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  <id>341932</id>
  <title><![CDATA[Improvisation: Its Nature and Practice in Music]]></title>
  <isbn><![CDATA[0306805286]]></isbn>
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  <description><![CDATA[&lt;div&gt;Derek Bailey&#8217;s <em>Improvisation</em>, originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms&#8212;Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and &#8221;free&#8221; music. By drawing on conversations with some of today&#8217;s seminal improvisers&#8212;including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott&#8212;Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.&lt;/div&gt;]]></description>
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        <name><![CDATA[Derek Bailey]]></name>
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  <average_rating>4.00</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;Derek Bailey&#8217;s <em>Improvisation</em>, originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms&#8212;Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and &#8221;free&#8221; music. By drawing on conversations with some of today&#8217;s seminal improvisers&#8212;including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott&#8212;Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.&lt;/div&gt;]]>
  </description>
  <published>1982</published>
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    <rating>5</rating>
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  <read_at>Wed Jan 01 00:00:00 -0800 2003</read_at>
  <date_added>Thu Feb 14 08:36:55 -0800 2008</date_added>
  <date_updated>Thu Feb 14 08:41:49 -0800 2008</date_updated>
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    <body><![CDATA[The essential text on improvisation in music, the late Derek Bailey's book takes a truly global look at the role of  improvisation in different cultures and situations. From the complexities of Indian music to the British free-improv machine of which he was a vital cog, Bailey covers a wide range of...<a href="http://www.goodreads.com/review/show/15405327">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/15405327]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/15405327]]></link>
</review>
      <review>
  <id>20014650</id>
    <user>
    <id>692099</id>
    <name><![CDATA[Caroline]]></name>
    <location><![CDATA[Chicago, IL]]></location>
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  <title>
    <![CDATA[Improvisation: Its Nature and Practice in Music]]>
  </title>
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  <average_rating>4.00</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Derek Bailey&#8217;s <em>Improvisation</em>, originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms&#8212;Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and &#8221;free&#8221; music. By drawing on conversations with some of today&#8217;s seminal improvisers&#8212;including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott&#8212;Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.&lt;/div&gt;]]>
  </description>
  <published>1982</published>
</book>

    <rating>5</rating>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jun 23 00:00:00 -0700 2008</read_at>
  <date_added>Sat Apr 12 12:51:17 -0700 2008</date_added>
  <date_updated>Mon Jun 23 16:14:22 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[this book by derek bailey has been on my shelf for quite some time, but i finally got around to reading it.  it's a wonderful book for people who want to expand their knowledge of musicians' (and his) views on improvisation in *many* genres.  thus, much of the book is a set of questions and intervie...<a href="http://www.goodreads.com/review/show/20014650">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/20014650]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/20014650]]></link>
</review>
      <review>
  <id>10200515</id>
    <user>
    <id>135328</id>
    <name><![CDATA[Brendan]]></name>
    <location><![CDATA[Cambridge, MA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/135328-brendan]]></link>
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  <isbn>0306805286</isbn>
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  <title>
    <![CDATA[Improvisation: Its Nature and Practice in Music]]>
  </title>
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  <average_rating>4.00</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Derek Bailey&#8217;s <em>Improvisation</em>, originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms&#8212;Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and &#8221;free&#8221; music. By drawing on conversations with some of today&#8217;s seminal improvisers&#8212;including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott&#8212;Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.&lt;/div&gt;]]>
  </description>
  <published>1982</published>
</book>

    <rating>4</rating>
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  <read_at>Sat Dec 01 00:00:00 -0800 2007</read_at>
  <date_added>Sun Dec 09 20:50:01 -0800 2007</date_added>
  <date_updated>Wed Dec 26 12:12:56 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[This reads like a transcript from a documentary.  It's a brilliant idea in the wrong medium.   <br/>Derek Bailey interviewing master musicians, talking about his own work, and hypothesizing about improvisation is a very good thing, but in book format it seems clumsy and lacking.  <br/>I know there...<a href="http://www.goodreads.com/review/show/10200515">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/10200515]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/10200515]]></link>
</review>
      <review>
  <id>40326879</id>
    <user>
    <id>1811882</id>
    <name><![CDATA[Bill]]></name>
    <location><![CDATA[Salt Lake City, UT]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1811882-bill]]></link>
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  <title>
    <![CDATA[Improvisation: Its Nature and Practice in Music]]>
  </title>
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  <link>http://www.goodreads.com/book/show/341932.Improvisation_Its_Nature_and_Practice_in_Music</link>
  <average_rating>4.00</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Derek Bailey&#8217;s <em>Improvisation</em>, originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms&#8212;Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and &#8221;free&#8221; music. By drawing on conversations with some of today&#8217;s seminal improvisers&#8212;including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott&#8212;Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.&lt;/div&gt;]]>
  </description>
  <published>1982</published>
</book>

    <rating>5</rating>
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  <read_at></read_at>
  <date_added>Wed Dec 17 13:58:19 -0800 2008</date_added>
  <date_updated>Wed Dec 17 14:00:01 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Few understand improvisation; no one understands it better than Derek Bailey...]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/40326879]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/40326879]]></link>
</review>
      <review>
  <id>35356679</id>
    <user>
    <id>1622559</id>
    <name><![CDATA[Hanna]]></name>
    <location><![CDATA[Finland]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1622559-hanna]]></link>
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  <isbn>0306805286</isbn>
  <isbn13>9780306805288</isbn13>
  <text_reviews_count type="integer">8</text_reviews_count>
  <title>
    <![CDATA[Improvisation: Its Nature and Practice in Music]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223675421m/341932.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1223675421s/341932.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/341932.Improvisation_Its_Nature_and_Practice_in_Music</link>
  <average_rating>4.00</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Derek Bailey&#8217;s <em>Improvisation</em>, originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms&#8212;Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and &#8221;free&#8221; music. By drawing on conversations with some of today&#8217;s seminal improvisers&#8212;including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott&#8212;Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.&lt;/div&gt;]]>
  </description>
  <published>1982</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <read_at></read_at>
  <date_added>Wed Oct 15 02:23:43 -0700 2008</date_added>
  <date_updated>Wed Oct 15 02:35:30 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Interesting book that everyone who's interested in music improvisation should read. In this book Bailey (may he rest in piece) tried to theorize the musicmaking method and the scene that was so close to his heart. His thoughts about free improvisation and the definitions of <em>idiomatic</em> and <em>non-idiomat...</em><a href="http://www.goodreads.com/review/show/35356679">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/35356679]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/35356679]]></link>
</review>
      <review>
  <id>13842428</id>
    <user>
    <id>821968</id>
    <name><![CDATA[Scott]]></name>
    <location><![CDATA[Portland, OR]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/821968-scott]]></link>
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  <id type="integer">341932</id>
  <isbn>0306805286</isbn>
  <isbn13>9780306805288</isbn13>
  <text_reviews_count type="integer">8</text_reviews_count>
  <title>
    <![CDATA[Improvisation: Its Nature and Practice in Music]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223675421m/341932.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1223675421s/341932.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/341932.Improvisation_Its_Nature_and_Practice_in_Music</link>
  <average_rating>4.00</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Derek Bailey&#8217;s <em>Improvisation</em>, originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms&#8212;Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and &#8221;free&#8221; music. By drawing on conversations with some of today&#8217;s seminal improvisers&#8212;including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott&#8212;Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.&lt;/div&gt;]]>
  </description>
  <published>1982</published>
</book>

    <rating>3</rating>
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  <read_at></read_at>
  <date_added>Mon Jan 28 12:05:33 -0800 2008</date_added>
  <date_updated>Mon Jan 28 12:07:19 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I read this before I did any contemporary improv stuff or studied Indian music at all, so I would be excited to read it again, but at the time I thought it was a little dry.  For now 3 stars. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/13842428]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/13842428]]></link>
</review>
      <review>
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    <name><![CDATA[Ryan]]></name>
    <location><![CDATA[The United States]]></location>
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    <![CDATA[Improvisation: Its Nature and Practice in Music]]>
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  <link>http://www.goodreads.com/book/show/341932.Improvisation_Its_Nature_and_Practice_in_Music</link>
  <average_rating>4.00</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Derek Bailey&#8217;s <em>Improvisation</em>, originally published in 1980, and here updated and extended with new interviews and photographs, is the first book to deal with the nature of improvisation in all its forms&#8212;Indian music, flamenco, baroque, organ music, rock, jazz, contemporary, and &#8221;free&#8221; music. By drawing on conversations with some of today&#8217;s seminal improvisers&#8212;including John Zorn, Jerry Garcia, Steve Howe, Steve Lacy, Lionel Salter, Earle Brown, Paco Peña, Max Roach, Evan Parker, and Ronnie Scott&#8212;Bailey offers a clear-eyed view of the breathtaking spectrum of possibilities inherent in improvisational practice, while underpinning its importance as the basis for all music-making.&lt;/div&gt;]]>
  </description>
  <published>1982</published>
</book>

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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Mon Jun 16 09:39:53 -0700 2008</date_added>
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