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  <title><![CDATA[The Sublime (The New Critical Idiom)]]></title>
  <isbn><![CDATA[0415268478]]></isbn>
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  <description><![CDATA[Often labelled as &quot;indescribable,&quot; the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at:<br/>· The legacy of the earliest, classical theories of the sublime through the romantic to the post-modern and avant-garde sublimity<br/>· The major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each<br/>· The significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era<br/>· How the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch's neo-noir<br/>This remarkably clear  study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.]]></description>
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        <name><![CDATA[Philip Shaw]]></name>
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