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  <title><![CDATA[In the Pond]]></title>
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  <description><![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]></description>
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    <![CDATA[In the Pond]]>
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    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
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  <published>1998</published>
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  <read_at>Thu Apr 16 00:00:00 -0700 2009</read_at>
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    <body><![CDATA[This novel written by Ha Jin also changes things around because it is based upon a poor peasants point of view. This novel shows the challenges which one man faces alone, which in this case is Shao Bin the protagonist of this novel.<br/><br/>Shao Bin works in a factory and wasn't give proper housi...<a href="http://www.goodreads.com/review/show/52672453">more...</a>]]></body>
    
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    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
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    <rating>5</rating>
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  <read_at>Fri Dec 02 00:00:00 -0800 2005</read_at>
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    <body><![CDATA[I finished reading In the Pond, by Ha Jin, on Wednesday night. This was my introduction to his writing, although I’ve bought several of his books for Diane, including Waiting. She really loved that book. I fell in love with the simple prose and fantastic story of In the Pond. It’s part Sisyphus ...<a href="http://www.goodreads.com/review/show/38686865">more...</a>]]></body>
    
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    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
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    <rating>5</rating>
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  <read_at>Thu Jan 01 00:00:00 -0800 2009</read_at>
  <date_added>Fri Nov 13 12:14:45 -0800 2009</date_added>
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    <body><![CDATA[1) how else would we know what life in china is like?<br/>2) makes you think about what is worth fighting and what is worth fighting for. then makes you rethink it. recommended for idealistic pragmatists or pragmatic idealists.also recommended for idealistic idealists and pragmatic pragmatists. <br/>...<a href="http://www.goodreads.com/review/show/77668666">more...</a>]]></body>
    
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    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
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    <rating>4</rating>
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  <read_at>Tue Dec 01 00:00:00 -0800 2009</read_at>
  <date_added>Mon Dec 14 17:51:33 -0800 2009</date_added>
  <date_updated>Thu Dec 17 15:45:23 -0800 2009</date_updated>
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    <body><![CDATA[Ha Jin explores the inner side of China. The injustice, the bribes, ways that people are forced to &quot;follow the rules&quot;. The story of Shao Bin, machine fixer in a fertilizer factory in his small room with his wife and child is denied nearly anything he asks for, while other &quot;favorites&quot;...<a href="http://www.goodreads.com/review/show/81026102">more...</a>]]></body>
    
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      <review>
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    <![CDATA[In the Pond]]>
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    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
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    <rating>4</rating>
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  <date_updated>Fri Mar 13 03:39:17 -0700 2009</date_updated>
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    <body><![CDATA[Poor Bin - forever stifled by the two cadre goons at his workplace. His methods of seeking revenge always seem to backfire on him, but little by little it does the trick and he comes out on top. This was a very quick read for me, but thoroughly enjoyable. ]]></body>
    
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    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>1</votes>
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  <read_at></read_at>
  <date_added>Thu Oct 08 15:41:50 -0700 2009</date_added>
  <date_updated>Thu Oct 08 15:42:52 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I read this book years ago and while the details of it are fuzzy--it made Jin one of my favorite authors.  It's fascinating to see what lie in China is like for so many people.  It's utterly alien.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/73903414]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/73903414]]></link>
</review>
      <review>
  <id>68253071</id>
    <user>
    <id>2648120</id>
    <name><![CDATA[Ryan]]></name>
    <location><![CDATA[Ann Arbor, MI]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2648120-ryan-hyde]]></link>
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  <id type="integer">33567</id>
  <isbn>0099428164</isbn>
  <isbn13>9780099428169</isbn13>
  <text_reviews_count type="integer">23</text_reviews_count>
  <title>
    <![CDATA[In the Pond]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168452074m/33567.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/33567.In_the_Pond</link>
  <average_rating>3.74</average_rating>
  <ratings_count>279</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Fri Dec 01 00:00:00 -0800 2006</read_at>
  <date_added>Thu Aug 20 16:23:04 -0700 2009</date_added>
  <date_updated>Thu Aug 20 16:24:20 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[See the world through a mid 20th century Chinese man in Soviet China.  It's an educational read, if not the most flowing thing in the world.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/68253071]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/68253071]]></link>
</review>
      <review>
  <id>68524017</id>
    <user>
    <id>2655746</id>
    <name><![CDATA[Laura]]></name>
    <location><![CDATA[Stanford, CA]]></location>
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  <id type="integer">3360376</id>
  <isbn>0606218475</isbn>
  <isbn13>9780606218474</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[In the Pond]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/3360376.In_the_Pond</link>
  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Jan 29 00:00:00 -0800 2003</read_at>
  <date_added>Sat Aug 22 22:38:25 -0700 2009</date_added>
  <date_updated>Sat Aug 22 22:39:43 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This was a very humorous and moving journey through the arbitrary nature of rules; it was both insightful and entertaining.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/68524017]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/68524017]]></link>
</review>
      <review>
  <id>37870838</id>
    <user>
    <id>729074</id>
    <name><![CDATA[James]]></name>
    <location><![CDATA[Oakland, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/729074-james]]></link>
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  <id type="integer">372292</id>
  <isbn>0375709118</isbn>
  <isbn13>9780375709111</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[In the Pond]]>
  </title>
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  <link>http://www.goodreads.com/book/show/372292.In_the_Pond</link>
  <average_rating>3.70</average_rating>
  <ratings_count>33</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Sun Nov 16 11:00:23 -0800 2008</date_added>
  <date_updated>Sun Nov 16 11:07:42 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[In spite of myself, I'm becoming quite a fan of Ha Jin.  Contrary to my usual preference his prose is austere in the extreme, and despite a very strong record as an American scholar there are times (especially when attempting dialog between profane or uneducated characters) when his English just doe...<a href="http://www.goodreads.com/review/show/37870838">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/37870838]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/37870838]]></link>
</review>
      <review>
  <id>39516206</id>
    <user>
    <id>294879</id>
    <name><![CDATA[Nancy]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/294879-nancy]]></link>
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    <book>
  <id type="integer">33567</id>
  <isbn>0099428164</isbn>
  <isbn13>9780099428169</isbn13>
  <text_reviews_count type="integer">23</text_reviews_count>
  <title>
    <![CDATA[In the Pond]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168452074m/33567.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1168452074s/33567.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/33567.In_the_Pond</link>
  <average_rating>3.74</average_rating>
  <ratings_count>279</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Dec 07 00:00:00 -0800 2008</read_at>
  <date_added>Sun Dec 07 10:11:36 -0800 2008</date_added>
  <date_updated>Sun Dec 07 10:11:36 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Painful insights into Mao's China - yikes. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/39516206]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/39516206]]></link>
</review>
      <review>
  <id>59095742</id>
    <user>
    <id>836051</id>
    <name><![CDATA[Elena]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/836051-elena]]></link>
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  <isbn>0099428164</isbn>
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  <text_reviews_count type="integer">23</text_reviews_count>
  <title>
    <![CDATA[In the Pond]]>
  </title>
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  <average_rating>3.74</average_rating>
  <ratings_count>279</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Apr 01 00:00:00 -0700 2009</read_at>
  <date_added>Tue Jun 09 20:32:49 -0700 2009</date_added>
  <date_updated>Tue Jun 09 20:33:29 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[You can't fight city hall. Same story]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/59095742]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/59095742]]></link>
</review>
      <review>
  <id>61491964</id>
    <user>
    <id>1452666</id>
    <name><![CDATA[Greg]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1452666-greg-fox]]></link>
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  <isbn>0099428164</isbn>
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  <title>
    <![CDATA[In the Pond]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168452074m/33567.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/33567.In_the_Pond</link>
  <average_rating>3.74</average_rating>
  <ratings_count>279</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Mon Jun 29 07:28:03 -0700 2009</date_added>
  <date_updated>Mon Jun 29 07:28:16 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Ha Jin. Enough said.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/61491964]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/61491964]]></link>
</review>
      <review>
  <id>37656984</id>
    <user>
    <id>1148573</id>
    <name><![CDATA[Eliza]]></name>
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    <link><![CDATA[http://www.goodreads.com/user/show/1148573-eliza]]></link>
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  <title>
    <![CDATA[In the Pond]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1168452074s/33567.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/33567.In_the_Pond</link>
  <average_rating>3.74</average_rating>
  <ratings_count>279</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Thu Nov 13 15:37:13 -0800 2008</date_added>
  <date_updated>Thu Nov 13 15:59:58 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I read this with my book club.  It is about a man and his family living in communist China working in a company and has trouble moving up in the world.  It was a quick read and gave you interesting details of the culture and lifestyle of China in that time period.  The conversations were intriguing ...<a href="http://www.goodreads.com/review/show/37656984">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/37656984]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/37656984]]></link>
</review>
      <review>
  <id>26275378</id>
    <user>
    <id>171137</id>
    <name><![CDATA[pamelochka]]></name>
    <location><![CDATA[Los Angeles, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/171137-pamelochka]]></link>
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  <id type="integer">33567</id>
  <isbn>0099428164</isbn>
  <isbn13>9780099428169</isbn13>
  <text_reviews_count type="integer">23</text_reviews_count>
  <title>
    <![CDATA[In the Pond]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168452074m/33567.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1168452074s/33567.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/33567.In_the_Pond</link>
  <average_rating>3.74</average_rating>
  <ratings_count>279</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Fri Jul 04 00:34:49 -0700 2008</date_added>
  <date_updated>Fri Jul 04 00:36:37 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I love this book. The main character is an editorial cartoonist, among other things, and since I was once one of these, too, I found a real kinship with this book. Ha Jin develops characters and their lives so richly; it makes it very easy to imagine details and envision the scene as if one were rig...<a href="http://www.goodreads.com/review/show/26275378">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/26275378]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/26275378]]></link>
</review>
      <review>
  <id>8765007</id>
    <user>
    <id>272651</id>
    <name><![CDATA[Datsun]]></name>
    <location><![CDATA[The United Kingdom]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/272651-datsun]]></link>
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    <book>
  <id type="integer">372292</id>
  <isbn>0375709118</isbn>
  <isbn13>9780375709111</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[In the Pond]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174245079m/372292.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174245079s/372292.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/372292.In_the_Pond</link>
  <average_rating>3.74</average_rating>
  <ratings_count>279</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Nov 01 00:00:00 -0700 2007</read_at>
  <date_added>Tue Nov 06 15:49:11 -0800 2007</date_added>
  <date_updated>Tue Nov 06 15:51:32 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[An interesting story with well-delineated characters and numerous instances of well-plotted humor. But something about it didn't quite satisfy me completely.<br/><br/>That said, however, it's a fine book and well worth a read.<br/><br/>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/8765007]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/8765007]]></link>
</review>
      <review>
  <id>6314808</id>
    <user>
    <id>130488</id>
    <name><![CDATA[Sarbej2]]></name>
    <location><![CDATA[Ellenville, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/130488-sarbej2]]></link>
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  <id type="integer">33567</id>
  <isbn>0099428164</isbn>
  <isbn13>9780099428169</isbn13>
  <text_reviews_count type="integer">23</text_reviews_count>
  <title>
    <![CDATA[In the Pond]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168452074m/33567.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1168452074s/33567.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/33567.In_the_Pond</link>
  <average_rating>3.74</average_rating>
  <ratings_count>279</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[anyone]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Sep 01 00:00:00 -0700 2007</read_at>
  <date_added>Mon Sep 17 04:10:22 -0700 2007</date_added>
  <date_updated>Mon Sep 17 04:12:21 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[It was a nice quick read. Ha Jin created a realistic character with great qualities and huge flaws. There is no clear hero, nor a specific bad guy. Just the story of an anyman who most people can relate to. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/6314808]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/6314808]]></link>
</review>
      <review>
  <id>33735475</id>
    <user>
    <id>1286836</id>
    <name><![CDATA[Suzanne]]></name>
    <location><![CDATA[Richmond, VA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1286836-suzanne]]></link>
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  <id type="integer">33567</id>
  <isbn>0099428164</isbn>
  <isbn13>9780099428169</isbn13>
  <text_reviews_count type="integer">23</text_reviews_count>
  <title>
    <![CDATA[In the Pond]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168452074m/33567.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1168452074s/33567.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/33567.In_the_Pond</link>
  <average_rating>3.74</average_rating>
  <ratings_count>279</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Sep 01 00:00:00 -0700 2008</read_at>
  <date_added>Wed Sep 24 12:15:15 -0700 2008</date_added>
  <date_updated>Wed Sep 24 12:18:31 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[One of those books that makes you glad you're not in it.  Communism.  China.  Abuse of power.  Oppression.  Misguided ambition. Unhappy family.  The whole shebang.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/33735475]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/33735475]]></link>
</review>
      <review>
  <id>29810253</id>
    <user>
    <id>1412213</id>
    <name><![CDATA[Mandie]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1412213-mandie]]></link>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto-F-111x148.jpg]]></image_url>
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    <book>
  <id type="integer">33567</id>
  <isbn>0099428164</isbn>
  <isbn13>9780099428169</isbn13>
  <text_reviews_count type="integer">23</text_reviews_count>
  <title>
    <![CDATA[In the Pond]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168452074m/33567.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1168452074s/33567.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/33567.In_the_Pond</link>
  <average_rating>3.74</average_rating>
  <ratings_count>279</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>5</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Jul 10 00:00:00 -0700 2008</read_at>
  <date_added>Sun Aug 10 20:33:40 -0700 2008</date_added>
  <date_updated>Sun Aug 10 20:37:31 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I finished this book a couple weeks ago. In Ha Jin's true fashion, this is a &quot;must read.&quot; I love the humor woven sublty throughout. It's not your typical read.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/29810253]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/29810253]]></link>
</review>
      <review>
  <id>16319473</id>
    <user>
    <id>575578</id>
    <name><![CDATA[Linda]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/575578-linda]]></link>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto-F-111x148.jpg]]></image_url>
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    <book>
  <id type="integer">33567</id>
  <isbn>0099428164</isbn>
  <isbn13>9780099428169</isbn13>
  <text_reviews_count type="integer">23</text_reviews_count>
  <title>
    <![CDATA[In the Pond]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168452074m/33567.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1168452074s/33567.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/33567.In_the_Pond</link>
  <average_rating>3.74</average_rating>
  <ratings_count>279</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Feb 24 00:00:00 -0800 2008</read_at>
  <date_added>Mon Feb 25 09:13:19 -0800 2008</date_added>
  <date_updated>Mon Feb 25 09:19:14 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Fictional account of morality and power in Communist China, short tightly written, vivid; will be seeking out other titles by him.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/16319473]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/16319473]]></link>
</review>
      <review>
  <id>30496671</id>
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  <id type="integer">33567</id>
  <isbn>0099428164</isbn>
  <isbn13>9780099428169</isbn13>
  <text_reviews_count type="integer">23</text_reviews_count>
  <title>
    <![CDATA[In the Pond]]>
  </title>
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  <average_rating>3.74</average_rating>
  <ratings_count>279</ratings_count>
  <description>
    <![CDATA[<em>In the Pond</em> is a slim little book about some very big issues:  power, vanity, art, injustice, and politics.  Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. &quot;In brief, the true scholar's brush must encourage good and warn against evil,&quot; he reads in <em>The Essence of Ancient Chinese Thought</em>, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, &quot;Why do you enjoy fighting so much?&quot; Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. <em>--Mary Park</em>]]>
  </description>
  <published>1998</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Aug 02 00:00:00 -0700 2008</read_at>
  <date_added>Mon Aug 18 17:45:05 -0700 2008</date_added>
  <date_updated>Mon Aug 18 17:57:38 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This was a very pleasant read. I found the ending a tad anticlimactic, but good story nonetheless.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/30496671]]></url>
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