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  <title><![CDATA[Traces (Meridian: Crossing Aesthetics)]]></title>
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  <default_description>&lt;div&gt;Written between 1910 and 1929, &lt;i&gt;Traces&lt;/i&gt; is considered Ernst Bloch&amp;#8217;s most important work next to &lt;i&gt;The Principle of Hope&lt;/i&gt; and &lt;i&gt;The Spirit of Utopia&lt;/i&gt;.  This book, which collects aphorisms, essays, stories, and anecdotes, enacts Bloch&amp;#8217;s interest in showing how attention to &amp;#8220;traces&amp;#8221;&amp;#8212;to the marks people make or to natural marks&amp;#8212;can serve as a mode of philosophizing.  In an elegant example of how the literary can become a privileged medium for philosophy, Bloch&amp;#8217;s chief philosophical invention is to begin with what gives an observer pause&amp;#8212;what seems strange and astonishing.  He then follows such traces into an awareness of the individual&amp;#8217;s relations to himself or herself and to history, conceived as a thinking into the unknown, the &amp;#8220;not yet,&amp;#8221; and thus as utopian in essence.&lt;br&gt;&lt;br&gt;&lt;i&gt;Traces&lt;/i&gt;, a masterwork of twentieth-century philosophy, is the most modest and beautiful proof of Bloch&amp;#8217;s utopian hermeneutics, taking as its source and its result the simplest, most familiar, and yet most striking stories and anecdotes.&lt;br&gt;&lt;br&gt;&lt;/div&gt;</default_description>
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