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<book id="374658">
  <title><![CDATA[The Nature of Photographs]]></title>
  <isbn><![CDATA[071484585X]]></isbn>
  <isbn13><![CDATA[9780714845852]]></isbn13>
    <image_url>http://photo.goodreads.com/books/1174268803m/374658.jpg</image_url>
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  <default_description>An Essential Primer on Understanding Photography by One of the  World's Most Influential Photographers &lt;P&gt;  &quot;In my roughly twenty years of writing about photography, I don't think  I've come across a book that has implied so much with so few words, a book  that raises so many important questions with so little fanfare and with  such precision.&quot;  -James Kaufmann, Photographer's Forum                     &lt;P&gt;&lt;P&gt;                                        &lt;P&gt; By the age of 14, Stephen Shore (b.1947) took his first photograph.  By 17,  he was a regular at Andy Warhol's Factory photographing both the artist and  his entourage.  At 23, he became the first living photographer to have a  one-person show at the Metropolitan Museum of Art.  At 35, he was appointed  Director of the Photography Program at Bard College.  An unrivalled pioneer  in the field of color photography, his work has been exhibited in numerous  museums worldwide, including an exhibition opening this May at the  International Center of Photography that focuses on the work from his  critically acclaimed books American Surfaces and Uncommon Places.  With  such an impressive career, no one is a better suited guide to the nature of  photographs.&lt;P&gt; THE NATURE OF PHOTOGRAPHS by Stephen Shore, is an essential primer on how  to understand photography by one of the world's most influential  photographers.  Growing out of a college course that Shore taught for many  years, this book explores ways of looking at photographs from all periods  and all types--from iconic images to found photographs, from negatives to  digital files.  Its aim is to describe the physical and formal attributes  of a photographic print--the very elements that form the tools a  photographer uses to define and interpret the content.  In the end, Shore  teaches us, on the most basic level, how a photograph &quot;works.&quot;&lt;P&gt; As well as a selection of Shore's own work, THE NATURE OF PHOTOGRAPHS  contains images from all eras of photography, from classic works by Walker  Evans, Robert Frank, and Eug&#232;ne Atget to more contemporary work by Bernd  and Hilla Becher, Cindy Sherman, Joel Sternfeld, Thomas Struth, and Richard  Prince. It includes all genres, such as street photography, fine art  photography, and documentary photography, as well as images by unknown  photographers.  Together with his clear, intelligent, and accessible text,  Shore uses these works to demonstrate how the world in front of the camera  is transformed into a photograph.&lt;P&gt; Divided into four main chapters--The Physical Level, The Depictive Level,  The Mental Level, and Mental Modeling--THE NATURE OF PHOTOGRAPHS explores  how photographs function visually.  By teaching us how to see through the  eyes of a photographer, Shore teaches us a new way to look at the world  around us.  This affordable book serves as indispensable tool for students,  teachers, and everyone who wants to take better pictures.</default_description>
  <id type="integer">364531</id>
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  <original_publication_day type="integer" nil="true"></original_publication_day>
  <original_publication_month type="integer" nil="true"></original_publication_month>
  <original_publication_year type="integer">1998</original_publication_year>
  <original_title>The Nature of Photographs</original_title>
  <rating_dist>total:39|5:13|4:18|3:6|2:2|1:0|</rating_dist>
  <ratings_count type="integer">39</ratings_count>
  <ratings_sum type="integer">159</ratings_sum>
  <reviews_count type="integer">60</reviews_count>
  <text_reviews_count type="integer">3</text_reviews_count>
</work>

  <average_rating><![CDATA[4.08]]></average_rating>
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  <url><![CDATA[http://www.goodreads.com/book/show/374658.The_Nature_of_Photographs]]></url>
  <authors>
        <author id="130420">
      <name><![CDATA[Stephen Shore]]></name>
      <role><![CDATA[]]></role>
      <url><![CDATA[http://www.goodreads.com/author/show/130420.Stephen_Shore]]></url>
      <average_rating><![CDATA[4.33]]></average_rating>
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    </author>
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    <review id="40928956">
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  <read_at>Wed Dec 24 00:00:00 -0800 2008</read_at>
  <date_added>Fri Dec 26 08:11:09 -0800 2008</date_added>
  <date_updated>Fri Dec 26 08:16:56 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[eh. it's a coffee table book with coverlet that makes you think it's a textbook. did i learn anything? nah. are the photos chosen for the book worthy of a coffee table? eh. were they displayed well? nah. but i still read the thing and the author is an interesting enough guy. actually, i'm taking a s...<a href="http://www.goodreads.com/review/show/40928956">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/40928956]]></url>
</review>
    <review id="9599734">
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    <name><![CDATA[Chris]]></name>
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  <read_at>Thu Nov 01 00:00:00 -0700 2007</read_at>
  <date_added>Tue Nov 27 08:34:05 -0800 2007</date_added>
  <date_updated>Tue Nov 27 08:35:08 -0800 2007</date_updated>
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    <body><![CDATA[Some great (and many classic) photographs, but accompanied by strange and uninteresting theories. Why is it that so many talented artists can't write worth a damn? Horrible typesetting too.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/9599734]]></url>
</review>
    <review id="33267379">
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  <date_updated>Fri Sep 19 10:36:22 -0700 2008</date_updated>
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    <body><![CDATA[A great book about photographs and learning how to talk about them from a compositional standpoint.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/33267379]]></url>
</review>
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  <date_added>Mon Jan 12 18:15:47 -0800 2009</date_added>
  <date_updated>Mon Jan 12 18:15:47 -0800 2009</date_updated>
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    <body><![CDATA[]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/42847046]]></url>
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