Citizen Kane
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Citizen Kane (BFI Modern Classics / BFI Film Classics)

3.66 of 5 stars 3.66  ·  rating details  ·  79 ratings  ·  7 reviews
Citizen Kane's unchallenged reputation as one of the greatest films in all cinema is matched only by the accumulation of critical commentary that surrounds it. What more can there be to say about a masterpiece so universally acknowledged? As Laura Mulvey shows in a fresh and original reading, the richness of the film, both thematically and stylistically, is inexhaustible....more
Paperback, 87 pages
Published December 27th 1992 by British Film Institute (first published 1992)
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Laura Mulvey declares herself from the outset to be a feminist critic. She then quickly admits that a feminist reading of Citizen Kane wouldn't be that fruitful. However, she says that she will put the movie through the rigors of what she things is the cornerstone of feminist criticism - Freudian analysis. I am not familiar (or interested) enough in either Freudian analysis or feminist criticism to know if the result in this book is successful in either discipline. I can say that it made for p...more
LOVE this series! This particular book is particularly one-sided towards the left, though, so be prepared for that. As someone who sees Kane neither as a protagonist or antagonist, but rather a person like any other who has great qualities as well as demons, I appreciated Mulvey's perspectives, even though she definitely seems mostly opposed to Kane.
With a film as complex as "Citizen Kane," the possibilities of interpretation and analysis are really countless. Mulvey does a solid job of giving her own perspective on what is below the surface, and one that is interesting and insightful. She talks a lot about psychoanalytical factors or potential reasons for characters' actions or the structure of the film. I enjoyed reading her thoughts about "Citizen Kane" and think it's definitely worth reading, as I think there's a lot of validity to her...more

Wrapped itself a little too much in Freudian analysis. I'm pretty partial to it, myself, but it's a not what you do its the way that you do it kind of situation.

I did appreciate how she tied the film in with the geopolitical situation of the time- Kane (hearst) is a conservative, rabidly conservative, isolationist. Earlier drafts of the script made more of this tie-in with fascism (or at least fascist sympathies- at that point in history, for Americans, not altogether that much of a difference)...more
My expectations for this one were simply a bit of a recap of the story along with some possible ways of interpreting it. As long as you don't expect an encyclopedia, I think this will prove very rewarding and useful.

There's a lot of background stuff regarding what happened in the making of the film, which was what I mostly wanted from a book like this. At the same time, it touches upon the various themes and topics that you might think about in relation to the film, which is why it works - seri...more
Precise, economical, assured, but offered with a certain humility too. She manages to talk about the film's political and historical context and give a thorough analysis of the story's development without neglecting detailed examination of particular shots and choices of lighting, framing, cuts, script revisions, etc.

"The appeal to read the scene is made, and also frustrated." (28)

On Susan Alexander Kane: "as spectacle, attempting to impersonate the erotic codes essential for woman as spectacle...more
Sagar Jethani
Nice little bit of analysis. Brought out aspects of the film I had never noticed before. Could have done without all the Freudian interpretation, but I suppose that reflects contemporaneous literary analysis.
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