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  <title><![CDATA[Things Worth Fighting for: Collected Writings]]></title>
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    <![CDATA[Things Worth Fighting for: Collected Writings]]>
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    <![CDATA[The collected articles and columns of Michael Kelly, award-winning reporter, war correspondent, columnist, and editor, whose passion for the good story and whose candor and wit made him one of the foremost journalists of our time. <br/><br/> Michael Kelly called himself a &quot;colored lights&quot; sort of person-a regular guy, not a member of the elite &quot;white light&quot; crowd-when it came to his holiday decorations, his writing, and his zest for life. His career reflected myriad colors: he wrote for a large variety of publications, covering a multitude of topics-political, international, and personal-with singular insight, passion, and wit. This collection of his most memorable magazine and newspaper stories and columns-drawn from the <em>Washington Post</em>, <em>New York Times, The New Yorker, The New Republic</em>, and other publications-puts on full display the dazzling panoply of his gifts: for physical description and scene setting; for telling detail, brilliant simile, and satirical insight; for prose that is at once mathematically precise and lyrical. <br/><br/> Here are the searing portraits of Ted Kennedy, Jesse Jackson, H. Ross Perot, and other seminal political figures of our time that won Kelly national attention. Here are the stunning dispatches from the first Gulf War that earned him the National Magazine Award for reporting and burnished his journalistic legend. Here are the fierce columns and landmark cover stories that raised disturbing questions about Bill Clinton, Hillary Rodham Clinton, and the deeply incestuous relationship between Washington, D.C.'s political and media cultures. And here are the loving family portraits and hilarious social commentaries. <br/><br/> <em>Colored Lights</em> represents the body of work of a journalist who demonstrated time and again a surpassing talent for penetrating to the heart of the matter, for advancing far beyond the headlines and surface appearances of people and events to find their true meanings, for getting the story other writers missed and telling it with a verve few other writers could match.]]>
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    <body><![CDATA[Let me be upfront-- this book is a collection of columns written by my brother, Michael Kelly, and published after he died reporting on the war in Iraq. That said, the book is filled with marvelous essays. The one about walking with a 4 year-old will speak to anyone who has parented a child that age...<a href="http://www.goodreads.com/review/show/59155209">more...</a>]]></body>
    
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    <![CDATA[The collected articles and columns of Michael Kelly, award-winning reporter, war correspondent, columnist, and editor, whose passion for the good story and whose candor and wit made him one of the foremost journalists of our time. <br/><br/> Michael Kelly called himself a &quot;colored lights&quot; sort of person-a regular guy, not a member of the elite &quot;white light&quot; crowd-when it came to his holiday decorations, his writing, and his zest for life. His career reflected myriad colors: he wrote for a large variety of publications, covering a multitude of topics-political, international, and personal-with singular insight, passion, and wit. This collection of his most memorable magazine and newspaper stories and columns-drawn from the <em>Washington Post</em>, <em>New York Times, The New Yorker, The New Republic</em>, and other publications-puts on full display the dazzling panoply of his gifts: for physical description and scene setting; for telling detail, brilliant simile, and satirical insight; for prose that is at once mathematically precise and lyrical. <br/><br/> Here are the searing portraits of Ted Kennedy, Jesse Jackson, H. Ross Perot, and other seminal political figures of our time that won Kelly national attention. Here are the stunning dispatches from the first Gulf War that earned him the National Magazine Award for reporting and burnished his journalistic legend. Here are the fierce columns and landmark cover stories that raised disturbing questions about Bill Clinton, Hillary Rodham Clinton, and the deeply incestuous relationship between Washington, D.C.'s political and media cultures. And here are the loving family portraits and hilarious social commentaries. <br/><br/> <em>Colored Lights</em> represents the body of work of a journalist who demonstrated time and again a surpassing talent for penetrating to the heart of the matter, for advancing far beyond the headlines and surface appearances of people and events to find their true meanings, for getting the story other writers missed and telling it with a verve few other writers could match.]]>
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    <body><![CDATA[A collection of Kelly’s short opinion columns for the Washington Post as well as his longer magazine pieces, there is something very good in virtually every one of them, some illuminating insight into a person or issue or a perfect turn of phrase. (From a column on the Bush-Gore debate: “Gore wa...<a href="http://www.goodreads.com/review/show/19374832">more...</a>]]></body>
    
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    <![CDATA[The collected articles and columns of Michael Kelly, award-winning reporter, war correspondent, columnist, and editor, whose passion for the good story and whose candor and wit made him one of the foremost journalists of our time. <br/><br/> Michael Kelly called himself a &quot;colored lights&quot; sort of person-a regular guy, not a member of the elite &quot;white light&quot; crowd-when it came to his holiday decorations, his writing, and his zest for life. His career reflected myriad colors: he wrote for a large variety of publications, covering a multitude of topics-political, international, and personal-with singular insight, passion, and wit. This collection of his most memorable magazine and newspaper stories and columns-drawn from the <em>Washington Post</em>, <em>New York Times, The New Yorker, The New Republic</em>, and other publications-puts on full display the dazzling panoply of his gifts: for physical description and scene setting; for telling detail, brilliant simile, and satirical insight; for prose that is at once mathematically precise and lyrical. <br/><br/> Here are the searing portraits of Ted Kennedy, Jesse Jackson, H. Ross Perot, and other seminal political figures of our time that won Kelly national attention. Here are the stunning dispatches from the first Gulf War that earned him the National Magazine Award for reporting and burnished his journalistic legend. Here are the fierce columns and landmark cover stories that raised disturbing questions about Bill Clinton, Hillary Rodham Clinton, and the deeply incestuous relationship between Washington, D.C.'s political and media cultures. And here are the loving family portraits and hilarious social commentaries. <br/><br/> <em>Colored Lights</em> represents the body of work of a journalist who demonstrated time and again a surpassing talent for penetrating to the heart of the matter, for advancing far beyond the headlines and surface appearances of people and events to find their true meanings, for getting the story other writers missed and telling it with a verve few other writers could match.]]>
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    <body><![CDATA[Until he died, I read Michael Kelly every Wednesday in the Washington Post.  He was so amazingly talented.  And funny.  And smart.  Even when I disagreed with him, I was in awe of him.  When I heard he'd died in Iraq (he was an embedded journalist), I was on the highway and had to pull my car over t...<a href="http://www.goodreads.com/review/show/26906216">more...</a>]]></body>
    
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    <![CDATA[The collected articles and columns of Michael Kelly, award-winning reporter, war correspondent, columnist, and editor, whose passion for the good story and whose candor and wit made him one of the foremost journalists of our time. <br/><br/> Michael Kelly called himself a &quot;colored lights&quot; sort of person-a regular guy, not a member of the elite &quot;white light&quot; crowd-when it came to his holiday decorations, his writing, and his zest for life. His career reflected myriad colors: he wrote for a large variety of publications, covering a multitude of topics-political, international, and personal-with singular insight, passion, and wit. This collection of his most memorable magazine and newspaper stories and columns-drawn from the <em>Washington Post</em>, <em>New York Times, The New Yorker, The New Republic</em>, and other publications-puts on full display the dazzling panoply of his gifts: for physical description and scene setting; for telling detail, brilliant simile, and satirical insight; for prose that is at once mathematically precise and lyrical. <br/><br/> Here are the searing portraits of Ted Kennedy, Jesse Jackson, H. Ross Perot, and other seminal political figures of our time that won Kelly national attention. Here are the stunning dispatches from the first Gulf War that earned him the National Magazine Award for reporting and burnished his journalistic legend. Here are the fierce columns and landmark cover stories that raised disturbing questions about Bill Clinton, Hillary Rodham Clinton, and the deeply incestuous relationship between Washington, D.C.'s political and media cultures. And here are the loving family portraits and hilarious social commentaries. <br/><br/> <em>Colored Lights</em> represents the body of work of a journalist who demonstrated time and again a surpassing talent for penetrating to the heart of the matter, for advancing far beyond the headlines and surface appearances of people and events to find their true meanings, for getting the story other writers missed and telling it with a verve few other writers could match.]]>
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    <body><![CDATA[Michael Kelly was an amazing journalist. He brings researched, thought-provoking insight into many diverse topics: from Society to American Politics to War. Though his political leanings will undoubtedly be clear in his writing (as only the best writers' are), he is not only fair but also wise in ma...<a href="http://www.goodreads.com/review/show/3841215">more...</a>]]></body>
    
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    <![CDATA[The collected articles and columns of Michael Kelly, award-winning reporter, war correspondent, columnist, and editor, whose passion for the good story and whose candor and wit made him one of the foremost journalists of our time. <br/><br/> Michael Kelly called himself a &quot;colored lights&quot; sort of person-a regular guy, not a member of the elite &quot;white light&quot; crowd-when it came to his holiday decorations, his writing, and his zest for life. His career reflected myriad colors: he wrote for a large variety of publications, covering a multitude of topics-political, international, and personal-with singular insight, passion, and wit. This collection of his most memorable magazine and newspaper stories and columns-drawn from the <em>Washington Post</em>, <em>New York Times, The New Yorker, The New Republic</em>, and other publications-puts on full display the dazzling panoply of his gifts: for physical description and scene setting; for telling detail, brilliant simile, and satirical insight; for prose that is at once mathematically precise and lyrical. <br/><br/> Here are the searing portraits of Ted Kennedy, Jesse Jackson, H. Ross Perot, and other seminal political figures of our time that won Kelly national attention. Here are the stunning dispatches from the first Gulf War that earned him the National Magazine Award for reporting and burnished his journalistic legend. Here are the fierce columns and landmark cover stories that raised disturbing questions about Bill Clinton, Hillary Rodham Clinton, and the deeply incestuous relationship between Washington, D.C.'s political and media cultures. And here are the loving family portraits and hilarious social commentaries. <br/><br/> <em>Colored Lights</em> represents the body of work of a journalist who demonstrated time and again a surpassing talent for penetrating to the heart of the matter, for advancing far beyond the headlines and surface appearances of people and events to find their true meanings, for getting the story other writers missed and telling it with a verve few other writers could match.]]>
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    <body><![CDATA[Every time I read one of the selections in this book, I feel an empty spot.  His ability to explain the world simply has never been replaced. I wish he were here.]]></body>
    
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  <average_rating>4.32</average_rating>
  <ratings_count>19</ratings_count>
  <description>
    <![CDATA[The collected articles and columns of Michael Kelly, award-winning reporter, war correspondent, columnist, and editor, whose passion for the good story and whose candor and wit made him one of the foremost journalists of our time. <br/><br/> Michael Kelly called himself a &quot;colored lights&quot; sort of person-a regular guy, not a member of the elite &quot;white light&quot; crowd-when it came to his holiday decorations, his writing, and his zest for life. His career reflected myriad colors: he wrote for a large variety of publications, covering a multitude of topics-political, international, and personal-with singular insight, passion, and wit. This collection of his most memorable magazine and newspaper stories and columns-drawn from the <em>Washington Post</em>, <em>New York Times, The New Yorker, The New Republic</em>, and other publications-puts on full display the dazzling panoply of his gifts: for physical description and scene setting; for telling detail, brilliant simile, and satirical insight; for prose that is at once mathematically precise and lyrical. <br/><br/> Here are the searing portraits of Ted Kennedy, Jesse Jackson, H. Ross Perot, and other seminal political figures of our time that won Kelly national attention. Here are the stunning dispatches from the first Gulf War that earned him the National Magazine Award for reporting and burnished his journalistic legend. Here are the fierce columns and landmark cover stories that raised disturbing questions about Bill Clinton, Hillary Rodham Clinton, and the deeply incestuous relationship between Washington, D.C.'s political and media cultures. And here are the loving family portraits and hilarious social commentaries. <br/><br/> <em>Colored Lights</em> represents the body of work of a journalist who demonstrated time and again a surpassing talent for penetrating to the heart of the matter, for advancing far beyond the headlines and surface appearances of people and events to find their true meanings, for getting the story other writers missed and telling it with a verve few other writers could match.]]>
  </description>
  <published>2004</published>
</book>

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  <read_at>Thu Aug 21 00:00:00 -0700 2008</read_at>
  <date_added>Tue Jul 29 20:56:45 -0700 2008</date_added>
  <date_updated>Wed May 20 13:06:46 -0700 2009</date_updated>
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