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The Whole Equation: A History of Hollywood
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The Whole Equation: A History of Hollywood

3.7 of 5 stars 3.70  ·  rating details  ·  174 ratings  ·  21 reviews
With the same style and insight he brought to his previous studies of American cinema, acclaimed critic David Thomson masterfully evokes the history of America’s love affair with the movies and the tangled history of Hollywood in The Whole Equation.

Thomson takes us from D.W. Griffith, Charlie Chaplin, and the first movies of mass appeal to Louis B. Mayer, who understood w
Paperback, 420 pages
Published February 14th 2006 by Vintage (first published 2004)
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David Thomson tells the history of American cinema with enthusiasm and wit, loaded with sass and bile he still manages to convey a great love for the medium despite being painfully aware that it has always been a place for hucksters and conmen to screw over everyone it can in the never ending hunt for a quick buck.

In Thomson's Hollywood nothing is straightforward, everybody has an ulterior motive and nobody gets away clean. His love of noir and especially Chinatown is apparent in this approach.
David Thomson is in love with movies, which is not surprising in itself, given his profession. Luckily (for us, not so much for him) his is the bitter, exasperated kind of love that an intelligent man might conceive, against his will, for a brainless little skank. It’s this ambivalent quality that gives his criticism its torque, propelling it beyond the naïve boosterism of the standard Entertainment Weekly puffery.

But I'm not here to talk about Thomson’s many virtues because, for me, the flaws i
Kevin Cecil
It is frustrating how well David Thompson writes about film considering how little he seems to respect it. Film through Thompson's lens seems a bit dirty, in both the kid in the mud, and Larry Flint way. He looks down on film, constantly lauding literature and other arts as superior. Which is fine, hell I share the same condescending view towards video games - only I wouldn't bother to write a page on them, much less a book. Thompson gets the title from Fitzgerald's THE LAST TYCOON, his final, u ...more
Feb 14, 2011 Alan rated it 4 of 5 stars  ·  review of another edition
Recommends it for: Anyone who's ever thought about the movie business
Recommended to Alan by: Other work
The Whole Equation was a doomed enterprise from the very start, of course, at least in a way... one man, one volume, could not hope to encompass the whole of Hollywood's history from its inception in the 19th Century to the 21st. Yet David Thomson's discursive musings are a great success in another way, for they do provide an evocative and, I daresay, valid sense of the sweep of that history, or at least of its early years.

Thomson is a guy who is utterly enthralled by the cinema. He was born in
Michael Rivera
Jul 07, 2007 Michael Rivera rated it 2 of 5 stars  ·  review of another edition
Recommends it for: still trying to figure that out
I started reading this book in September 2005, and made it to the 3rd chapter - while on a cruise. Theoretically, I am still currently reading. However, I really don't know that I will have the gumption to finish the book. It was rather dry and not real interesing to me - but perhaps that is just me. It seems to me to be difficult to write the history of Hollywood in one book. The subject should be more specialized. There's too much to write about Hollywood to cover it thoroughly.
Jul 31, 2014 Eric marked it as to-read
I picked up this book because I love David Thomson; I bought it because of this line: 'Charlie Chaplin fucked like a very wealthy man with an utterly private life.'
A great personal take on the movies. Don't let the subtitle "A History of Hollywood" fool you, this is no history book. Rather it, rightly, melds history, apocrypha and criticism to piece together the story of film. I love Thomson's voice here. It feels a bit incomplete and ultimately harried, though. If I had to guess I'd bet Thomson fills in the blanks in his latest, Moments That Made the Movies. Still, Thomson's deconstruction of the Edward Hopper painting, New York Movie, shows a true origin ...more
Jun 19, 2009 Stop added it
Read the STOP SMILING interview with author David Thomson

The 21st Interview: David Thomson
by José Teodoro

David Thomson is a historian, critic and the author of several books on movies of tremendous influence, among them The Biographical Dictionary of Film, The Whole Equation and, most recently, Have You Seen…?: A Personal Introduction to 1000 Films and Try To Tell the Story: A Memoir. He’s contributed to publications such as Film Comment, Salon and the Guardian. His prose remains highly distinct
T Fool
Even reviews by Pauline Kael – those classics – don’t have much impact anymore. It’s hard to say how many books have handled Hollywood seriously. Thomson’s has. You’d expect some of what’s in here: chronology, celebrity, the grit beneath the glitz. But in no small awe you’ll be by his deriving of the ‘equation’ and how he shows it to apply.

Yes. Culture, Hollywood-delivered, begins as popular gadget-entertainment, mass cheap delight. That tradition, one of technical innovation and wonder, continu
Quite an interesting read, with an intuitive, ambitious premise -- Hollywood helped create pop culture, but in turn was itself influenced by the tides of 20th century American history and the unique personalities of the early moguls like Mayer and Thalberg, often in ways that were unpredictable. For a book that has such a rambling anecdotal feel to it, Thomson does successfully convey pieces of American cinema 'Equation'. It's an impressionistic style -- tell the story of Myron Selznick to depic ...more
Tim Read
Ok, so I gave this 3 stars. This seems fair to a book that is frustrating and engrossing in equal parts. There is a quote line on the back of my copy which says something along the lines of you don't get a unicorn to pull a cart, which I think is a much more eloquent way of expressing what I felt about it.
It's a curates egg of a book, full of fascinating stories about old Hollywood, a mad dash from the 50's through too the 90's and the occasionally rather tangential aside and also the obligator
Bookmarks Magazine

Thomson (The New Biographical Dictionary of Film **** Jan/Feb 2003) claims that the strange bedfellows art and money created American film, but that full understanding of this union "is too hard" to grasp. Critics agree: Thomson may have bitten off more than he can chew. His range is amazing, and so are his digressions. Known for his incisive, biting insight into film, Thomson doesn't disappoint here. His beautiful prose, impressive knowledge, and passion for film float the book. But distracting

Terry Clague
In which David Thomson talks at meandering length about the "movies". The style is what Rob Langham would call "talking in statements" and others might label "highly irritating", "self-indulgent" and/or "pretentious". There are some interesting sections to be sure, but it feels cobbled together. The less said about his sexual obsession with Nicole Kidman, the better.
This book was very different from what I initially thought it would be. Although it claims to be "A History of Hollywood", it really is more a personal musing about film that uses Hollywood as a framework. It took some getting used to, as Thomson's style in this book is very colloquial, with lots of parenthetical flights. But once I got onto his wavelength, I found it be quite a good book. He brings up philosophical questions about film (as opposed to say, books) that I hadn't ever thought about ...more
Generally I eat this stuff up: a well-written, insightful look at the movies that engagingly theorizes while dishing up dirt here and there. But perhaps Thomson's amazing Biographical Dictionary of Film just raised my expectations too much....

The book moves from the early silent days to the present, using Los Angeles as a sort of through-line (and Chinatown as an exemplar) but things feel half-baked at times and the framework isn't entirely nailed down.

But an enjoyable and lightning fast read
This was a really neat look at Hollywood through a lot of different lenses - unlike a typical history, the narrative jumps around and examines the development of Hollywood and its principal figures from several different angles. Thoughtful and occasionally surprising writing.

excellent, absorbing, ideosynchratic, epigrammatic, anecdotal, synechdotal, aphoristic history of hollywood from a really interesting, learned, tough-minded, deeply literate, wise and witty film historian and world-class film buff
May 31, 2007 Bill rated it 3 of 5 stars
Recommends it for: Cineastes
It's more anecdotal than I'd expected, so it's a nice read. Anyone looking to read a history of Hollywood should start here. The author inserts a little too much of himself into the text, but his research and knowledge are exhaustive.
I had to change my review. It started off interesting but ended up (actually middled up because I gave up in the middle) self-indulgent, diary-like meandering prose. It's more about David Thomson's thought process than Hollywood.
You don't have to agree with everything David Thomson says to enjoy his passionate writing. And a kick up the arse to watch a lot of films that I've been meaning to for years.
Mark Peters
A lifetime of film contemplation condensed into a book. Assured and masterful.
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Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information.
More about David Thomson...
The New Biographical Dictionary of Film: Expanded and Updated The Big Screen: The Story of the Movies--and What They Have Done to Us "Have You Seen...?": A Personal Introduction to 1,000 Films Rosebud: The Story of Orson Welles The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder

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