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  <title><![CDATA[Cairo (Chronicles Abroad)]]></title>
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  <original_publication_year type="integer">1945</original_publication_year>
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        <name><![CDATA[Naguib Mahfouz]]></name>
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  <title>
    <![CDATA[Cairo Modern: An Arabic Novel]]>
  </title>
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    <![CDATA[The novelist's camera pans from the dome of King Fuad University (now Cairo University) to students streaming out of the campus, focusing on four students in their twenties, each representing a different trend in Egypt in the 1930s. Finally the camera comes to rest on Mahgub Abd al-Daâim. A scamp, he fancies himself a nihilist, a hedonist, an egotist, but his personal vulnerability is soon revealed by a family crisis back home in al-Qanatir, a dusty, provincial town on the Nile that is also a popular destination for Cairene day-trippers. Mahgub, like many characters in works by Naguib Mahfouz, has a hard time finding the correct setting on his ambition gauge. His emotional life also fluctuates between the extremes of a street girl, who makes her living gathering cigarette butts, and his wealthy cousin Tahiya. Since he thinks that virtue is merely a social construct, how far will our would-be nihilist go in trying to fulfill his unbridled ambitions? What if he discovers that high society is more corrupt and cynical than he is? With a wink back at Goethe's Faust and Henry Fielding's Joseph Andrews, Mahgub becomes a willing collaborator in his own corruption. Published in Arabic in the 1940s, this cautionary morality tale about self-defeating egoism and ill-digested foreign philosophies comes from the same period as one of the writer's best-known works, <em>Midaq Alley</em>. Both novels are comic and heart-felt indictments not so much of Egyptian society between the world wars as of human nature and our paltry attempts to establish just societies.]]>
  </description>
  <published>1945</published>
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    <rating>4</rating>
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  <read_at>Thu Jan 01 00:00:00 -0800 2009</read_at>
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  <date_updated>Mon Feb 02 10:59:50 -0800 2009</date_updated>
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    <body><![CDATA[Man alive! Another good book!<br/><br/>I remember seeing and reading a lot about Naguib Mahfouz when I liven in the UK...he was on TV a bit, in the papers...that was probably around the time he won the Nobel Prize for Literature in 1988. Anyway this book just jumped out at me at the library and sinc...<a href="http://www.goodreads.com/review/show/45148347">more...</a>]]></body>
    
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      <review>
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    <name><![CDATA[Lisa]]></name>
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    <![CDATA[Cairo Modern: An Arabic Novel]]>
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  <average_rating>3.83</average_rating>
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    <![CDATA[The novelist's camera pans from the dome of King Fuad University (now Cairo University) to students streaming out of the campus, focusing on four students in their twenties, each representing a different trend in Egypt in the 1930s. Finally the camera comes to rest on Mahgub Abd al-Daâim. A scamp, he fancies himself a nihilist, a hedonist, an egotist, but his personal vulnerability is soon revealed by a family crisis back home in al-Qanatir, a dusty, provincial town on the Nile that is also a popular destination for Cairene day-trippers. Mahgub, like many characters in works by Naguib Mahfouz, has a hard time finding the correct setting on his ambition gauge. His emotional life also fluctuates between the extremes of a street girl, who makes her living gathering cigarette butts, and his wealthy cousin Tahiya. Since he thinks that virtue is merely a social construct, how far will our would-be nihilist go in trying to fulfill his unbridled ambitions? What if he discovers that high society is more corrupt and cynical than he is? With a wink back at Goethe's Faust and Henry Fielding's Joseph Andrews, Mahgub becomes a willing collaborator in his own corruption. Published in Arabic in the 1940s, this cautionary morality tale about self-defeating egoism and ill-digested foreign philosophies comes from the same period as one of the writer's best-known works, <em>Midaq Alley</em>. Both novels are comic and heart-felt indictments not so much of Egyptian society between the world wars as of human nature and our paltry attempts to establish just societies.]]>
  </description>
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  <date_updated>Fri Aug 28 22:39:37 -0700 2009</date_updated>
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    <body><![CDATA[Hampered by a stilted translation (the Egyptian main character at one point calls his wife &quot;champ&quot;), as well as supporting characters who exist only to represent various social and political philosophies. Still, an intriguing look at the conflicts and contradictions in 1930 Egypt, most of ...<a href="http://www.goodreads.com/review/show/69300139">more...</a>]]></body>
    
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      <review>
  <id>78781057</id>
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    <name><![CDATA[B. Lynn]]></name>
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  <title>
    <![CDATA[Cairo Modern]]>
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  <average_rating>4.00</average_rating>
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    <![CDATA[In Naguib Mahfouz's suspenseful novel a bitter and ambitious nihilist, a beautiful and impoverished student, and a corrupt official engage in a doomed ménage à trois.<br/><br/><br/>Cairo of the 1930s is a place of vast social and economic inequities. It is also a time of change, when the universities have just opened to women and heady new philosophies imported from Europe are stirring up debates among the young. Mahgub is a fiercely proud student who is determined to keep both his poverty and his lack of principles secret from his idealistic friends. When he finds that there are no jobs for those without connections, out of desperation he agrees to participate in an elaborate deception. But what begins as a mere strategy for survival soon becomes much more for both Mahgub and his partner in crime, an equally desperate young woman named Ihsan. As they make their way through Cairo's lavish high society their precarious charade begins to unravel and the terrible price of Mahgub's Faustian bargain becomes clear.<br/><br/> <br/><br/>Translated by William M. Hutchins]]>
  </description>
  <published>1945</published>
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    <rating>4</rating>
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  <read_at>Sun Nov 22 00:00:00 -0800 2009</read_at>
  <date_added>Mon Nov 23 15:11:12 -0800 2009</date_added>
  <date_updated>Fri Nov 27 10:34:34 -0800 2009</date_updated>
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    <body><![CDATA[Though I was troubled by the grim portrait of Cairo's citizens at the beginning, the book has really picked up. Moral dilemmas fascinate me. I am glad to have read this book.]]></body>
    
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      <review>
  <id>25734152</id>
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    <name><![CDATA[Heather S.]]></name>
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    <![CDATA[Cairo Modern: An Arabic Novel]]>
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    <![CDATA[The novelist's camera pans from the dome of King Fuad University (now Cairo University) to students streaming out of the campus, focusing on four students in their twenties, each representing a different trend in Egypt in the 1930s. Finally the camera comes to rest on Mahgub Abd al-Daâim. A scamp, he fancies himself a nihilist, a hedonist, an egotist, but his personal vulnerability is soon revealed by a family crisis back home in al-Qanatir, a dusty, provincial town on the Nile that is also a popular destination for Cairene day-trippers. Mahgub, like many characters in works by Naguib Mahfouz, has a hard time finding the correct setting on his ambition gauge. His emotional life also fluctuates between the extremes of a street girl, who makes her living gathering cigarette butts, and his wealthy cousin Tahiya. Since he thinks that virtue is merely a social construct, how far will our would-be nihilist go in trying to fulfill his unbridled ambitions? What if he discovers that high society is more corrupt and cynical than he is? With a wink back at Goethe's Faust and Henry Fielding's Joseph Andrews, Mahgub becomes a willing collaborator in his own corruption. Published in Arabic in the 1940s, this cautionary morality tale about self-defeating egoism and ill-digested foreign philosophies comes from the same period as one of the writer's best-known works, <em>Midaq Alley</em>. Both novels are comic and heart-felt indictments not so much of Egyptian society between the world wars as of human nature and our paltry attempts to establish just societies.]]>
  </description>
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    <body><![CDATA[sad day when mahfouz left this earth! so pleasedpleasedpleased to find that there are still works to be translated into english. this one was first published in 1945 -- i'm most eager to read it!]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/25734152]]></url>
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    <![CDATA[In Naguib Mahfouz's suspenseful novel a bitter and ambitious nihilist, a beautiful and impoverished student, and a corrupt official engage in a doomed ménage à trois.<br/><br/><br/>Cairo of the 1930s is a place of vast social and economic inequities. It is also a time of change, when the universities have just opened to women and heady new philosophies imported from Europe are stirring up debates among the young. Mahgub is a fiercely proud student who is determined to keep both his poverty and his lack of principles secret from his idealistic friends. When he finds that there are no jobs for those without connections, out of desperation he agrees to participate in an elaborate deception. But what begins as a mere strategy for survival soon becomes much more for both Mahgub and his partner in crime, an equally desperate young woman named Ihsan. As they make their way through Cairo's lavish high society their precarious charade begins to unravel and the terrible price of Mahgub's Faustian bargain becomes clear.<br/><br/> <br/><br/>Translated by William M. Hutchins]]>
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  <published>1945</published>
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    <![CDATA[Cairo Modern]]>
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    <![CDATA[In Naguib Mahfouz's suspenseful novel a bitter and ambitious nihilist, a beautiful and impoverished student, and a corrupt official engage in a doomed ménage à trois.<br/><br/><br/>Cairo of the 1930s is a place of vast social and economic inequities. It is also a time of change, when the universities have just opened to women and heady new philosophies imported from Europe are stirring up debates among the young. Mahgub is a fiercely proud student who is determined to keep both his poverty and his lack of principles secret from his idealistic friends. When he finds that there are no jobs for those without connections, out of desperation he agrees to participate in an elaborate deception. But what begins as a mere strategy for survival soon becomes much more for both Mahgub and his partner in crime, an equally desperate young woman named Ihsan. As they make their way through Cairo's lavish high society their precarious charade begins to unravel and the terrible price of Mahgub's Faustian bargain becomes clear.<br/><br/> <br/><br/>Translated by William M. Hutchins]]>
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