Goodreads helps you keep track of books you want to read.
Start by marking “Let Us Now Praise Famous Men” as Want to Read:
Let Us Now Praise Famous Men
Enlarge cover
Rate this book
Clear rating
Preview

Let Us Now Praise Famous Men

4.14 of 5 stars 4.14  ·  rating details  ·  2,246 ratings  ·  219 reviews
A landmark work of American photojournalism “renowned for its fusion of social conscience and artistic radicality” (New York Times)



In the summer of 1936, James Agee and Walker Evans set out on assignment for Fortune magazine to explore the daily lives of sharecroppers in the South. Their journey would prove an extraordinary collaboration and a watershed literary event when
...more
Paperback, 432 pages
Published August 14th 2001 by Mariner Books (first published 1939)
more details... edit details

Friend Reviews

To see what your friends thought of this book, please sign up.

Reader Q&A

To ask other readers questions about Let Us Now Praise Famous Men, please sign up.

Be the first to ask a question about Let Us Now Praise Famous Men

Ansel Adams by Ansel AdamsBrassai by BrassaïThe Americans by Robert FrankIn Focus by Leah Bendavid-ValA History of Women Photographers by Naomi Rosenblum
Exceptional Photography Books*
8th out of 349 books — 107 voters
The Grapes of Wrath by John SteinbeckAngela's Ashes by Frank McCourtThe Good Earth by Pearl S. BuckTobacco Road by Erskine CaldwellOliver Twist by Charles Dickens
The Hardscrabble Life
30th out of 149 books — 90 voters


More lists with this book...

Community Reviews

(showing 1-30 of 3,000)
filter  |  sort: default (?)  |  rating details
amanda
This is the third time that I've attempted this book and I do not lay books down easily. The best way I can describe it is to say that it is like reading the teenage poetry of William Faulkner. There is much about this book that borders on genius, but far more that obscures. Agee tries so hard to get to The Truth that he ends up with a lot of contextual melodrama. As a result, the book is not so much the story of three tenant farming families so much as it is Agee's opinion of how the families c ...more
Meredith
One of the women who helped raise me was herself the daughter of a Cherokee sharecropper and his African American wife. Nannie did not read or spell very well. She stood six feet tall and had the most beautiful cheekbones I've ever seen on a woman in real life. She taught me the meaning of dignity and the power inherent in having a good and pure soul; she taught me how to properly watch a thunderstorm, which is to say, quietly and with respect.
When I read this book for the first time, in my firs
...more
Emily
Reading this book is like hanging on to the back of someone on roller skates racing top-speed down a steep hill, with no brakes. There are few books that explore with such rigor the impossibility -- and necessary ideal -- of perfect perspective, or have the audacity to admit melancholy as an action (albeit an insufficent one), not just a solipsistic response to the aesthetic sufferings of others. The maddening ambivalence of this book, and its self-consuming doubt and belief in what it is doing, ...more
Tony
Well I managed to finish this just to say I'd read this so called classic,but the whole thing just annoyed the hell out of me. Talk about obscure writing, this guy was taking the mickey out of his readers.
And that's annoying. Very.
This from page 226 of the version that I read:-

"No doubt we overvalue the difference between life and lifelessness, but there is a certain difference, just as, in the situation we are speaking of, a difference is remarkable: the difference between a conjunction of time
...more
Hadrian
This is a story so intense and devoted to its subject, it is almost holy writ. It is a sermon preached by the prophet Jeremiah, who preached while weeping in the streets of Jerusalem. The style is florid and ornate, not a stream but a torrent of consciousness. Some sentences are pages long musings on philosophy and writing and life which might make Faulkner smile with approval.

It is an attempt to accurately portray, in words and pictures, the lives of Tenant Farmers in the South in the worst of
...more
Leonard Pierce
It took me forever to get around to reading this, but boy, am I glad I did. It's a moving and incredibly heartfelt look at the suffering of the poor during the Depression (and a rather effective defense of FDR's reaction to it), and one of the most deft blends of fiction and journalism I've ever read.
Kate
I know this book is critically acclaimed. It just really didn't work that well for me. The book is about a trip James Agee (Harvard-educated journalist for Forbes at the time) and Walker Evans (photographer) take to backwoods Alabama to see what the lives of sharecroppers are like. I don't think I'm ruining anything if I tell you this-their lives are hard. Harder than most people could imagine. Agee does an amazing job at describing the families he meets with. Evans' pictures are stark but soft. ...more
Sherri
Stunned is the only way I can describe my immediate reaction to Let Us Now Praise Famous Men. It is not like any other book I have read and not at all what I expected. (And at times funny in ways I'm pretty sure Agee didn't mean it to be.) James Agee was 27 when he wrote it. Unbelievable.

I gave it five stars not because I loved every minute of reading it but because of the effort and because of the way he gets across the plight and horror of sharecropping without sentimentality (though with a fa
...more
A. Jesse
I give up, I can't finish this nor ever will. Walker Evans begins the book with a few dozen photos, most of which are mediocre at best, a handful of which are among the best photos ever taken. Agee's text, too, is a mixed bag, although the avalanche of dross so completely mires the gems that I found myself flipping through ten pages at a time, looking for a paragraph worth reading. Agee goes through convulsions of angst, trying to find some way to tell us about the lives of 3 poor tenant farmers ...more
Dottie
This info describes the OC Library copy which I'm reading:

Cover: mud gray green with the title left margin reconciled like so:

Let
Us
Now
Praise
Famous Men

with black lettering except the word Praise which is white -- authors name lower right above Photograpsher Walker Evans name

Hardcover; 471 pp

Copyrights 1939, 1940 James Agee; 1941 James Agee and Walker Evans; 1969 Walker Evans. Third Printing Riverside Press Cambridge Massachusetts USA

Lily
I wanted to gouge my eyes out many, many times. I can't believe I even gave it 2 stars. Yes, it is a super famous book and has gotten all kinds of acclaim over the past 70 years or so. But James Agee drives me nuts. His writing style gave me a migraine. I did, however, keep the book and may attempt it again one day in the very distant future, once I have forgotten how much it bothered me the first go-round.
Dominic
In summer 1936, James Agee and photographer Walker Evans went to spend a few months in Alabama amongst three tenant farmer families. Their goal was not necessarily to report or even understand these "beautiful" men and women, but to render them on the page in such a way that it does justice to their brillance, their largeness. The result is one of the most sensitive, pained, compassionate, utterly human pieces of writing I've ever read, second maybe only to Walt Whitman's Leaves of Grass, who wa ...more
Molly
Jul 27, 2010 Molly rated it 3 of 5 stars
Recommended to Molly by: Referenced in "The Help"
Shelves: non-fiction
Let us now praise the fact that I have finished this book! It took me a month of pecking and absorbing and discarding and revisiting to get through it. A long, strange trip it was stylistically and unlike any journey I've taken before. Let me tell you about it.

James Agee makes Faulkner look clear and concise. He loves nothing more than to ramble on and explore every possible tangent his mind's discovery takes him. And he discovered a lot while living among a cluster of tenant farming families in
...more
Jim
In the summer of 1936, the Farm Services Agency sent James Agee, writer, and Walker Evans, photographer to rural Alabama to document the conditions of white tenant farmers in prose and photos. This book is the result of that expedition. While I've always had an intense interest in the Great Depression and the 1930's, this book was a little disappointing. I had heard of it for years and just now decided to read it.

The photos by Walker Evans are great and one could spend a lot of time studying the
...more
Trevor Jones
I think it easy to dismiss books that immediately come across as pretentious, bombastic and extravagantly lyrical, but works that manage to overcome the weight of being so deserve some recognition. Agee's master opus is one such book, to which I would add the novels of Malcolm Lowry and Thomas Wolfe. People tend to love or hate this nosebleeding level of lyricism, and I think as a reader it may be most important to decipher when exactitude and floridity in language is disingenuous and forced, ve ...more
Shannon
I went into this book thinking it was a documentary type novel about the plight of tenant farming in the deep south, and it some ways it was. However, most of it was not about the families so much as Agee's experience with the families. A subtle but important difference. Most of the book was about how he felt being around them and how they affected him. He presented a highly romanticized version of desperately poor people while including seemingly random stories (like his desire to "get a piece ...more
El
James Agee and photographer Walker Evans teamed up in the 1930s to portray tenant families as painfully honestly as possible. With Agee's knack for vivid description and Evans' talent of capturing ones humanity in haunting quality, this book (shelved as Sociology) takes three tenant families in Alabama in the middle of the Great Depression and describes their lifestyle, their work and their environment in brutal honesty.

While all components were solid - Agee's narrative, Evans' art - as a collec
...more
Korri
I've been 'currently reading' this book for months. Something about Agee's writing demands late night reading, when, lulled into a semi-conscious state by his languid or furious prose, the 'curious, obscene, terrifying and unfathomably mysterious' work he undertook as a journalist sparkles (p. 8).

Agee is fully present in the text. He does not stand behind the meaningless concepts of neutrality or objectivity because he understands his demeanor and actions influence the people with whom he lives
...more
Julianne
Oct 08, 2009 Julianne rated it 4 of 5 stars  ·  review of another edition
Recommends it for: David Buth
Recommended to Julianne by: Neil Postman
Shelves: non-fiction
If this book review were to become so long that I would need chapter- and sub-headings, and if my chapter- and sub-headings turned out to be things like “(On the Porch: 1,” “Colon,” and “Intermission: Conversation in the Lobby,” and if I were to set some of them—but not others—off with left parentheses, and punctuate some—again, not others—with colons tending towards nothing but a thereafter empty page, you would think (aside from “Wow, this review is horribly and strangely long”) that I’d compl ...more
Anders
Mar 26, 2008 Anders added it  ·  review of another edition
Recommended to Anders by: Sam
First published in 1941, James Agee's study of three Southern sharecropping families during the Great Depression sold a paltry six hundred copies. In the last few decades, however, the book has enjoyed increased interest and to date has been reprinted in a handful of updated editions. The book is packaged with about 30-40 black and white photographs taken by Walker Evans of the families described in the book meant to serve as a companion to the text, and in fact the book gives Evans co-authoring ...more
Kati
This book is the musings of James Agee about a short period of time he spend wandering Alabama and living with three tenant families there. It is complemented by some wonderful, compassionate and compelling photographs taken by Walker Evans. I must say that I had a difficult time getting through this book. It was one of the slower reads I've had in a long time. I kept getting lost in the language. Agee uses lots of colons and very little other punctuation; also he speaks in a highly descriptive ...more
Dan
The greatest book ever written. Bar none. End of story. It changed my life, seriously - shatteringly beautiful and rich, stark, concise, extremely over-wordy at times, a portrait of a time and place you'll never forget: three sharecropper families in the poorest county in the poorest state at the height of the Depression. Portrays the families with great dignity, where it could have easily been pity. Photographs by Walker Evans (one of the 'Dust Bowl' photographers) that will leave you breathles ...more
Daniel Vorhaus
It would be difficult to describe the experience of reading this book as either enjoyable or easy. Consistent with Agee's espoused philosophy, I can only assume that he refused all editing of the work, whether by himself or anyone else.

I found it easiest to read, as Evans suggests in the introduction, by imagining it as a nearly continuous soliloquy, since I think it is safer to pretend that Agee is choosing to ignore his reader rather than actively and consciously despise him.

With those disclai
...more
Seth Kupchick
date newest »
message 1: by Seth (last edited 45 minutes ago) - rated it 5 stars 56 minutes ago
"Let Us Now Praise Famous Men," is not a novel, an article, or a poem, in the anatomical definition of these words and that's how Agee wanted it along with photographer, Walker Evans, who went down with him from New York to the Appalachian mountains in the depression era thirties to document the living conditions of the hill people for a Time magazine article. I'm not sure if the editors of Time though
...more
Fred McGavran
Let Us All Now Praise Famous Men begins with Walker Evan’s scalpel sharp photographs of three Alabama sharecropper families and their rented cabins, and is followed by James Agee’s explosive, unrestrained description of a life that horrifies and enraptures him. At times it seems we are reading Thomas Wolf, or Gerard Manley Hopkins, or Proust, or Faulkner or James Joyce. Agee doesn’t want to miss a heartbeat and sends up so many words that he sometimes obliterates his subjects with his prose. Nev ...more
Katrina
3 1/2 stars. Fascinating idea and brilliantly absorbing photographs by Walker Evans. I skimmed the first half trying to find the meat of Agee's writing. Whew! He was very philosophically divided and expansive in his ramblings. The second half had more of the heart of the sharecropper's actual lives, and I was more absorbed by the education and work chapters. I feel as though Agee spent more time sniffing the essence of their lives than giving the details I would have preferred to know. How did t ...more
Justin
I’m not going to lie, this was a slog. Nominally an account of his time living with three sharecropping families in Alabama, only a tiny sliver of this book can be said to be about sharecroppers in any meaningful sense. Much much more attention is given to extremely long descriptions of tables, dressers, floorboards, overalls, etc. Even worse are the interminable philosophical detours. Undoubtedly, Agee is a brilliant writer on some level, and every bit of "Let Us Now" is beautifully and rapturo ...more
Seth
I couldn't finish this. Agee is constantly at pains to convince the reader of the modesty and humility of his project and his subjects but his prose style is always disagreeing with him. I'll probably go back to this someday and it will make me quit my job or something. 3 stars.
eddie
This appears to be one of those books that inspires either love or hate. A good friend, who grew up the next county over from Hale County, and who is more focused on Southern history than I am, was unable to finish the book. I did finish, although I often did not want to continue. The book is ostensibly a journalistic account of the lives of three white sharecropper families. It fails as journalism. Agee inserts his own editorializing again and again. He presents as fact impressions drawn from h ...more
Moira Russell
Really excited to have a nice hardback edition of this instead of my shitty little paperback I got for two dollars and have had forever.
« previous 1 3 4 5 6 7 8 9 99 100 next »
There are no discussion topics on this book yet. Be the first to start one »
  • And Their Children After Them: The Legacy of Let Us Now Praise Famous Men: James Agee, Walker Evans, and the Rise and Fall of Cotton in the South
  • The Other America: Poverty in the United States
  • A Sense of Where You Are: Bill Bradley at Princeton
  • Carry Me Home: Birmingham, Alabama: The Climactic Battle of the Civil Rights Revolution
  • The Professional
  • How the Other Half Lives
  • Going Native
  • Hard Times: An Oral History of the Great Depression
  • What It Takes: The Way to the White House
  • The Sweet Science
  • A Child of the Century
  • The Romantic Generation (The Charles Eliot Norton Lectures)
  • The Paranoid Style in American Politics and Other Essays
  • Within the Context of No Context
  • A Childhood: The Biography of a Place
  • The Mind of the South
  • An Image of Africa
  • A Fan's Notes
7976
Walker Evans (November 3, 1903 – April 10, 1975) was an American photographer best known for his work for the Farm Security Administration (FSA) documenting the effects of the Great Depression. Much of Evans's work from the FSA period uses the large-format, 8x10-inch camera. He said that his goal as a photographer was to make pictures that are "literate, authoritative, transcendent".

Many of his wo
...more
More about Walker Evans...
Walker Evans: American Photographs Many are Called Polaroids Photographs for the Farm Security Administration, 1935-1938 Signs

Share This Book

“Isn’t every human being both a scientist and an artist; and in writing of human experience, isn’t there a good deal to be said for recognizing that fact and for using both methods?” 906 likes
“For in the immediate world, everything is to be discerned, for him who can discern it, and central and simply, without either dissection into science, or digestion into art, but with the whole of consciousness, seeking to perceive it as it stands: so that the aspect of a street in sunlight can roar in the heart of itself as a symphony, perhaps as no symphony can: and all of consciousness is shifted from the imagined, the revisive, to the effort to perceive simply the cruel radiation of what is.” 9 likes
More quotes…