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    <![CDATA[Time Magazine's Best Book of the Year<br/><br/><br/>Booker Prize-winning author Salman Rushdie combines a ferociously witty family saga with a surreally imagined and sometimes blasphemous chronicle of modern India and flavors the mixture with peppery soliloquies on art, ethnicity, religious fanaticism, and the terrifying power of love. Moraes &quot;Moor&quot; Zogoiby, the last surviving scion of a dynasty of Cochinese spice merchants and crime lords, is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerized offspring, of premature deaths and curses that strike beyond the grave. <br/><p><br/>&quot;Fierce, phantasmagorical...a huge, sprawling, exuberant novel.&quot;--New York Times</p>]]>
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  <date_updated>Wed Sep 10 06:59:55 -0700 2008</date_updated>
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    <body><![CDATA[<em>The Moor's Last Sigh</em> is Rushdie's best book since <a href="http://www.goodreads.com/search/search?q=Midnight's Children" title="Midnight's Children">Midnight's Children</a> and is superior to <a href="http://www.goodreads.com/search/search?q=The Ground Beneath Her Feet" title="The Ground Beneath Her Feet">The Ground Beneath Her Feet</a>.  Rushdie puts his spin on the multi-generational family novel.  Like most such novels, it takes awhile to get the characters and families straight, but once you have the whole pictur...<a href="http://www.goodreads.com/review/show/26782573">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/26782573]]></url>
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      <review>
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    <![CDATA[The Moor's Last Sigh]]>
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  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
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  <date_added>Mon Apr 21 12:19:46 -0700 2008</date_added>
  <date_updated>Mon Apr 21 12:25:53 -0700 2008</date_updated>
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    <body><![CDATA[Honestly, I remember almost nothing about this book---something about a man who ages at twice the age that normal people are supposed to, something about his mother (who I found to be the most interesting character in the book--actually the women in this book leave the most enduring memories)--a spi...<a href="http://www.goodreads.com/review/show/20656911">more...</a>]]></body>
    
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      <review>
  <id>12739887</id>
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    <name><![CDATA[Robert]]></name>
    <location><![CDATA[Buxton, ME]]></location>
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  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
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  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
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  <published>1995</published>
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  <votes>1</votes>
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  <recommended_for><![CDATA[Everyone]]></recommended_for>
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  <read_at>Thu Apr 01 00:00:00 -0800 1999</read_at>
  <date_added>Thu Jan 17 06:36:03 -0800 2008</date_added>
  <date_updated>Thu Jan 17 06:40:42 -0800 2008</date_updated>
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    <body><![CDATA[This is my favorite of Rushdie's.  It combines the lyrical mysticism of Midnight's Children with the hard-nosed magical-realism of the &quot;present-day&quot; sections of The Satanic Verses.  I found Midnight's Children to have an almost apocolyptic feeling about it, especially in the later chapters...<a href="http://www.goodreads.com/review/show/12739887">more...</a>]]></body>
    
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      <review>
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    <name><![CDATA[Leah]]></name>
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    <![CDATA[The Moor's Last Sigh]]>
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  <average_rating>3.96</average_rating>
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  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
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  <read_at></read_at>
  <date_added>Mon Feb 09 18:52:34 -0800 2009</date_added>
  <date_updated>Mon Feb 09 18:59:13 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[“Even when people are telling their own life stories, they are invariably improving on the facts, rewriting their tales, or just plain making them up… the truth of such stories lies in what they reveal about the protagonists’ hearts, rather than their deeds.” (135)<br/><br/>“There is not...<a href="http://www.goodreads.com/review/show/45885105">more...</a>]]></body>
    
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      <review>
  <id>77279345</id>
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    <id>2309540</id>
    <name><![CDATA[Sara]]></name>
    <location><![CDATA[Kemmerer, WY]]></location>
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    <![CDATA[The Moor's Last Sigh]]>
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  <average_rating>3.96</average_rating>
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  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
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  <read_at>Sat Oct 31 00:00:00 -0700 2009</read_at>
  <date_added>Mon Nov 09 20:17:32 -0800 2009</date_added>
  <date_updated>Fri Nov 13 20:53:38 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[<em>The Moor's Last Sigh</em> isn't <em>Midnight's Children</em>, but it's not <em>The Enchantress of Florence</em>, either. It's good, solidly-rushing Rushdie, swimming in glorious language and wordplay and occasionally getting lost in an epic sea.<br/><br/>The beginning dragged a bit: at first, I thought I was reading an ...<a href="http://www.goodreads.com/review/show/77279345">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/77279345]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/77279345]]></link>
</review>
      <review>
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    <id>955575</id>
    <name><![CDATA[Derek]]></name>
    <location><![CDATA[The United States]]></location>
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  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
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  <date_added>Sun Nov 22 21:33:50 -0800 2009</date_added>
  <date_updated>Mon Nov 23 06:42:31 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Salman Rushdie sets up a fairly elaborate cast of characters, so it takes some time to get acquainted with this book.  I started this book before and couldn't devote enough time to sit down and really get into it (which is strange since I was unemployed at the time).  But if you can sit down, focus,...<a href="http://www.goodreads.com/review/show/78705492">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/78705492]]></url>
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      <review>
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    <![CDATA[The Moor's Last Sigh]]>
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  <average_rating>3.96</average_rating>
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  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
  </description>
  <published>1995</published>
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  <read_at>Tue Oct 01 00:00:00 -0700 1996</read_at>
  <date_added>Sat Oct 10 00:44:02 -0700 2009</date_added>
  <date_updated>Sat Oct 10 01:03:49 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[That I could taste the smells of a land I'd never been to. That if I ever had a child, I would name it Aerish. That I could fall in love with the way this man took you on a little turn. I read this book every morning after I returned from coaching...a top the little village of Sha Tin in New Territo...<a href="http://www.goodreads.com/review/show/74051108">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/74051108]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/74051108]]></link>
</review>
      <review>
  <id>73481682</id>
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  <text_reviews_count type="integer">156</text_reviews_count>
  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1166072020m/9865.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/9865.The_Moor_s_Last_Sigh</link>
  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
  </description>
  <published>1995</published>
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    <rating>2</rating>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Jul 01 00:00:00 -0700 2009</read_at>
  <date_added>Sun Oct 04 23:16:54 -0700 2009</date_added>
  <date_updated>Sun Oct 04 23:38:28 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I almost stopped reading this a number of times, but I have a thing about finishing books. Salman Rushdie is one wordy motherfucker, the opposite of what I tend to enjoy. He's all for the word play, the linguistic jokes, the rhyming slang and colorful Indian colloquialisms, which are cute for a whil...<a href="http://www.goodreads.com/review/show/73481682">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/73481682]]></url>
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</review>
      <review>
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  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
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  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
  </description>
  <published>1995</published>
</book>

    <rating>2</rating>
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  <read_at>Mon Jun 01 00:00:00 -0700 2009</read_at>
  <date_added>Thu May 21 14:49:16 -0700 2009</date_added>
  <date_updated>Fri Jun 19 13:29:08 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[In my years of reviewing here, I've been loath to review a book I didn't read all the way through. But sometimes I encounter a book that I don't merely feel isn't worth my time, but which is so awful I just can't help but warn others. Salman Rushdie's THE MOOR'S LAST SIGH is such a book.<br/><br/>...<a href="http://www.goodreads.com/review/show/56888119">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/56888119]]></url>
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      <review>
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    <name><![CDATA[Alcornell]]></name>
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  <id type="integer">1017027</id>
  <isbn>0394281977</isbn>
  <isbn13>9780394281971</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
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  <average_rating>3.95</average_rating>
  <ratings_count>39</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
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  <read_at>Mon Oct 26 00:00:00 -0700 2009</read_at>
  <date_added>Sun Sep 13 16:18:23 -0700 2009</date_added>
  <date_updated>Thu Oct 29 18:43:31 -0700 2009</date_updated>
  <read_count>1</read_count>
    <body><![CDATA[It's a palimpsest--multiple layers, some showing through, others not. A bit of the story appears at a time, but never the entire thing at once.  It is like life in that way.  The themes are huge, and many. The characters are not fleshed out to the exclusion of any other, even the redoubtable Aurora,...<a href="http://www.goodreads.com/review/show/71101990">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/71101990]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/71101990]]></link>
</review>
      <review>
  <id>44264082</id>
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    <id>1098783</id>
    <name><![CDATA[Bonnie Jeanne]]></name>
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  <isbn>0679744665</isbn>
  <isbn13>9780679744665</isbn13>
  <text_reviews_count type="integer">28</text_reviews_count>
  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
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  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[Time Magazine's Best Book of the Year<br/><br/><br/>Booker Prize-winning author Salman Rushdie combines a ferociously witty family saga with a surreally imagined and sometimes blasphemous chronicle of modern India and flavors the mixture with peppery soliloquies on art, ethnicity, religious fanaticism, and the terrifying power of love. Moraes &quot;Moor&quot; Zogoiby, the last surviving scion of a dynasty of Cochinese spice merchants and crime lords, is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerized offspring, of premature deaths and curses that strike beyond the grave. <br/><p><br/>&quot;Fierce, phantasmagorical...a huge, sprawling, exuberant novel.&quot;--New York Times</p>]]>
  </description>
  <published>1995</published>
</book>

    <rating>3</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Sun Jan 25 05:10:58 -0800 2009</date_added>
  <date_updated>Sun Jan 25 05:10:58 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[No surprises in this story... the telling has lots of twists but the turns are seen well in advance. A beautiful telling, nonetheless. Language so magical one forgives the predictable. Indian history, folklore and drama. I am not such a fool to take this fictional account as gospel, however I was mo...<a href="http://www.goodreads.com/review/show/44264082">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/44264082]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/44264082]]></link>
</review>
      <review>
  <id>50766</id>
    <user>
    <id>4693</id>
    <name><![CDATA[علی]]></name>
    <location><![CDATA[3050, Denmark]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/4693]]></link>
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  <text_reviews_count type="integer">156</text_reviews_count>
  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
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  <link>http://www.goodreads.com/book/show/9865.The_Moor_s_Last_Sigh</link>
  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
  </description>
  <published>1995</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Sat Feb 17 01:12:15 -0800 2007</date_added>
  <date_updated>Sat Apr 21 11:14:42 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[From Midnight Children on, seems that Roshdie’s preference moves tward the language rather than the narration itself. Comparing ”The ground beneath of her feet” and ”Midnight children” one comes to a more beautiful language but less interesting events.<br/><br/>در اثار رشدی ز...<a href="http://www.goodreads.com/review/show/50766">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/50766]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/50766]]></link>
</review>
      <review>
  <id>74992759</id>
    <user>
    <id>1666277</id>
    <name><![CDATA[Heather]]></name>
    <location><![CDATA[Canada]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1666277-heather]]></link>
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  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1180267071s/1017027.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1017027.The_Moor_s_Last_Sigh</link>
  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
  </description>
  <published>1995</published>
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    <rating>3</rating>
  <votes>0</votes>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Jan 01 00:00:00 -0800 2009</read_at>
  <date_added>Sun Oct 18 23:29:54 -0700 2009</date_added>
  <date_updated>Sun Oct 18 23:32:59 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[While I've enjoyed Rushdie's books and thought I would really be taken in by The Moor's Last Sigh, I found it hard to get sucked into the story.  This book is wordy and while I don't shy away from lengthy books or verbose authors, I found that the effect in this case was to constantly keep me at a d...<a href="http://www.goodreads.com/review/show/74992759">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/74992759]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/74992759]]></link>
</review>
      <review>
  <id>1209774</id>
    <user>
    <id>79337</id>
    <name><![CDATA[Teo]]></name>
    <location><![CDATA[Romania]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/79337-teo]]></link>
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  <isbn>009959241X</isbn>
  <isbn13>9780099592419</isbn13>
  <text_reviews_count type="integer">156</text_reviews_count>
  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1166072020m/9865.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1166072020s/9865.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/9865.The_Moor_s_Last_Sigh</link>
  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
  </description>
  <published>1995</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[Cui nu se da mare cand citeste carti mari]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Nov 01 00:00:00 -0800 2004</read_at>
  <date_added>Mon May 14 15:13:01 -0700 2007</date_added>
  <date_updated>Wed Dec 16 19:25:52 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Poate cea mai originala carte din ce am citit eu de Salman Rushdie, si asta nu pentru vreo tehnica de care sa nu mai fi auzit nimeni,ci datorita unei istorisiri despre un om care imbatraneste de cateva ori mai repede decat persoanele obisnuite. &quot;ce beneficiu!!!&quot; ar striga acum amatorii de ...<a href="http://www.goodreads.com/review/show/1209774">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1209774]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/1209774]]></link>
</review>
      <review>
  <id>29490705</id>
    <user>
    <id>985094</id>
    <name><![CDATA[Jill]]></name>
    <location><![CDATA[Clearfield, UT]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/985094-jill-hill]]></link>
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  <text_reviews_count type="integer">156</text_reviews_count>
  <title>
    <![CDATA[The Moor's Last Sigh]]>
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  <image_url>http://photo.goodreads.com/books/1166072020m/9865.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/9865.The_Moor_s_Last_Sigh</link>
  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
  </description>
  <published>1995</published>
</book>

    <rating>2</rating>
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  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Sep 11 09:56:44 -0700 2008</read_at>
  <date_added>Wed Aug 06 23:08:56 -0700 2008</date_added>
  <date_updated>Thu Sep 11 09:56:44 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I give this book a low rating with a disclaimer: I acknowledge that this is likely a well-written and &quot;good&quot; book--it's just not the type of book I personally like.  I have little to no background knowledge of India, which I think would be required to fully appreciate this book.  There are...<a href="http://www.goodreads.com/review/show/29490705">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/29490705]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/29490705]]></link>
</review>
      <review>
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    <name><![CDATA[Sally]]></name>
    <location><![CDATA[Melbourne, Australia]]></location>
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  <id type="integer">9865</id>
  <isbn>009959241X</isbn>
  <isbn13>9780099592419</isbn13>
  <text_reviews_count type="integer">156</text_reviews_count>
  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1166072020m/9865.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/9865.The_Moor_s_Last_Sigh</link>
  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
  </description>
  <published>1995</published>
</book>

    <rating>3</rating>
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  <read_at>Thu Nov 06 00:00:00 -0800 2008</read_at>
  <date_added>Wed Nov 19 19:32:55 -0800 2008</date_added>
  <date_updated>Wed Nov 19 19:35:18 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book was actually quite a hard book for me to read simply because it was outside my usual comfort zone. The language used is intense, requiring each sentence to be read quite carefully or else you'd lose some bit of vital information. His style was like someone who was just sitting there chatti...<a href="http://www.goodreads.com/review/show/38188653">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/38188653]]></url>
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      <review>
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    <name><![CDATA[Sherry (sethurner)]]></name>
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  <isbn13>9780099592419</isbn13>
  <text_reviews_count type="integer">156</text_reviews_count>
  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
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  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
  </description>
  <published>1995</published>
</book>

    <rating>5</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Wed Oct 29 14:02:03 -0700 2008</date_added>
  <date_updated>Wed Oct 29 14:02:03 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[&quot;I have lost count of the days that have passed since I fled the horrors of Vasco Miranda's mad fortress in the Andalusian mountain-village of Benengeli; ran from death under cover of darkness and left a message nailed to the door.&quot;<br/><br/>Exhausted and exhiliarated are words that describe me afte...<a href="http://www.goodreads.com/review/show/36506502">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/36506502]]></url>
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      <review>
  <id>71121353</id>
    <user>
    <id>2104970</id>
    <name><![CDATA[Diana]]></name>
    <location><![CDATA[Evanston, IL]]></location>
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  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1166072020m/9865.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/9865.The_Moor_s_Last_Sigh</link>
  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
  </description>
  <published>1995</published>
</book>

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  <votes>0</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Sep 16 00:00:00 -0700 2009</read_at>
  <date_added>Sun Sep 13 19:13:05 -0700 2009</date_added>
  <date_updated>Wed Sep 16 18:44:58 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Rarely am I so mystified. To sum up, this book was over 400 pages of meaningless words, written I must imagine, for the sole purpose of getting words onto paper. It was as if, in turning the pages, each previous page became irrelevant. Yet despite such irrelevance of plot and lack of genius, Rushdie...<a href="http://www.goodreads.com/review/show/71121353">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/71121353]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/71121353]]></link>
</review>
      <review>
  <id>1115884</id>
    <user>
    <id>80760</id>
    <name><![CDATA[Leo]]></name>
    <location><![CDATA[The United Kingdom]]></location>
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  <isbn13>9780679744665</isbn13>
  <text_reviews_count type="integer">28</text_reviews_count>
  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
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  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[Time Magazine's Best Book of the Year<br/><br/><br/>Booker Prize-winning author Salman Rushdie combines a ferociously witty family saga with a surreally imagined and sometimes blasphemous chronicle of modern India and flavors the mixture with peppery soliloquies on art, ethnicity, religious fanaticism, and the terrifying power of love. Moraes &quot;Moor&quot; Zogoiby, the last surviving scion of a dynasty of Cochinese spice merchants and crime lords, is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerized offspring, of premature deaths and curses that strike beyond the grave. <br/><p><br/>&quot;Fierce, phantasmagorical...a huge, sprawling, exuberant novel.&quot;--New York Times</p>]]>
  </description>
  <published>1995</published>
</book>

    <rating>1</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Tue Jan 01 00:00:00 -0800 2002</read_at>
  <date_added>Wed May 09 02:40:10 -0700 2007</date_added>
  <date_updated>Mon May 14 17:50:30 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[JM Coetzee on The Moor's Last Sigh by Salman Rushdie:<br/><br/>&quot;If Rushdie's Satanic Verses outraged the dour literalists within Islam, then The Moor's Last Sigh is aimed at the fascist-populist element within the Hindu political movement. On Raman Fielding [a caricature of Bal Thackeray] Rus...<a href="http://www.goodreads.com/review/show/1115884">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1115884]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/1115884]]></link>
</review>
      <review>
  <id>28492861</id>
    <user>
    <id>1008428</id>
    <name><![CDATA[Rebekah]]></name>
    <location><![CDATA[The United States]]></location>
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  <title>
    <![CDATA[The Moor's Last Sigh]]>
  </title>
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  <link>http://www.goodreads.com/book/show/9865.The_Moor_s_Last_Sigh</link>
  <average_rating>3.96</average_rating>
  <ratings_count>2280</ratings_count>
  <description>
    <![CDATA[In <strong>The Moor's Last Sigh</strong> Salman Rushdie revisits some of the same ground he covered in his greatest novel, Midnight's Children. This book is narrated by Moraes Zogoiby, aka Moor, who speaks to us from a grave in Spain. Like Moor, Rushdie knows about a life spent in banishment from normal society--Rushdie because of the death sentence that followed The Satanic Verses, Moor because he ages at twice the rate of normal humans. Yet Moor's story of travail is bigger than Rushdie's; it encompasses a grand struggle between good and evil while Moor himself stands as allegory for Rushdie's home country of India. Filled with wordplay and ripe with humor, it is an epic work.]]>
  </description>
  <published>1995</published>
</book>

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  <read_at>Thu Jul 31 00:00:00 -0700 2008</read_at>
  <date_added>Mon Jul 28 06:21:05 -0700 2008</date_added>
  <date_updated>Thu Jul 31 10:52:11 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[hated it. rushdie paints very vivid pictures of his characters and their surroundings, but at a certain point i just stopped caring. if i had to guess i would say my main turn off was the way the book is structured. knowing the the story ultimately had to focus in on the moor, i just kept trudging t...<a href="http://www.goodreads.com/review/show/28492861">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/28492861]]></url>
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