Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann

Key to understanding these tumultuous lives, Laskin believes, is recognizing that the women of the Partisan Review coterie were the last generation to come of age before the social and ideological revolution unleashed by feminism--and they never accepted the validity of "women's lib." Although they struggled desperately with their duty to protect the creative and thinking time of their Great Men husbands, and at the same time eke out time to work, it never occurred to them to question the justice or logic of the domestic arrangements they inhabited. And success often came at a terrible personal cost. Laskin quotes Delmore Schwartz: "All poets' wives have rotten lives." And, he adds, "when the poets' wives were themselves poets of some sort, their lives became 'rotten' in some truly strange and fascinating ways."

David Laskin writes about the New York intellectuals of the 1930s as if he'd known them--watched them found Partisan Review; drink themselves to blackout night after night; marry, support, divorce, criticize, and betray one another over three decades from a vantage point close enough for clarity but distant enough for fairness and thorough, well-disciplined research. He also definitively proves that gender need raise no barriers to insight and compassion for a writer with the requisite courage and imagination. His sympathy, respect, and admiration for his subjects shine through his book, and make the lives of these four women unforgettable. --Jan Bultmann