Body Art/Performing the Subject
by
Amelia Jones
An examination of the social and cultural significance of body art by a major new voice.
The past few years have seen an explosion of interest in body art, in which the artist's body is integral to the work of art. With the revoking of NEA funding for such artists as Karen Finley, Tim Miller, and others, public awareness and media coverage of body-oriented performances have
...morePaperback, 368 pages
Published
February 15th 1998
by University Of Minnesota Press
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So far, this book is amazing. I knew I liked Amelia Jones from a few articles of hers I had read on the same topic. She is just incredibly smart and insightful in debunking much theory that has come before her and answering to the predominant writing on body / performance art by Peggy Phelan and others. Plus, she gives Hannah Wilke her due with the cover image and devoting an entire chapter to her work. Her arguments are carefully constructed and precise, and she seems to be as equally frust...more
Overall a really enjoyable read. If one takes the perspective that subjects are fluid and the "self" is continually reconstructed, then the "classic" works of body art can seem rather dated. But Jones argues instead that body can and must be looked at "intersubjectively."
I thoroughly enjoyed her various readings of body art works. I'll never think about at Vito Acconci the same way and appreciated learning more about Hannah Wilke and some more contemporar...more
I thoroughly enjoyed her various readings of body art works. I'll never think about at Vito Acconci the same way and appreciated learning more about Hannah Wilke and some more contemporar...more
Samra
marked it as to-read
how can i gt ths amaizing bok
read some of this... not all. how many books can i say i'm currently reading? hahaha.
after having studied performance for a few year, this book still opened my eyes to new ways of thinking about it. she is very thorough in her analysis and scholarship. i really enjoy jones' writing and her viewpoint of starting with social/feminist critique. my only nagging feeling about this book is that its possibly a bit dated in how it approaches those issues, so i'm looking fwd to reading self/im...more
after having studied performance for a few year, this book still opened my eyes to new ways of thinking about it. she is very thorough in her analysis and scholarship. i really enjoy jones' writing and her viewpoint of starting with social/feminist critique. my only nagging feeling about this book is that its possibly a bit dated in how it approaches those issues, so i'm looking fwd to reading self/im...more
Stolen from Diane Gromala I don't know how long ago and read alongside the thesis that never quite got there and then went on unsaved, lonely, on into the next few years where it finally vaporized and left no residue and took no prisoners.
She was my professor in grad school! I really like what she does with performance art, photography, and poststructuralist theory. Really interesting, not stuff I would have read if I hadn't had to for class, but I'm quite glad I did.
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Amelia Jones is an American art historian, art critic and curator specializing in feminist art, body/ performance art, video art and Dadaism. Her written works and approach to modern and contemporary art history are considered revolutionary in that she breaks down commonly assumed opinions and offers brilliantly conceived critiques of the art historical tradition and individual artist's positions ...more
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