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The Dream Life: Movies, Media, And The Mythology Of The Sixties
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The Dream Life: Movies, Media, And The Mythology Of The Sixties

3.86 of 5 stars 3.86  ·  rating details  ·  84 ratings  ·  10 reviews
In what the New York Times’s A.O. Scott called a “suave, scholarly tour de force,” J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one.

This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate—as well as the tele-saturation of the American market and the advent
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Paperback, 461 pages
Published July 6th 2005 by New Press, The (first published 2003)
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Craig Werner
Mixed bag. On one hand, this is as good a book as I've been able to find about the relationship between film and what was happening during America during the Sixties. Hoberman tracks the historical arc from the Kennedy years through Vietnam, the counterculture and Black Power to the sad collapse of the Nixon years. I like his typology of film archetypes that come into play as the story unfolds: The Hollywood Freedom Fighter (represented in different forms by Spartacus and John Wayne in The Alamo ...more
Graham Carter
Cinematically in the sixties the action was happening overseas with the French, Italians and Polish, and later the Germans and Czechs... but J Hoberman reminds me that in the United States the gold was rare, but what gold there was was extraordinary, such as 'Medium Cool.' But more interesting, it puts a new light on a stodgy studio film like 'McClintock!' (exclamation mark part of title).

Hoberman is interesting to me as he is more historian than film critic, and when writing about a chaotic dec
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Rupert
Despite the interesting subject a bit of a snooze.
Michael
My kind of apocalyptic politi-tainment paranoia as cultural criticism concerning my favorite era of American history, but often selective in its analyzed texts and clustered and confused heading into the home stretch (the Ford and Carter administrations are barely alluded to). Also, the long passages detailing the production histories of films like Myra Breckinridge and Pat Garett and Billy the Kid are largely unnecessary.
John
"This is the way the the 1960s end. December 1969 reeks of blood and the memory of blood."

"Who controls the Reality Studio? Whose fantasy is projected onto the screen? What does the nation decide to remember and what shall it agree to forget?"
Mark
I need to come back to this one in a less busy time... interesting examination of the history & politics of the 1960s through the lens of the films of the period.

I got about halfway through before it needed to go back to the library.
Nora
Jul 23, 2010 Nora added it
Fairly interesting, but also hard to follow because the chronology skips around, even within chapters. I'll just keep reading Hoberman's reviews.
Matthew
A fascinating look at "the decade when politics and pop culture became one," by one of the greatest film critics writing today.
Sam Baber
A great big chunk of cultural history I couldn't put down.
Jim
Oct 11, 2011 Jim rated it 4 of 5 stars  ·  review of another edition
Recommended to Jim by: Cineaste magazine review
Fascinating cultural and politcal history.
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Author bio from Verso Press:

J. Hoberman served as the senior film critic at The Village Voice from 1988-2012. He has taught at Harvard, NYU, and Cooper Union, and is the author of ten books, including Bridge of Light, The Red Atlantis, and The Dream Life.
More about J. Hoberman...
Midnight Movies Film After Film: (Or, What Became of 21st Century Cinema?) Vulgar Modernism: Writing on Movies and Other Media An Army of Phantoms: American Movies and the Making of the Cold War The Magic Hour: Film at Fin de Siecle

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