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The Tin Drum (The Danzig Trilogy #1)

3.96  ·  Rating Details ·  28,206 Ratings  ·  1,164 Reviews
On his third birthday Oskar decides to stop growing. Haunted by the deaths of his parents and wielding his tin drum Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures in post-war Germany.
Paperback, 567 pages
Published 2005 by Vintage (first published 1959)
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Apr 04, 2007 Tia rated it it was amazing
Recommends it for: Your [intellectual] inner beast.
I had an intense reaction to this book. I friggin hated it. Or, rather, I loved to hate it, while I was reading it. It was an assignment in a Postmodern Lit. class, and everyone in the class liked the protagonist but me. I thought he was awful. I couldn't believe they enjoyed him, much less admitted to enjoying him. But some part of me must have understood.

...That was the point. This is a story I felt in my stomach. It was so full of perversion, of the grotesque, and I was 20 and a "good girl" a
Feb 11, 2008 Dan rated it it was ok
My reaction to finishing this book was 'thank god that's over'. I thought it was interesting in the abstract, but at times I couldn't stand reading it. The unreliable main character Oskar, decides to stop growing at the age of three . He refuses to speak, and communicates by banging on his titular drum. I gather this is supposed to reflect German societies refusal to accept the realities of the rise of Nazism and their complicity in it. But I don't really care. My problem with the book wasn't th ...more

Re-visit 2015: Günter Grass, Nobel-winning German novelist, dies aged 87

Description: Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up as he sees the crazy world around him at the eve of World War II. So he refuses the society and his tin drum symbolizes his protest against the middle-class mentality of his family and neighborhood, which stand for all passive
Jr Bacdayan
Aug 31, 2015 Jr Bacdayan rated it really liked it
Heil, Oskar Koljaiczek Matzerath-Bronski! The drummer! The magical three-year-old! The hunchback! The Jesus! The Satan! The Goethe! The Rasputin! The arsonist reincarnate! The student! The destroyer of glass! The tempter! The Skat ace! The bane of propaganda assemblies! The war veteran! The Catholic! The disciple maker! The choir boy! The fizz blower! The father! The prodigal son! The entertainer! The tombstone engraver! The art model! The devotee of nurses! The jazz musician! The star! The love ...more
Aug 19, 2015 Jeb rated it it was amazing  ·  review of another edition
Recommended to Jeb by: Nathan, 'A Novel Idea' bookclub
Shelves: favorites
The plot, characters, and setting are all top-notch, but what makes Drum a stellar read is its tone. A reviewer might have described it as 'sardonically irreverant' had not Waiting for Guffman been the source of the phrase. Dripping with arrogance and wit against a macabre backdrop, The Tin Drum follows our sturdy-at-three-feet protagonist Oskar from his vivid recollections of his own birth through Hitler's occupations of Danzig, DE and Oskar's familial Poland through many other no doubt excitin ...more
"Granted: I'm an inmate in a mental institution."

This opening line prepared me only a little to what was to come: a challenging, weird, unbelievable and extraordinary story.
Oskar's drums and his drumming may still "haunt" me for some time after finishing his story. I am lost for more words here but one: recommended!
Dec 10, 2015 Mona rated it liked it  ·  review of another edition
Funny, Brechtian Story of a Murderous Dwarf who is a Genius Drummer

This is a tough book to review.

The story uses Brecht's concept of distancing to keep us from identifying with the characters.

The tale takes place in Germany and Poland, before, during, and after World War II.

The main character and narrator is Oskar Matzerath, a dwarf (and later on, a hunchbacked dwarf), who develops a precocious genius for drumming as a toddler. His parents supply him with toy tin drums (which he wears out with h
Era uma vez um país chamado Polónia que foi invadido durante uma Guerra chamada de Segunda Mundial.
Era uma vez um país chamado Alemanha que recuperava de uma Guerra.
Era uma vez um tambor de lata tocado por um menino chamado Oskar que cresceu, anão e corcunda, e se tornou um músico famoso.
Era uma vez um enfermeiro de um hospício chamado Bruno que cuidava e ouvia a história de Oskar.
Era uma vez uma mulher chamada Anna que escondeu debaixo de quatro saias um fugitivo e nove meses depois nasceu Agne
I knew this book is good, but I had no idea it were that good.

The novel that is not novel

On the surface, this is a fairly simple, easy to read book. It's the first novel by Günter Grass and it was published in 1959. You would think an author of this caliber would produce something that has a sophisticated (or should I say complicated?) style, something awesome, something the literary world would have a hard time explaining. But — he didn't. Grass obviously wasn't very fond of this. Right at the
Jul 16, 2014 Whitaker rated it it was amazing
*Available from KOBOBOOKS

The most remarkable thing that strikes one about The Tin Drum is an absence. For a novel that so famously deals with Germany's war guilt, there is remarkably little about the war in the novel.

I don't mean to say that the novel does not touch on or talk about World War II. Of course it does. There is, after all, two whole chapters dealing with the German invasion of Poland, for example, where Oskar, Jan Bronski, and a dying man play a game of cards at the Polish Post Off
مروان البلوشي

ألمانيا، الأرض التي تصارعت عليها بكل قوة وعنف وحيوية مختلف تيارات وأهواء الثقافة الغربية والعالمية، الأرض التي جمعت بين دقة وبرود العقل وأشواق الروح الإنسانية (اعتذر عن هذا الكليشيه الرخيص)، هذه الأرض وجدت نفسها مدمرة تماماً بعد نهاية الحرب العالمية الثانية مادياً وروحياً.
مادياً: فقدت ألمانيا بنيتها التحتية والصناعية التي كانت الأفضل في أوروبا قبل الحرب، روحياً شعر الألمان انهم فقدوا بوصلتهم الأخلاقية والنفسية. وهل كان هناك أي معنى روحاني أو أخلاقي للحياة من بعد: الهولوكوست، من بعد مقتل 8 ملايين
Nov 07, 2011 Dracu rated it it was amazing  ·  review of another edition
Shelves: favorite-books
"What more shall I say: born under light bulbs, deliberately stopped growing at age of three, given drum, sang glass to pieces, smelled vanilla, coughed in churches, observed ants, decided to grow, buried drum, emigrated to the West, lost the East, learned stonecutter's trade, worked as model, started drumming again, visited concrete, made money, kept finger, gave finger away, fled laughing, rode up escalator, arrested, convicted, sent to mental hospital, soon to be acquitted, celebrating this d ...more
Camille Stein
Apr 14, 2015 Camille Stein rated it it was amazing  ·  review of another edition
¿Qué más diré? Nací bajo bombillas, interrumpí deliberadamente el crecimiento a los tres años, recibí un tambor, rompí vidrio con la voz, olfateé vainilla, tosí en iglesias, nutrí a Lucía, observé hormigas, decidí crecer, enterré el tambor, huí a Occidente, perdí el Oriente, aprendí el oficio de marmolista, posé como modelo, volví al tambor e inspeccioné cemento, gané dinero y guardé un dedo, regalé el dedo y huí riendo; ascendí, fui detenido, condenado, internado, saldré absuelto; y hoy celebro ...more
فهد الفهد
تنبيه: فيما يأتي كشف لأحداث الرواية.

الطبل الصفيح

قرأت الرواية ومن ثم شاهدت الفيلم الألماني الذي صنع منها سنة 1979 م، وحاز على أوسكار أفضل فيلم أجنبي، وقام بدور أوسكار فيه (دايفد بينيت) وأخرجه المخرج الألماني فولكر شلوندرف، فلذا سأتحدث عن الرواية والفيلم معا ً.

في البداية علي أن أعترف بأن القراءة لغونتر غراس متعبة، فخلاف أن الرواية تتمدد في نسختها العربية على 687 صفحة، تندر فيها الحوارات، وهذا يعني بنيان متراص يرويه لنا بأسلوبين (أوسكار ماتسرات) بطل الرواية وصاحب الطبول الصفيحية – لم يكن طبلا ً و
Jul 24, 2010 Maureen rated it it was amazing
Recommends it for: everyone, with enthusiasm
Recommended to Maureen by: Tom Carson
Shelves: anti-war, novel
The world portrayed in The Tin Drum is brutal and harsh, and, at the same time freakishly strange. There is an aspect to violence that disconnects from everyday reality. In this book, seen through the eyes of its diminutive hero, it becomes downright surreal. Though the tone may be fantastic, Grass does a better job of capturing life under Nazi rule than anything else I have ever read. Even in translation, his language is dazzling, and one thing is certain: after reading what happens at the end ...more
Aug 27, 2012 Jonfaith rated it it was amazing
Funny I missed rating and reviewing this jewel. This is the lodestar, the mandrake root, the intrepid ooze making friends in the lukewarm pools of primeval poetry. This was the point of departure. A hallowed book I finished in a laundromat. I almost can't remember my reading life before wee Oskar. Eels, fizz, post offices, onions and Dusters have littered my imagination seemingly forever. I wanted to read the new translation and likely will someday. My memories of my own grandmother now smell li ...more
K.D. Absolutely
Sep 24, 2009 K.D. Absolutely rated it really liked it  ·  review of another edition
I am not sure how to rate this book. I am not sure if I like it or hate it. It is just out of this world and Gunter Grass (Nobel Prize in Literature awardee) is just in his own league.

The book is about a midget who refused to grow up. He decided to stop growing up at the age of 3 when he also started to beat his drum. His story as a child (Book 1) coincides with the pre-holocaust period in Poland. The scenes that struck me here the most are the 5-layer skirt of his grandmother where his grandfa
Fatema Hassan , bahrain

دهاء الحبكة هنا يستحق تقييم عالٍ ولكن أين هي الحبكة تحديدًا لنبدأ في تفهمها؟ أعتقد أن كل من قيّم الرواية سأل نفسه هذا السؤال! من أين نفهم غراس؟ فالقدرة على قراءة هذه الرواية ..و ليس القدرة على كتابتها هو ما يستحق جائزة نوبل فهي لم تكن هينة أبدًا نظرًا لمعايير مؤلفها الألماني غونتر غراس الذي فخّخ العمل بمعانٍ كبيرة و بأجزاء سحرية و مقومات ملعونة من المستحيل ألا تكره أحدها على الأقل، لعله فعلاً برهن عن عظمته بطريقته ! أثار استغرابي كيف كادت تكون تعجيزية بالنسبة لي رغم أني قد شاهدت الفيلم المأخوذ ع
Horace Derwent
Jul 08, 2016 Horace Derwent rated it it was amazing  ·  review of another edition
during the expidition of the subjugating war in ireland, one soldier of cromwell got possessed by demon. the chaplain had no other choice(actually, he was good for nothing) and threw him into a pond(used to be a method of exorcism), the soldier sank without a single note of sound...moments after, the demon went up to the surface and said to the priest:"you just killed that poor man, you scam artist."

the pastor replied:"no, i did not. i saved him, he's with god now"

then the demon roared in rage:"
Pop quiz: what's the name of that book with the physically deformed protagonist who's got paternity uncertainty and lives his own country's history? You know, he's got a superpower that sort of fades in and out as the book progresses, and, if I recall correctly, a relative who can cook feelings into soups. And he falls in with a group of weird kids with comical nicknames like Eyeslice and PuttPutt. No, it's not Midnight's Children. I'm talking about the one with the narrator who tells the whole ...more
Apr 15, 2015 [P] rated it it was amazing
Shelves: bitchin
When I was younger the only musical instrument we had in the house was an old acoustic guitar of my dad’s. Despite an interest in music, I was never particularly drawn to it, finding it a snivelling and cowardly instrument; an acoustic guitar, I thought to myself, cowers and sighs and feels sorry for itself, and that wasn’t at all what I wanted to express. No, I wanted to hammer something, to make a noise. Quite evidently, at that age, and in those circumstances, what best suited my feelings was ...more
Sep 29, 2011 Noce rated it liked it  ·  review of another edition
GRRRRRR come GRass

Del fatto che Gunter scrivesse bene ci si accorge subito.
Soprattutto quando passa dalla prima alla terza persona con la leggerezza con cui il barista di fiducia, ti chiede se “oggi il croissant lo vuole alla marmellata o al cioccolato?”.
L’idea di basare la storia su un cambio di prospettiva è decisamente estrosa, e verrà persino ripresa in una famosa scena di un film altrettanto noto di fine anni ’80, in cui un insegnante di lettere invita i suoi studenti a salire sul banco, pe
ميقات الراجحي
طبل الصفيح؛ تعدد السرد وطرح التساؤلات.. قراءة في رواية غونتر غراص : طبل الصفيح Die Blechtrommel - Günter Grass
نص المادة مختصر قمت بنشره على موقع إنكتاب وقد وضعت رابطة بصفحتي على تويتر، وأنشره هنا الأن

قيمة هذه العمل تكمن في صدقه تجاه الإنسان. وعندما منحت نوبل غراس كان تعلم إن الإنسان أحتل شأنًا مقدسًا في كتباته.

من واقع خبرة قرائية طويلة هذا العمل منهك للقارئ المحترف. سوف أتفهم من يقرأ الورقات الأولى ويتوقف عن العمل ليس لمللٍ قد يعتريه بقدر الجهد المضني الذي يتطلبه قراءة هذا النص المعقد والذي حبك
3.5 stars rounded up. I ran out of steam with this so I am giving it the benefit of the doubt by rounding up.

There is a lot to think about in this and I don't think that I understood some of it (much of it?). It is too bad that this is a library book as it would be good to go back and reread or ponder certain passages again when a little time has passed.

I really struggled with one fundamental feature of the novel -- Oskar's supposedly voluntary non-growth, allowing him to remain in a 3-year-old
Apr 13, 2016 Ahmed rated it really liked it  ·  review of another edition
المرء يستطيع أن يبدأ القصة من الوسط،ثم يسير بها متقدمًا،أو متراجعًا إلى الخلف،بجرأة،مُخلفًا وراءه الحيرة والارتباك. ويمكن أن يبدو المرء معاصرًا فيلغي الأزمان والمسافات كلها،ليعلن، أو يدع الآخرين يعلنون أنه قد حلّ معضلة المكان-الزمان، هنا تواجه تلك الحقيقة، هنا تُلغى الأزمان والأماكن، بل حتى إنك هنا تلغي وجود بطل للرواية، فلا وجوداليوم لهؤلاء الأبطال، إذ ليس هناك شخصيات فردية،لأن الفردانية قد اختفت،ولأن الإنسان بات معزولًا، بحيث أن كل كل إنسان أصبح منفردًا بالقدر ذاته،ومحرومًا من العزلة الفردية، ...more
May 17, 2007 Karl rated it it was ok  ·  review of another edition
I learned that I don't find eccentric midgets that make highly stylized allusions to archaic information and literature very interesting, but that I do like it when eccentric midgets kill their fathers and have lots of sex. So ultimately this book taught me I am shallow; goodbye Harpers, hello National Enquirer.
Jul 31, 2015 Alex rated it it was amazing
Recommends it for: hunchbacked dwarf musical prodigies
"Even bad books are books, and therefore holy.'

But this is not a bad book. What a tightrope act it is! Sustaining the totally unreliable, possibly insane voice of Oskar through a book this long without stumbling or stretching our suspension of semi-belief is a hell of a task, and Grass totally nails it. I found this entertaining, funny, sad, weird and wholly likable.

I do wish I hadn't read that part about catching eels while eating a sandwich. That shit was gross as hell.

Anyone know where I can
Inderjit Sanghera
Apr 30, 2015 Inderjit Sanghera rated it really liked it
‘The Tin Drum’ was one of the first proponents of what many readers dub “magic realism”, in which magical or fantastical happenings take place in a broadly realistic world. The term, however, is something of a misnomer; there is nothing more magical than reality, than the dazzling reflection of sunlight from a car window pane, than the myriad of colours which exist in a simple cloud, pink, white, blue or deep red. Reality, that most slippery of concepts, is often stranger than people think, peop ...more
د. حمدان
Jan 14, 2016 د. حمدان rated it liked it  ·  review of another edition
Shelves: novels
طبل الصفيح – غونتر غراس

غونتر غراس 1927 - 2015 هو روائي ألماني ومن أهم أدباء ألمانيا في مرحلة ما بعد الحرب العالمية الثانية والحاصل على جائزة نوبل للآداب عام 1999. ولربما يعد واحداً من أهم أدباء ألمانيا في العصر الحديث.

اشتهر غراس لروايته هذه طبل الصفيح التي كانت روايته الأولى والصادرة عام 1959 وهي الأولى من سلسلة ثلاثية دانزيغ.

تتحدث هذه الرواية عن حكاية أوسكار ماتسرات أو برونسكي ذلك الفتى "الفريد" المولود في مدينة دانزيغ الألمانية أو غيدانسك البولندية. ولمن لا يعرف هذه المدينة.. فهي المدينة التي
Oct 11, 2015 Sandra rated it really liked it  ·  review of another edition
Shelves: classici
Romanzo visionario, sempre in bilico tra realtà e allucinazione, sgradevole, complesso. Pesa sul lettore un senso di oppressione e di angoscia, un disgusto di fondo dovuto alle immagini forti e ai dettagli che Oskar il tamburino descrive con maniacale precisione di quanto accade dentro e fuori di lui, da prima che venisse al mondo, dalla fine del 1800, fino al compimento dei suoi 30 anni, nel 1954. Tutto nasce da sotto le quattro gonne di nonna Koljaiczek, la Grande Madre, seduta nei campi di pa ...more
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Günter Wilhelm Grass was a Nobel Prize-winning German novelist, poet, playwright, illustrator, graphic artist, and sculptor.
He was born in the Free City of Danzig (now Gdańsk, Poland). Since 1945, he lived in West Germany, but in his fiction he frequently returned to the Danzig of his childhood. He always identified himself as a Kashubian.

He is best known for his first novel, "The Tin Drum" (1959)
More about Günter Grass...

Other Books in the Series

The Danzig Trilogy (3 books)
  • Cat and Mouse
  • Dog Years

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“Even bad books are books and therefore sacred.” 405 likes
“Granted: I AM an inmate of a mental hospital; my keeper is watching me, he never lets me out of his sight; there's a peep-hole in the door, and my keeper's eye is the shade of brown that can never see through a blue-eyed type like me.” 42 likes
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