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  <title><![CDATA[The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America]]></title>
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    <![CDATA[One of the bloodiest incidents in New York&#8217;s history, the so-called Astor Place Riot of May 10, 1849, was ignited by a long-simmering grudge match between the two leading Shakespearean actors of the age. Despite its unlikely origins, though, there was nothing remotely quaint about this pivotal moment in history&#8211;the unprecedented shooting by American soldiers of dozens of their fellow citizens, leading directly to the arming of American police forces. <br/><br/><em>The Shakespeare Riots</em> recounts the story of this momentous night, its two larger-than-life protagonists, and the myriad political and cultural currents that fueled the violence. In an engrossing narrative that moves at a breakneck pace from the American frontier to the Mississippi River, to the posh theaters of London, to the hangouts of the most notorious street gangs of the day, Nigel Cliff weaves a spellbinding saga of soaring passions, huge egos, and venal corruption. <br/><br/>Cliff charts the course of this tragedy from its beginnings as a somewhat comical contretemps between Englishman William Charles Macready, the haughty lion of the London stage, and Edwin Forrest, the first great American star and a popular hero to millions. Equally celebrated, and equally self-centered, the two were once friends, then adversaries. Exploiting this rivalry, &#8220;nativist&#8221; agitators organized mobs of bullyboys to flex their muscle by striking a blow against the foppish Macready and the Old World&#8217;s cultural hegemony that he represented. <br/><br/>The moment Macready took the stage in New York, his adversaries sprang into action, first by throwing insults, then rotten eggs, then chairs. When he dared show his face again, an estimated twenty thousand packed the streets around the theater. As cobblestones from outside rained down on the audience, National Guard troops were called in to quell the riot. Finding themselves outmatched, the Guardsmen discharged their weapons at the crowd, with horrific results. When the smoke cleared, as many as thirty people lay dead, with scores more wounded.<br/><br/><em>The Shakespeare Riots</em> is social and cultural history of the highest order. In this wondrous saga Nigel Cliff immerses readers in the bustle of mid-nineteenth-century New York, re-creating the celebrity demimonde of the day and capturing all the high drama of a violent night that robbed a nation of its innocence.]]>
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    <body><![CDATA[Without NPR I'm nothing. I swear.<br/><br/>There was a discussion of this book with the author one  morning, and the idea caught me. With passions still running high after our break from British rule in the late 1700's, two friendly (and illustrious) Shakespearean actors put their friendship aside...<a href="http://www.goodreads.com/review/show/29296470">more...</a>]]></body>
    
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    <![CDATA[One of the bloodiest incidents in New York&#8217;s history, the so-called Astor Place Riot of May 10, 1849, was ignited by a long-simmering grudge match between the two leading Shakespearean actors of the age. Despite its unlikely origins, though, there was nothing remotely quaint about this pivotal moment in history&#8211;the unprecedented shooting by American soldiers of dozens of their fellow citizens, leading directly to the arming of American police forces. <br/><br/><em>The Shakespeare Riots</em> recounts the story of this momentous night, its two larger-than-life protagonists, and the myriad political and cultural currents that fueled the violence. In an engrossing narrative that moves at a breakneck pace from the American frontier to the Mississippi River, to the posh theaters of London, to the hangouts of the most notorious street gangs of the day, Nigel Cliff weaves a spellbinding saga of soaring passions, huge egos, and venal corruption. <br/><br/>Cliff charts the course of this tragedy from its beginnings as a somewhat comical contretemps between Englishman William Charles Macready, the haughty lion of the London stage, and Edwin Forrest, the first great American star and a popular hero to millions. Equally celebrated, and equally self-centered, the two were once friends, then adversaries. Exploiting this rivalry, &#8220;nativist&#8221; agitators organized mobs of bullyboys to flex their muscle by striking a blow against the foppish Macready and the Old World&#8217;s cultural hegemony that he represented. <br/><br/>The moment Macready took the stage in New York, his adversaries sprang into action, first by throwing insults, then rotten eggs, then chairs. When he dared show his face again, an estimated twenty thousand packed the streets around the theater. As cobblestones from outside rained down on the audience, National Guard troops were called in to quell the riot. Finding themselves outmatched, the Guardsmen discharged their weapons at the crowd, with horrific results. When the smoke cleared, as many as thirty people lay dead, with scores more wounded.<br/><br/><em>The Shakespeare Riots</em> is social and cultural history of the highest order. In this wondrous saga Nigel Cliff immerses readers in the bustle of mid-nineteenth-century New York, re-creating the celebrity demimonde of the day and capturing all the high drama of a violent night that robbed a nation of its innocence.]]>
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    <body><![CDATA[from NPR's Books podcast]]></body>
    
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    <![CDATA[One of the bloodiest incidents in New York&#8217;s history, the so-called Astor Place Riot of May 10, 1849, was ignited by a long-simmering grudge match between the two leading Shakespearean actors of the age. Despite its unlikely origins, though, there was nothing remotely quaint about this pivotal moment in history&#8211;the unprecedented shooting by American soldiers of dozens of their fellow citizens, leading directly to the arming of American police forces. <br/><br/><em>The Shakespeare Riots</em> recounts the story of this momentous night, its two larger-than-life protagonists, and the myriad political and cultural currents that fueled the violence. In an engrossing narrative that moves at a breakneck pace from the American frontier to the Mississippi River, to the posh theaters of London, to the hangouts of the most notorious street gangs of the day, Nigel Cliff weaves a spellbinding saga of soaring passions, huge egos, and venal corruption. <br/><br/>Cliff charts the course of this tragedy from its beginnings as a somewhat comical contretemps between Englishman William Charles Macready, the haughty lion of the London stage, and Edwin Forrest, the first great American star and a popular hero to millions. Equally celebrated, and equally self-centered, the two were once friends, then adversaries. Exploiting this rivalry, &#8220;nativist&#8221; agitators organized mobs of bullyboys to flex their muscle by striking a blow against the foppish Macready and the Old World&#8217;s cultural hegemony that he represented. <br/><br/>The moment Macready took the stage in New York, his adversaries sprang into action, first by throwing insults, then rotten eggs, then chairs. When he dared show his face again, an estimated twenty thousand packed the streets around the theater. As cobblestones from outside rained down on the audience, National Guard troops were called in to quell the riot. Finding themselves outmatched, the Guardsmen discharged their weapons at the crowd, with horrific results. When the smoke cleared, as many as thirty people lay dead, with scores more wounded.<br/><br/><em>The Shakespeare Riots</em> is social and cultural history of the highest order. In this wondrous saga Nigel Cliff immerses readers in the bustle of mid-nineteenth-century New York, re-creating the celebrity demimonde of the day and capturing all the high drama of a violent night that robbed a nation of its innocence.]]>
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    <body><![CDATA[I found the book a little hard to read, but this book covers a period of time and a portion of society I knew nothing about.  With the current demands on your time of the Internet, iPods, TV, Movies, etc, it is interesting to read about a time when going to plays was commonplace for people and actor...<a href="http://www.goodreads.com/review/show/27484737">more...</a>]]></body>
    
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    <![CDATA[One of the bloodiest incidents in New York&#8217;s history, the so-called Astor Place Riot of May 10, 1849, was ignited by a long-simmering grudge match between the two leading Shakespearean actors of the age. Despite its unlikely origins, though, there was nothing remotely quaint about this pivotal moment in history&#8211;the unprecedented shooting by American soldiers of dozens of their fellow citizens, leading directly to the arming of American police forces. <br/><br/><em>The Shakespeare Riots</em> recounts the story of this momentous night, its two larger-than-life protagonists, and the myriad political and cultural currents that fueled the violence. In an engrossing narrative that moves at a breakneck pace from the American frontier to the Mississippi River, to the posh theaters of London, to the hangouts of the most notorious street gangs of the day, Nigel Cliff weaves a spellbinding saga of soaring passions, huge egos, and venal corruption. <br/><br/>Cliff charts the course of this tragedy from its beginnings as a somewhat comical contretemps between Englishman William Charles Macready, the haughty lion of the London stage, and Edwin Forrest, the first great American star and a popular hero to millions. Equally celebrated, and equally self-centered, the two were once friends, then adversaries. Exploiting this rivalry, &#8220;nativist&#8221; agitators organized mobs of bullyboys to flex their muscle by striking a blow against the foppish Macready and the Old World&#8217;s cultural hegemony that he represented. <br/><br/>The moment Macready took the stage in New York, his adversaries sprang into action, first by throwing insults, then rotten eggs, then chairs. When he dared show his face again, an estimated twenty thousand packed the streets around the theater. As cobblestones from outside rained down on the audience, National Guard troops were called in to quell the riot. Finding themselves outmatched, the Guardsmen discharged their weapons at the crowd, with horrific results. When the smoke cleared, as many as thirty people lay dead, with scores more wounded.<br/><br/><em>The Shakespeare Riots</em> is social and cultural history of the highest order. In this wondrous saga Nigel Cliff immerses readers in the bustle of mid-nineteenth-century New York, re-creating the celebrity demimonde of the day and capturing all the high drama of a violent night that robbed a nation of its innocence.]]>
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    <body><![CDATA[This books tries to use the lives of two 19th actors to explain the Astor Place riots, and although it does a good job describing the state of Shakespeare in the 19thC, it has to fall back on class and race to explain the riots, leaving the main characters as incidental props in a much larger traged...<a href="http://www.goodreads.com/review/show/53613916">more...</a>]]></body>
    
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    <![CDATA[One of the bloodiest incidents in New York&#8217;s history, the so-called Astor Place Riot of May 10, 1849, was ignited by a long-simmering grudge match between the two leading Shakespearean actors of the age. Despite its unlikely origins, though, there was nothing remotely quaint about this pivotal moment in history&#8211;the unprecedented shooting by American soldiers of dozens of their fellow citizens, leading directly to the arming of American police forces. <br/><br/><em>The Shakespeare Riots</em> recounts the story of this momentous night, its two larger-than-life protagonists, and the myriad political and cultural currents that fueled the violence. In an engrossing narrative that moves at a breakneck pace from the American frontier to the Mississippi River, to the posh theaters of London, to the hangouts of the most notorious street gangs of the day, Nigel Cliff weaves a spellbinding saga of soaring passions, huge egos, and venal corruption. <br/><br/>Cliff charts the course of this tragedy from its beginnings as a somewhat comical contretemps between Englishman William Charles Macready, the haughty lion of the London stage, and Edwin Forrest, the first great American star and a popular hero to millions. Equally celebrated, and equally self-centered, the two were once friends, then adversaries. Exploiting this rivalry, &#8220;nativist&#8221; agitators organized mobs of bullyboys to flex their muscle by striking a blow against the foppish Macready and the Old World&#8217;s cultural hegemony that he represented. <br/><br/>The moment Macready took the stage in New York, his adversaries sprang into action, first by throwing insults, then rotten eggs, then chairs. When he dared show his face again, an estimated twenty thousand packed the streets around the theater. As cobblestones from outside rained down on the audience, National Guard troops were called in to quell the riot. Finding themselves outmatched, the Guardsmen discharged their weapons at the crowd, with horrific results. When the smoke cleared, as many as thirty people lay dead, with scores more wounded.<br/><br/><em>The Shakespeare Riots</em> is social and cultural history of the highest order. In this wondrous saga Nigel Cliff immerses readers in the bustle of mid-nineteenth-century New York, re-creating the celebrity demimonde of the day and capturing all the high drama of a violent night that robbed a nation of its innocence.]]>
  </description>
  <published>2007</published>
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  <read_at>Wed Aug 20 00:00:00 -0700 2008</read_at>
  <date_added>Mon Jul 21 20:42:32 -0700 2008</date_added>
  <date_updated>Wed Aug 20 18:34:26 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book has revived my interest in the history of Five Points (ala The Gangs of New York) in 19th Century Manhattan.  Here's three books on that subject to be considered:<br/><br/>Five Points, by Tyler Anbinder;<br/>The Gangs of New York, by Herbert Asbury; and<br/>The Five Points, by Rocco Do...]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/27918593]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/27918593]]></link>
</review>
      <review>
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  <title>
    <![CDATA[The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America]]>
  </title>
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    <![CDATA[One of the bloodiest incidents in New York&#8217;s history, the so-called Astor Place Riot of May 10, 1849, was ignited by a long-simmering grudge match between the two leading Shakespearean actors of the age. Despite its unlikely origins, though, there was nothing remotely quaint about this pivotal moment in history&#8211;the unprecedented shooting by American soldiers of dozens of their fellow citizens, leading directly to the arming of American police forces. <br/><br/><em>The Shakespeare Riots</em> recounts the story of this momentous night, its two larger-than-life protagonists, and the myriad political and cultural currents that fueled the violence. In an engrossing narrative that moves at a breakneck pace from the American frontier to the Mississippi River, to the posh theaters of London, to the hangouts of the most notorious street gangs of the day, Nigel Cliff weaves a spellbinding saga of soaring passions, huge egos, and venal corruption. <br/><br/>Cliff charts the course of this tragedy from its beginnings as a somewhat comical contretemps between Englishman William Charles Macready, the haughty lion of the London stage, and Edwin Forrest, the first great American star and a popular hero to millions. Equally celebrated, and equally self-centered, the two were once friends, then adversaries. Exploiting this rivalry, &#8220;nativist&#8221; agitators organized mobs of bullyboys to flex their muscle by striking a blow against the foppish Macready and the Old World&#8217;s cultural hegemony that he represented. <br/><br/>The moment Macready took the stage in New York, his adversaries sprang into action, first by throwing insults, then rotten eggs, then chairs. When he dared show his face again, an estimated twenty thousand packed the streets around the theater. As cobblestones from outside rained down on the audience, National Guard troops were called in to quell the riot. Finding themselves outmatched, the Guardsmen discharged their weapons at the crowd, with horrific results. When the smoke cleared, as many as thirty people lay dead, with scores more wounded.<br/><br/><em>The Shakespeare Riots</em> is social and cultural history of the highest order. In this wondrous saga Nigel Cliff immerses readers in the bustle of mid-nineteenth-century New York, re-creating the celebrity demimonde of the day and capturing all the high drama of a violent night that robbed a nation of its innocence.]]>
  </description>
  <published>2007</published>
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  <read_at>Sat Nov 28 00:00:00 -0800 2009</read_at>
  <date_added>Tue Sep 01 18:00:47 -0700 2009</date_added>
  <date_updated>Sat Nov 28 15:26:45 -0800 2009</date_updated>
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    <body><![CDATA[This is an extremely interesting account of the notorious riots, as well as the events that lead up to the riots, the social climate in New York City at the time, and American and British Theatre history during the 1800s.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/69747413]]></url>
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      <review>
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    <name><![CDATA[Anne girl]]></name>
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    <![CDATA[The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America]]>
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  <average_rating>3.77</average_rating>
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    <![CDATA[One of the bloodiest incidents in New York&#8217;s history, the so-called Astor Place Riot of May 10, 1849, was ignited by a long-simmering grudge match between the two leading Shakespearean actors of the age. Despite its unlikely origins, though, there was nothing remotely quaint about this pivotal moment in history&#8211;the unprecedented shooting by American soldiers of dozens of their fellow citizens, leading directly to the arming of American police forces. <br/><br/><em>The Shakespeare Riots</em> recounts the story of this momentous night, its two larger-than-life protagonists, and the myriad political and cultural currents that fueled the violence. In an engrossing narrative that moves at a breakneck pace from the American frontier to the Mississippi River, to the posh theaters of London, to the hangouts of the most notorious street gangs of the day, Nigel Cliff weaves a spellbinding saga of soaring passions, huge egos, and venal corruption. <br/><br/>Cliff charts the course of this tragedy from its beginnings as a somewhat comical contretemps between Englishman William Charles Macready, the haughty lion of the London stage, and Edwin Forrest, the first great American star and a popular hero to millions. Equally celebrated, and equally self-centered, the two were once friends, then adversaries. Exploiting this rivalry, &#8220;nativist&#8221; agitators organized mobs of bullyboys to flex their muscle by striking a blow against the foppish Macready and the Old World&#8217;s cultural hegemony that he represented. <br/><br/>The moment Macready took the stage in New York, his adversaries sprang into action, first by throwing insults, then rotten eggs, then chairs. When he dared show his face again, an estimated twenty thousand packed the streets around the theater. As cobblestones from outside rained down on the audience, National Guard troops were called in to quell the riot. Finding themselves outmatched, the Guardsmen discharged their weapons at the crowd, with horrific results. When the smoke cleared, as many as thirty people lay dead, with scores more wounded.<br/><br/><em>The Shakespeare Riots</em> is social and cultural history of the highest order. In this wondrous saga Nigel Cliff immerses readers in the bustle of mid-nineteenth-century New York, re-creating the celebrity demimonde of the day and capturing all the high drama of a violent night that robbed a nation of its innocence.]]>
  </description>
  <published>2007</published>
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  <date_added>Fri Nov 16 12:47:52 -0800 2007</date_added>
  <date_updated>Fri Nov 16 12:49:42 -0800 2007</date_updated>
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    <body><![CDATA[good fun--reading it with educational lens--lots of cool interdisciplinary stuff in there for U.S. history and Shakespeare. Frontier men reciting Shakespeare round the fire at night, etc.  ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/9204139]]></url>
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      <review>
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    <![CDATA[The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America]]>
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    <![CDATA[One of the bloodiest incidents in New York&#8217;s history, the so-called Astor Place Riot of May 10, 1849, was ignited by a long-simmering grudge match between the two leading Shakespearean actors of the age. Despite its unlikely origins, though, there was nothing remotely quaint about this pivotal moment in history&#8211;the unprecedented shooting by American soldiers of dozens of their fellow citizens, leading directly to the arming of American police forces. <br/><br/><em>The Shakespeare Riots</em> recounts the story of this momentous night, its two larger-than-life protagonists, and the myriad political and cultural currents that fueled the violence. In an engrossing narrative that moves at a breakneck pace from the American frontier to the Mississippi River, to the posh theaters of London, to the hangouts of the most notorious street gangs of the day, Nigel Cliff weaves a spellbinding saga of soaring passions, huge egos, and venal corruption. <br/><br/>Cliff charts the course of this tragedy from its beginnings as a somewhat comical contretemps between Englishman William Charles Macready, the haughty lion of the London stage, and Edwin Forrest, the first great American star and a popular hero to millions. Equally celebrated, and equally self-centered, the two were once friends, then adversaries. Exploiting this rivalry, &#8220;nativist&#8221; agitators organized mobs of bullyboys to flex their muscle by striking a blow against the foppish Macready and the Old World&#8217;s cultural hegemony that he represented. <br/><br/>The moment Macready took the stage in New York, his adversaries sprang into action, first by throwing insults, then rotten eggs, then chairs. When he dared show his face again, an estimated twenty thousand packed the streets around the theater. As cobblestones from outside rained down on the audience, National Guard troops were called in to quell the riot. Finding themselves outmatched, the Guardsmen discharged their weapons at the crowd, with horrific results. When the smoke cleared, as many as thirty people lay dead, with scores more wounded.<br/><br/><em>The Shakespeare Riots</em> is social and cultural history of the highest order. In this wondrous saga Nigel Cliff immerses readers in the bustle of mid-nineteenth-century New York, re-creating the celebrity demimonde of the day and capturing all the high drama of a violent night that robbed a nation of its innocence.]]>
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  <date_added>Thu Dec 06 19:23:51 -0800 2007</date_added>
  <date_updated>Thu Dec 06 19:28:59 -0800 2007</date_updated>
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    <body><![CDATA[I wrote about wanting to read this book (after reading an article on it) <a rel="nofollow" target="_blank" href="http://kvarko.livejournal.com/45204.html">in my LiveJournal</a> (with link to the article).]]></body>
    
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      <review>
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    <name><![CDATA[Florence]]></name>
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    <![CDATA[The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America]]>
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  <average_rating>3.77</average_rating>
  <ratings_count>26</ratings_count>
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    <![CDATA[One of the bloodiest incidents in New York&#8217;s history, the so-called Astor Place Riot of May 10, 1849, was ignited by a long-simmering grudge match between the two leading Shakespearean actors of the age. Despite its unlikely origins, though, there was nothing remotely quaint about this pivotal moment in history&#8211;the unprecedented shooting by American soldiers of dozens of their fellow citizens, leading directly to the arming of American police forces. <br/><br/><em>The Shakespeare Riots</em> recounts the story of this momentous night, its two larger-than-life protagonists, and the myriad political and cultural currents that fueled the violence. In an engrossing narrative that moves at a breakneck pace from the American frontier to the Mississippi River, to the posh theaters of London, to the hangouts of the most notorious street gangs of the day, Nigel Cliff weaves a spellbinding saga of soaring passions, huge egos, and venal corruption. <br/><br/>Cliff charts the course of this tragedy from its beginnings as a somewhat comical contretemps between Englishman William Charles Macready, the haughty lion of the London stage, and Edwin Forrest, the first great American star and a popular hero to millions. Equally celebrated, and equally self-centered, the two were once friends, then adversaries. Exploiting this rivalry, &#8220;nativist&#8221; agitators organized mobs of bullyboys to flex their muscle by striking a blow against the foppish Macready and the Old World&#8217;s cultural hegemony that he represented. <br/><br/>The moment Macready took the stage in New York, his adversaries sprang into action, first by throwing insults, then rotten eggs, then chairs. When he dared show his face again, an estimated twenty thousand packed the streets around the theater. As cobblestones from outside rained down on the audience, National Guard troops were called in to quell the riot. Finding themselves outmatched, the Guardsmen discharged their weapons at the crowd, with horrific results. When the smoke cleared, as many as thirty people lay dead, with scores more wounded.<br/><br/><em>The Shakespeare Riots</em> is social and cultural history of the highest order. In this wondrous saga Nigel Cliff immerses readers in the bustle of mid-nineteenth-century New York, re-creating the celebrity demimonde of the day and capturing all the high drama of a violent night that robbed a nation of its innocence.]]>
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  <published>2007</published>
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  <read_at>Mon Mar 17 00:00:00 -0700 2008</read_at>
  <date_added>Mon Nov 03 16:20:35 -0800 2008</date_added>
  <date_updated>Mon Nov 03 16:21:36 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[The theatre was once patronized by the masses, not the elite.  Things got pretty exciting sometimes.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/36853378]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/36853378]]></link>
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    <![CDATA[The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America]]>
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    <![CDATA[One of the bloodiest incidents in New York&#8217;s history, the so-called Astor Place Riot of May 10, 1849, was ignited by a long-simmering grudge match between the two leading Shakespearean actors of the age. Despite its unlikely origins, though, there was nothing remotely quaint about this pivotal moment in history&#8211;the unprecedented shooting by American soldiers of dozens of their fellow citizens, leading directly to the arming of American police forces. <br/><br/><em>The Shakespeare Riots</em> recounts the story of this momentous night, its two larger-than-life protagonists, and the myriad political and cultural currents that fueled the violence. In an engrossing narrative that moves at a breakneck pace from the American frontier to the Mississippi River, to the posh theaters of London, to the hangouts of the most notorious street gangs of the day, Nigel Cliff weaves a spellbinding saga of soaring passions, huge egos, and venal corruption. <br/><br/>Cliff charts the course of this tragedy from its beginnings as a somewhat comical contretemps between Englishman William Charles Macready, the haughty lion of the London stage, and Edwin Forrest, the first great American star and a popular hero to millions. Equally celebrated, and equally self-centered, the two were once friends, then adversaries. Exploiting this rivalry, &#8220;nativist&#8221; agitators organized mobs of bullyboys to flex their muscle by striking a blow against the foppish Macready and the Old World&#8217;s cultural hegemony that he represented. <br/><br/>The moment Macready took the stage in New York, his adversaries sprang into action, first by throwing insults, then rotten eggs, then chairs. When he dared show his face again, an estimated twenty thousand packed the streets around the theater. As cobblestones from outside rained down on the audience, National Guard troops were called in to quell the riot. Finding themselves outmatched, the Guardsmen discharged their weapons at the crowd, with horrific results. When the smoke cleared, as many as thirty people lay dead, with scores more wounded.<br/><br/><em>The Shakespeare Riots</em> is social and cultural history of the highest order. In this wondrous saga Nigel Cliff immerses readers in the bustle of mid-nineteenth-century New York, re-creating the celebrity demimonde of the day and capturing all the high drama of a violent night that robbed a nation of its innocence.]]>
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  <published>2007</published>
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  <date_added>Tue Jul 22 13:35:47 -0700 2008</date_added>
  <date_updated>Sun Jul 27 20:05:25 -0700 2008</date_updated>
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    <body><![CDATA[Heard about on NPR - sounds interesting]]></body>
    
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    <![CDATA[The Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America]]>
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