just didn't work for me.
I almost quit reading this book after the first 30 pages. The author seemed like an annoying, somewhat arrogant jerk who didn't know shit about hiphop. His writing style seemed pretentious and self-indulgent, and I wasn't having it. But I kept going, and I'm SO glad I did, because in the end, it turned out to be an absolutely fantastic, fascinating book on hiphop around the world, as well as one of the best examples of academic writing for a mass audience that I've ever seen.
Full review:
http://k...more
Full review:
http://k...more
A fun look at how hip hop has been embraced by different cultures, how its power as a political or cultural movement is in its maleability, a nice ethnographic/journalistic survey of different places, different people and also different issues that people, especially youth, face in europe, south africa, south america, japan and the United States.
Apr 13, 2013
moshimoshineko
marked it as to-read
Feb 26, 2013
Ismael Schonhorst
marked it as to-read
Feb 13, 2013
Zack
added it
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Jun 01, 2010 04:22pm