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  <id>442153</id>
  <title><![CDATA[Body of a Girl]]></title>
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  <description><![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]></description>
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    <id>77122</id>
        <name><![CDATA[Leah Stewart]]></name>
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  <title>
    <![CDATA[Body of a Girl]]>
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  <average_rating>3.04</average_rating>
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    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
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  <published>2000</published>
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    <rating>2</rating>
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  <date_added>Thu Jun 28 08:04:33 -0700 2007</date_added>
  <date_updated>Wed Dec 16 22:59:30 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I read this book because I was drawn to Stewart's language in her second novel (The Myth of You and Me) but sadly, this one didn't have the same effect for me. It was a light read (I was, appropriately, on a beach blanket in Virginia the entire time I read this book) which is fine, but I could pract...<a href="http://www.goodreads.com/review/show/2485266">more...</a>]]></body>
    
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      <review>
  <id>65031986</id>
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    <![CDATA[Body of a Girl]]>
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  <average_rating>3.04</average_rating>
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    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
  </description>
  <published>2000</published>
</book>

    <rating>4</rating>
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  <read_at>Mon Jul 27 00:00:00 -0700 2009</read_at>
  <date_added>Sun Jul 26 13:43:24 -0700 2009</date_added>
  <date_updated>Mon Jul 27 11:41:04 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I didn't expect to like this book - a journalist covering a crime is pretty much been there, done that. But it's a little deeper than that. Plus, I used to be a journalist, and I could identify with Olivia and her job, although I never became so entrenched in a story. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/65031986]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/65031986]]></link>
</review>
      <review>
  <id>78730046</id>
    <user>
    <id>2018309</id>
    <name><![CDATA[Colleen]]></name>
    <location><![CDATA[Arlington, VA]]></location>
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  <title>
    <![CDATA[Body of a Girl]]>
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  <average_rating>3.04</average_rating>
  <ratings_count>51</ratings_count>
  <description>
    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
  </description>
  <published>2000</published>
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    <rating>2</rating>
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  <read_at>Sun Nov 22 00:00:00 -0800 2009</read_at>
  <date_added>Mon Nov 23 07:25:50 -0800 2009</date_added>
  <date_updated>Mon Nov 23 07:26:39 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Decent thriller, but the main character becomes so unsympathetic toward the end that I just started skimming pages. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/78730046]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/78730046]]></link>
</review>
      <review>
  <id>49419011</id>
    <user>
    <id>1790007</id>
    <name><![CDATA[Beth]]></name>
    <location><![CDATA[The United States]]></location>
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  <title>
    <![CDATA[Body of a Girl]]>
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  <average_rating>3.04</average_rating>
  <ratings_count>51</ratings_count>
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    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
  </description>
  <published>2000</published>
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    <rating>3</rating>
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  <read_at>Sun Mar 01 00:00:00 -0800 2009</read_at>
  <date_added>Mon Mar 16 02:59:26 -0700 2009</date_added>
  <date_updated>Mon Mar 16 03:00:07 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Very staccato writing style, also very dark in its imagery and images. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/49419011]]></url>
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      <review>
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    <![CDATA[Body of a Girl]]>
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    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
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  <published>2000</published>
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  <date_added>Wed Apr 22 19:29:07 -0700 2009</date_added>
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    <name><![CDATA[Diane]]></name>
    <location><![CDATA[Concord, MA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1395647-diane]]></link>
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  <id type="integer">442153</id>
  <isbn>0141001992</isbn>
  <isbn13>9780141001999</isbn13>
  <text_reviews_count type="integer">10</text_reviews_count>
  <title>
    <![CDATA[Body of a Girl]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174805407m/442153.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174805407s/442153.jpg</small_image_url>
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  <average_rating>3.04</average_rating>
  <ratings_count>51</ratings_count>
  <description>
    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
  </description>
  <published>2000</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Aug 30 00:00:00 -0700 2007</read_at>
  <date_added>Tue Sep 02 19:21:09 -0700 2008</date_added>
  <date_updated>Tue Sep 02 19:22:34 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I just didn't like the main character and couldn't understand why she did the things she did. I was interested in the mystery of who killed Alison, though.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/31869835]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/31869835]]></link>
</review>
      <review>
  <id>23557669</id>
    <user>
    <id>998485</id>
    <name><![CDATA[Jadine]]></name>
    <location><![CDATA[Lake Forest, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/998485-jadine]]></link>
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  <isbn>0141001992</isbn>
  <isbn13>9780141001999</isbn13>
  <text_reviews_count type="integer">10</text_reviews_count>
  <title>
    <![CDATA[Body of a Girl]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174805407m/442153.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174805407s/442153.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/442153.Body_of_a_Girl</link>
  <average_rating>3.04</average_rating>
  <ratings_count>51</ratings_count>
  <description>
    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
  </description>
  <published>2000</published>
</book>

    <rating>2</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Jun 19 14:36:03 -0700 2008</read_at>
  <date_added>Mon Jun 02 17:21:35 -0700 2008</date_added>
  <date_updated>Thu Jun 19 14:36:03 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[The reviewers liked this book way more than me.   I kept thinking I was missing some aspect of he characters taht would make me like them better.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/23557669]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/23557669]]></link>
</review>
      <review>
  <id>31731946</id>
    <user>
    <id>1106901</id>
    <name><![CDATA[Leah]]></name>
    <location><![CDATA[Boulder, CO]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1106901-leah]]></link>
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  <isbn>0141001992</isbn>
  <isbn13>9780141001999</isbn13>
  <text_reviews_count type="integer">10</text_reviews_count>
  <title>
    <![CDATA[Body of a Girl]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174805407m/442153.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174805407s/442153.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/442153.Body_of_a_Girl</link>
  <average_rating>3.04</average_rating>
  <ratings_count>51</ratings_count>
  <description>
    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
  </description>
  <published>2000</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Mon Sep 01 00:00:00 -0700 2008</read_at>
  <date_added>Mon Sep 01 10:30:27 -0700 2008</date_added>
  <date_updated>Wed Sep 10 15:39:39 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[eh<br/><br/>that's all I have to say<br/><br/>almost<br/><br/>but- I really very much enjoyed 'The Myth of You and Me'- Leah Stewart's second book.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/31731946]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/31731946]]></link>
</review>
      <review>
  <id>53639347</id>
    <user>
    <id>47478</id>
    <name><![CDATA[vida]]></name>
    <location><![CDATA[Mountain View, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/47478-vida]]></link>
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  <text_reviews_count type="integer">10</text_reviews_count>
  <title>
    <![CDATA[Body of a Girl]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174805407m/442153.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174805407s/442153.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/442153.Body_of_a_Girl</link>
  <average_rating>3.04</average_rating>
  <ratings_count>51</ratings_count>
  <description>
    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
  </description>
  <published>2000</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Wed Apr 22 15:04:54 -0700 2009</date_added>
  <date_updated>Sat Jun 13 11:41:12 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A pretty dark book...interesting to see how a journalist gets dragged into the story they are reporting.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/53639347]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/53639347]]></link>
</review>
      <review>
  <id>18173096</id>
    <user>
    <id>304599</id>
    <name><![CDATA[Michele]]></name>
    <location><![CDATA[Alum Creek, WV]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/304599-michele]]></link>
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  <isbn>0141001992</isbn>
  <isbn13>9780141001999</isbn13>
  <text_reviews_count type="integer">10</text_reviews_count>
  <title>
    <![CDATA[Body of a Girl]]>
  </title>
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  <average_rating>3.04</average_rating>
  <ratings_count>51</ratings_count>
  <description>
    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
  </description>
  <published>2000</published>
</book>

    <rating>2</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jan 01 00:00:00 -0800 2007</read_at>
  <date_added>Thu Mar 20 07:20:35 -0700 2008</date_added>
  <date_updated>Thu Mar 20 07:21:22 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I can't believe this is the same girl who wrote &quot;The Myth of You and Me.&quot; A little disappointing.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/18173096]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/18173096]]></link>
</review>
      <review>
  <id>10804660</id>
    <user>
    <id>568939</id>
    <name><![CDATA[Abu]]></name>
    <location><![CDATA[dubai, The United Arab Emirates]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/568939-abu-khalifah]]></link>
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  <isbn>0141001992</isbn>
  <isbn13>9780141001999</isbn13>
  <text_reviews_count type="integer">10</text_reviews_count>
  <title>
    <![CDATA[Body of a Girl]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174805407m/442153.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174805407s/442153.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/442153.Body_of_a_Girl</link>
  <average_rating>3.04</average_rating>
  <ratings_count>51</ratings_count>
  <description>
    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
  </description>
  <published>2000</published>
</book>

    <rating>0</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Fri Dec 21 05:30:28 -0800 2007</date_added>
  <date_updated>Fri Dec 21 05:34:49 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[thanks]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/10804660]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/10804660]]></link>
</review>
      <review>
  <id>81225430</id>
    <user>
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    <name><![CDATA[Brynne]]></name>
    <location><![CDATA[Palo Alto, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/3050272-brynne]]></link>
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  <title>
    <![CDATA[Body of a Girl]]>
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    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
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    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
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    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
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    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
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    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
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    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
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    <![CDATA[Olivia Dale is making a name for herself on the crime beat at a Memphis  newspaper. Her byline means everything to her, and the 24-year-old has  cultivated a tough veneer to get her scoops. But that veneer is as fragile as  blown glass. The brutal rape and murder of Allison Avery, a charismatic  young singer whose life holds, and casts, dark shadows, shatters Olivia's hard- won calm. The remaining question: will it shatter her life as well? Olivia both  capitalizes on and privately regrets the enforced voyeurism of her profession.  Always on the margin, always watching, always chronicling the lives of others,  she wonders what her own life might be missing:<p>  <blockquote>People are like those nested Russian dolls. There's always someone  else hiding inside the person you think you know, layer after layer, each with  the same painted face. I want to open someone up and hold that last solid little  doll in my hand. I know all of Allison Avery's disguises, femme fatale, loyal  friend, maternal and corrupting sister, virginal obedient daughter, performer,  alive with the magic of her own touch. But who was she at the center? I don't  know if I believe in the soul. I'm afraid of the darkness I see in all of us,  every one of us a mystery. I have looked in the mirror and not been certain that  I saw myself. </blockquote>  As she picks through the contradictory remains of Allison's existence, however,  Olivia falls helplessly under Allison's spell. Her quest to discover the truth  behind her death slides into an eerie exercise in doubling, as Olivia begins to  mimic the singer in thought, word, and deed. Where will Olivia draw the line  between self and subject in her terrifying plunge from distance to immediacy?  And will it be the merging, or the separating, that carries the greatest  risks?<p>  <em>Body of a Girl</em> is at once atmospheric, erotic, and deeply disturbing. So  effective is Leah Stewart at capturing the sultry heat of a Memphis summer that  the pages practically sweat. It is well-paced and tautly plotted, visceral and  gripping. Stewart has mercilessly sketched the potential emptiness at the core  of the self, and in doing so has given psychological suspense fans a name to  appreciate now and welcome in the future. <em>--Kelly Flynn</em></p></p>]]>
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