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We Don't Live Here Anymore

by Andre Dubus, Larry Gross (Contribution by), Andre Dubus III (Introduction)

4.06 of 5 stars 4.06 · rating details · 516 ratings · 74 reviews

In these three stories—two of which form the basis of the award-winning film We Don’t Live Here Anymore—literary master Andre Dubus traces the lives of two couples who married too young, and who are intricately entwined by love and friendship, jealousy and understanding.
Hank and Jack have been best friends since high school. Hank married Edith, the prettiest girl Jack had...more

Paperback, 240 pages

Published August 17th 2004 by Vintage (first published January 1st 1984)

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Nov 16, 2012 Rosalba rated it 4 of 5 stars · review of another edition

“Sai? Sto lavorando sulla filosofia del riso. Si basa sul credere che se stai precipitando nella merda, l’unica risposta è la leggerezza.”

Tre racconti in cui si affronta la crisi della vita di coppia, la fine dell’amore. Due coppie di amici che si aggrappano l’uno all’altro, si mescolano, si tradiscono, litigano e piangono e cercano una nuova strada. Una strada che può separare definitivamente, come è stato per Hank e Edith, o proseguire, come per Terry e Jack, conservando la sicurezza del matri...more

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Aug 07, 2012 Piperitapitta rated it 4 of 5 stars · review of another edition

Shelves: autori-usa, letteratura-usa, in-biblioteca, racconti

«La famosa pace armata del matrimonio.»

Scrivere un commento a questo libro nasconde, neanche troppo bene, un trabocchetto nel quale io non voglio cadere: quello di parlare di sé.
È ovvio, è naturale, è scontato, riconoscere qualcosa di sé in Terry o in Edith, in Jack o in Hank, ma persino trovare se stesso in tutti e quattro, in ciascuna di queste due coppie, Terry e Jack, Edith e Hank, che nemmeno trentenni incontriamo nel primo racconto, Non abitiamo più qui, e che Dubus ci mostra già nel pieno...more

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Jun 29, 2012 Orsodimondo rated it 5 of 5 stars · review of another edition

Shelves: americana, racconti

ANCHE DENTRO AL BUIO CI SONO ANGOLI DI SALVEZZA
Ancora una volta ho creduto di sapere e conoscere, ma Dubus mi ha dimostrato che mi limitavo a intuire. Ancora una volta mi sono affacciato e ho disteso la vista che appariva sgombra e infinita, e Dubus ha dissipato la nebbia e la caligine di cui non mi ero accorto, regalandomi la trasparenza.
D’altra parte davanti al buio pece mi sentivo perso, e lui mi ha preso per mano, accompagnato negli angoli di salvezza, acceso la notte per me. E di fronte all...more

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Jun 22, 2012 robxyz rated it 4 of 5 stars · review of another edition

Shelves: finished, on, jun, 3, 2010

Nel musical Rocky Horror Pictur Show il dottor Frank'n'Furter ammonisce cantando metaforicamente di "non giudicare un libro dalla copertina". Invece vale la pena di fare un'eccezione per questo libro e dare merito alla casa editrice Mattioli di avere realizzato una notevole edizione: bellissima grafica, un formato che ricorda un po' le agende della Moleskine con i bordi arrotondati, ottima stampa e carta addirittura piacevole al tatto. Tanto per sottolineare che allo stesso prezzo si comprano sp...more

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Sep 12, 2012 Edward S. Portman rated it 4 of 5 stars · review of another edition

Non abitiamo più qui non è un libro, anche se l'oggetto in sé può trarre in inganno. Non è un libro inteso come romanzo, ma un libro inteso come raccolta di racconti si, questo si. La decisione di prendere tre diverse storie, scritte e pubblicate in diversi periodi, e di riunirle tutte quante in un unico volume è solo decisione della casa editrice. Andre Dubus, fedele al suo principio secondo cui la forma più alta di scrittura fosse appunto il racconto.
Qui troviamo due coppie che fanno da collan...more Non abitiamo più qui non è un libro, anche se l'oggetto in sé può trarre in inganno. Non è un libro inteso come romanzo, ma un libro inteso come raccolta di racconti si, questo si. La decisione di prendere tre diverse storie, scritte e pubblicate in diversi periodi, e di riunirle tutte quante in un unico volume è solo decisione della casa editrice. Andre Dubus, fedele al suo principio secondo cui la forma più alta di scrittura fosse appunto il racconto.
Qui troviamo due coppie che fanno da collante tra i tre racconti, che li uniscono in modo molto: esile? (in senso buono ovviamente) Le singole parti possono esser prese tranquillamente da sole, separate come lo erano state al momento della prima pubblicazione, e non soffrono certo di mancanza di caratterizzazione o di particolari che magari sono reperibili nei racconti che seguono o che precedono o in entrambe le direzioni. No, ogni pezzo si regge bene sulle proprie gambe.
Ciò che magari può sorgere leggendoli insieme, uno dietro l'altro, è la capacità di Dubus di costruire tramite questi suoi personaggi un microcosmo dentro il quale confluire i vari concetti di amore (ce ne sono molti, e chi pensa che il concetto di amore sia uno soltanto è assai in errore), tradimento, gelosia, frustrazione. Un mescolarsi di carte e di vite che porta così a vedere come vero protagonista un personaggio sempre diverso. In questo modo c'è la possibilità di vedere entrambi i lati del quadro, sia il dipinto mostrato ai curiosi che la tela rivolta verso il muro. Proprio per questo bello, ma allo stesso tempo un poco deludente per i temi, per la scelta dell'indirizzo della storia, dell'evoluzione del personaggio, il racconto finale, tramite il quale passiamo da una visione esterna ad una visione interna.
Peccato, appunto, che il paesaggio che si ammira sia si diverso da quello che ci eravamo abituati ad osservare da fuori, ma anche sotto certi aspetti un po' troppo borghese per essere la faccia di una stessa medaglia, quasi l'autore avesse voluto offrire una specie di assoluzione per chi, in modo distaccato, era stato il motivo scatenante di tutto l'intrecciarsi di fili, storie, gambe, mani, braccia e sentimenti.
Peccato per questo, perché magari sarebbe stata più apprezzata, almeno da parte mia, una scelta diversa, ma nonostante questo un libro, inteso come raccolta di racconti, splendidamente scritto.(less)

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Aug 15, 2012 Brandee Shafer rated it 4 of 5 stars

Andre Dubus's work satisfies in that the author clearly managed to write what he knew and where, in life, he struggled. These novellas are no exception; I felt a little uncomfortable, reading them, because I knew I'd entered someone's private pain and was experiencing his raw vulnerability.

I've found Dubus's work a good place to turn since burning through Hemingway's. Same absence of fluff, same stark quality to the language. The big difference is Dubus's concentration not on physical landscape...more

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Apr 06, 2011 David Gillespie rated it 5 of 5 stars

“We Don’t Live Here Anymore” is a collection of three novellas written by Andre Dubus. The stories follow the lives of two couples over the course of several years as they indulge in affairs both within their marriages and with others. The first novella, “We Don’t Live Here Anymore,” is told from the perspective of Jack, a college professor who is married to Terry, who is a stay at home mother. Jack and Terry are best friends with Hank and Edith. Hank is a professor on the same campus, and also...more “We Don’t Live Here Anymore” is a collection of three novellas written by Andre Dubus. The stories follow the lives of two couples over the course of several years as they indulge in affairs both within their marriages and with others. The first novella, “We Don’t Live Here Anymore,” is told from the perspective of Jack, a college professor who is married to Terry, who is a stay at home mother. Jack and Terry are best friends with Hank and Edith. Hank is a professor on the same campus, and also a writer, while Edith is similarly a housewife. Jack and Edith are having an affair, and in turn, the already chronically unfaithful Hank eventually has an affair with Terry. From there, the story charts the emotional fallout of their actions. In the second novella, “Adultery,” is told from the perspective of Edith after the events of the first novella. Edith and Jack are still married, but by mutual agreement, are carrying on with their own affairs. Edith is involved with Joe, an ex-priest who is dying of terminal cancer. The relationship affects Edith deeply, and gives her a new perspective on her failing marriage with Hank. In the final novella, “Finding A Girl In America,” the perspective shifts to chronic womanizer Hank as he hits a crossroads in his life. No longer with Edith, he comes to regret his failures as a husband, and a new relationship offers to give him the stability he once disdained but now desperately craves.
Although the stories were written and published at different times, the collection fits together seamlessly as the characters tie the pieces together. The use of different perspectives adds a complexity that would be lost with the sole focus on one character. Dubus makes the character’s frustrations with their lives palpable, and ultimately relatable. They sometimes behave badly, but their motivations are rooted in reality, and his sensitive handling of these flawed people evoke the common experience of being human, even when it isn’t necessarily flattering. Sometimes the characters find a measure of redemption, as Edith finds in “Adultery.” Her relationship with Joe is beautifully rendered, but Dubus resists turning Joe into a saint. He is as flawed as anyone else, and is riddled with guilt for his perceived betrayal of God. This is most beautifully illuminated as Dubus describes Joe in his lean, spare prose: “In his struggle to rid himself of the pose, he assumed another: he acted like a priest who was about to hold the body of Christ in his hands, while all the time, even as he raised the host and then the chalice, his heart swelled and beat for love for himself.” With passages like these, Dubus allows the reader to slip under the character’s skin, and when the story reaches its emotionally devastating conclusion, it is well earned. In the third novella, the perspective shifts to Hank, now divorced from Edith and haunted by the mistakes he has made in his life. He has the chance to start over in a new relationship, but he still has the same demons gnawing at him. Through all of the stories, Dubus’ prose is terse, minimalistic, and to the point. This style complements the often very painful and intimate observations, and helps the reader get down to the heart of the matter that might not have been possible had Dubus’ opted for showy adjectives and verbosity.
Ultimately, Dubus is dealing with issues of morality, but does so in a way that is non-judgmental, and he is a master of humanizing what we often want to cast in black and white terms. In terms of my own writing, I look to Dubus as a model in both his compassion for his characters, and his “less is more” approach to prose stylization. This collection is also a perfect gateway for anyone interested in his work.
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Mar 17, 2010 Emily rated it 5 of 5 stars

Shelves: favorites, heavy-duty, infidelity

Affairs are considered illicit thrills, but Dubus isn't interested in the heart-pounding factor of lying to your spouse and going behind their back: the three novellas in this book is more interested in the consequences.

Jack no longer loves his wife, Terry, and seeks comfort from Edith, the wife of his colleague and friend Hank. Hank and Terry likewise form a pair. There's no joy of being "swingers" in this book, but what's fascinating is how each person handles their crumbling marriage. Terry...more

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Nov 12, 2010 Amy rated it 4 of 5 stars

Shelves: read-in-2009

"There are two types of unhappy people in the world" Hank said. "Those who show it and those who don't."

I truly loved this book. I haven't seen the movie - and I think I could probably carry on living quite happily without seeing it - but the book felt rather astonishing to me. It's about the divides between love, sex and marriage, although it is by no means a guideline to love. It did, however, feel full of small truths that struck me to the heart and often made me pause to think about what I'd...more

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Jul 02, 2009 Katy Major rated it 4 of 5 stars

Shelves: 2009, heavy, own, fiction

This book was satisfying, if only because of Dubus's rich, engaging prose. Every sentence sounds like poetry, yet the effect is not sappy or tiresome. It draws you in and introduces you to the book, and then carries you throughout the whole novel. I'm going to write my review by novella, because each one is so unique and fascinating, for a different reason.

"The Pretty Girl" was the most depressing of the four, but all of them are dark, to say the least. The most interesting and therefore definin...more This book was satisfying, if only because of Dubus's rich, engaging prose. Every sentence sounds like poetry, yet the effect is not sappy or tiresome. It draws you in and introduces you to the book, and then carries you throughout the whole novel. I'm going to write my review by novella, because each one is so unique and fascinating, for a different reason.

"The Pretty Girl" was the most depressing of the four, but all of them are dark, to say the least. The most interesting and therefore defining element of it was the unique view of the abusive husband. When it begins, he is introduces in a way that makes him seem like the protagonist. However, as this portion goes on, we discover that he is not mentally well. At the end, we are left to decide if he really is a monster, or just a man misunderstood. (In my opinion, he was positively horrible.)

"We Don't Live Here Anymore" was the title novella, and one that focused on a new family from "The Pretty Girl," the family of Jack and Terry. In the beginning, their marriage is fraying. By the end, they have fallen apart completely. This novella questions the conventional American dream and the role of the housewife...and how it can go completely, horribly wrong. Terry is the dissenting housewife, who, instead of protesting or refusing her role, simply ignores what she has to do. In the background, adultery runs rampant for the both of them, most peculiarly with their family friends Hank and Edith.

"Adultery" is about just what the title says...adultery and the meaning of it. This novella explores the relationship of Hank and Edith (characters in "We Don't Live Here Anymore"). After years of marriage, and Edith waiting for their romance to take off, she discovers an unpleasant truth: Hank doesn't believe in monogamy. And so they delve into a dangerous romantic territory with no boundaries.

"Finding a Girl in America" is the last novella, one that focuses on Hank, Edith's husband. The couple have split, and Hank is adjusting to being middle-aged, and continuing to date young women he teaches as a college professor. He meets one special woman and we see where this takes him.

If you're looking for a light read, with simpering, average characters and a conventional plot, avoid this collection. However, if you're interested in insightful characters who question society and the roles it places us in and a plot that twists and turns as you're dragged along, "We Don't Live Here Anymore" is for you.

Review to be continued(less)

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Aug 16, 2009 Kirstie rated it 4 of 5 stars Recommends it for: people interested in traumatic relationships

Very very bleak image of man and woman and what we do to eachother in terms of intimacy in relationships. There is a bit more to this than in the film, specifically one of the characters after the major tumultuous relationship rift. I think perhaps the most finely crafted aspect of it is how intellectuals fool themselves.

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Dec 05, 2011 Jessica rated it 3 of 5 stars

I certainly prefer Dancing After Hours, but this isn't bad. The first two stories are so... sad. I definitely don't want to see the movie if it's based only on those.

The timing of the stories and the way each character changes made me think about how hopelessly we're all at the whim of other people's changes of heart. If only Hank had gone through what he goes through in "Finding a Girl in America" before he had met Edith. While I find his reaction to what Monica did rather appalling, if a radi...more

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Jun 05, 2013 Elalma rated it 4 of 5 stars · review of another edition

Shelves: nordamericana

Ci sono volte che dei romanzi non c'è bisogno, perché alcune cose le sanno dire solo i racconti. Si giustificava così Dubus, a chi gli chiedeva perché preferisse scrivere Short Stories invece che romanzi. Questa affermazione viene confermata in pieno in questi tre racconti, indipendenti, eppure legate insieme dai protagonisti. E' allievo di Yates, e si sente, ma i suoi personaggi sono più raffinati e colti, anche se annegano l'angoscia del vivere nell'alcol, tra corse nei prati del New England o...more

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Oct 23, 2011 Terri rated it 4 of 5 stars

Andre Dubus III wrote 'In the Bedroom' which was made into an excellent movie 6 or 7 years ago. The House of Sand and Fog was written by his son, also named Andre Dubus. At first I thought they were one and the same. The elder Dubus is a great short story writer. This book was made into a movie, which didn't do justice to the novella of the same name on which it is based. I looked Dubus up on Wikipedia bc I couldn't figure out how to pronounce his name (duBUSE, rhymes with excuse) and wondered i...more

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Jun 21, 2012 Alan rated it 3 of 5 stars

Shelves: short-stories

in my mind I've always loved this book, and I'm going through my 1985 notebook, and see this 'title story superb' and 'what i'd like to write like' (terrible phrase), but then later there's this: 'But the last two stories have made me change my mind about him. Dubious about Dubus. They're dull, on the whole, and self indulgent. I make up my mind never to write about writers. Despite the sharp insights and neat details these stories are tedious.'. So. I don't actually remember the 'bad' stories,...more

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Feb 01, 2012 Franco Vite rated it 4 of 5 stars · review of another edition

Shelves: letteratura-statunitense

Dall'interno della piccola borghesia americana

Tre racconti lunghi in cui Dubus ci accompagna dentro la famiglia americana. La famiglia piccolo borghese, quella delle professioni - in questo caso il mondo della scrittura e dell'insegnamento - vista nelle viscere delle relazioni interpersonali.
Fin troppo viscere, mi è venuto da pensare ad un certo punto, quasi che tutto il resto non esistesse. E' forse l'unico vero limiti di questo grandissimo scrittore, di questa scrittura, addirittura, che un p...more

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Jul 20, 2011 Letterswitch rated it 5 of 5 stars

Artful writing, but emotionally...skewed from my worldview. The great love story is of male friends and parents to children. The husbands and wives are flakey and cruel, selfish--and their groping for not-love, but some sort of ca-fucking-tharsis is a dead game to me: I just couldn't bring myself to care for happiness as all the characters cried, screamed, broke apart and screwed each other. The ex-priest is too heavy-handed. Graceful styling, but false...Better writing about men than women. Hem...more

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Jan 08, 2013 Joe Krudys rated it 3 of 5 stars

Shelves: literary-fiction, short-stories

Meh.

I liked it, but thought it was only OK.

Two couples that are friends cheat on each other with the other’s spouse. Everyone gets found out and one couple decides to stay together, while the other tries to have an open marriage that ultimately ends up in divorce. The second two stories follow the characters from the open marriage/divorce. The ones that stay together are only mentioned less than a handful of times in the following two stories, and to be honest, that’s the couple I was more inter...more

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Apr 11, 2012 Julia rated it 3 of 5 stars

At the end of the first novella I couldn't decide how I felt about this book. I think the problem was that in the first story, out of all the four characters, I could not connect with anyone of them. Not because their situation was not realistic, but because I found them all for one reason or another unlikable. I couldn't relate. And that was true for me until the second and third novellas. Reading just the first novella leaves you sad, depressed and disappointed, disappointed in all the charact...more

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May 20, 2013 Ffiamma rated it 4 of 5 stars · review of another edition

Shelves: americana

tre racconti lunghi, con gli stessi personaggi - che sono di volta in volta protagonisti e comprimari. tradimenti, matrimoni che falliscono, tentativi di spiegare la complessità dell'amore e la non riuscita dei rapporti. vidi il film che ne hanno tratto e lo trovai insopportabile e noioso - sulla carta invece quel che viene raccontato ha un senso e, a modo suo, commuove. lascia parecchia amarezza e tante domande, soprattutto.

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Feb 18, 2011 Toby rated it 4 of 5 stars

Shelves: 20th-21st-century

I really hated this book at first, since it was all about adultery and people being horrible and selfish to each other. It wasn't pleasant to read and I felt dirtied by it. Then, in the third novella, I realized that Dubus was on my side--he was actually a moralist in wolf's clothing. Of course he shows you the horribleness of adultery... And the ending, well it was just masterful.

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Apr 20, 2013 Brian rated it 5 of 5 stars

Three novellas that can stand alone, but together their interwoven stories of thirtysomethings dealing with faithlessness, failing marriages and the specter of middle age looming ever closer make a rich story even greater than their parts (if that is even possible).

Dubus has an uncanny talent of writing simple sentences that say so much about his characters, and in turn, the human condition. You can't read one of his stories and not come away from the experience changed.

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May 30, 2010 Velvetink rated it 3 of 5 stars

Shelves: fiction, read-2010

I have the Picador edition, 1984 Published in great britain. The cover picture is different to the one shown here.

Andre Dubus, the master short story writer, toiled in relative obscurity during much of his lifetime. Though known primarily for his stories, Mr. Dubus also wrote essays and novellas. His only novel, THE LIEUTENANT, was published in 1967.

Though publishers clamored for novels, Mr. Dubus wrote what his stories asked of him. Sometimes the story wanted to be seven pages, sometimes twent...more

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Mar 15, 2010 Sze rated it 2 of 5 stars

i read these stories in quick succession, and realised i shouldn't have. for some reason i remember reading andre dubus when i was younger and being enraptured by the prose. it's effective in that he creates an ambience of stifled or forbidden desires in ordinary settings. perhaps i'm just tired of living with those people.

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Aug 02, 2012 Elizabeth rated it 2 of 5 stars

Didn't care much for this collection. I probably should not have read the Wikipedia article about the author before I read this one. Generally I don't like books about writers because they imply self insertion, especially knowing in this case that Dubus was married three times. But anyways, a book mainly concerned with quarreling couples and adultery is definitely not my cup of tea either, I've discovered.

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Dec 09, 2011 Jim rated it 4 of 5 stars

Wow, very painful at all sorts of levels. The hurt we cause the ones we love, even while loving them, but not knowing how to navigate through changes in relationships. There is also something about the time period (1970s) and location (northeast USA) that make the stories reverberate in me.

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Feb 03, 2008 Shannon rated it 2 of 5 stars Recommends it for: i wouldn't

Shelves: short-stories

I was fairly disappointed with this book. Maybe I expected too much since it had a high rating on goodreads... either way it was depressing and overly drawn out. The book is actually three separate novellas, but the characters in each novella are repeating. Its basically the story of four friends over a period of three or five years.

The first novella was seriously depressing and made me feel all upset and out of whack. The second one was a lot better and raised my hope for the book slightly. But...more

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May 15, 2011 Pamela rated it 2 of 5 stars · review of another edition

Shelves: fiction, novellas, notes

I was annoyed by the adultery, the characters seemed so unloving to each other, why stay togheter? Perhaps I should have found out more about the topic was before picking it up and reading, but once I started I felt I had to finish it. Hopefully I'm over that now.

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Jun 24, 2011 Lisa rated it 5 of 5 stars

Shelves: fiction, novellas

The landscape of the relationships Dubus describes in this novel are not easy reading, but strike a chord by being realistic and true. Dubus' writing style is distinctive, and drew me into these stories even when they were difficult to read.

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Nov 16, 2012 Arun rated it 4 of 5 stars

Master of the post-Carver short story (possibly along with Leonard Michaels) spinning instructions to and from the heart and laying bare our terrifying truths in rich, engaging prose. Andre Dubus. Enjoying the ride. Now for the movie.

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About Andre Dubus

Award-winning author Andre Dubus II (1936–1999) has been hailed as one of the best American short story writers of the twentieth century. Dubus’s collections of short fiction include Separate Flights (1975), Adultery & Other Choices (1977), and Dancing After Hours (1996), which was a National Book Critics Circle Award finalist. Another collection, Finding a Girl in America, features the story...more

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