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<book id="3651943">
  <title><![CDATA[The Writer as Migrant (Campbell Lectures)]]></title>
  <isbn><![CDATA[0226399885]]></isbn>
  <isbn13><![CDATA[9780226399881]]></isbn13>
    <work>
  <best_book_id type="integer">3651943</best_book_id>
  <books_count type="integer">2</books_count>
  <default_description>&lt;DIV&gt;&lt;DIV&gt;As a teenager during China&amp;#8217;s Cultural Revolution, Ha Jin served as an uneducated soldier in the People&amp;#8217;s Liberation Army. Thirty years later, a resident of the United States, he won the National Book Award for his novel &lt;I&gt;Waiting&lt;/I&gt;, completing a trajectory that has established him as one of the most admired exemplars of world literature. &lt;BR&gt;            Ha Jin&amp;#8217;s journey raises rich and fascinating questions about language, migration, and the place of literature in a rapidly globalizing world&amp;#8212;questions that take center stage in &lt;I&gt;The Writer as Migrant&lt;/I&gt;, his first work of nonfiction. Consisting of three interconnected essays, this book sets Ha Jin&amp;#8217;s own work and life alongside those of other literary exiles, creating a conversation across cultures and between eras. He employs the cases of Alexander Solzhenitsyn and Chinese novelist Lin Yutang to illustrate the obligation a writer feels to the land of his birth, while Joseph Conrad and Vladimir Nabokov&amp;#8212;who, like Ha Jin, adopted English for their writing&amp;#8212;are enlisted to explore a migrant author&amp;#8217;s conscious choice of a literary language. A final essay draws on V. S. Naipaul and Milan Kundera to consider the ways in which our era of perpetual change forces a migrant writer to reconceptualize the very idea of home. Throughout, Jin brings other celebrated writers into the conversation as well, including W. G. Sebald, C. P. Cavafy, and Salman Rushdie&amp;#8212;refracting and refining the very idea of a literature of migration.&lt;BR&gt;            Simultaneously a reflection on a crucial theme and a fascinating glimpse at the writers who compose Ha Jin&amp;#8217;s mental library, &lt;I&gt;The Writer as Migrant&lt;/I&gt; is a work of passionately engaged criticism, one rooted in departures but feeling like a new arrival.&lt;/DIV&gt;&lt;/DIV&gt;</default_description>
  <id type="integer">3695114</id>
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  <original_language_id type="integer" nil="true"></original_language_id>
  <original_publication_day type="integer">15</original_publication_day>
  <original_publication_month type="integer">11</original_publication_month>
  <original_publication_year type="integer">2008</original_publication_year>
  <original_title>The Writer as Migrant (Campbell Lectures)</original_title>
  <rating_dist>total:14|5:2|4:5|3:6|2:1|1:0|</rating_dist>
  <ratings_count type="integer">14</ratings_count>
  <ratings_sum type="integer">50</ratings_sum>
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  <average_rating><![CDATA[3.57]]></average_rating>
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  <url><![CDATA[http://www.goodreads.com/book/show/3651943.The_Writer_as_Migrant]]></url>
  <authors>
        <author id="8055">
      <name><![CDATA[Ha Jin]]></name>
      <role><![CDATA[]]></role>
      <url><![CDATA[http://www.goodreads.com/author/show/8055.Ha_Jin]]></url>
      <average_rating><![CDATA[3.54]]></average_rating>
      <ratings_count><![CDATA[7206]]></ratings_count>
      <text_reviews_count><![CDATA[1080]]></text_reviews_count>
    </author>
      </authors>
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    <review id="75704940">
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    <name><![CDATA[Andrew]]></name>
    <location><![CDATA[London, London, The United Kingdom]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1824367-andrew]]></url>
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      <rating>3</rating>
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  <read_at>Sat Oct 17 00:00:00 -0700 2009</read_at>
  <date_added>Sun Oct 25 16:11:45 -0700 2009</date_added>
  <date_updated>Sun Oct 25 16:31:24 -0700 2009</date_updated>
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    <body><![CDATA[These are three essays on the notion of migration for the writer, mostly explained through other writers such as Nabokov, Conrad, Kundera and Naipaul.<br/><br/>In the first essay, The Spokesman &amp; the Tribe, Jin explores the balance between the individual and the collective, and asks to what extent...<a href="http://www.goodreads.com/review/show/75704940">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/75704940]]></url>
</review>
    <review id="59003918">
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    <name><![CDATA[Erica]]></name>
    <location><![CDATA[Zambia]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/116818-erica]]></url>
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      <rating>4</rating>
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  <date_added>Tue Jun 09 10:16:19 -0700 2009</date_added>
  <date_updated>Tue Jun 09 10:32:03 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Who knew Ha Jin taught at BU? The little coincidences....no cohesive review here, just choice comments. I love that he quotes Rushdie- 'Roots, I sometimes think, are a conservative myth designed to keep us in places'. I love how he discusses the dangers of nostalgia- 'At the same time, the beauty an...<a href="http://www.goodreads.com/review/show/59003918">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/59003918]]></url>
</review>
    <review id="37871675">
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    <name><![CDATA[James]]></name>
    <location><![CDATA[Oakland, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/729074-james]]></url>
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      <rating>3</rating>
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  <date_added>Sun Nov 16 11:11:39 -0800 2008</date_added>
  <date_updated>Sun Nov 16 11:18:43 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I went into this one with high hopes and was disappointed.  The unadorned prose that is the trademark of the author's fiction has failed him in criticism.  The lectures here are artless and meandering, often more concerned with how the novels in question make Ha Jin *feel* rather than with judging t...<a href="http://www.goodreads.com/review/show/37871675">more...</a>]]></body>
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</review>
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  <date_added>Thu Nov 12 21:10:58 -0800 2009</date_added>
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  <date_updated>Tue May 26 15:21:53 -0700 2009</date_updated>
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    <body><![CDATA[]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/57413613]]></url>
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