Goodreads helps you keep track of books you want to read.
Start by marking “Titus Alone (Gormenghast, #3)” as Want to Read:
Titus Alone (Gormenghast, #3)
Enlarge cover
Rate this book
Clear rating
Open Preview

Titus Alone (Gormenghast #3)

3.43 of 5 stars 3.43  ·  rating details  ·  2,741 ratings  ·  141 reviews
In this final part of the trilogy, we follow Titus, now almost twenty, as he escapes from the Castle, flees its oppressive Ritual, and becomes lost in a sandstorm. Helped by the owner of a travelling zoo, Muzzlehatch, and his ex-lover Juno, Titus ends up stranded in a big, bustling city. No one there having heard of Gormenghast, the general consensus is that the boy is der ...more
Paperback, 260 pages
Published February 5th 1998 by Vintage Books (first published 1959)
more details... edit details

Friend Reviews

To see what your friends thought of this book, please sign up.

Reader Q&A

To ask other readers questions about Titus Alone, please sign up.

Be the first to ask a question about Titus Alone

This book is not yet featured on Listopia. Add this book to your favorite list »

Community Reviews

(showing 1-30 of 3,000)
filter  |  sort: default (?)  |  rating details
-I'm going to just come right out and say it:

Mervyn Peake is the greatest writer of the English language the world has ever known. There. I said it, and I can't take it back. It's out there now, floating on the interwebs, for the world to disagree with. But at this point, I don't care if the world disagrees with me; I'm tuning the naysayers out with my rightness. Obviously I haven't read every writer of the English language, so there is the possibility that I'm wrong; but, even if I am wrong, I
Bill  Kerwin

"Titus Alone" has the charms and eccentricities, the verbal and visual beauties of its two formidable predecessors, but it is only about half as long as they are, with extremely short chapters, and it lacks their concentrated richness, their depth and perspective.

Is it a radical departure, a sleeker, more streamlined work, its short chapters and overall length appropriate to its more modern setting? Or is it a diseased creation, the production of an artistically disappointed man who had suffere
J.G. Keely
Mervyn Peake was, by all accounts, a powerful presence, an electric character, and a singular creative force. While Tolkien's poetry is the part everyone skips, Peake's invigorates his books. His voice and tone are unique in the English language, and his characterization is delightfully, grotesquely vivid. As an illustrator, he was perhaps somewhat less precise than Dore, but more evocative than Beardsley.

His life and his vision were singular, from his birth in China to his years on the channel
Titus Groan and Gormenghast are two of my ten favourite books (reviewed on my Favourites shelf), but despite some wonderful language, I cannot love this one, intriguing as it is. China Miéville argued (in a lecture at the British Library 11th June 2011) that this volume recasts the previous two and because I had just finished reading Maeve Gilmore's Titus Awakes, I was able to see his point.

In this, Titus, seventy-seventh earl of Gormenghast is 22 and wandering unknown lands. He is invariably be
Paul Bryant
Mervyn Peake was the Buddy Holly of literature - there was absolutely no doubt that he would have written a great third volume of the Gormenghast saga, but he fell victim to early onset dementia, and all we have are the scraps of notes from this last unhappy period; just as we know full well that the void between 1960 and the rise of the Beatles in 63 would have been filled magnificently by Buddy Holly, whose musical imagination had already at age 22 impressed all with his huge potential. But we ...more
Jordan West
Well, it has only taken me fourteen years, but I have finished the trilogy at last; I read the first volume back in 2001 as a high school sophomore, and enjoyed it, but at the time I was being carried along by a seemingly endless wave of writers to discover and rediscover that I didn't fully appreciate it at the time. However, better late than never, and while, as others have noted, Peake's illness left this feeling rather like a condensed version of a larger book (and as much as I miss my favor ...more
Titus Groan (the first book) is always the one that has stuck in my mind. I recall that on seeing the BBC DVD (based on books I and II), I was surprised by some of what it contained, and only on my recent re-read of Gormenghast (the second book) did its contents slowly come back to me. I was unable to recall any of Titus Alone, and I now think it was for the simple reason that I never actually got around to it (though I thought I had read the entire trilogy).

It's also possible that I just don't
"I am tired of your words," said Titus.
"I use them as a kind of lattice-work," said Muzzlehatch. "They hide me away from me...let alone from you. Words can be tiresome as a swarm of insects. They can prick and buzz! Words can be no more than a series of farts; or on the other hand they can be adamantine, obdurate, inviolable, stone upon stone. Rather like your 'so-called Gormenghast' (you notice that I use the same phrase again. The phrase that makes you cross?) For although you have learned, it
Although the three Gormenghast novels are now thought of as a trilogy, I wonder how appropriate this designation is. Peake's intention with the series was to tell the entire life story of the character Titus Groan, and he was working on the fourth book in this series at the time of his death. He planned to write five volumes in the series, the fourth and fifth being "Titus Awakens" and "Gormenghast Revisited." Clearly Peake didn't think of this book as the conclusion to a trilogy, but a middle-s ...more
Titus Alone is an odd duck, not really one of the Gormenghast novels. Although the main character is supposed to be Titus Groan, it could be any homeless youth for most of the book. Even the writing style and chronology are wrong. Whereas the Gormenghast novels were classically gothic with gloomy castles and ragged peasants, Titus Alone involves cocktail parties and sports cars. Titus left Gormenghast in the previous volume on horseback; here he returns by aircraft.

There is also a long section
William Herschel
I met this with mixed feelings and finished it with not much of a resolution in that regard. :/

This is the third book completed by Mervyn Peake, centering around the character Titus Groan, Seventy-Seventh Earl of Gormenghast. Peake was struggling with a degenerative disease and this book was apparently compiled together from various manuscripts... it shows.

First, you have Titus Groan. Throughout the first book he is but an infant, and in the second still remains rather elusive and dull compared
I was already aware of the consensus that "Titus Alone" was widely considered a severe let-down after the first two Gormenghast books, so my expectations were low to begin with. However, despite the obvious shift from those earlier works, Peake's talent, his love of language, his creativity and his knack for unique characters still shine through, so that while a little tricky at first, I soon found myself enraptured in the story just as I had with the previous novels.

It is hard to leave Gormengh
Getting through this one was work. I doubt I would have finished it if I hadn't enjoyed the first two so much. Peake made some weird choices in terms of setting a Gormenghast book completely outside of Gormenghast, and giving a previously timeless series clear twentieth-century markers. Basically the only thing that carries forward from the first two is the title character, who was a small child until midway through the second book. That would be fine if the new material were interesting in its ...more
Wyatt Spear
This book achieves the rare feat of making the other books in the series feel worse on reflection. Titus, it turns out, is an utterly unlikable pill of a human being who, despite his lack of redeeming qualities and a general attitude of entitled unpleasantness, finds a number of people more than willing to risk life, limb and livelihood to befriend, love and help him for no discernible reason. These encounters are monotonous in their unbelievable convenience for our despicable protagonist. Such ...more
There must be people, in this takes-all-kinds world, who like "Titus Alone" better than the two Gormenghast novels that preceded it. But I can't imagine who they are. Not that the third novel is bad — it isn't; it's decent — but people who liked the first two enough to read the third are likely to be a bit stunned by what they encounter, for "Titus Alone" bears little resemblance to its predecessors.

A novel that probably should come with a warning label (and, by the way, this review is going to
The Gormenghast trilogy is in my all time favourites list. The writing is incredible. I read the three books straight through as one. The second, Gormenghast is the best. After this Gothic Fantasy, anything I read seemed flat and boring for a while.
Johan Haneveld
A different beast than the first two books of this trilogy. Not an easy read - and complicated by my tiredness of these past few days. Hard to appreciate all the beautiful descriptions when you have a hard time concentrating. What I did get from this were human characters - again: described from the outside, but because of that even more human in their uniqueness, and the complicatedness of their actions. Even the inner motivation of the story (what did happen at the factory) is not made explici ...more
Lisa (Harmonybites)
Feb 06, 2012 Lisa (Harmonybites) rated it 2 of 5 stars  ·  review of another edition
Recommends it for: Gormenghast Completists
Recommended to Lisa (Harmonybites) by: A Reader's Guide to Fantasy: Seven-League Shelf
My first impression of Titus Groan, the first part of the Gormenghast Trilogy, was that it was a deeply weird book. I was warned that Titus Alone, the third and last part, "gets even... weirder," and I'd say that's the case, and it feels very different than the other two. The first two books establish the strange world of Gormenghast Castle, a crumbling edifice that seemed timeless and hermetically sealed, a world unto itself and one that was hard to place but seemed pre-Industrial and bound by ...more
Jan 05, 2012 Audrey rated it 5 of 5 stars  ·  review of another edition
Recommended to Audrey by: Grandma
Even though I felt like a lot was missing from this story, I still gave it five stars. There's just something about Peake--again, even feeling a difference in his writing in this novel--that is so engrossing. His stories and characters, once you delve in, are almost irresistible. I missed so many of the characters from the first two books, but their presence was still felt at times, and even felt very strongly, because of Titus's longing for home and to figure out just who he is as a part of and ...more
I love this trilogy, and I'll debate with anyone who says that this book is a letdown. True, it is quite different from Titus Groan and Gormenghast, but Peake was, I think, attempting to portray a different atmosphere - a different world, even - than the world of Gormenghast. The titular castle was its own creature, with its own rules, its own political system, and even its own ecology. In fleeing his former home, Titus leaves behind his former life and soon realizes that life outside of Gormeng ...more
A.E. Shaw
Mar 19, 2013 A.E. Shaw rated it 5 of 5 stars  ·  review of another edition
Recommended to A.E. by: Peggy
Shelves: 2013

I read the the first two novels in the trilogy about fifteen years ago, and liked them very much indeed, but didn't quite feel the love that I might, I suspect, if I read them now. Which I will. The greyness and misery and unpleasantry of them was its own kind of joy, but not something I fell for. So I read this novel in isolation now, knowing that it's a different beast to its predecessors, and, whilst in part I suspect some of my love comes from the fact that every time one comes back to readi
This is my least favorite of the three Titus books. Although the prose is similar, the story is just not the same. Where the other two books are set in the forbidding setting of Gormenghast, Titus Alone seems disconnected, which is maybe what the author was intending, but the story seems as though it takes place nowhere, it is not grounded and has a very ethereal quality.

As always, Peake comes up with the cleverest names ever. Mundane articles turn into people and take on those characteristics.
Alas, the saga begins to sag. In the last book of the trilogy, Peake seems to be running out of inspiration to some degree, although there are still many interesting moments and examples of his impressive descriptive skills. In this, young Titus has abandoned his home and fled to a land beyond the borders of Gormenghast. However this country (or community, or whatever you want to call it) is not nearly so well defined as Gormenghast was. There is virtually no explanation of the organization and ...more
This is what I think I'd call an "accomplishment read." On its own, Titus Alone doesn't work at all. I read it, though, as a completist, so that I could know about it for myself. However, the book's fate is made even sadder by the fact this third book in the Gormenghast trilogy doesn't work as part of its series, either.

This is pretty well-covered knowledge: Book One and Book Two take place in the same setting, with the same rules and people and purpose. At the end of Book Two, our hero Titus ta
Sam Wescott
Ok, so think of what it was in the first two books that really captured your attention and love. Was it the overwhelming sense of place that made Gormenghast so rich with details? Was it the style of language that was so absurd and macabre that it made you giggle? Was it the rich, ridiculous characters, with their farcical speaking patterns and personalities? Was it the surreal plot? The richly painted setting? The cunning of the villain? Well, if any of these things were intrinsic to your enjoy ...more
Mervyn Peake’s first two Gormenghast novels, Titus Groan and Gormenghast, are not so much separate books as they are chapters in the same vast, powerful work of literature. Titus Groan is merely the stage-setter: it’s Gormenghast which details the climax to the twin story arcs of Steerpike’s ruthless ambition and Titus’ growing urge for freedom, for liberty, for escape from the stifling confines of the ancient castle of Gormenghast – and indeed, the novel ends with Titus finally fleeing the cast ...more
I think this is the best book in the trilogy. Muzzlehatch is the best character, and the Under-River is the spookiest place in the series. The whole novel is interesting, thought-inducing and strange places, characters and conversations, one after another at a fast pace. Very odd and disturbing images too.
Roger Kirkbride
Ghormengast and Titus Groan give a hint at Mervyn Peake's mental processes; Titus Groan is what happens when they break down altogether. It's difficult to read until you understand what the author was going through; then the thread seems easier but the emotional ride is much harder. Read it with sympathy
After two books of wondering how the castle of Gormenghast could exist in a world so static, we are quickly thrown into the cusp of New Wave Sci-Fi a la Moorcock and Harrison. The transition is jarring and has many causes. First there are the changes in Literature and the world at-large between the mid-40s and late-50s. Second, there is the change in focus from castle to young man. Third, there is the decline in Peake's health and mental focus from the effects of dementia. The result is a flight ...more
My favorite of the Gormenghast trilogy. Bizarre and beautiful fantasy. I've yet to read anything quite like Peake. He created an entire separate cosmos with Gormenghast. A true original, which is, sadly, very very rare.
« previous 1 3 4 5 6 7 8 9 99 100 next »
  • Gloriana
  • The Well of the Unicorn
  • The Malacia Tapestry
  • The High Place
  • The Broken Sword
  • A Voyage to Arcturus
  • The Eyes of the Overworld (The Dying Earth, #2)
  • The Sound of His Horn
  • The Unlimited Dream Company: A Novel
  • Fata Morgana
  • Sweet Dreams
  • Daemonomania (The Aegypt Cycle, #3)
  • A Storm of Wings
  • Fourth Mansions
  • The Digging Leviathan
  • The Worm Ouroboros
  • The Charwoman's Shadow
  • Lud-in-the-Mist
Mervyn Laurence Peake was an English modernist writer, artist, poet and illustrator. He is best known for what are usually referred to as the Gormenghast books, though the Titus books would be more accurate: the three works that exist were the beginning of what Peake conceived as a lengthy cycle, following his protagonist Titus Groan from cradle to grave, but Peake's untimely death prevented compl ...more
More about Mervyn Peake...

Other Books in the Series

Gormenghast (5 books)
  • Titus Groan (Gormenghast, #1)
  • Gormenghast (Gormenghast, #2)
  • Boy in Darkness
  • Titus Awakes: The Lost Book of Gormenghast (Gormenghast, #4)
Titus Groan (Gormenghast, #1) Gormenghast (Gormenghast, #2) The Gormenghast Novels (Gormenghast, #1-3) Mr Pye Boy in Darkness and Other Stories

Share This Book

“But there were also times when she cried out in the darkness biting her lips - cried out against the substance of her age: for it was now that she should be young; now above all other times, with the wisdom in her, the wisdom that was frittered away in her 'teens', set aside in her twenties, now, lying there, palpable and with forty summers gone. She clenched her hands together. What good was wisdom; what good was anything when the fawn is fled from the grove?” 6 likes
“The sun sank with a sob and darkness waded in from all horizons so that the sky contracted and there was no more light left in the world, when, at this very moment of annihilation, the moon, as though she had been waiting for her cue, sailed up the night.” 4 likes
More quotes…