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  <id>368858</id>
  <title><![CDATA[Effendi]]></title>
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  <description><![CDATA[Masterfully blending speculative fiction and hard-boiled mystery, Jon Courtenay Grimwood’s acclaimed Arabesk series plunges readers into a world eerily familiar and shockingly unpredictable. Here a troubled detective follows a trail of clues through a city where innocence itself may be a thing of the past.…<br/><br/>It’s the twenty-first century and El Iskandryia—an alluring metropolis built on seduction, corruption, and lies—is the double-dealing heart of an Ottoman Empire that still rules the world. But these days a sense of dread hangs over El Isk—and over Ashraf Bey, the city’s new Chief of Detectives. A trial is set to take place, and it’s up to Raf to decide the case. There’s only one problem: the suspect is the billionaire father of the woman Raf should have married. <br/><br/>Industrialist Hamzah Effendi is accused of crimes so horrible that even El Iskandryia wants him eliminated. But Raf finds that protecting the sensual and impetuous Zara Quitrimala from the secrets of her father’s past may be even more dangerous. For Raf must now solve a series of brutal murders that are somehow connected to the case—and to Zara. And the closer Raf gets to the truth, the more elusive the answers become—and the closer he comes to his own demise.… <br/><br/><strong>“</strong>Raymond Chandler for the 21st century.” <em>—Esquire </em><br/>“All brilliant light and scorching heat...Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery.&quot;—<em>Sunday Telegraph </em>(London)<br/><br/>“If you’re not reading Jon Courtenay Grimwood, then you don’t know how subtle and daring fiction can be.” —Michael Marshall Smith, author of <em>Spares</em> and <em>One of Us<br/><br/></em>“Fast, furious, fun and elegant, the Arabesk trilogy is one of the best things to hit the bookstores in a while.” —<em>SFRevu<strong><br/><br/><br/></strong></em><strong><br/><br/></strong>]]></description>
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        <name><![CDATA[Jon Courtenay Grimwood]]></name>
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    <name><![CDATA[Martin]]></name>
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  <title>
    <![CDATA[Effendi: The Second Arabesk]]>
  </title>
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  <average_rating>3.70</average_rating>
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    <![CDATA[CHAPTER 1<br/><br/><br/><strong>18th October</strong><br/><br/><br/><strong>Nine days before the Grand Jury met in an upstairs</strong> office at Champollion Precinct, Ashraf Bey sat through a warm Iskandryian evening, bombed out of his skull, at a pavement table outside Le Trianon, drinking cappuccino and listening to DJ Avatar wreak havoc on the words of a Greek philosopher.<br/><br/>The afternoon call to prayer had finished echoing from the mosque on Boulevard Saad Zaghloul and the bells from l'Eglise Copte had yet to begin. If it hadn't been for a sense of dread hanging over El Iskandryia, this could have been a Monday in October like any other.<br/><br/>Horse-drawn caliches, their brasses shined and wheel bosses polished, rumbled up the Corniche, from the fat seawall known as the Silsileh all the way north to Fort Qaitbey, where the ancient Pharos lighthouse once stood.<br/><br/>And at both ends of the sweeping Corniche, at Silsileh in the shadow of Iskandryia's famous library, and at Fort Qaitbey, groups of tourists watched as fishermen set hooks or mended and untangled nets, waiting for the evening tide.<br/><br/>It was a tourist who'd taken the taxi that stopped outside Le Trianon, with its window down and sound system up too loud, giving Raf the chance to hear the city's favourite DJ one more time.<br/><br/>&quot;And remember . . .&quot; Avatar's voice was street raw. &quot;Rust never sleeps. Coming at you from the wrong side of those tracks, this for the Daddy, the Don . . .&quot;<br/><br/>Most of Raf's officers thought DJ Avatar came up with <em>SpitNoWhere</em> on his own; if they thought at all, which Raf considered unlikely. So they happily stamped the corridors at Police HQ, humming along, not knowing that the unchopped original went, &quot;In a rich man's house, there's nowhere to spit but his face.&quot;<br/><br/>Raf hadn't known that, at least not until recently, but the fox in his head did. And while the fox couldn't say why, the General's <em>aide de camp</em> had just delivered to Raf an engraving of hell, inscribed with the words, &quot;<em>At its centre hell is not hot</em>.&quot; It had at least been able to identify the picture as late Victorian, unquestionably by Gustave Dore . . . <br/><br/>&quot;. . . <em>ou know</em>,&quot; said the fox, before all this happened. &quot;. . . <em>ese things, they occur</em>.&quot;<br/><br/>The fox had a grin like the Cheshire cat, except that no cat ever owned so many teeth or carried its tail wrapped up round its shoulders like a stole. Come to that, few cats took afternoon tea at Le Trianon.<br/><br/><em>These things</em> could have been Raf becoming Chief of Detectives by default, or his recent refusal to marry the daughter of a billionaire.<br/><br/>&quot;Why?&quot; Raf asked. &quot;<em>Why</em> do they occur?&quot;<br/><br/>But the fox didn't answer.<br/><br/>Sighing, Raf took a gulp of cold cappuccino to wash away the taste of cheap speed and fixed his gaze on the pedestrians who streamed past his cafe table, separated from the terrace where he sat by a silk rope and the assiduous attention of two bodyguards.<br/><br/>The only pedestrians to meet Raf's stare were those, mainly tourists, who didn't realize who he was. They just saw a blond young man in dark glasses, wearing an oddly old-fashioned suit, the kind with a high collar.<br/><br/>&quot;Come on,&quot; said Raf, searching inside his head. &quot;You can tell me.&quot;<br/><br/>He ignored his two guards, who looked at each other, then hurriedly looked away. Raf didn't doubt that they could see tears trickling from under his glasses, but he didn't much care either.<br/><br/>The fox was saying good-bye.<br/><br/>The beast had been dying for years. Its abilities limited by memory conflicts, failed backup and the fact that, these days, the animal could only feed on neon light.<br/><br/>Once Tiri had been state of the art. Feeding on daylight, infrared and ultraviolet, or so it told Raf. White light, black light--back then anything went. The fox sharpened Raf's reflexes, steadied his ne]]>
  </description>
  <published>2002</published>
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    <rating>4</rating>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Apr 01 00:00:00 -0700 2007</read_at>
  <date_added>Tue Aug 12 10:28:02 -0700 2008</date_added>
  <date_updated>Tue Aug 12 10:28:35 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Following on (sort of) the heels of Pashazade we find Raf as Chief of Police of the free city of El Isksandryia in JCG's alternate future, and not quite believing it himself. As in the previous book, we start with a little peek ahead into the plot, a teasing trick that draws you in, wanting to find ...<a href="http://www.goodreads.com/review/show/29945562">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/29945562]]></url>
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</review>
      <review>
  <id>56891940</id>
    <user>
    <id>204408</id>
    <name><![CDATA[Tom]]></name>
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  <title>
    <![CDATA[Effendi]]>
  </title>
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  <average_rating>4.00</average_rating>
  <ratings_count>61</ratings_count>
  <description>
    <![CDATA[Masterfully blending speculative fiction and hard-boiled mystery, Jon Courtenay Grimwood’s acclaimed Arabesk series plunges readers into a world eerily familiar and shockingly unpredictable. Here a troubled detective follows a trail of clues through a city where innocence itself may be a thing of the past.…<br/><br/>It’s the twenty-first century and El Iskandryia—an alluring metropolis built on seduction, corruption, and lies—is the double-dealing heart of an Ottoman Empire that still rules the world. But these days a sense of dread hangs over El Isk—and over Ashraf Bey, the city’s new Chief of Detectives. A trial is set to take place, and it’s up to Raf to decide the case. There’s only one problem: the suspect is the billionaire father of the woman Raf should have married. <br/><br/>Industrialist Hamzah Effendi is accused of crimes so horrible that even El Iskandryia wants him eliminated. But Raf finds that protecting the sensual and impetuous Zara Quitrimala from the secrets of her father’s past may be even more dangerous. For Raf must now solve a series of brutal murders that are somehow connected to the case—and to Zara. And the closer Raf gets to the truth, the more elusive the answers become—and the closer he comes to his own demise.… <br/><br/><strong>“</strong>Raymond Chandler for the 21st century.” <em>—Esquire </em><br/>“All brilliant light and scorching heat...Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery.&quot;—<em>Sunday Telegraph </em>(London)<br/><br/>“If you’re not reading Jon Courtenay Grimwood, then you don’t know how subtle and daring fiction can be.” —Michael Marshall Smith, author of <em>Spares</em> and <em>One of Us<br/><br/></em>“Fast, furious, fun and elegant, the Arabesk trilogy is one of the best things to hit the bookstores in a while.” —<em>SFRevu<strong><br/><br/><br/></strong></em><strong><br/><br/></strong>]]>
  </description>
  <published>2002</published>
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    <rating>1</rating>
  <votes>0</votes>
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  <read_at>Thu May 21 00:00:00 -0700 2009</read_at>
  <date_added>Thu May 21 15:30:20 -0700 2009</date_added>
  <date_updated>Thu May 21 15:31:30 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I abandoned it half way through - a very unrewarding read. Various story threads which will doubtless assemble at some point, thin characterisation, jumbled ideas. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/56891940]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/56891940]]></link>
</review>
      <review>
  <id>16381058</id>
    <user>
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    <name><![CDATA[Andy]]></name>
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  <title>
    <![CDATA[Effendi]]>
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  <average_rating>3.95</average_rating>
  <ratings_count>76</ratings_count>
  <description>
    <![CDATA[Masterfully blending speculative fiction and hard-boiled mystery, Jon Courtenay Grimwood’s acclaimed Arabesk series plunges readers into a world eerily familiar and shockingly unpredictable. Here a troubled detective follows a trail of clues through a city where innocence itself may be a thing of the past.…<br/><br/>It’s the twenty-first century and El Iskandryia—an alluring metropolis built on seduction, corruption, and lies—is the double-dealing heart of an Ottoman Empire that still rules the world. But these days a sense of dread hangs over El Isk—and over Ashraf Bey, the city’s new Chief of Detectives. A trial is set to take place, and it’s up to Raf to decide the case. There’s only one problem: the suspect is the billionaire father of the woman Raf should have married. <br/><br/>Industrialist Hamzah Effendi is accused of crimes so horrible that even El Iskandryia wants him eliminated. But Raf finds that protecting the sensual and impetuous Zara Quitrimala from the secrets of her father’s past may be even more dangerous. For Raf must now solve a series of brutal murders that are somehow connected to the case—and to Zara. And the closer Raf gets to the truth, the more elusive the answers become—and the closer he comes to his own demise.… <br/><br/><strong>“</strong>Raymond Chandler for the 21st century.” <em>—Esquire </em><br/>“All brilliant light and scorching heat...Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery.&quot;—<em>Sunday Telegraph </em>(London)<br/><br/>“If you’re not reading Jon Courtenay Grimwood, then you don’t know how subtle and daring fiction can be.” —Michael Marshall Smith, author of <em>Spares</em> and <em>One of Us<br/><br/></em>“Fast, furious, fun and elegant, the Arabesk trilogy is one of the best things to hit the bookstores in a while.” —<em>SFRevu<strong><br/><br/><br/></strong></em><strong><br/><br/></strong>]]>
  </description>
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    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Sat Apr 12 00:00:00 -0700 2008</read_at>
  <date_added>Mon Feb 25 21:27:49 -0800 2008</date_added>
  <date_updated>Sat Apr 12 17:44:31 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This was the second book in the trilogy. It borrows some of the alternate history (Ottoman Empire still is in existance) and cyberpunk noir from the first one, though this one introduces some darker themes such as the conflict in Darfur and responsbilities of things done in war. Overall a good, enga...<a href="http://www.goodreads.com/review/show/16381058">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/16381058]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/16381058]]></link>
</review>
      <review>
  <id>27893209</id>
    <user>
    <id>1070534</id>
    <name><![CDATA[Matty]]></name>
    <location><![CDATA[Corvallis, OR]]></location>
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  <title>
    <![CDATA[Effendi]]>
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  <average_rating>3.95</average_rating>
  <ratings_count>76</ratings_count>
  <description>
    <![CDATA[Masterfully blending speculative fiction and hard-boiled mystery, Jon Courtenay Grimwood’s acclaimed Arabesk series plunges readers into a world eerily familiar and shockingly unpredictable. Here a troubled detective follows a trail of clues through a city where innocence itself may be a thing of the past.…<br/><br/>It’s the twenty-first century and El Iskandryia—an alluring metropolis built on seduction, corruption, and lies—is the double-dealing heart of an Ottoman Empire that still rules the world. But these days a sense of dread hangs over El Isk—and over Ashraf Bey, the city’s new Chief of Detectives. A trial is set to take place, and it’s up to Raf to decide the case. There’s only one problem: the suspect is the billionaire father of the woman Raf should have married. <br/><br/>Industrialist Hamzah Effendi is accused of crimes so horrible that even El Iskandryia wants him eliminated. But Raf finds that protecting the sensual and impetuous Zara Quitrimala from the secrets of her father’s past may be even more dangerous. For Raf must now solve a series of brutal murders that are somehow connected to the case—and to Zara. And the closer Raf gets to the truth, the more elusive the answers become—and the closer he comes to his own demise.… <br/><br/><strong>“</strong>Raymond Chandler for the 21st century.” <em>—Esquire </em><br/>“All brilliant light and scorching heat...Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery.&quot;—<em>Sunday Telegraph </em>(London)<br/><br/>“If you’re not reading Jon Courtenay Grimwood, then you don’t know how subtle and daring fiction can be.” —Michael Marshall Smith, author of <em>Spares</em> and <em>One of Us<br/><br/></em>“Fast, furious, fun and elegant, the Arabesk trilogy is one of the best things to hit the bookstores in a while.” —<em>SFRevu<strong><br/><br/><br/></strong></em><strong><br/><br/></strong>]]>
  </description>
  <published>2002</published>
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    <rating>4</rating>
  <votes>0</votes>
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  <date_added>Mon Jul 21 15:59:53 -0700 2008</date_added>
  <date_updated>Mon Jul 21 15:59:53 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[The Arabesk trilogy takes you for a suspense mystery joyride with a bit of cyberpunk thrown in for good measure.  I wouldn't recommend this books as an intro to Jon Courtenay Grimwood's work, but his fans will definitely get a lot of entertainment out of this cliffhanger.  ~mwb]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/27893209]]></url>
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      <review>
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    <![CDATA[Effendi]]>
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    <![CDATA[Masterfully blending speculative fiction and hard-boiled mystery, Jon Courtenay Grimwood’s acclaimed Arabesk series plunges readers into a world eerily familiar and shockingly unpredictable. Here a troubled detective follows a trail of clues through a city where innocence itself may be a thing of the past.…<br/><br/>It’s the twenty-first century and El Iskandryia—an alluring metropolis built on seduction, corruption, and lies—is the double-dealing heart of an Ottoman Empire that still rules the world. But these days a sense of dread hangs over El Isk—and over Ashraf Bey, the city’s new Chief of Detectives. A trial is set to take place, and it’s up to Raf to decide the case. There’s only one problem: the suspect is the billionaire father of the woman Raf should have married. <br/><br/>Industrialist Hamzah Effendi is accused of crimes so horrible that even El Iskandryia wants him eliminated. But Raf finds that protecting the sensual and impetuous Zara Quitrimala from the secrets of her father’s past may be even more dangerous. For Raf must now solve a series of brutal murders that are somehow connected to the case—and to Zara. And the closer Raf gets to the truth, the more elusive the answers become—and the closer he comes to his own demise.… <br/><br/><strong>“</strong>Raymond Chandler for the 21st century.” <em>—Esquire </em><br/>“All brilliant light and scorching heat...Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery.&quot;—<em>Sunday Telegraph </em>(London)<br/><br/>“If you’re not reading Jon Courtenay Grimwood, then you don’t know how subtle and daring fiction can be.” —Michael Marshall Smith, author of <em>Spares</em> and <em>One of Us<br/><br/></em>“Fast, furious, fun and elegant, the Arabesk trilogy is one of the best things to hit the bookstores in a while.” —<em>SFRevu<strong><br/><br/><br/></strong></em><strong><br/><br/></strong>]]>
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    <body><![CDATA[a continuation of the story in Pashersde, the hero now has a place but is still seeking to define his identity]]></body>
    
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    <![CDATA[Effendi]]>
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    <![CDATA[Masterfully blending speculative fiction and hard-boiled mystery, Jon Courtenay Grimwood’s acclaimed Arabesk series plunges readers into a world eerily familiar and shockingly unpredictable. Here a troubled detective follows a trail of clues through a city where innocence itself may be a thing of the past.…<br/><br/>It’s the twenty-first century and El Iskandryia—an alluring metropolis built on seduction, corruption, and lies—is the double-dealing heart of an Ottoman Empire that still rules the world. But these days a sense of dread hangs over El Isk—and over Ashraf Bey, the city’s new Chief of Detectives. A trial is set to take place, and it’s up to Raf to decide the case. There’s only one problem: the suspect is the billionaire father of the woman Raf should have married. <br/><br/>Industrialist Hamzah Effendi is accused of crimes so horrible that even El Iskandryia wants him eliminated. But Raf finds that protecting the sensual and impetuous Zara Quitrimala from the secrets of her father’s past may be even more dangerous. For Raf must now solve a series of brutal murders that are somehow connected to the case—and to Zara. And the closer Raf gets to the truth, the more elusive the answers become—and the closer he comes to his own demise.… <br/><br/><strong>“</strong>Raymond Chandler for the 21st century.” <em>—Esquire </em><br/>“All brilliant light and scorching heat...Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery.&quot;—<em>Sunday Telegraph </em>(London)<br/><br/>“If you’re not reading Jon Courtenay Grimwood, then you don’t know how subtle and daring fiction can be.” —Michael Marshall Smith, author of <em>Spares</em> and <em>One of Us<br/><br/></em>“Fast, furious, fun and elegant, the Arabesk trilogy is one of the best things to hit the bookstores in a while.” —<em>SFRevu<strong><br/><br/><br/></strong></em><strong><br/><br/></strong>]]>
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    <body><![CDATA[Second Arabesk]]></body>
    
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    <![CDATA[CHAPTER 1<br/><br/><br/><strong>18th October</strong><br/><br/><br/><strong>Nine days before the Grand Jury met in an upstairs</strong> office at Champollion Precinct, Ashraf Bey sat through a warm Iskandryian evening, bombed out of his skull, at a pavement table outside Le Trianon, drinking cappuccino and listening to DJ Avatar wreak havoc on the words of a Greek philosopher.<br/><br/>The afternoon call to prayer had finished echoing from the mosque on Boulevard Saad Zaghloul and the bells from l'Eglise Copte had yet to begin. If it hadn't been for a sense of dread hanging over El Iskandryia, this could have been a Monday in October like any other.<br/><br/>Horse-drawn caliches, their brasses shined and wheel bosses polished, rumbled up the Corniche, from the fat seawall known as the Silsileh all the way north to Fort Qaitbey, where the ancient Pharos lighthouse once stood.<br/><br/>And at both ends of the sweeping Corniche, at Silsileh in the shadow of Iskandryia's famous library, and at Fort Qaitbey, groups of tourists watched as fishermen set hooks or mended and untangled nets, waiting for the evening tide.<br/><br/>It was a tourist who'd taken the taxi that stopped outside Le Trianon, with its window down and sound system up too loud, giving Raf the chance to hear the city's favourite DJ one more time.<br/><br/>&quot;And remember . . .&quot; Avatar's voice was street raw. &quot;Rust never sleeps. Coming at you from the wrong side of those tracks, this for the Daddy, the Don . . .&quot;<br/><br/>Most of Raf's officers thought DJ Avatar came up with <em>SpitNoWhere</em> on his own; if they thought at all, which Raf considered unlikely. So they happily stamped the corridors at Police HQ, humming along, not knowing that the unchopped original went, &quot;In a rich man's house, there's nowhere to spit but his face.&quot;<br/><br/>Raf hadn't known that, at least not until recently, but the fox in his head did. And while the fox couldn't say why, the General's <em>aide de camp</em> had just delivered to Raf an engraving of hell, inscribed with the words, &quot;<em>At its centre hell is not hot</em>.&quot; It had at least been able to identify the picture as late Victorian, unquestionably by Gustave Dore . . . <br/><br/>&quot;. . . <em>ou know</em>,&quot; said the fox, before all this happened. &quot;. . . <em>ese things, they occur</em>.&quot;<br/><br/>The fox had a grin like the Cheshire cat, except that no cat ever owned so many teeth or carried its tail wrapped up round its shoulders like a stole. Come to that, few cats took afternoon tea at Le Trianon.<br/><br/><em>These things</em> could have been Raf becoming Chief of Detectives by default, or his recent refusal to marry the daughter of a billionaire.<br/><br/>&quot;Why?&quot; Raf asked. &quot;<em>Why</em> do they occur?&quot;<br/><br/>But the fox didn't answer.<br/><br/>Sighing, Raf took a gulp of cold cappuccino to wash away the taste of cheap speed and fixed his gaze on the pedestrians who streamed past his cafe table, separated from the terrace where he sat by a silk rope and the assiduous attention of two bodyguards.<br/><br/>The only pedestrians to meet Raf's stare were those, mainly tourists, who didn't realize who he was. They just saw a blond young man in dark glasses, wearing an oddly old-fashioned suit, the kind with a high collar.<br/><br/>&quot;Come on,&quot; said Raf, searching inside his head. &quot;You can tell me.&quot;<br/><br/>He ignored his two guards, who looked at each other, then hurriedly looked away. Raf didn't doubt that they could see tears trickling from under his glasses, but he didn't much care either.<br/><br/>The fox was saying good-bye.<br/><br/>The beast had been dying for years. Its abilities limited by memory conflicts, failed backup and the fact that, these days, the animal could only feed on neon light.<br/><br/>Once Tiri had been state of the art. Feeding on daylight, infrared and ultraviolet, or so it told Raf. White light, black light--back then anything went. The fox sharpened Raf's reflexes, steadied his ne]]>
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    <![CDATA[Masterfully blending speculative fiction and hard-boiled mystery, Jon Courtenay Grimwood’s acclaimed Arabesk series plunges readers into a world eerily familiar and shockingly unpredictable. Here a troubled detective follows a trail of clues through a city where innocence itself may be a thing of the past.…<br/><br/>It’s the twenty-first century and El Iskandryia—an alluring metropolis built on seduction, corruption, and lies—is the double-dealing heart of an Ottoman Empire that still rules the world. But these days a sense of dread hangs over El Isk—and over Ashraf Bey, the city’s new Chief of Detectives. A trial is set to take place, and it’s up to Raf to decide the case. There’s only one problem: the suspect is the billionaire father of the woman Raf should have married. <br/><br/>Industrialist Hamzah Effendi is accused of crimes so horrible that even El Iskandryia wants him eliminated. But Raf finds that protecting the sensual and impetuous Zara Quitrimala from the secrets of her father’s past may be even more dangerous. For Raf must now solve a series of brutal murders that are somehow connected to the case—and to Zara. And the closer Raf gets to the truth, the more elusive the answers become—and the closer he comes to his own demise.… <br/><br/><strong>“</strong>Raymond Chandler for the 21st century.” <em>—Esquire </em><br/>“All brilliant light and scorching heat...Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery.&quot;—<em>Sunday Telegraph </em>(London)<br/><br/>“If you’re not reading Jon Courtenay Grimwood, then you don’t know how subtle and daring fiction can be.” —Michael Marshall Smith, author of <em>Spares</em> and <em>One of Us<br/><br/></em>“Fast, furious, fun and elegant, the Arabesk trilogy is one of the best things to hit the bookstores in a while.” —<em>SFRevu<strong><br/><br/><br/></strong></em><strong><br/><br/></strong>]]>
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    <![CDATA[CHAPTER 1<br/><br/><br/><strong>18th October</strong><br/><br/><br/><strong>Nine days before the Grand Jury met in an upstairs</strong> office at Champollion Precinct, Ashraf Bey sat through a warm Iskandryian evening, bombed out of his skull, at a pavement table outside Le Trianon, drinking cappuccino and listening to DJ Avatar wreak havoc on the words of a Greek philosopher.<br/><br/>The afternoon call to prayer had finished echoing from the mosque on Boulevard Saad Zaghloul and the bells from l'Eglise Copte had yet to begin. If it hadn't been for a sense of dread hanging over El Iskandryia, this could have been a Monday in October like any other.<br/><br/>Horse-drawn caliches, their brasses shined and wheel bosses polished, rumbled up the Corniche, from the fat seawall known as the Silsileh all the way north to Fort Qaitbey, where the ancient Pharos lighthouse once stood.<br/><br/>And at both ends of the sweeping Corniche, at Silsileh in the shadow of Iskandryia's famous library, and at Fort Qaitbey, groups of tourists watched as fishermen set hooks or mended and untangled nets, waiting for the evening tide.<br/><br/>It was a tourist who'd taken the taxi that stopped outside Le Trianon, with its window down and sound system up too loud, giving Raf the chance to hear the city's favourite DJ one more time.<br/><br/>&quot;And remember . . .&quot; Avatar's voice was street raw. &quot;Rust never sleeps. Coming at you from the wrong side of those tracks, this for the Daddy, the Don . . .&quot;<br/><br/>Most of Raf's officers thought DJ Avatar came up with <em>SpitNoWhere</em> on his own; if they thought at all, which Raf considered unlikely. So they happily stamped the corridors at Police HQ, humming along, not knowing that the unchopped original went, &quot;In a rich man's house, there's nowhere to spit but his face.&quot;<br/><br/>Raf hadn't known that, at least not until recently, but the fox in his head did. And while the fox couldn't say why, the General's <em>aide de camp</em> had just delivered to Raf an engraving of hell, inscribed with the words, &quot;<em>At its centre hell is not hot</em>.&quot; It had at least been able to identify the picture as late Victorian, unquestionably by Gustave Dore . . . <br/><br/>&quot;. . . <em>ou know</em>,&quot; said the fox, before all this happened. &quot;. . . <em>ese things, they occur</em>.&quot;<br/><br/>The fox had a grin like the Cheshire cat, except that no cat ever owned so many teeth or carried its tail wrapped up round its shoulders like a stole. Come to that, few cats took afternoon tea at Le Trianon.<br/><br/><em>These things</em> could have been Raf becoming Chief of Detectives by default, or his recent refusal to marry the daughter of a billionaire.<br/><br/>&quot;Why?&quot; Raf asked. &quot;<em>Why</em> do they occur?&quot;<br/><br/>But the fox didn't answer.<br/><br/>Sighing, Raf took a gulp of cold cappuccino to wash away the taste of cheap speed and fixed his gaze on the pedestrians who streamed past his cafe table, separated from the terrace where he sat by a silk rope and the assiduous attention of two bodyguards.<br/><br/>The only pedestrians to meet Raf's stare were those, mainly tourists, who didn't realize who he was. They just saw a blond young man in dark glasses, wearing an oddly old-fashioned suit, the kind with a high collar.<br/><br/>&quot;Come on,&quot; said Raf, searching inside his head. &quot;You can tell me.&quot;<br/><br/>He ignored his two guards, who looked at each other, then hurriedly looked away. Raf didn't doubt that they could see tears trickling from under his glasses, but he didn't much care either.<br/><br/>The fox was saying good-bye.<br/><br/>The beast had been dying for years. Its abilities limited by memory conflicts, failed backup and the fact that, these days, the animal could only feed on neon light.<br/><br/>Once Tiri had been state of the art. Feeding on daylight, infrared and ultraviolet, or so it told Raf. White light, black light--back then anything went. The fox sharpened Raf's reflexes, steadied his ne]]>
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    <![CDATA[CHAPTER 1<br/><br/><br/><strong>18th October</strong><br/><br/><br/><strong>Nine days before the Grand Jury met in an upstairs</strong> office at Champollion Precinct, Ashraf Bey sat through a warm Iskandryian evening, bombed out of his skull, at a pavement table outside Le Trianon, drinking cappuccino and listening to DJ Avatar wreak havoc on the words of a Greek philosopher.<br/><br/>The afternoon call to prayer had finished echoing from the mosque on Boulevard Saad Zaghloul and the bells from l'Eglise Copte had yet to begin. If it hadn't been for a sense of dread hanging over El Iskandryia, this could have been a Monday in October like any other.<br/><br/>Horse-drawn caliches, their brasses shined and wheel bosses polished, rumbled up the Corniche, from the fat seawall known as the Silsileh all the way north to Fort Qaitbey, where the ancient Pharos lighthouse once stood.<br/><br/>And at both ends of the sweeping Corniche, at Silsileh in the shadow of Iskandryia's famous library, and at Fort Qaitbey, groups of tourists watched as fishermen set hooks or mended and untangled nets, waiting for the evening tide.<br/><br/>It was a tourist who'd taken the taxi that stopped outside Le Trianon, with its window down and sound system up too loud, giving Raf the chance to hear the city's favourite DJ one more time.<br/><br/>&quot;And remember . . .&quot; Avatar's voice was street raw. &quot;Rust never sleeps. Coming at you from the wrong side of those tracks, this for the Daddy, the Don . . .&quot;<br/><br/>Most of Raf's officers thought DJ Avatar came up with <em>SpitNoWhere</em> on his own; if they thought at all, which Raf considered unlikely. So they happily stamped the corridors at Police HQ, humming along, not knowing that the unchopped original went, &quot;In a rich man's house, there's nowhere to spit but his face.&quot;<br/><br/>Raf hadn't known that, at least not until recently, but the fox in his head did. And while the fox couldn't say why, the General's <em>aide de camp</em> had just delivered to Raf an engraving of hell, inscribed with the words, &quot;<em>At its centre hell is not hot</em>.&quot; It had at least been able to identify the picture as late Victorian, unquestionably by Gustave Dore . . . <br/><br/>&quot;. . . <em>ou know</em>,&quot; said the fox, before all this happened. &quot;. . . <em>ese things, they occur</em>.&quot;<br/><br/>The fox had a grin like the Cheshire cat, except that no cat ever owned so many teeth or carried its tail wrapped up round its shoulders like a stole. Come to that, few cats took afternoon tea at Le Trianon.<br/><br/><em>These things</em> could have been Raf becoming Chief of Detectives by default, or his recent refusal to marry the daughter of a billionaire.<br/><br/>&quot;Why?&quot; Raf asked. &quot;<em>Why</em> do they occur?&quot;<br/><br/>But the fox didn't answer.<br/><br/>Sighing, Raf took a gulp of cold cappuccino to wash away the taste of cheap speed and fixed his gaze on the pedestrians who streamed past his cafe table, separated from the terrace where he sat by a silk rope and the assiduous attention of two bodyguards.<br/><br/>The only pedestrians to meet Raf's stare were those, mainly tourists, who didn't realize who he was. They just saw a blond young man in dark glasses, wearing an oddly old-fashioned suit, the kind with a high collar.<br/><br/>&quot;Come on,&quot; said Raf, searching inside his head. &quot;You can tell me.&quot;<br/><br/>He ignored his two guards, who looked at each other, then hurriedly looked away. Raf didn't doubt that they could see tears trickling from under his glasses, but he didn't much care either.<br/><br/>The fox was saying good-bye.<br/><br/>The beast had been dying for years. Its abilities limited by memory conflicts, failed backup and the fact that, these days, the animal could only feed on neon light.<br/><br/>Once Tiri had been state of the art. Feeding on daylight, infrared and ultraviolet, or so it told Raf. White light, black light--back then anything went. The fox sharpened Raf's reflexes, steadied his ne]]>
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    <![CDATA[Masterfully blending speculative fiction and hard-boiled mystery, Jon Courtenay Grimwood’s acclaimed Arabesk series plunges readers into a world eerily familiar and shockingly unpredictable. Here a troubled detective follows a trail of clues through a city where innocence itself may be a thing of the past.…<br/><br/>It’s the twenty-first century and El Iskandryia—an alluring metropolis built on seduction, corruption, and lies—is the double-dealing heart of an Ottoman Empire that still rules the world. But these days a sense of dread hangs over El Isk—and over Ashraf Bey, the city’s new Chief of Detectives. A trial is set to take place, and it’s up to Raf to decide the case. There’s only one problem: the suspect is the billionaire father of the woman Raf should have married. <br/><br/>Industrialist Hamzah Effendi is accused of crimes so horrible that even El Iskandryia wants him eliminated. But Raf finds that protecting the sensual and impetuous Zara Quitrimala from the secrets of her father’s past may be even more dangerous. For Raf must now solve a series of brutal murders that are somehow connected to the case—and to Zara. And the closer Raf gets to the truth, the more elusive the answers become—and the closer he comes to his own demise.… <br/><br/><strong>“</strong>Raymond Chandler for the 21st century.” <em>—Esquire </em><br/>“All brilliant light and scorching heat...Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery.&quot;—<em>Sunday Telegraph </em>(London)<br/><br/>“If you’re not reading Jon Courtenay Grimwood, then you don’t know how subtle and daring fiction can be.” —Michael Marshall Smith, author of <em>Spares</em> and <em>One of Us<br/><br/></em>“Fast, furious, fun and elegant, the Arabesk trilogy is one of the best things to hit the bookstores in a while.” —<em>SFRevu<strong><br/><br/><br/></strong></em><strong><br/><br/></strong>]]>
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    <![CDATA[Masterfully blending speculative fiction and hard-boiled mystery, Jon Courtenay Grimwood’s acclaimed Arabesk series plunges readers into a world eerily familiar and shockingly unpredictable. Here a troubled detective follows a trail of clues through a city where innocence itself may be a thing of the past.…<br/><br/>It’s the twenty-first century and El Iskandryia—an alluring metropolis built on seduction, corruption, and lies—is the double-dealing heart of an Ottoman Empire that still rules the world. But these days a sense of dread hangs over El Isk—and over Ashraf Bey, the city’s new Chief of Detectives. A trial is set to take place, and it’s up to Raf to decide the case. There’s only one problem: the suspect is the billionaire father of the woman Raf should have married. <br/><br/>Industrialist Hamzah Effendi is accused of crimes so horrible that even El Iskandryia wants him eliminated. But Raf finds that protecting the sensual and impetuous Zara Quitrimala from the secrets of her father’s past may be even more dangerous. For Raf must now solve a series of brutal murders that are somehow connected to the case—and to Zara. And the closer Raf gets to the truth, the more elusive the answers become—and the closer he comes to his own demise.… <br/><br/><strong>“</strong>Raymond Chandler for the 21st century.” <em>—Esquire </em><br/>“All brilliant light and scorching heat...Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery.&quot;—<em>Sunday Telegraph </em>(London)<br/><br/>“If you’re not reading Jon Courtenay Grimwood, then you don’t know how subtle and daring fiction can be.” —Michael Marshall Smith, author of <em>Spares</em> and <em>One of Us<br/><br/></em>“Fast, furious, fun and elegant, the Arabesk trilogy is one of the best things to hit the bookstores in a while.” —<em>SFRevu<strong><br/><br/><br/></strong></em><strong><br/><br/></strong>]]>
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    <![CDATA[CHAPTER 1<br/><br/><br/><strong>18th October</strong><br/><br/><br/><strong>Nine days before the Grand Jury met in an upstairs</strong> office at Champollion Precinct, Ashraf Bey sat through a warm Iskandryian evening, bombed out of his skull, at a pavement table outside Le Trianon, drinking cappuccino and listening to DJ Avatar wreak havoc on the words of a Greek philosopher.<br/><br/>The afternoon call to prayer had finished echoing from the mosque on Boulevard Saad Zaghloul and the bells from l'Eglise Copte had yet to begin. If it hadn't been for a sense of dread hanging over El Iskandryia, this could have been a Monday in October like any other.<br/><br/>Horse-drawn caliches, their brasses shined and wheel bosses polished, rumbled up the Corniche, from the fat seawall known as the Silsileh all the way north to Fort Qaitbey, where the ancient Pharos lighthouse once stood.<br/><br/>And at both ends of the sweeping Corniche, at Silsileh in the shadow of Iskandryia's famous library, and at Fort Qaitbey, groups of tourists watched as fishermen set hooks or mended and untangled nets, waiting for the evening tide.<br/><br/>It was a tourist who'd taken the taxi that stopped outside Le Trianon, with its window down and sound system up too loud, giving Raf the chance to hear the city's favourite DJ one more time.<br/><br/>&quot;And remember . . .&quot; Avatar's voice was street raw. &quot;Rust never sleeps. Coming at you from the wrong side of those tracks, this for the Daddy, the Don . . .&quot;<br/><br/>Most of Raf's officers thought DJ Avatar came up with <em>SpitNoWhere</em> on his own; if they thought at all, which Raf considered unlikely. So they happily stamped the corridors at Police HQ, humming along, not knowing that the unchopped original went, &quot;In a rich man's house, there's nowhere to spit but his face.&quot;<br/><br/>Raf hadn't known that, at least not until recently, but the fox in his head did. And while the fox couldn't say why, the General's <em>aide de camp</em> had just delivered to Raf an engraving of hell, inscribed with the words, &quot;<em>At its centre hell is not hot</em>.&quot; It had at least been able to identify the picture as late Victorian, unquestionably by Gustave Dore . . . <br/><br/>&quot;. . . <em>ou know</em>,&quot; said the fox, before all this happened. &quot;. . . <em>ese things, they occur</em>.&quot;<br/><br/>The fox had a grin like the Cheshire cat, except that no cat ever owned so many teeth or carried its tail wrapped up round its shoulders like a stole. Come to that, few cats took afternoon tea at Le Trianon.<br/><br/><em>These things</em> could have been Raf becoming Chief of Detectives by default, or his recent refusal to marry the daughter of a billionaire.<br/><br/>&quot;Why?&quot; Raf asked. &quot;<em>Why</em> do they occur?&quot;<br/><br/>But the fox didn't answer.<br/><br/>Sighing, Raf took a gulp of cold cappuccino to wash away the taste of cheap speed and fixed his gaze on the pedestrians who streamed past his cafe table, separated from the terrace where he sat by a silk rope and the assiduous attention of two bodyguards.<br/><br/>The only pedestrians to meet Raf's stare were those, mainly tourists, who didn't realize who he was. They just saw a blond young man in dark glasses, wearing an oddly old-fashioned suit, the kind with a high collar.<br/><br/>&quot;Come on,&quot; said Raf, searching inside his head. &quot;You can tell me.&quot;<br/><br/>He ignored his two guards, who looked at each other, then hurriedly looked away. Raf didn't doubt that they could see tears trickling from under his glasses, but he didn't much care either.<br/><br/>The fox was saying good-bye.<br/><br/>The beast had been dying for years. Its abilities limited by memory conflicts, failed backup and the fact that, these days, the animal could only feed on neon light.<br/><br/>Once Tiri had been state of the art. Feeding on daylight, infrared and ultraviolet, or so it told Raf. White light, black light--back then anything went. The fox sharpened Raf's reflexes, steadied his ne]]>
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    <![CDATA[Effendi]]>
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    <![CDATA[Masterfully blending speculative fiction and hard-boiled mystery, Jon Courtenay Grimwood’s acclaimed Arabesk series plunges readers into a world eerily familiar and shockingly unpredictable. Here a troubled detective follows a trail of clues through a city where innocence itself may be a thing of the past.…<br/><br/>It’s the twenty-first century and El Iskandryia—an alluring metropolis built on seduction, corruption, and lies—is the double-dealing heart of an Ottoman Empire that still rules the world. But these days a sense of dread hangs over El Isk—and over Ashraf Bey, the city’s new Chief of Detectives. A trial is set to take place, and it’s up to Raf to decide the case. There’s only one problem: the suspect is the billionaire father of the woman Raf should have married. <br/><br/>Industrialist Hamzah Effendi is accused of crimes so horrible that even El Iskandryia wants him eliminated. But Raf finds that protecting the sensual and impetuous Zara Quitrimala from the secrets of her father’s past may be even more dangerous. For Raf must now solve a series of brutal murders that are somehow connected to the case—and to Zara. And the closer Raf gets to the truth, the more elusive the answers become—and the closer he comes to his own demise.… <br/><br/><strong>“</strong>Raymond Chandler for the 21st century.” <em>—Esquire </em><br/>“All brilliant light and scorching heat...Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery.&quot;—<em>Sunday Telegraph </em>(London)<br/><br/>“If you’re not reading Jon Courtenay Grimwood, then you don’t know how subtle and daring fiction can be.” —Michael Marshall Smith, author of <em>Spares</em> and <em>One of Us<br/><br/></em>“Fast, furious, fun and elegant, the Arabesk trilogy is one of the best things to hit the bookstores in a while.” —<em>SFRevu<strong><br/><br/><br/></strong></em><strong><br/><br/></strong>]]>
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    <![CDATA[Masterfully blending speculative fiction and hard-boiled mystery, Jon Courtenay Grimwood’s acclaimed Arabesk series plunges readers into a world eerily familiar and shockingly unpredictable. Here a troubled detective follows a trail of clues through a city where innocence itself may be a thing of the past.…<br/><br/>It’s the twenty-first century and El Iskandryia—an alluring metropolis built on seduction, corruption, and lies—is the double-dealing heart of an Ottoman Empire that still rules the world. But these days a sense of dread hangs over El Isk—and over Ashraf Bey, the city’s new Chief of Detectives. A trial is set to take place, and it’s up to Raf to decide the case. There’s only one problem: the suspect is the billionaire father of the woman Raf should have married. <br/><br/>Industrialist Hamzah Effendi is accused of crimes so horrible that even El Iskandryia wants him eliminated. But Raf finds that protecting the sensual and impetuous Zara Quitrimala from the secrets of her father’s past may be even more dangerous. For Raf must now solve a series of brutal murders that are somehow connected to the case—and to Zara. And the closer Raf gets to the truth, the more elusive the answers become—and the closer he comes to his own demise.… <br/><br/><strong>“</strong>Raymond Chandler for the 21st century.” <em>—Esquire </em><br/>“All brilliant light and scorching heat...Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery.&quot;—<em>Sunday Telegraph </em>(London)<br/><br/>“If you’re not reading Jon Courtenay Grimwood, then you don’t know how subtle and daring fiction can be.” —Michael Marshall Smith, author of <em>Spares</em> and <em>One of Us<br/><br/></em>“Fast, furious, fun and elegant, the Arabesk trilogy is one of the best things to hit the bookstores in a while.” —<em>SFRevu<strong><br/><br/><br/></strong></em><strong><br/><br/></strong>]]>
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    <![CDATA[The Arabesk Trilogy Book 2: Effendi Bk. 2]]>
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    <![CDATA[Masterfully blending speculative fiction and hard-boiled mystery, Jon Courtenay Grimwood&#8217;s acclaimed Arabesk series plunges readers into a world eerily familiar and shockingly unpredictable. Here a troubled detective follows a trail of clues through a city where innocence itself may be a thing of the past.&#8230;<br/><br/>It&#8217;s the twenty-first century and El Iskandryia&#8212;an alluring metropolis built on seduction, corruption, and lies&#8212;is the double-dealing heart of an Ottoman Empire that still rules the world. But these days a sense of dread hangs over El Isk&#8212;and over Ashraf Bey, the city&#8217;s new Chief of Detectives. A trial is set to take place, and it&#8217;s up to Raf to decide the case. There&#8217;s only one problem: the suspect is the billionaire father of the woman Raf should have married. <br/><br/>Industrialist Hamzah Effendi is accused of crimes so horrible that even El Iskandryia wants him eliminated. But Raf finds that protecting the sensual and impetuous Zara Quitrimala from the secrets of her father&#8217;s past may be even more dangerous. For Raf must now solve a series of brutal murders that are somehow connected to the case&#8212;and to Zara. And the closer Raf gets to the truth, the more elusive the answers become&#8212;and the closer he comes to his own demise.&#8230; <br/><br/><strong>&#8220;</strong>Raymond Chandler for the 21st century.&#8221; <em>&#8212;Esquire </em><br/>&#8220;All brilliant light and scorching heat...Grimwood has successfully mingled fantasy with reality to make an unusual, believable, and absorbing mystery.&quot;&#8212;<em>Sunday Telegraph </em>(London)<br/><br/>&#8220;If you&#8217;re not reading Jon Courtenay Grimwood, then you don&#8217;t know how subtle and daring fiction can be.&#8221; &#8212;Michael Marshall Smith, author of <em>Spares</em> and <em>One of Us<br/><br/></em>&#8220;Fast, furious, fun and elegant, the Arabesk trilogy is one of the best things to hit the bookstores in a while.&#8221; &#8212;<em>SFRevu<strong><br/><br/><br/></strong></em><strong><br/><br/></strong>]]>
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