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    <![CDATA[The wife of the dead man, Joseph Cradock, finding her husband lying motionless on the dewy turf, went white and stricken up the path to the village and got two men who bore the body to the farm. Lewis was sent for, and knew at once when he saw the dead man that he had perished in the way that the little Roberts boy had perished--whatever that awful way might be.]]>
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    <body><![CDATA[Este libro me ha gustado tanto que no sé por dónde entrarle. Y cualquier juicio que emita acerca de él será una apreciación absolutamente personal: ojalá que me perdonen la falta de objetividad.<br/><br/>Cada historia de Machen que he leído me ha procurado por igual felicidad y horror absol...<a href="http://www.goodreads.com/review/show/82199256">more...</a>]]></body>
    
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    <![CDATA[&quot;Explosion at Munition Works in the Northern District: Many Fatalities.&quot; The working man told me about it, and added some dreadful details. Corpses so terribly maimed that coffins had been kept covered; faces mutilated as if by some gnawing animal. . . . I took a tram to the location of the disaster; a raw and hideous shed with a walled yard about it, and a shut gate. The roof was quite undamaged -- this had had been a strange accident. There had been an explosion of sufficient violence to kill work-people in the building, but the building itself showed no wounds or scars.]]>
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    <body><![CDATA[Arthur Machen's &quot;The Terror&quot; is a novella published in 1917.  Probably best known for his (in)famous &quot;The Great God Pan&quot;, Machen has only recently been getting the attention he deserves (outside of the particularized genre fans) for his visionary writing that transcended the horr...<a href="http://www.goodreads.com/review/show/40853073">more...</a>]]></body>
    
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    <![CDATA[The wife of the dead man, Joseph Cradock, finding her husband lying motionless on the dewy turf, went white and stricken up the path to the village and got two men who bore the body to the farm. Lewis was sent for, and knew at once when he saw the dead man that he had perished in the way that the little Roberts boy had perished--whatever that awful way might be.]]>
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    <![CDATA[&quot;Explosion at Munition Works in the Northern District: Many Fatalities.&quot; The working man told me about it, and added some dreadful details. Corpses so terribly maimed that coffins had been kept covered; faces mutilated as if by some gnawing animal. . . . I took a tram to the location of the disaster; a raw and hideous shed with a walled yard about it, and a shut gate. The roof was quite undamaged -- this had had been a strange accident. There had been an explosion of sufficient violence to kill work-people in the building, but the building itself showed no wounds or scars.]]>
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    <![CDATA[Arthur Machen foi um dos grandes e incontornáveis escritores do início de século xx. A sua obra é imprescindível à compreensão de autores como H.P. Lovecraft, Stephen King, Bram Stoker, Sir. Conan Doyle, Oscar Wilde, ou mesmo Alfred Hitchcock. Foi apontado por Luís Borges como a grande influência do realismo mágico.<br/>O Terror é um dos três contos reunidos nesta obra. Neste conto, ambientado numa região isolada a Oeste de Gales, relatam-se acontecimentos bizarros e inexplicáveis, onde a natureza parece ganhar vontade própria e revoltar-se contra a humanidade. O poder contagioso de forças obscuras cria um clima de tensão e leva à violência.<br/>Numa época em que todas as atenções estavam viradas para a Primeira Guerra Mundial, este conto é susceptível de diversas interpretações ou analogismos que o autor terá escondido na sua trama enigmática. Trata-se de uma obra literária muito estudada, e que merece um lugar de destaque em qualquer biblioteca.<br/>Arthur Machen consegue uma perfeita simbiose entre fantasia, realidade e lenda.]]>
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    <![CDATA[Arthur Machen foi um dos grandes e incontornáveis escritores do início de século xx. A sua obra é imprescindível à compreensão de autores como H.P. Lovecraft, Stephen King, Bram Stoker, Sir. Conan Doyle, Oscar Wilde, ou mesmo Alfred Hitchcock. Foi apontado por Luís Borges como a grande influência do realismo mágico.<br/>O Terror é um dos três contos reunidos nesta obra. Neste conto, ambientado numa região isolada a Oeste de Gales, relatam-se acontecimentos bizarros e inexplicáveis, onde a natureza parece ganhar vontade própria e revoltar-se contra a humanidade. O poder contagioso de forças obscuras cria um clima de tensão e leva à violência.<br/>Numa época em que todas as atenções estavam viradas para a Primeira Guerra Mundial, este conto é susceptível de diversas interpretações ou analogismos que o autor terá escondido na sua trama enigmática. Trata-se de uma obra literária muito estudada, e que merece um lugar de destaque em qualquer biblioteca.<br/>Arthur Machen consegue uma perfeita simbiose entre fantasia, realidade e lenda.]]>
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    <![CDATA[&quot;Explosion at Munition Works in the Northern District: Many Fatalities.&quot; The working man told me about it, and added some dreadful details. Corpses so terribly maimed that coffins had been kept covered; faces mutilated as if by some gnawing animal. . . . I took a tram to the location of the disaster; a raw and hideous shed with a walled yard about it, and a shut gate. The roof was quite undamaged -- this had had been a strange accident. There had been an explosion of sufficient violence to kill work-people in the building, but the building itself showed no wounds or scars.]]>
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