White Face, Black Mask: Africaneity and the Early Social History of Popular Music Performance in Brazil
My rating:
didn't like it it was ok liked it really liked it it was amazing
add to my books

White Face, Black Mask: Africaneity and the Early Social History of Popular Music Performance in Brazil

0.0 of 5 stars 0.00  ·  rating details  ·  0 ratings  ·  0 reviews
Although African influences undeniably pervade the popular music of Brazil, until now few books have examined the role of Blackness — what author Darién Davis calls "Africaneity" — in the creation and development of twentieth-century Brazilian musical traditions. This innovative, accessible work offers a fascinating look at Brazilian music from the 1920s to the 1950s, as i...more
Paperback, 265 pages
Published March 11th 2009 by Michigan State University Press (first published October 1st 2008)
more details... edit details
There is a good chance some of your friends read this book. Sign in to see!
sign in »

Friend Reviews

To see what your friends thought of this book, please sign up.
This book is currently not featured on any Listopia lists. Add this book to your favorite list »

Community Reviews

(showing 1-1 of 1)
filter  |  sort: default (?)  |  rating details
Brent
Brent marked it as to-read
There are no discussion topics on this book yet. Be the first to start one »
Beyond Slavery: The Multilayered Legacy of Africans in Latin America and the Caribbean Afro Brazilians: Time For Recognition (Minority Rights Group Report) Avoiding the Dark: Race and the Forging of National Culture in Modern Brazil Slavery and Beyond: The African Impact on Latin America and the Caribbean Becoming Brazuca: Brazilian Immigration to the United States, Impacts on Economies, Identities, and Cultural Practices (David Rockefeller Center Series on Latin American Studies)

Share This Book

Your website
Pin It