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The Seas

3.8 of 5 stars 3.80 · rating details · 405 ratings · 80 reviews

The narrator of The Seas lives in a tiny, remote, alcoholic, cruel seaside town. An occasional chambermaid, granddaughter to a typesetter, and daughter to a dead man, awkward and brave, wayward and willful, she is in love (unrequited) with an Iraq War veteran thirteen years her senior. She is convinced that she is a mermaid. What she does to ease the pain of growing up lan...more

Paperback, 193 pages

Published December 27th 2005 by Picador (first published 2004)

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The Little Mermaid by Hans Christian Andersen

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Jan 01, 2008 Lola Wallace rated it 2 of 5 stars

Shelves: contemporary-lit, mythology

Some notes while reading

1. I was drawn to this book because I liked Hunt's contribution to Tin House's Fantastic Women issue, a short story entitled "Beast." I spent the first hundred pages of The Seas wishing she had stuck to the shorter format--it is repetitive in a way that is not especially lyrical or insightful but just gives the feeling that she didn't have enough ideas for sustained novel. But then she threw in the story about the narrator being furniture for a ship's captain. And Jude's...more

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Dec 08, 2008 Powells.com rated it 5 of 5 stars

The Little Mermaid Grows Up
A review by Alexis Smith

Samantha Hunt has written a layered debut novel, part fairy tale, part bildungsroman, and part meditation on the imprecision of language. It is a story that will sound vaguely familiar: a girl grows up in a small town, with its small town locales (laundromat, shipyard, shabby houses), its small town occupations (primarily drinking), and its small town tragedies (men lost at sea). In this setting, the unnamed narrator longs to escape her dreary e...more The Little Mermaid Grows Up
A review by Alexis Smith

Samantha Hunt has written a layered debut novel, part fairy tale, part bildungsroman, and part meditation on the imprecision of language. It is a story that will sound vaguely familiar: a girl grows up in a small town, with its small town locales (laundromat, shipyard, shabby houses), its small town occupations (primarily drinking), and its small town tragedies (men lost at sea). In this setting, the unnamed narrator longs to escape her dreary existence as a seasonal worker in the sardine factory and sometime chambermaid at a rundown motel called the Seas. The twist is that this heroine believes she is a mermaid.

This part of the story should sound familiar, too: a young woman, who is secretly a mermaid, lives on land and falls in love with a sailor. In this case, the young woman's father once told her she was a mermaid, and later walked into the sea, never to be seen again. And the sailor, Jude, is a veteran of the Gulf War and thirteen years older than the young woman. What makes Hunt's novel particularly compelling, is the narrative voice. Unlike a fairy tale, this story is told in a clear, unfaltering, and totally unreliable first person. The narrator spins a tale full of strange scientific findings, arcane nautical history, poetic delusions, and obsessive love. The setting provides the perfect foggy, ethereal atmosphere for the heroine, who lives in a crooked old house with her mother and paternal grandfather, both of whom are in various stages of grief over the losses of their spouses.

Like Hans Christian's Andersen's The Little Mermaid, the heroine of Hunt's novel struggles to communicate with those around her -- though not because she is mute. Her difficulty has more to do with her inability to process her father's suicide. In fact, all the characters of The Seas have problems expressing their feelings, and this inability to tell the tale, as it were, manifests itself in a preoccupation with words and their various meanings. Throughout the novel Hunt explores the ways in which language evades, escapes, or fails the characters. This aspect of the novel, which includes occasional dictionary entries, could come off as precious, but Hunt executes it with precision and grace. Each character has a different sort of preoccupation with language, and in a novel in which almost everyone is "stuck" physically and emotionally, their fixations become charming idiosyncrasies.

The grandfather is a particularly interesting character. A former typesetter who wooed his wife by sending her backwards love notes in trays of type, he has been setting the type of his own personal dictionary for years. In one passage he asks the narrator, her mother, and Jude about the Russian word razbliuto.

"We don't have a word to match it but we should. We should develop it tonight because the word means, 'the feelings one retains for someone he once loved.'"
"Hate?" Jude says.
"No, not that feeling," my grandfather answers and looks at Jude with disappointment.
"Betrayal," my mother says without looking away from her book.
"No," my grandfather says. "It's the little house love moved out of, maybe a hermit crab moves in and carries the house across the floor of the tidal pool. The lover sees the old love moving and it looks like it's alive again."

The magic of this story is in the lines like the grandfather's. A word is lost, or hasn't come into being yet, and in its place is a whole narrative that endeavors to express it. The mother and grandfather both hold onto feelings for their lost loves, and just as they have no word in their language equivalent to razbliuto, they have no words for the losses they feel.

Hunt's characters are so jammed up with stories -- losses they need to express and grieve -- that words physically manifest around them. Jude first meets the narrator at the beach when they are both looking for something in the water. "We watched the water between us rushing back out to sea and I swear I saw the ocean fill up with words, like Jude was bleeding all the things he couldn't tell anyone because it might kill him." Jude finally does tell his story, but I won't ruin the surprise: suffice it to say that a war in the desert is a shocking, but not unwelcome, addition to this dark, watery novel.

The narrator, too, is afraid of what speaking her story might do to her. Instead of facing the fact of her father's suicide, she creates the mermaid narrative to give order to her unmanageable grief. An outcast in the depressed, alcoholic town, her secret, mythical identity explains her feelings of difference and alienation. Hunt never names the narrator, as if she were a character so foreign that it takes a whole story to figure out who she is. But to readers, she is an uncannily familiar character, and her tale is as intoxicating as a siren song. (less)

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Apr 17, 2011 Malcolm rated it 4 of 5 stars

"Yet when she comes to earth she comes to seek for that without which her beauty will be forever cold, cold and chill as the surge of the salt, salt sea." -- Mary MacGregor in her telling of "Undine."

Samantha Hunt's dark, yet often whimsical, 2004 novel "The Seas" draws on the classic mythology of mermaids and mortals. The alchemist Paracelsus (1493-1521) theorized that Ondines were elemental water nymphs. According to legends, Ondines (or Undines) had no souls unless they married mortal men. Fr...more "Yet when she comes to earth she comes to seek for that without which her beauty will be forever cold, cold and chill as the surge of the salt, salt sea." -- Mary MacGregor in her telling of "Undine."

Samantha Hunt's dark, yet often whimsical, 2004 novel "The Seas" draws on the classic mythology of mermaids and mortals. The alchemist Paracelsus (1493-1521) theorized that Ondines were elemental water nymphs. According to legends, Ondines (or Undines) had no souls unless they married mortal men. Friedrich de la Motte Fouqué drew upon these legends in his highly popular German novel "Undine" (1811) as did Hans Christian Anderson in his classic "The Little Mermaid" (1837).

In "The Seas," a nineteen-year-old protagonist whose name we never know is convinced to a certainty that she is a mermaid because her father told her so before he disappeared at sea years ago. She falls in love with a shell-shocked veteran almost twice her age who drinks and hides from his war experiences. Jude, however, is the only person in this despairing, northern coastal fishing and tourist town who cares for her. Like everyone else in town, Jude and the prospective mermaid are trapped in a life where alcoholism, boredom and a bit of fishing are the primary pursuits.

As the prologue explains, "If you were to try to leave, people who have known you since the day you were born would recognize your car and see you leaving. They would wonder where you were going and they would wave with two fingers off the steering wheel, a wave that might seem like a stop sign or a warning to someone trying to forget this very small town. It would be much easier to stay."

She has few social skills, is viewed as deeply disturbed, if not retarded, by everyone else in town including her own mother who waits, and will probably always be waiting, for the return of her husband. Our young protagonist, who narrates her own story and--it appears--believes that we (as readers) are understanding and humane enough to be taken into her confidence, knows the mermaid legends. She fears her love will end up killing Jude.

"The Seas" is awash with water, with bleak satire and bleaker images. The writing is lyrical and precise, blending reality and fable in a way that blurs the littoral zone where the sea and the land meet, where reality and fairytale collide, where sanity and obsession become twisted together. If "The Seas" has failings--other than being darker than we can bear--it's the occasional overly robust presentation of the author's and/or the main character's anti-war and society-without-pity themes.

Our narrator wants to return to the sea. Perhaps she does. Perhaps she dies. Perhaps she loses the last vestiges of her cold and chill sanity in exchange for all that she loves. (less)

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Mar 30, 2011 Jane rated it 3 of 5 stars · review of another edition

Shelves: borrowed

A strange one this.

A debut novel longlisted for the Orange Prize two years after its author’s second novel was longlisted for the very same prize. There is no question over the books eligibility as it was first published in the United Kindom in July last year, but it does feel odd.

And the book itself has a certain strangeness.

“One night,” I begin and close my eyes, “my father, he was very handsome, he walked into the ocean. That was eleven years ago. He hasn’t come back though and even though th...more

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Jul 26, 2011 John Grinstead rated it 2 of 5 stars · review of another edition

Hmmm. Difficult to know what to make of this really. We have a first person narration from a girl who is heavily influenced by the dreariness of her small town existance and the feeling of being different - she believes herself to be a mermaid - and her desperation to fulfil her infatuation with Jude, a war veteran suffering his own post-traumatic depression from Iraq. Jude emerged from the sea when she was sitting on the beach at the spot where her father disappeared and so filled a void - or a...more

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Apr 09, 2011 Tze-Wen rated it 1 of 5 stars · review of another edition

Shelves: orange-prize

Apparently, living out harsh lives in the small town leads to excessive alcohol-consumption and depression, and poor Jude is no exception to the rule. If you're not trying to escape reality by drinking, you have to immerse yourself in other pastimes. The girl's mother, who grew up on an island with mostly deaf people, loves contemplating in silence. The protagonist's grandfather enjoys perusing dictionaries and finding the origin of and connections between words. And in a way, both of them find...more Apparently, living out harsh lives in the small town leads to excessive alcohol-consumption and depression, and poor Jude is no exception to the rule. If you're not trying to escape reality by drinking, you have to immerse yourself in other pastimes. The girl's mother, who grew up on an island with mostly deaf people, loves contemplating in silence. The protagonist's grandfather enjoys perusing dictionaries and finding the origin of and connections between words. And in a way, both of them find safety and comfort in hoarding. The girl herself takes on jobs whenever work comes available and is obsessed about the sea, Jude, her mermaid nature, and her father who might come back from the sea and kill Jude.
Overall, I found this a difficult book to like. The young heroine of the story is just so detached from the world around her, displaced on "the dry land" as she calls it, to the point that I strongly suspected she had a psychological problem or an intellectual disability; Scientology does not equal science nor does drinking bath water turn you into a mermaid. Other reviews have claimed that she, unable to cope with the grief of losing her father, fashioned the mermaid-story so she could go on living. I, however, remain skeptical, and think more is amiss with her.
Her narrative weaves in and out of reality as we know it and made it hard for me to follow what was really happening. I think that this irked me the most: in my opinion this isn't fiction bordering on fantasy, this is fiction being indecisive about being either fantasy or a story about a girl who needs some serious psychological help. I am convinced I would have liked either of those better than the shape The Seas has been given now.
Finally, the blurb on the back of the book read "what she does to ease the pain of growing up lands her in prison" and "what she does to get out is the stuff of legends". Perhaps the way she experienced both events was a bit surreal, but what really happened was actually quite ordinary.
I'm sorry to say that this novel, professed to be magical and enchanting, failed to cast a spell on me.(less)

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Sep 11, 2011 Elliott rated it 4 of 5 stars

The Seas is told by a 19 year old narrator struggling to move from adolescence to adulthood. Drawing on classical mythology and fairy tales, such as Undine and The Little Mermaid, Samantha Hunt weaves a tale that can be magical, funny, dark, and often hauntingly beautiful. Like the stories from which this one derives, the narrator finds herself deep in longing for her love of an older man but also fears that her love will bring about his death. All the while, she still looks to the sea for her f...more

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Jul 13, 2011 Lucinda rated it 4 of 5 stars · review of another edition

Shelves: contemporary-fiction

Modern Gothic - when I first read this description of The Seas I thought, 'what does that mean?' in typical skeptical fashion.
I guess I started this book out skeptical, not liking the beginning much at all. It read too much like a complicated kindness: morose teenager with parent that disappeared/ abandoned the dysfunctional family/ community. I rarely enjoy coming of age novels.
But then the book turned into something else entirely, as the protagonists already somewhat befuddled mind crumbles un...more

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May 29, 2011 Carly rated it 4 of 5 stars

Shelves: 2011-book-list

This is a beautiful, beautifully written novel that reads like a poem. The problem is when authors resort to surrealism that I find it hard to take any of the story seriously or take it as real. It all feels made up or hallucination, so I can't attach to it as a reader. And the end is disappointing. I like to be left with something, for something to make sense or to tie the threads together. Did she kill herself? Was it all her imagination?

The writing is beautiful, so I hope the author will prov...more

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Oct 30, 2011 Jason rated it 5 of 5 stars

Shelves: fiction, novel

The Seas was an extraordinary novel by Samantha Hunt. It is told in the first person by a 19 year-old woman living in an unnamed small, northern seaside town with only one road leaving it (to the South, the road does not continue north). We are told the town has the highest rate of alcoholism in the country and it appears to be up there in suicide, accidental death, depression, insanity and cruelty as well.

The lyrical and spellbinding story is narrated by a 19 year-old girl (she does not seem an...more

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Apr 19, 2012 Courtney rated it 4 of 5 stars

Shelves: library, coming-of-age, wtf

4 stars (as of 4/19/12). This book really grew on me in an impressive way. At first, I was stuck in comparison mode, which made me very conscious of the similarities between The Seas and Samantha Hunt's other novel, The Invention of Everything Else. I still prefer Invention to The Seas, but I really have to respect Hunt for writing a novel like The Seas.

Basically, it's about an unnamed 19 year old girl/woman (she's liminal in many respects, not just in terms of maturity) who is locked in a very...more 4 stars (as of 4/19/12). This book really grew on me in an impressive way. At first, I was stuck in comparison mode, which made me very conscious of the similarities between The Seas and Samantha Hunt's other novel, The Invention of Everything Else. I still prefer Invention to The Seas, but I really have to respect Hunt for writing a novel like The Seas.

Basically, it's about an unnamed 19 year old girl/woman (she's liminal in many respects, not just in terms of maturity) who is locked in a very unsettling relationship with an Iraq war vetern many years her senior. I call the relationship unsettling because her first encounter with Jude revolves around her underlying attachment to her missing father. In this tiny, insulated town on the edge of the ocean, our narrator's father has simply vanished. Some say he was lost at sea, while our narrator seems convinced that he simply walked into the ocean. One day, she is on the shore, waiting for her father to return, when she sees a man walking in the ocean. At first, she thinks her father has finally come back. But it turns out to be a stranger that she ultimately falls in love with...BASED ON THE FACT THAT SHE MIS-TOOK HIM FOR HER FATHER. I'm sorry, but you don't need to consult Mr. Freud to know that something's a little bit wonky with that.

There are a lot of peculiar things about our main character. Her belief that she is actually a mermaid trapped on land is especially noteworthy. At first, I worried that Hunt was trying to drive her plot along by describing a pseudo-mythological delusion. However, her exploration of the narrator's tenuous grasp on reality is actually very well done. It helps that the book is in the first person. It allows Hunt to play with indeterminacy without compromising the novel's sense of intimacy.

As with Invention, the writing is crisp and poetic. There are a lot of lovely, haunting passages. And I really appreciated how the novel's dominant characteristics mimic those of its thematic center. The ocean, for example, is a strong and powerful force for our narrator. It is also rhythmic and hypnotic, beautiful and destructive. In many ways, the text of the novel shares these characteristics. It's beautiful and spellbinding, but it also makes you feel like you're moving further and further away from stability. The emotional turns are sometimes jagged rocks that the novel steers you into. But once the book ends, and the waters return to their inscrutable silence, we're left with echoes of the waves and thunder.

UPDATE: decided to give this a 4 star rating. As the months have passed, I've realized just how much The Seas got under my skin.(less)

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Mar 22, 2011 Gayla Bassham rated it 3 of 5 stars

Shelves: orange-prize-2011, 2011-reads

So here is what I thought when I finished this book:
1. Samantha Hunt is prodigiously talented and I am very much looking forward to seeing what she does next.
2. This is not actually a very good novel.

There's some really good stuff here and some really choppy, disconnected stuff. I believe this is the first book that Hunt wrote and it shows. There's some good writing here and Hunt shows a lot of promise, but I'm not sure what it's doing on the Orange longlist. I can't believe this is one of the t...more

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May 17, 2009 Nita rated it 4 of 5 stars

Shelves: fiction

This review has been hidden because it contains spoilers. To view it, click here. Hmmm. What to say? Is she a mermaid or not? Is she crazy or just the sixth definition of "blue" (n. "said of women especially those with literary inclinations). No Cliffnotes for this book. All out literature. The writing is beautiful. Quirky. A gorgeous little book.

Not much story here, really. But it's literature! Nineteen year old girl who believes she's a mermaid in love with a 26-year old alcoholic Iraqi war veteran.

Landscape as character. Seriously depressing seaside town up north somewher...more

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Aug 26, 2012 AJ LeBlanc rated it 4 of 5 stars

Shelves: cbr-iv, fiction

I like settings near the ocean. Not tropical, warm water oceans. Icy cold, grey water, you’re-going-to-die oceans. Settings where the sea itself becomes a character and changes the people that live nearby. I like the violence, the way the water affects the weather and how the weather changes the waves. There is power in the sea and characters can’t change it if they fight it. You either let the water change you or you leave.

Our nameless narrator is nineteen years old and she’s convinced she’s a...more

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Apr 20, 2011 Buried In Print rated it 5 of 5 stars

Shelves: orange-prize, read-in-2011, debut

Samantha Hunt’s debut begins: “The highway only goes south from here.” You might think that this will be a linear tale. But no, by the end of the first four pages, it’s obvious that there is nothing clear and simple about this story.

It is not a quiet day at sea, with the tide dribbling up and down the shore like an infant’s shallow breathing in a delicate, wakeful sleep. It’s a rush of water, waves crashing like they do in the trailer for “From Here to Eternity”, a cacophony like a monstrous man...more

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Aug 27, 2009 E. Anderson rated it 5 of 5 stars

What I love most about this book is its insane romanticism - not insane because it's romantic, but romantic because it's insane. Hunt's narrator has a special idealism in the face of imminent tragedy, and has convinced herself that she is a mermaid. The doomed love affair with a (much older) Gulf War vet and the isolated, coastal ship-building town add to the desolate landscape of this story that is absolutely unforgettable.

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Oct 16, 2011 Nykki rated it 3 of 5 stars

A strange tale that I wouldn't have picked out personally (my husband works in a library and picks them out for me lol). But still one I wanted to finish. I felt if the book had been longer it would have totally lost me but I wanted to find out how much of what was happening was actually real and how much was in this girls head. Quite a depressing outlook for what society can do to you.

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Nov 16, 2011 Vicky rated it 3 of 5 stars · review of another edition

Shelves: 2011-reads, chick-lit-for-the-ladies, the-sea, young-adult

The Seas is a lyrical tale told by an unnamed narrator on the cusp between adulthood and adolescence, as she slowly drifts away from reality and into the rough waters of mental illness. She is an outsider in her northern coastal town, unable to come to terms with the drowning of her father when she was a child, and creates her own narrative to her detachment; a mermaid awaiting the return of her father from the ocean.

This draws her into the obsessive love of a father-substitute, Jude, a veteran...more

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May 28, 2013 Leah Evans rated it 4 of 5 stars

A beautiful haunting book. The story is so lyrical and descriptive that it filled my imagination. At the beginning of the book, I just thought the protagonist was crazy in her belief of being a mermaid... And then I started believing her. The way author makes you slowly second guess what the truth is novel. Thank you for the ecperience!

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Nov 24, 2011 Beverly rated it 3 of 5 stars

While at times repetitive and too disjointed, not in a way that seemed under the control of the author, to satisfy me, the lyric storytelling and references to myths ultimately makes it a book I would recommend to the more imaginative among my reading friends.

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Sep 20, 2012 Chris rated it 5 of 5 stars

I thought the narration of the main character in this book was phenomenal. Another thing that floored me was the author's way with words and the sentences she was able to construct.

I dunno, this was a very very strange story and book, but it spoke to me.

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Apr 28, 2009 Chelsea rated it 3 of 5 stars

What a bizarre book this was.

I think I would have liked it more if I read this and then 'The Invention of Everything Else'- but luckily at least this was written before, so it's easier to forgive it.

I liked the characters, it was well-written, and so I can't put my finger on what didn't totally win me over other than that it's just SO WEIRD. It's kind of bleak and depressing and I never quite made up my mind on whether or not I agreed with the main conceit of the book and just kind of couldn't...more

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Jun 15, 2011 Erin rated it 1 of 5 stars

This book felt incredibly puerile in both tone, plot, and story length. This is the shortest book I almost didn't finish. Hated it. One star because it exists and the premise isn't bad, but was handled the way a 15 year old would handle a plot line.

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Jul 20, 2012 Jenee rated it 4 of 5 stars

Shelves: beautifully-distrubring, awkward-and-unusual

Um I think I really liked it? This book was interesting it was written beautifully, there were sentences through out that just made you want to dream. It skirted on the line between reality and fantasy and at the end you aren't too sure which is which. This book reminded me a lot of the novel Big Fish, it also reminded me of freak shows and the kind of toys and objects you would find in an ISpy book.

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Aug 10, 2008 Elizabeth rated it 5 of 5 stars

Shelves: fiction

I got this one from BookMooch after thoroughly enjoying Hunt's The Invention of Everything Else earlier this summer. The Seas was hypnotic and intense, repetitive in an undulating sort of way, lovely enough that I read it in one pass on my flight to Atlanta, then gave the book to my seatmate on my return flight home. Others have compared it to Francesca Lia Block's work, or to magical realism, and I think both are fair descriptions.

I wish I'd written this closer to finishing the book, but I was...more

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Oct 24, 2012 Terri Jacobson rated it 3 of 5 stars

Shelves: fiction

A story about a young woman in a coastal small town who thinks she is a mermaid and is in love with an older man. Interesting writing.

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Jul 14, 2011 Sarah rated it 4 of 5 stars

Pretty bizarre. The narrator is like fo rills crazy. But it was short and interesting and kind of sucked me in, so I liked it quite a lot.

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Jul 18, 2011 Lorna rated it 2 of 5 stars · review of another edition

Shelves: orange-longlist

An odd little book. The unreliability of the seemingly mentally troubled narrator coupled with the brief, dreamlike chapters made for a much more fluid reading experience than I'm used to (ha, appropriate since she thinks she's a mermaid). It didn't really work for me, but I appreciated the risk Hunt took with the unusual style.

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Jun 17, 2011 Donna Irwin rated it 4 of 5 stars

Beautifully written, sad account of life in a depressed northern town in America. Sad, but powerful.

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Jan 21, 2009 Bridgette Guerzon Mills rated it 4 of 5 stars

Shelves: fiction

Very odd book, but beautifully written. Depressing. But despite all that I really like it!

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About Samantha Hunt

Samantha Hunt was born in 1971 in Pound Ridge, New York, the youngest of six siblings. She was raised in a house built in 1765 which wasn't haunted in the traditional sense but was so overstuffed with books— good and bad ones— that it had the effect of haunting Hunt all the same. Her mother is a painter and her father was an editor. In 1989 Hunt moved to Vermont where she studied literature, print...more

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