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The Age of Huts (New California Poetry #21)

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4.29  ·  Rating Details  ·  106 Ratings  ·  13 Reviews
Between the Age of Innocence and the Age of Experience comes The Age of Huts. This book brings together for the first time all of the poems in Ron Silliman's Age of Huts cycle, including Ketjak, Sunset Debris, The Chinese Notebook, and 2197, as well as two key satellite texts, Sitting Up, Standing, Taking Steps, and BART. Each poem offers a radically different approach to ...more
Paperback, 324 pages
Published April 9th 2007 by University of California Press (first published 1986)
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Eunoia by Christian BökI'll Drown My Book by Caroline BergvallAgainst Expression by Craig DworkinSoliloquy by Kenneth GoldsmithUnoriginal Genius by Marjorie Perloff
Conceptual Writing
26th out of 146 books — 16 voters
The Man Without Qualities by Robert MusilThe Notebooks of Malte Laurids Brigge by Rainer Maria RilkeBlood Meridian, or the Evening Redness in the West by Cormac McCarthyDuino Elegies by Rainer Maria RilkeMolloy, Malone Dies, The Unnamable by Samuel Beckett
DIFFICULT BUT REWARDING
109th out of 118 books — 58 voters


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Community Reviews

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CA
May 07, 2008 CA rated it it was amazing
Many people have many different opinions about Ron Silliman, but those opinions are usually about the man, or the ideas of the man. Let's talk about his poems! BY FAR his writing is more interesting than most poets of his generation, and especially his peers. The Age of Huts has lines which RING in the head long after having read them! Few poets get better with age, and fewer still reach greatness. With this book, and other recent books of poetry by Ron Silliman, he can say, or it can be said. H ...more
Phoebe
Nov 26, 2007 Phoebe rated it really liked it
Shelves: poetry
"If the distance becomes more, world
distance becomes real"

And the syntax multiplies and becomes more. About distances: the flex and stretch. Whose? I keep thinking. Phasing between word and world, text and metatext. I love that it ends on the fatiguing momentum of BART.

This book was good exercise, valuable tedium, a long residence and accumulations. I learned a lot.

It was helpful in thinking about closed systems.
Christopher
Aug 27, 2015 Christopher rated it it was amazing
Shelves: poetry
LANGUAGE theory in practice, an embodiment of sentences made new. [i]Ketjack[/i] and [i]The Sunset Debris[/i] are standout sections, perhaps because their form feels new and yet is recognizable, though [i]The Chinese Notebook[/i] seems a bit more digestible because of its size. [i]2197[/i] was almost a punishing reading experience, insofar as it pushes beyond expectations and interest levels as it plays against syntax. [i]BART[/i] is a sentimental favorite, as I’m a bit of a train nut and the po ...more
Ted Burke
May 18, 2008 Ted Burke rated it it was amazing
Recommends it for: Robert Peake, Steve Mort
Ron Silliman is one of the most interesting poets working today, a writer who has road tested the limits of given phrases and circumlocutions to frame experience and create a steadfast idea of the world being as it should be as it appears before our senses. We find instead that , in Silliman's choice conflations and decoding, that language is a something that doesn't describe the world is , fixed and in place despite our moods, but rather is a medium in which the world is changed, it's purpose a ...more
Julian
Jan 11, 2009 Julian rated it liked it
You know, this isn't exactly a book I'd say is core to the modern literary canon (which is how it's been touted). It's thick, tricky, wordy, insightful, silly...and far too self-congratulatory. Silliman is a notoriously brash blowhard when it comes to poetic theory, and also incredibly knowledgeable. OK, fine. But rarely do you find a theorist who can actually write the form he/she so criticizes. Case in point for Age of Huts.


It has plenty to offer, and is definitely worth cracking, for its shee
...more
Jay
Jan 10, 2011 Jay rated it liked it
Like a big dictionary or a household Bible, there to be dipped into rather than taken in all at once. "Sunset Debris" (the all-questions section) and "Ketjak" (the Fibonacci section) are some of my favorite poetry, but there's other stuff in here my attention has skimmed and slipped right over without taking a thing away.

On another note, it's a pleasure to read Silliman in a passionate, caught-up mode. I've loved a lot of his prose-on-poetry, but it's tough stuff -- theoretical and didactic. Aft
...more
Amanda
Dec 26, 2008 Amanda rated it it was amazing
So I thought I would hate this book because the premise sounded so pretentious and wooden and gimmicky (the first poem is 100 pages long. It is comprised of "ballooning" paragraphs. Each one contains everything in the previous one, so you start with just phrase, then pretty soon they're 10 pages long).

OH HOW I WAS WRONG! Exactly opposite of what I expected, this was one of the most human, meaningful, compelling books I've ever read. The patterns build meanings into themselves and you develop re
...more
John Hyland
i picked this up when UCP was having a sale last fall . . . & have slowly been making my way in, thru, & around it . . .

update--september 14, 2009--saw silliman's blog post of three days ago & cannot get that very bizarre appropriation of spicer's work out of my while i read age of--or all things--"huts"!
Shannon
May 28, 2008 Shannon rated it really liked it
Shelves: contemporary, poetry
Silliman is brilliant. In this piece, he is channeling Derrida (and de Saussure). The text has a physical momentum.

I know Silliman has written work based on the Fibonacci sequence - this text might be the one, I can't remember. Either way, he plays with rhythm.
Anne Sophie
Oct 08, 2012 Anne Sophie rated it it was ok
Shelves: school


Weird kind of poetry...in the 'stream of consciousness' department, but his words repeat and expand from on sentence to 70 pages of insightful comments sprinkled in a fluff of nonsense...was only okay to me.
Benjamin
Sep 15, 2007 Benjamin rated it it was amazing
Ron Silliman's most satisfyingly ambitious work, from a time when Language Poetry was still figuring out what it might be.
James
Jul 05, 2007 James rated it really liked it
Shelves: poetry
THIS blog was written during a read of this book.
Chad
Jul 09, 2009 Chad rated it it was amazing
Goes a long way toward convincing me that this is the guy we SHOULD have exploring the internet for us. A great collection. I still haven't picked up the Alphabet, but Age of Huts is fantastic.
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  • The Collected Poems
  • Complete Minimal Poems
  • Sleeping With the Dictionary
  • Commons
  • Nets
  • Complete Short Poetry
  • Radi OS
  • Collected Poems of George Oppen
  • My Life
  • Selected Poems
  • The Babies
  • Sea Change
  • Gunslinger
  • Stanzas in Meditation
  • Collected Works
  • The Maverick Room: Poems
  • Crystallography
  • Transcendental Studies: A Trilogy
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Ron Silliman has written and edited 30 books to date, most recently articipating in the multi-volume collaborative autobiography, The Grand Piano. Between 1979 & 2004, Silliman wrote a single poem, entitled The Alphabet. In addition to Woundwood, a part of VOG, volumes published thus far from that project have included ABC, Demo to Ink, Jones, Lit, Manifest, N/O, Paradise, (R), Toner, What and ...more
More about Ron Silliman...

Other Books in the Series

New California Poetry (1 - 10 of 33 books)
  • For
  • Enola Gay
  • Selected Poems
  • Sleeping With the Dictionary
  • Commons
  • The Guns and Flags Project
  • Gone
  • Why/Why Not
  • A Carnage in the Lovetrees
  • The Seventy Prepositions

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