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  <id>329994</id>
  <title><![CDATA[Dickens]]></title>
  <isbn><![CDATA[0099437090]]></isbn>
  <isbn13><![CDATA[9780099437093]]></isbn13>
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  <description><![CDATA[In this remarkable new biography, Peter Ackroyd offers a different view of Dickens to that presented in his earlier study of the author. In that book, Ackroyd's attempts to mimic the voice of the great writer were highly controversial, though some saw the book as a radical re-invention of the biography form. There is no arguing with the brilliant achievement of the more straightforward <em>Charles Dickens: Public Life and Private Passion</em>, however; the picture of Dickens and his complicated private life that emerges is fastidiously detailed and powerfully evocative, while Ackroyd's customary skill at creating a panoply of the city of London is as dazzling as ever (<em>London</em>, is, in fact, the subject of another biography by the author, who is unquestionably the keenest chronicler of the city's colourful history). Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer. Dickens had everything--fame, success and riches--but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a sense of loss and longing that would constantly appear in his work. Like many eminent Victorians, he led a double life: although he insisted that nothing in the newspapers he edited should upset his middle-class readers, he regularly indulged in dubious night-time escapades with fellow author Wilkie Collins, and, for the last 13 years of his life, kept a secret mistress. <p> While presenting a warm but astringent portrait of the man who (along with George Eliot) can be classed as the greatest writer of his age, Ackroyd also masterfully recreates the relationship with the actress Ellen Ternan, a strong and intelligent woman (herself the subject of a biography by Claire Tomalin, <em>The Inviisble Woman</em> who, like her lover, outwardly observed the proprieties while living her real life behind closed doors. Ackroyd also vividly conjures the reality of Victorian life, the issues that sparked Dickens' fervent call for social reform, and the great landmarks of the time, which profoundly affected his life and work. --<em>Barry Forshaw</em></p>]]></description>
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        <name><![CDATA[Peter Ackroyd]]></name>
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    <name><![CDATA[Bettie ]]></name>
    <location><![CDATA[on the cusp of the orust riviera, Sweden]]></location>
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  <title>
    <![CDATA[Dickens]]>
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    <![CDATA[In this remarkable new biography, Peter Ackroyd offers a different view of Dickens to that presented in his earlier study of the author. In that book, Ackroyd's attempts to mimic the voice of the great writer were highly controversial, though some saw the book as a radical re-invention of the biography form. There is no arguing with the brilliant achievement of the more straightforward <em>Charles Dickens: Public Life and Private Passion</em>, however; the picture of Dickens and his complicated private life that emerges is fastidiously detailed and powerfully evocative, while Ackroyd's customary skill at creating a panoply of the city of London is as dazzling as ever (<em>London</em>, is, in fact, the subject of another biography by the author, who is unquestionably the keenest chronicler of the city's colourful history). Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer. Dickens had everything--fame, success and riches--but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a sense of loss and longing that would constantly appear in his work. Like many eminent Victorians, he led a double life: although he insisted that nothing in the newspapers he edited should upset his middle-class readers, he regularly indulged in dubious night-time escapades with fellow author Wilkie Collins, and, for the last 13 years of his life, kept a secret mistress. <p> While presenting a warm but astringent portrait of the man who (along with George Eliot) can be classed as the greatest writer of his age, Ackroyd also masterfully recreates the relationship with the actress Ellen Ternan, a strong and intelligent woman (herself the subject of a biography by Claire Tomalin, <em>The Inviisble Woman</em> who, like her lover, outwardly observed the proprieties while living her real life behind closed doors. Ackroyd also vividly conjures the reality of Victorian life, the issues that sparked Dickens' fervent call for social reform, and the great landmarks of the time, which profoundly affected his life and work. --<em>Barry Forshaw</em></p>]]>
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    <rating>5</rating>
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  <read_at>Wed Jan 21 00:00:00 -0800 2009</read_at>
  <date_added>Wed Jan 21 05:28:47 -0800 2009</date_added>
  <date_updated>Wed Jan 21 06:42:49 -0800 2009</date_updated>
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    <body><![CDATA[Peter Ackroyd - The Mystery of Charles Dickens - BBC Radio Drama - cheops<br/><br/><br/>In his exhilarating one-man show, Simon Callow brings Charles Dickens to life, as well as some of his best-loved characters.<br/><br/>The play was written by Peter Ackroyd, author of the definitive Charles D...<a href="http://www.goodreads.com/review/show/43795322">more...</a>]]></body>
    
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      <review>
  <id>73579274</id>
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    <name><![CDATA[Judith]]></name>
    <location><![CDATA[Sioux Falls, SD]]></location>
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  <isbn>0060166029</isbn>
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  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[Dickens]]>
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  <average_rating>4.17</average_rating>
  <ratings_count>12</ratings_count>
  <description>
    <![CDATA[<em>Dickens</em> was a landmark biography when first published in 1990. An abridged edition appeared shortly after its original publication, in connection with a BBC series on Dickens, but this edition represents the 1100+ pages original vision of Ackroyd's. Alongside Juliet Barker's exhaustive <em>The Brontes</em>, it set a new gold standard in literary biography.]]>
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    <rating>5</rating>
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  <date_added>Mon Oct 05 19:37:45 -0700 2009</date_added>
  <date_updated>Mon Oct 05 19:58:04 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I read the unabridged version of this book a long time ago. It's one of the best biographies I have ever read--very engaging and highly readable--no small feat for a book of that length. Dickens emerges as flawed and human like the rest of us, but with a talent for turning those flaws and his experi...<a href="http://www.goodreads.com/review/show/73579274">more...</a>]]></body>
    
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      <review>
  <id>47901940</id>
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    <id>426277</id>
    <name><![CDATA[James]]></name>
    <location><![CDATA[Chicago, IL]]></location>
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    <![CDATA[Dickens]]>
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  <average_rating>4.17</average_rating>
  <ratings_count>12</ratings_count>
  <description>
    <![CDATA[<em>Dickens</em> was a landmark biography when first published in 1990. An abridged edition appeared shortly after its original publication, in connection with a BBC series on Dickens, but this edition represents the 1100+ pages original vision of Ackroyd's. Alongside Juliet Barker's exhaustive <em>The Brontes</em>, it set a new gold standard in literary biography.]]>
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    <rating>4</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Mon Jan 01 00:00:00 -0800 2007</read_at>
  <date_added>Sun Mar 01 11:50:36 -0800 2009</date_added>
  <date_updated>Sun Mar 01 11:51:08 -0800 2009</date_updated>
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    <body><![CDATA[A thorough and engaging biography of the classic victorian author. I enjoyed the insights provided by Mr. Ackroyd.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/47901940]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/47901940]]></link>
</review>
      <review>
  <id>19117218</id>
    <user>
    <id>1020305</id>
    <name><![CDATA[John]]></name>
    <location><![CDATA[Marina Del Rey, CA]]></location>
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  <title>
    <![CDATA[Dickens]]>
  </title>
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  <link>http://www.goodreads.com/book/show/1860789.Dickens</link>
  <average_rating>4.17</average_rating>
  <ratings_count>12</ratings_count>
  <description>
    <![CDATA[<em>Dickens</em> was a landmark biography when first published in 1990. An abridged edition appeared shortly after its original publication, in connection with a BBC series on Dickens, but this edition represents the 1100+ pages original vision of Ackroyd's. Alongside Juliet Barker's exhaustive <em>The Brontes</em>, it set a new gold standard in literary biography.]]>
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    <rating>5</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[readers of literary biography]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Sep 01 00:00:00 -0700 2007</read_at>
  <date_added>Mon Mar 31 12:13:00 -0700 2008</date_added>
  <date_updated>Mon Mar 31 12:24:29 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[One of the most beautifully written and engaging biographies ever.  Ackroyd focuses clearly on the personality and affect of the author, the forces in his life, including continuing reinvention of the self that made Dickens write and keep writing.  The book contains a bit of literary criticism, but ...<a href="http://www.goodreads.com/review/show/19117218">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/19117218]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/19117218]]></link>
</review>
      <review>
  <id>44263533</id>
    <user>
    <id>1371170</id>
    <name><![CDATA[Babette]]></name>
    <location><![CDATA[Pleasantville, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1371170-babette]]></link>
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  <id type="integer">329994</id>
  <isbn>0099437090</isbn>
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  <text_reviews_count type="integer">4</text_reviews_count>
  <title>
    <![CDATA[Dickens]]>
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  <link>http://www.goodreads.com/book/show/329994.Dickens</link>
  <average_rating>3.90</average_rating>
  <ratings_count>70</ratings_count>
  <description>
    <![CDATA[In this remarkable new biography, Peter Ackroyd offers a different view of Dickens to that presented in his earlier study of the author. In that book, Ackroyd's attempts to mimic the voice of the great writer were highly controversial, though some saw the book as a radical re-invention of the biography form. There is no arguing with the brilliant achievement of the more straightforward <em>Charles Dickens: Public Life and Private Passion</em>, however; the picture of Dickens and his complicated private life that emerges is fastidiously detailed and powerfully evocative, while Ackroyd's customary skill at creating a panoply of the city of London is as dazzling as ever (<em>London</em>, is, in fact, the subject of another biography by the author, who is unquestionably the keenest chronicler of the city's colourful history). Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer. Dickens had everything--fame, success and riches--but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a sense of loss and longing that would constantly appear in his work. Like many eminent Victorians, he led a double life: although he insisted that nothing in the newspapers he edited should upset his middle-class readers, he regularly indulged in dubious night-time escapades with fellow author Wilkie Collins, and, for the last 13 years of his life, kept a secret mistress. <p> While presenting a warm but astringent portrait of the man who (along with George Eliot) can be classed as the greatest writer of his age, Ackroyd also masterfully recreates the relationship with the actress Ellen Ternan, a strong and intelligent woman (herself the subject of a biography by Claire Tomalin, <em>The Inviisble Woman</em> who, like her lover, outwardly observed the proprieties while living her real life behind closed doors. Ackroyd also vividly conjures the reality of Victorian life, the issues that sparked Dickens' fervent call for social reform, and the great landmarks of the time, which profoundly affected his life and work. --<em>Barry Forshaw</em></p>]]>
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    <rating>0</rating>
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  <date_added>Sun Jan 25 04:58:43 -0800 2009</date_added>
  <date_updated>Sun Jan 25 04:58:43 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book was recommended by my GoodReads friend Bettie.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/44263533]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/44263533]]></link>
</review>
      <review>
  <id>1996002</id>
    <user>
    <id>89851</id>
    <name><![CDATA[Julie]]></name>
    <location><![CDATA[The United Kingdom]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/89851-julie]]></link>
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  <id type="integer">67718</id>
  <isbn>2234025087</isbn>
  <isbn13>9782234025080</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Dickens]]>
  </title>
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  <link>http://www.goodreads.com/book/show/67718.Dickens</link>
  <average_rating>4.00</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[<em>Dickens</em> was a landmark biography when first published in 1990. This specially edited shorter edition takes the reader into the life of one of the world&#8217;s greatest writers.  It is published to  tie-in with a 3-part BBC-TV series on Dickens with Peter Ackroyd, part drama (based on Ackroyd&#8217;s Simon Callow play), part documentary, part biography.]]>
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    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[everyone]]></recommended_for>
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  <date_added>Fri Jun 15 07:27:48 -0700 2007</date_added>
  <date_updated>Fri Jun 15 07:30:44 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Another outstanding biographphy from Mr.Ackroyd. I enjoyed this particularly as Dickens is my favourite author.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1996002]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/1996002]]></link>
</review>
      <review>
  <id>55726616</id>
    <user>
    <id>2028164</id>
    <name><![CDATA[Cody]]></name>
    <location><![CDATA[Lubbock, TX]]></location>
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  <isbn13>9780060166021</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[Dickens]]>
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  <link>http://www.goodreads.com/book/show/1860789.Dickens</link>
  <average_rating>4.17</average_rating>
  <ratings_count>12</ratings_count>
  <description>
    <![CDATA[<em>Dickens</em> was a landmark biography when first published in 1990. An abridged edition appeared shortly after its original publication, in connection with a BBC series on Dickens, but this edition represents the 1100+ pages original vision of Ackroyd's. Alongside Juliet Barker's exhaustive <em>The Brontes</em>, it set a new gold standard in literary biography.]]>
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    <rating>3</rating>
  <votes>0</votes>
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  <read_at>Fri Jul 03 00:00:00 -0700 2009</read_at>
  <date_added>Mon May 11 17:13:20 -0700 2009</date_added>
  <date_updated>Tue Jul 07 21:35:24 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I am finished slogging through this book and now know more than I ever cared to about Charles Dickens. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/55726616]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/55726616]]></link>
</review>
      <review>
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    <id>1348022</id>
    <name><![CDATA[Brett]]></name>
    <location><![CDATA[Highland Park, IL]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1348022-brett-byron]]></link>
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    <![CDATA[Dickens]]>
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  <average_rating>3.90</average_rating>
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    <![CDATA[In this remarkable new biography, Peter Ackroyd offers a different view of Dickens to that presented in his earlier study of the author. In that book, Ackroyd's attempts to mimic the voice of the great writer were highly controversial, though some saw the book as a radical re-invention of the biography form. There is no arguing with the brilliant achievement of the more straightforward <em>Charles Dickens: Public Life and Private Passion</em>, however; the picture of Dickens and his complicated private life that emerges is fastidiously detailed and powerfully evocative, while Ackroyd's customary skill at creating a panoply of the city of London is as dazzling as ever (<em>London</em>, is, in fact, the subject of another biography by the author, who is unquestionably the keenest chronicler of the city's colourful history). Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer. Dickens had everything--fame, success and riches--but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a sense of loss and longing that would constantly appear in his work. Like many eminent Victorians, he led a double life: although he insisted that nothing in the newspapers he edited should upset his middle-class readers, he regularly indulged in dubious night-time escapades with fellow author Wilkie Collins, and, for the last 13 years of his life, kept a secret mistress. <p> While presenting a warm but astringent portrait of the man who (along with George Eliot) can be classed as the greatest writer of his age, Ackroyd also masterfully recreates the relationship with the actress Ellen Ternan, a strong and intelligent woman (herself the subject of a biography by Claire Tomalin, <em>The Inviisble Woman</em> who, like her lover, outwardly observed the proprieties while living her real life behind closed doors. Ackroyd also vividly conjures the reality of Victorian life, the issues that sparked Dickens' fervent call for social reform, and the great landmarks of the time, which profoundly affected his life and work. --<em>Barry Forshaw</em></p>]]>
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    <body><![CDATA[A readable and densely detailed biography of the 19th Century novelist.]]></body>
    
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    <![CDATA[Dickens]]>
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    <![CDATA[In this remarkable new biography, Peter Ackroyd offers a different view of Dickens to that presented in his earlier study of the author. In that book, Ackroyd's attempts to mimic the voice of the great writer were highly controversial, though some saw the book as a radical re-invention of the biography form. There is no arguing with the brilliant achievement of the more straightforward <em>Charles Dickens: Public Life and Private Passion</em>, however; the picture of Dickens and his complicated private life that emerges is fastidiously detailed and powerfully evocative, while Ackroyd's customary skill at creating a panoply of the city of London is as dazzling as ever (<em>London</em>, is, in fact, the subject of another biography by the author, who is unquestionably the keenest chronicler of the city's colourful history). Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer. Dickens had everything--fame, success and riches--but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a sense of loss and longing that would constantly appear in his work. Like many eminent Victorians, he led a double life: although he insisted that nothing in the newspapers he edited should upset his middle-class readers, he regularly indulged in dubious night-time escapades with fellow author Wilkie Collins, and, for the last 13 years of his life, kept a secret mistress. <p> While presenting a warm but astringent portrait of the man who (along with George Eliot) can be classed as the greatest writer of his age, Ackroyd also masterfully recreates the relationship with the actress Ellen Ternan, a strong and intelligent woman (herself the subject of a biography by Claire Tomalin, <em>The Inviisble Woman</em> who, like her lover, outwardly observed the proprieties while living her real life behind closed doors. Ackroyd also vividly conjures the reality of Victorian life, the issues that sparked Dickens' fervent call for social reform, and the great landmarks of the time, which profoundly affected his life and work. --<em>Barry Forshaw</em></p>]]>
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    <body><![CDATA[This is the one: the definitive bio of the Great Writer. ]]></body>
    
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    <![CDATA[<em>Dickens</em> was a landmark biography when first published in 1990. An abridged edition appeared shortly after its original publication, in connection with a BBC series on Dickens, but this edition represents the 1100+ pages original vision of Ackroyd's. Alongside Juliet Barker's exhaustive <em>The Brontes</em>, it set a new gold standard in literary biography.]]>
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    <body><![CDATA[Amazingly thorough yet compulsively readable. ]]></body>
    
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    <![CDATA[Dickens]]>
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    <![CDATA[In this remarkable new biography, Peter Ackroyd offers a different view of Dickens to that presented in his earlier study of the author. In that book, Ackroyd's attempts to mimic the voice of the great writer were highly controversial, though some saw the book as a radical re-invention of the biography form. There is no arguing with the brilliant achievement of the more straightforward <em>Charles Dickens: Public Life and Private Passion</em>, however; the picture of Dickens and his complicated private life that emerges is fastidiously detailed and powerfully evocative, while Ackroyd's customary skill at creating a panoply of the city of London is as dazzling as ever (<em>London</em>, is, in fact, the subject of another biography by the author, who is unquestionably the keenest chronicler of the city's colourful history). Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer. Dickens had everything--fame, success and riches--but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a sense of loss and longing that would constantly appear in his work. Like many eminent Victorians, he led a double life: although he insisted that nothing in the newspapers he edited should upset his middle-class readers, he regularly indulged in dubious night-time escapades with fellow author Wilkie Collins, and, for the last 13 years of his life, kept a secret mistress. <p> While presenting a warm but astringent portrait of the man who (along with George Eliot) can be classed as the greatest writer of his age, Ackroyd also masterfully recreates the relationship with the actress Ellen Ternan, a strong and intelligent woman (herself the subject of a biography by Claire Tomalin, <em>The Inviisble Woman</em> who, like her lover, outwardly observed the proprieties while living her real life behind closed doors. Ackroyd also vividly conjures the reality of Victorian life, the issues that sparked Dickens' fervent call for social reform, and the great landmarks of the time, which profoundly affected his life and work. --<em>Barry Forshaw</em></p>]]>
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    <![CDATA[In this remarkable new biography, Peter Ackroyd offers a different view of Dickens to that presented in his earlier study of the author. In that book, Ackroyd's attempts to mimic the voice of the great writer were highly controversial, though some saw the book as a radical re-invention of the biography form. There is no arguing with the brilliant achievement of the more straightforward <em>Charles Dickens: Public Life and Private Passion</em>, however; the picture of Dickens and his complicated private life that emerges is fastidiously detailed and powerfully evocative, while Ackroyd's customary skill at creating a panoply of the city of London is as dazzling as ever (<em>London</em>, is, in fact, the subject of another biography by the author, who is unquestionably the keenest chronicler of the city's colourful history). Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer. Dickens had everything--fame, success and riches--but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a sense of loss and longing that would constantly appear in his work. Like many eminent Victorians, he led a double life: although he insisted that nothing in the newspapers he edited should upset his middle-class readers, he regularly indulged in dubious night-time escapades with fellow author Wilkie Collins, and, for the last 13 years of his life, kept a secret mistress. <p> While presenting a warm but astringent portrait of the man who (along with George Eliot) can be classed as the greatest writer of his age, Ackroyd also masterfully recreates the relationship with the actress Ellen Ternan, a strong and intelligent woman (herself the subject of a biography by Claire Tomalin, <em>The Inviisble Woman</em> who, like her lover, outwardly observed the proprieties while living her real life behind closed doors. Ackroyd also vividly conjures the reality of Victorian life, the issues that sparked Dickens' fervent call for social reform, and the great landmarks of the time, which profoundly affected his life and work. --<em>Barry Forshaw</em></p>]]>
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    <![CDATA[In this remarkable new biography, Peter Ackroyd offers a different view of Dickens to that presented in his earlier study of the author. In that book, Ackroyd's attempts to mimic the voice of the great writer were highly controversial, though some saw the book as a radical re-invention of the biography form. There is no arguing with the brilliant achievement of the more straightforward <em>Charles Dickens: Public Life and Private Passion</em>, however; the picture of Dickens and his complicated private life that emerges is fastidiously detailed and powerfully evocative, while Ackroyd's customary skill at creating a panoply of the city of London is as dazzling as ever (<em>London</em>, is, in fact, the subject of another biography by the author, who is unquestionably the keenest chronicler of the city's colourful history). Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer. Dickens had everything--fame, success and riches--but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a sense of loss and longing that would constantly appear in his work. Like many eminent Victorians, he led a double life: although he insisted that nothing in the newspapers he edited should upset his middle-class readers, he regularly indulged in dubious night-time escapades with fellow author Wilkie Collins, and, for the last 13 years of his life, kept a secret mistress. <p> While presenting a warm but astringent portrait of the man who (along with George Eliot) can be classed as the greatest writer of his age, Ackroyd also masterfully recreates the relationship with the actress Ellen Ternan, a strong and intelligent woman (herself the subject of a biography by Claire Tomalin, <em>The Inviisble Woman</em> who, like her lover, outwardly observed the proprieties while living her real life behind closed doors. Ackroyd also vividly conjures the reality of Victorian life, the issues that sparked Dickens' fervent call for social reform, and the great landmarks of the time, which profoundly affected his life and work. --<em>Barry Forshaw</em></p>]]>
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    <![CDATA[In this remarkable new biography, Peter Ackroyd offers a different view of Dickens to that presented in his earlier study of the author. In that book, Ackroyd's attempts to mimic the voice of the great writer were highly controversial, though some saw the book as a radical re-invention of the biography form. There is no arguing with the brilliant achievement of the more straightforward <em>Charles Dickens: Public Life and Private Passion</em>, however; the picture of Dickens and his complicated private life that emerges is fastidiously detailed and powerfully evocative, while Ackroyd's customary skill at creating a panoply of the city of London is as dazzling as ever (<em>London</em>, is, in fact, the subject of another biography by the author, who is unquestionably the keenest chronicler of the city's colourful history). Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer. Dickens had everything--fame, success and riches--but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a sense of loss and longing that would constantly appear in his work. Like many eminent Victorians, he led a double life: although he insisted that nothing in the newspapers he edited should upset his middle-class readers, he regularly indulged in dubious night-time escapades with fellow author Wilkie Collins, and, for the last 13 years of his life, kept a secret mistress. <p> While presenting a warm but astringent portrait of the man who (along with George Eliot) can be classed as the greatest writer of his age, Ackroyd also masterfully recreates the relationship with the actress Ellen Ternan, a strong and intelligent woman (herself the subject of a biography by Claire Tomalin, <em>The Inviisble Woman</em> who, like her lover, outwardly observed the proprieties while living her real life behind closed doors. Ackroyd also vividly conjures the reality of Victorian life, the issues that sparked Dickens' fervent call for social reform, and the great landmarks of the time, which profoundly affected his life and work. --<em>Barry Forshaw</em></p>]]>
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    <![CDATA[In this remarkable new biography, Peter Ackroyd offers a different view of Dickens to that presented in his earlier study of the author. In that book, Ackroyd's attempts to mimic the voice of the great writer were highly controversial, though some saw the book as a radical re-invention of the biography form. There is no arguing with the brilliant achievement of the more straightforward <em>Charles Dickens: Public Life and Private Passion</em>, however; the picture of Dickens and his complicated private life that emerges is fastidiously detailed and powerfully evocative, while Ackroyd's customary skill at creating a panoply of the city of London is as dazzling as ever (<em>London</em>, is, in fact, the subject of another biography by the author, who is unquestionably the keenest chronicler of the city's colourful history). Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer. Dickens had everything--fame, success and riches--but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a sense of loss and longing that would constantly appear in his work. Like many eminent Victorians, he led a double life: although he insisted that nothing in the newspapers he edited should upset his middle-class readers, he regularly indulged in dubious night-time escapades with fellow author Wilkie Collins, and, for the last 13 years of his life, kept a secret mistress. <p> While presenting a warm but astringent portrait of the man who (along with George Eliot) can be classed as the greatest writer of his age, Ackroyd also masterfully recreates the relationship with the actress Ellen Ternan, a strong and intelligent woman (herself the subject of a biography by Claire Tomalin, <em>The Inviisble Woman</em> who, like her lover, outwardly observed the proprieties while living her real life behind closed doors. Ackroyd also vividly conjures the reality of Victorian life, the issues that sparked Dickens' fervent call for social reform, and the great landmarks of the time, which profoundly affected his life and work. --<em>Barry Forshaw</em></p>]]>
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