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The Brief Bedford Reader

3.63  ·  Rating Details ·  65 Ratings  ·  5 Reviews

A compact version of one of the most widely adopted composition readers of all time — at a significant savings to students — The Brief Bedford Reader continues to engage and inspire with 50 remarkable selections, all the outstanding instructional material of the full-length text, and a unique "Writers on Writing" feature in which 32 of the book’s writers comment on their
Paperback, 736 pages
Published March 6th 2008 by Bedford/St. Martin's (first published 1987)
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Dec 22, 2013 Brianna rated it really liked it  ·  review of another edition
Shelves: books-i-own
The Brief Bedford Reader was assigned reading for a creative English college course. It is full of short essays by brilliant authors. Styles of writing include Narrative, Descriptive, Process Analysis, etc... The readings combined with the critical thinking activities found at the end of the readings, provide readers with a better understanding of the technique.
Jan 10, 2016 Julianna rated it it was amazing
This book was great improving my writing. With passages by esteemed writers like Maya Angelou on how they begin writing a story or a book, it really teaches you how the writer's mind works, how to properly outline your forethoughts and ideas, and finally how to write in narrative form. Definitely a manual I'd recommend!
Mar 06, 2011 Rachel added it
This is for my ENG 101, yes I said english 101 stupid school is making me take it again instead of cleping it...
Jul 04, 2008 Jeffrey rated it liked it
Shelves: academic
This one's actually better than the expanded or "complete" version. Why? Well, less of it so you can read more interesting novels and stuff, of course.
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“According to Wallace, the expectation that art amuses is a 'poisonous lesson for a would-be artist to grow up with,' since it places all of the power with the audience, sometimes breeding resentment on the part of the author. 'I can see it in myself and in other young writers,' he told McCaffery: 'this desperate desire to please coupled with a kind of hostility to the reader.' Wallace expressed his 'hostility' by writing unwieldy sentences, refusing to fulfill readers' expectations, and 'bludgeoning the reader with data'--all strategies he used to wrestle back some of the power held by modern audiences.” 0 likes
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