Goodreads helps you keep track of books you want to read.
Start by marking “The Good Times Are Killing Me (A Play)” as Want to Read:
The Good Times Are Kil...
Lynda Barry
Rate this book
Clear rating

The Good Times Are Killing Me (A Play)

4.19 of 5 stars 4.19  ·  rating details  ·  778 ratings  ·  63 reviews
In her first novel, a famed cartoonist tells the sensitive story of a young girl's coming of age in the 1960s. "Deft and deceptively simple . . . Ms. Barry has an impeccable ear, and this funny, intricate, and finally heartbreaking story exquisitely captures an American childhood".--The New York Times.
Paperback, 116 pages
Published January 1st 2000 by S. French (first published 1988)
more details... edit details

Friend Reviews

To see what your friends thought of this book, please sign up.

Reader Q&A

To ask other readers questions about The Good Times Are Killing Me, please sign up.

Be the first to ask a question about The Good Times Are Killing Me

This book is not yet featured on Listopia. Add this book to your favorite list »

Community Reviews

(showing 1-30 of 1,268)
filter  |  sort: default (?)  |  rating details
mark monday
an adolescent girl's voice, perfectly captured in all of its off-kilter, i-am-not-understanding-this-cruel-world oddness. race, specifically black & white and sometimes black versus white. friendship, challenged. families, challenged. a neighborhood changing in the 60s. school and all of its terrors (and some of its joys). music appreciation, lots of it. lots of it. measure out heartwarming and heartbreaking in equal parts. delicate, tough-minded, sensitive, empathetic, real. lovely!

Jeanette  "Astute Crabbist"
This is told in the voice of 12-year-old Edna Arkins, somewhat like Ellen Foster except that Edna's life is not as troubled as Ellen's.
The voice here is quite convincing, dwelling on just the sort of things you'd expect a 12-year-old girl in the 1960s to be concerned about.

The most interesting part of the book for me was the Music Notebook at the back. It gives brief histories of the various music styles of the South and some musician bios. Not a lot of detail, but it was surprising how much
This was my first read of Lynda Barry. Actually once I started it a friend reminded me that I'd seen a theater production of this a number of years back. Barry is marvelous at capturing the voice of Edna her main character, a child of about 11 or so who is in the 6th grade, as well as the voices of the folks who are in Edna's life. Aunt Margaret's voice was particularly authentic as was that of her daughter Ellen and Edna's best friend Bonna. The quality of voice probably explains why this book ...more
Lynda Barry does it again! This is one of her earlier books (for me anyway) and it is text with just a few graphics. Her ability to tell a story isn't hampered by the lack of images. There's no one like her for conveying the voice of a child in the adults' world. This book centers around the friendship between a white girl (probably autobiographical) with a black girl and its devastation after the girls make that seismic shift from childhood to preteen/middle school age. [BTW this is considered ...more
Well one thing that they never tell you in the grade school is to enjoy singing while you can because eventually you are going to be divided up by who can sing and who can't sing, and the people who can sing will go to Choir, and the ones who can't sing won't sing, and may never sing again, and go to the class called "Music Appreciation" where a teacher will give you a piece of cardboard printed with the life-size keys of a piano and then teach you how to play "Go Tell Aunt Rhody" on it to a re ...more
Oh my goodness - Lynda Barry is so damn funny. There are some vivid images in this book that rest real comfortably in the childlike psyche of the narrator. Like the narrator sitting in front of the phonograph listening to elvis presley and puncturing the black fabric over the speakers slowly and rhythmically with a pencil, the soft thud of pencil entry giving her a satisfying feeling somewhere down there.
In addition to being funny, Lynda Barry is also very introspective on race relations from a
Patty May
I love Lynda Barry so, I'm pretty biased, but this is a very sweet, short coming of age story woven trough a fabric of music. the music notebook in the back is a great tribute to the lives of musicians that are illustrated with fabulous painted portraits, and short, rich biographical sketches. I learned that Louis Armstrong became a great trumpet player because of the twist of fate that got him arrested and locked up in the "Colored Waif's Home" where there was a music teacher who handed him a t ...more
Lynda Barry has complete access to the eleven-year-old psyche. Wonderful little book.
I fell in love with this story a few years ago when we performed it as a play at my high school. It’s short and very readable – the language isn’t particularly complicated, but it’s arresting in its own way. Lynda Barry captures the voice of her adolescent narrator flawlessly. Twelve-year-old Edna Arkins is every bit as awkward as you might hope, but also sweet and earnest. She’s not the popular bitch you hated in middle school; she’s the twelve-year-old you. Am I biased? Probably.

I have a song
This review has been hidden because it contains spoilers. To view it, click here.
Emilia P
Oh Lynda, I love you. There are a couple of reasons I am not married to this book--it seemed sort of like it held back a little bit for the sake of the kids, no swears, no super super uncomfortable situations, trying a little to get a greater meaning out of them. It had all the important touchstones of a good Barry-crazy families, crazy neighborhoods, crazy schools, the ineffable weirdness of childhood, and I love of those and I need them, and I want to write about them too a little. Maybe the n ...more
Written in a series of very short first person vignettes, it’s up to the reader to put together the pieces of Edna’s sad life with things becoming clearer as her narrative progresses. It’s almost as if her life is shattered into little glimpses. The focus is on how setting impacts people. Edna's urban neighborhood in the early sixties is changing from mostly white to very mixed. The time and the place where white Edna and black Bonna are growing up is volatile with the best friends stuck in the ...more
I enjoyed the story and especially the style Lynda Barry tells it in. She uses the theme of music to write about growing up. She has a straightforward descriptions about the gap between the ideals of equality her english class reads about, and the fact that once she gets to 7th grade everyone separates into groups of people that look the same.
She also includes profiles and portraits she wrote and drew of musicians from the 19th century. The musicians' lives sound amazing and tragic and there is
Lynda Barry is an exquisite story teller. With refreshing honesty that will take you back to childhood, she talks about kindness and bigotry. compassion and betrayal. friendships and color lines (when they used to matter). growing up before you grow old.

Her stories remind me that we experience some of the most difficult grown-up events when we're not grown-up. It is at that remarkable time between childhood and adolescence that we know how to articulate and navigate through our feelings much be
whoops. don't remember this one either. even though it's heavier on the words & the art is a departure from the regular comic-style layout. i do believe it has something to do with growing up & being of color & struggling to come to terms with one's ethnic identity. & it was made into a play in the ealr 90s, i believe. that's really all i've got. what is it with me & my block against retaining lynda barry books? i like her stuff when i think of it in the abstract, but when pr ...more
Tina Madan
Although I performed in this play I felt that I couldn't make a strong connection to it like I have been able to do before. I appreciated the play and loved the values and ideals it presented but the thing that kept me from saying that I truly love this play is the fact that I was unable get into it. I was able to relate nicely and I felt the story...but only AFTER performing it.
eva steele-saccio
Mar 30, 2007 eva steele-saccio rated it 4 of 5 stars  ·  review of another edition
Recommends it for: people who have lost a best friend
This is a hilarious, quirky, and touching meditation on friendship, music, and race, told in true Linda Barry style. If you haven't read any Linda Barry, you should. She's really funny, but totally eccentric. You can read this book in one or two train rides--it's an illustrated text. Couldn't be more exacting about the embarassment and cruelty of being a seventh grader.
Fun, quick read. Authentic child's voice who experiences friendship, ignorance, growing up, contradiction, bigotry, and discovering the joys of music. Not over done or too sentimental, but just perfect. Has black and white brush illustrations for each first letter of each "chapter." I only wish there were color illustrations because I love her artwork to color.
Graphic novel about a white girl becoming friends with a black girl that has moved into the neighborhood which is experiencing "white flight." Although her pictures are odd, I've always identified with her kids and teenagers...they sound and behave authentic. It's always a trip back to my own younger years when I read Lynda Barry.
This is a book about race. Edna Arkins is a white adolescent. Gradually all the white families move out and blacks and filipinos move in. It's about how when she was younger her best friend is a black girl and how they feel they can't talk to each other when they're older. It is set in the 60s and talks a lot about the music of the time.
This mini-novel seemed pretty thin compared to "Cruddy", and like it could have gone further with the subject matter of race as kids deal with it in mixed schools/neighborhoods. But maybe she was just getting her prose writing chops in order to write "Cruddy". Nice illustrations and a moving story nonetheless.
Lynda Barry captures the circuitous weirdness of a tween's thought process pitch perfectly; it's actually pretty eerie. This book was easily read under two hours, so I suggest it for my fellow Fifty Fifty readers (, but seriously I just really love Lynda Barry so I'd recommend it to anyone.
Sara Jaye
Barry does such an amazing job of capturing the young adolescent voice. Again, racial (dis)integration, family relationships, and class and poverty are recurring themes. This time music too plays a role in our young heroines growing consciousness. The "music notebook" at the end is a special treat!
Jun 30, 2011 Renata rated it 4 of 5 stars  ·  review of another edition
Recommended to Renata by: Emilia P
(I'm calling this a graphic novel but it's not comics, but there are a lot of paintings in it. IDK. The paintings are like their own story. I like them.) I liked this book. It has a really authentic child's voice, dealing with racism & gentrification & such in a genuinely childlike way. And it's funny. Yays.
Short heart-breaking story about two best friends, one black, one white, both poor who end up drifting apart, due in large part to racial tensions in the Sixties. At the end there are pages of beautiful art and facts about the music and musicians of the era (music plays an important part in the story).
I can't describe how much I love Lynda Berry. She totally sums up my whole generation and how it feels to be a kid and try to forge your own set of values in a world where all is chaos. This deals with race in a really nice way, I would recommend it to young audiences (teens) in a big way.
John Nondorf
Lynda Barry is acutely in touch with the feelings, speech, music, and funky funky dance of childhood. The Good Times Are Killing Me is a beautiful story of race relations and family dynamics fleshed out with sweet soul music.

If you get a chance to see the stage adaptation of this story, DO IT!
Short YA novel about a girl whose neighborhood is going through white flight, who is in one of the last white families to remain on the block. She becomes best friends with a black girl, but their friendship is disrupted by racial tension. The kids' world and perspectives rang true.
Maybe my favorite Lynda yet. Made me cry on the train, made me laugh out loud. Adolescence and friendship and idolizing older girls and not understanding grown up rules, so hard and sad and sweet and perfectly encapsulated in small stories. Only wish it were longer.
What a great little book, it's written in the voice of an eleven year old and the stories ring so true. All families have these wonderful stories but Lynda tells them from that point of view that just takes you back to your own childhood. Thanks for the trip.
« previous 1 3 4 5 6 7 8 9 42 43 next »
topics  posts  views  last activity   
500 Great Books B...: The Good Times are Killing Me - Lynda Barry 1 3 Jul 24, 2014 07:50PM  
  • Lève ta jambe, mon poisson est mort! (Lift Your Leg, My Fish is Dead!)
  • A Child's Life and Other Stories
  • Monsters
  • Invincible Summer: An Anthology, Volume II: Issues 9-14
  • My Dirty Dumb Eyes
  • Make Me a Woman
  • The Secrets Come Out (Aya, #3)
  • Over Easy
  • I Love Led Zeppelin
  • The Carter Family: Don't Forget This Song
  • Special Exits
  • Squirrel Mother
  • King-Cat Classix
  • The Best American Comics 2011
  • Tina's Mouth: An Existential Comic Diary
  • An Anthology of Graphic Fiction, Cartoons, and True Stories
  • Big Questions
  • Get Your War on
Lynda Barry is an American cartoonist and author, perhaps best known for her weekly comic strip Ernie Pook's Comeek.
More about Lynda Barry...
One Hundred Demons Cruddy What It Is The Greatest of Marlys The Best American Comics 2008

Share This Book