<?xml version="1.0" encoding="UTF-8"?>
<GoodreadsResponse>
	<Request>
		<authentication>false</authentication>
		    <method><![CDATA[]]></method>
	</Request>
	
<book>
  <id>374659</id>
  <title><![CDATA[Stephen Shore: American Surfaces]]></title>
  <isbn><![CDATA[0714845078]]></isbn>
  <isbn13><![CDATA[9780714845074]]></isbn13>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <description><![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]></description>
  <work>
  <best_book_id type="integer">374659</best_book_id>
  <books_count type="integer">1</books_count>
  <desc_user_id type="integer" nil="true"></desc_user_id>
  <id type="integer">364532</id>
  <media_type nil="true"></media_type>
  <original_language_id type="integer" nil="true"></original_language_id>
  <original_publication_day type="integer" nil="true"></original_publication_day>
  <original_publication_month type="integer" nil="true"></original_publication_month>
  <original_publication_year type="integer">2005</original_publication_year>
  <original_title>Stephen Shore: American Surfaces</original_title>
  <rating_dist>total:26|5:11|4:12|3:3|</rating_dist>
  <ratings_count type="integer">26</ratings_count>
  <ratings_sum type="integer">112</ratings_sum>
  <reviews_count type="integer">35</reviews_count>
  <text_reviews_count type="integer">0</text_reviews_count>
</work>

  <average_rating><![CDATA[4.31]]></average_rating>
  <ratings_count><![CDATA[26]]></ratings_count>
  <text_reviews_count><![CDATA[0]]></text_reviews_count>
  
  <url><![CDATA[http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces]]></url>
  <link><![CDATA[http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces]]></link>
  <authors>
    <author>
    <id>130420</id>
        <name><![CDATA[Stephen Shore]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/130420.Stephen_Shore]]></link>
    <average_rating>4.30</average_rating>
    <ratings_count>208</ratings_count>
    <text_reviews_count>17</text_reviews_count>
  </author>
  </authors>
    <reviews start="1" end="20" total="35">
      <review>
  <id>73179056</id>
    <user>
    <id>2797775</id>
    <name><![CDATA[Alan]]></name>
    <location><![CDATA[San Francisco, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2797775-alan-yost]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1254472071p3/2797775.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1254472071p2/2797775.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Fri Oct 02 00:48:57 -0700 2009</date_added>
  <date_updated>Fri Oct 02 00:48:57 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/73179056]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/73179056]]></link>
</review>
      <review>
  <id>63554410</id>
    <user>
    <id>427982</id>
    <name><![CDATA[Brian]]></name>
    <location><![CDATA[San Francisco, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/427982-brian]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1247641319p3/427982.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1247641319p2/427982.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Jul 15 00:13:58 -0700 2009</date_added>
  <date_updated>Wed Jul 15 00:13:58 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/63554410]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/63554410]]></link>
</review>
      <review>
  <id>58080134</id>
    <user>
    <id>250147</id>
    <name><![CDATA[Sean P.]]></name>
    <location><![CDATA[Lincoln, NE]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/250147-sean-p-morrissey]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1196005741p3/250147.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1196005741p2/250147.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
            <shelf name="art" />
        <shelf name="photo" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri May 01 00:00:00 -0700 2009</read_at>
  <date_added>Mon Jun 01 12:18:26 -0700 2009</date_added>
  <date_updated>Mon Jun 01 12:18:57 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/58080134]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/58080134]]></link>
</review>
      <review>
  <id>54292992</id>
    <user>
    <id>1120647</id>
    <name><![CDATA[E]]></name>
    <location><![CDATA[Half Moon Bay, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1120647-e]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1238444297p3/1120647.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1238444297p2/1120647.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>0</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
            <shelf name="to-read" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Tue Apr 28 17:03:47 -0700 2009</date_added>
  <date_updated>Tue Apr 28 17:03:47 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/54292992]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/54292992]]></link>
</review>
      <review>
  <id>39802883</id>
    <user>
    <id>1723962</id>
    <name><![CDATA[Vanessa]]></name>
    <location><![CDATA[Overland Park, KS]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1723962-vanessa]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1229055475p3/1723962.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1229055475p2/1723962.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Dec 10 13:20:35 -0800 2008</date_added>
  <date_updated>Wed Dec 10 13:20:35 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/39802883]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/39802883]]></link>
</review>
      <review>
  <id>37637668</id>
    <user>
    <id>1705808</id>
    <name><![CDATA[Chris]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1705808-chris]]></link>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto-U-111x148.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto-U-50x66.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Thu Nov 13 12:18:52 -0800 2008</date_added>
  <date_updated>Thu Nov 13 12:18:52 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/37637668]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/37637668]]></link>
</review>
      <review>
  <id>37355673</id>
    <user>
    <id>1702228</id>
    <name><![CDATA[Jeff]]></name>
    <location><![CDATA[Savannah, GA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1702228-jeff]]></link>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto-M-111x148.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto-M-50x66.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Mon Nov 10 13:50:27 -0800 2008</date_added>
  <date_updated>Mon Nov 10 13:50:27 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/37355673]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/37355673]]></link>
</review>
      <review>
  <id>33842390</id>
    <user>
    <id>1557308</id>
    <name><![CDATA[Gustine]]></name>
    <location><![CDATA[Los Angeles, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1557308-gustine]]></link>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto-F-111x148.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto-F-50x66.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Thu Sep 25 15:15:42 -0700 2008</date_added>
  <date_updated>Thu Sep 25 15:15:42 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/33842390]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/33842390]]></link>
</review>
      <review>
  <id>29885552</id>
    <user>
    <id>1237820</id>
    <name><![CDATA[Risa]]></name>
    <location><![CDATA[Santa Barbara, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1237820-risa]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1247785047p3/1237820.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1247785047p2/1237820.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>0</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
            <shelf name="to-read" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Mon Aug 11 16:23:50 -0700 2008</date_added>
  <date_updated>Mon Aug 11 16:23:50 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/29885552]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/29885552]]></link>
</review>
      <review>
  <id>29186764</id>
    <user>
    <id>773744</id>
    <name><![CDATA[Miss]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/773744-miss-manners]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1216289917p3/773744.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1216289917p2/773744.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>0</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
            <shelf name="to-read" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sun Aug 03 23:46:48 -0700 2008</date_added>
  <date_updated>Sun Aug 03 23:46:48 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/29186764]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/29186764]]></link>
</review>
      <review>
  <id>25737839</id>
    <user>
    <id>1279624</id>
    <name><![CDATA[Kevin]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1279624-kevin]]></link>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto-M-111x148.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto-M-50x66.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>0</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sat Jun 28 07:07:10 -0700 2008</date_added>
  <date_updated>Sat Jun 28 07:07:10 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/25737839]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/25737839]]></link>
</review>
      <review>
  <id>23857893</id>
    <user>
    <id>55711</id>
    <name><![CDATA[Duc]]></name>
    <location><![CDATA[Portland, OR]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/55711-duc]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1235444773p3/55711.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1235444773p2/55711.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>0</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
            <shelf name="to-read" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Fri Jun 06 09:38:02 -0700 2008</date_added>
  <date_updated>Fri Jun 06 09:38:02 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/23857893]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/23857893]]></link>
</review>
      <review>
  <id>23389466</id>
    <user>
    <id>1196492</id>
    <name><![CDATA[Phil]]></name>
    <location><![CDATA[Chicago, IL]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1196492-phil-dembinski]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1212266421p3/1196492.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1212266421p2/1196492.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sat May 31 13:04:13 -0700 2008</date_added>
  <date_updated>Sat May 31 13:04:13 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/23389466]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/23389466]]></link>
</review>
      <review>
  <id>21661076</id>
    <user>
    <id>1138547</id>
    <name><![CDATA[Lizzy]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1138547-lizzy]]></link>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto-F-111x148.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto-F-50x66.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Mon May 05 15:38:25 -0700 2008</date_added>
  <date_updated>Mon May 05 15:38:29 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/21661076]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/21661076]]></link>
</review>
      <review>
  <id>20409004</id>
    <user>
    <id>423646</id>
    <name><![CDATA[Ceharper]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/423646-ceharper]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1208471100p3/423646.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1208471100p2/423646.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Thu Apr 17 15:22:13 -0700 2008</date_added>
  <date_updated>Thu Apr 17 15:22:13 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/20409004]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/20409004]]></link>
</review>
      <review>
  <id>18657335</id>
    <user>
    <id>76191</id>
    <name><![CDATA[Geoff]]></name>
    <location><![CDATA[Singapore]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/76191-geoff]]></link>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto-M-111x148.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto-M-50x66.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Mar 26 01:11:36 -0700 2008</date_added>
  <date_updated>Wed Mar 26 01:11:36 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/18657335]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/18657335]]></link>
</review>
      <review>
  <id>17974047</id>
    <user>
    <id>797271</id>
    <name><![CDATA[Kate]]></name>
    <location><![CDATA[Hightstown, NJ]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/797271-kate]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1205724220p3/797271.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1205724220p2/797271.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>0</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
            <shelf name="art-books" />
        <shelf name="photography" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Mon Mar 17 17:38:13 -0700 2008</date_added>
  <date_updated>Mon Mar 17 17:38:21 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/17974047]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/17974047]]></link>
</review>
      <review>
  <id>17071028</id>
    <user>
    <id>544573</id>
    <name><![CDATA[Larry]]></name>
    <location><![CDATA[New York, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/544573-larry]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1203991583p3/544573.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1203991583p2/544573.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>0</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
            <shelf name="art--photography" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Mar 05 07:40:14 -0800 2008</date_added>
  <date_updated>Wed Mar 05 07:40:23 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/17071028]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/17071028]]></link>
</review>
      <review>
  <id>16372528</id>
    <user>
    <id>661417</id>
    <name><![CDATA[Laurel]]></name>
    <location><![CDATA[Austin, TX]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/661417-laurel]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1253939002p3/661417.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1253939002p2/661417.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>0</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
            <shelf name="to-read" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Mon Feb 25 19:57:31 -0800 2008</date_added>
  <date_updated>Mon Feb 25 19:57:37 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/16372528]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/16372528]]></link>
</review>
      <review>
  <id>15018459</id>
    <user>
    <id>422172</id>
    <name><![CDATA[Michael]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/422172-michael]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1213477338p3/422172.jpg]]></image_url>
    <small_image_url><![CDATA[http://photo.goodreads.com/users/1213477338p2/422172.jpg]]></small_image_url>
  </user>
    <book>
  <id type="integer">374659</id>
  <isbn>0714845078</isbn>
  <isbn13>9780714845074</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Stephen Shore: American Surfaces]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174268804m/374659.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174268804s/374659.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/374659.Stephen_Shore_American_Surfaces</link>
  <average_rating>4.31</average_rating>
  <ratings_count>26</ratings_count>
  <description>
    <![CDATA[In 1972, Stephen Shore left New York City and set out with a friend to Amarillo, Texas. He didn't drive, so his first view of America was framed by the passenger's window frame. He was taken aback by the fact that his experience of life as a New Yorker had very little in common with the character and aspirations of Middle America. Later that year he set out again, this time on his own, with a driver's licence and a Rollei 35 - a point-and-shoot camera - to explore the country through the eyes of an everyday tourist. The project was entitled American Surfaces - referring to the superficial nature of his brief encounters with places and people and the underlying character of the images that  he hoped to produce. With such an easy-to-use camera, he photographed relentlessly. `In American Surfaces, I was photographing almost every meal I ate, every person I met, every waiter or waitress who served me, every bed I slept in, every toilet I peed in. But also, I was photographing streets I was driving through, buildings I would see.'  <p>Shore returned to New York triumphant, with hundreds of rolls of film spilling from his bags. In order to remain faithful to the conceptual foundations of the project, he followed the lead of most tourists of the time and sent his film to be developed and printed in Kodak's labs in New Jersey. The result was hundreds and hundreds of exquisitely  composed colour pictures, whose subject became the benchmark for documenting of our fast-living, consumer-orientated world - a body of work that followed on from Walker Evans and Robert Frank's experiences of crossing America and that influenced reams of photographers such as Martin Parr and Bernd &amp; Hilla Becher, who introduced a generation of  students to Shore's work.</p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sat Feb 09 18:51:36 -0800 2008</date_added>
  <date_updated>Sat Feb 09 18:51:36 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/15018459]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/15018459]]></link>
</review>
    </reviews>
  <popular_shelves>
          <shelf name="to-read" />
          <shelf name="photography" />
          <shelf name="photo" />
          <shelf name="art" />
          <shelf name="visual" />
          <shelf name="travel_memoirs" />
          <shelf name="social_commentary" />
          <shelf name="picturebooks" />
          <shelf name="brooklyn-evolution" />
          <shelf name="bookswithpictures" />
      </popular_shelves>
  <book_links>
    <book_link>
  <id>8</id>
  <name><![CDATA[WorldCat]]></name>
  <link>http://www.goodreads.com/book_link/follow/8?book_id=374659</link>
</book_link>
  </book_links>
</book>
</GoodreadsResponse>