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In the current incarnation of the haiku year project, several of the project’s founding members decided to continue with their haiku practice, inviting new writers to take part in a new collaborative project. The challenge was reduced to writing one haiku poem for every week of the year. The collection of contributors to the current manuscript, include Tom Gilroy, Jim McKay, Grant-Lee Phillips, Denise Siegel, Biskit Roth, Alison Roth, Patrick So, and Shin Yu Pai. The poems in Haiku Not Bombs range from the one-line hokku form and the Filipino hay(na)ku to linked verses (renga) and the loose western style haiku favored by writers like Jack Kerouac and American practitioners of the craft. Some emergent themes include modernity, urban life and the everyday.
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In the current incarnation of the haiku year project, several of the project’s founding members decided to continue with their haiku practice, inviting new writers to take part in a new collaborative project. The challenge was reduced to writing one haiku poem for every week of the year. The collection of contributors to the current manuscript, include Tom Gilroy, Jim McKay, Grant-Lee Phillips, Denise Siegel, Biskit Roth, Alison Roth, Patrick So, and Shin Yu Pai. The poems in Haiku Not Bombs range from the one-line hokku form and the Filipino hay(na)ku to linked verses (renga) and the loose western style haiku favored by writers like Jack Kerouac and American practitioners of the craft. Some emergent themes include modernity, urban life and the everyday.
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In the current incarnation of the haiku year project, several of the project’s founding members decided to continue with their haiku practice, inviting new writers to take part in a new collaborative project. The challenge was reduced to writing one haiku poem for every week of the year. The collection of contributors to the current manuscript, include Tom Gilroy, Jim McKay, Grant-Lee Phillips, Denise Siegel, Biskit Roth, Alison Roth, Patrick So, and Shin Yu Pai. The poems in Haiku Not Bombs range from the one-line hokku form and the Filipino hay(na)ku to linked verses (renga) and the loose western style haiku favored by writers like Jack Kerouac and American practitioners of the craft. Some emergent themes include modernity, urban life and the everyday.
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In the current incarnation of the haiku year project, several of the project’s founding members decided to continue with their haiku practice, inviting new writers to take part in a new collaborative project. The challenge was reduced to writing one haiku poem for every week of the year. The collection of contributors to the current manuscript, include Tom Gilroy, Jim McKay, Grant-Lee Phillips, Denise Siegel, Biskit Roth, Alison Roth, Patrick So, and Shin Yu Pai. The poems in Haiku Not Bombs range from the one-line hokku form and the Filipino hay(na)ku to linked verses (renga) and the loose western style haiku favored by writers like Jack Kerouac and American practitioners of the craft. Some emergent themes include modernity, urban life and the everyday.
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In the current incarnation of the haiku year project, several of the project’s founding members decided to continue with their haiku practice, inviting new writers to take part in a new collaborative project. The challenge was reduced to writing one haiku poem for every week of the year. The collection of contributors to the current manuscript, include Tom Gilroy, Jim McKay, Grant-Lee Phillips, Denise Siegel, Biskit Roth, Alison Roth, Patrick So, and Shin Yu Pai. The poems in Haiku Not Bombs range from the one-line hokku form and the Filipino hay(na)ku to linked verses (renga) and the loose western style haiku favored by writers like Jack Kerouac and American practitioners of the craft. Some emergent themes include modernity, urban life and the everyday.
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In the current incarnation of the haiku year project, several of the project’s founding members decided to continue with their haiku practice, inviting new writers to take part in a new collaborative project. The challenge was reduced to writing one haiku poem for every week of the year. The collection of contributors to the current manuscript, include Tom Gilroy, Jim McKay, Grant-Lee Phillips, Denise Siegel, Biskit Roth, Alison Roth, Patrick So, and Shin Yu Pai. The poems in Haiku Not Bombs range from the one-line hokku form and the Filipino hay(na)ku to linked verses (renga) and the loose western style haiku favored by writers like Jack Kerouac and American practitioners of the craft. Some emergent themes include modernity, urban life and the everyday.
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