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Howards End

3.95  ·  Rating Details ·  56,557 Ratings  ·  1,847 Reviews
The self-interested disregard of a dying woman's bequest, an impulsive girl's attempt to help an impoverished clerk, and the marriage between an idealist and a materialist — all intersect at a Hertfordshire estate called Howards End. The fate of this beloved country home symbolizes the future of England itself in E. M. Forster's exploration of social, economic, and philoso ...more
Paperback, 246 pages
Published October 29th 2002 by Dover Publications (first published 1910)
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Aug 15, 2008 Zelda rated it it was amazing  ·  review of another edition
My review is not a review of Howard's End as much as it is a review of the negative reviews.

Most of the criticism seems to be that the readers felt that this book had nothing to do with them. They weren't familiar with the places in England referenced in the book. It was too English. It wasn't universal. True on some counts. This book isn't about you. It isn't about now. It isn't directly relevant to today. It won't feed the soul of the egomaniac.

It is, however, a beautifully written book with a
I loved this book so much that I will never be able to do it justice in this review. I finished it several months ago, but still I think of it often and have recommended it to numerous friends. While reading, I used countless post-its to mark beautiful and thoughtful passages.

Howard's End was one of the novels I took on my visit to England earlier this summer. I wanted to read English authors while I was there, and I'm so glad I did. The specialized reading completely enhanced the trip, and it w
Jason Koivu
Feb 14, 2012 Jason Koivu rated it really liked it
Shelves: fiction
I've read three of Forster's most well known novels, and yet, I don't feel I know them at all. Even this one, as I read it, was fading from memory. I don't mean to say that his work is forgettable, but with every Forster book I've read - amazing human portraits and elegant, occasionally profound turns of phrase - somehow they all flitter on out of my head. It's as if they were witty clouds: intelligent and incorporeal. Heck, I've even seen movie versions for a couple of them and I still don't re ...more
Reading this at the time I did is an event I can only describe as 'lucky', seeing as how both my reasoning and the circumstances hardly heralded how much I would love this work. The facts: Carson's The Beauty of the Husband: A Fictional Essay in 29 Tangos left me with a craving for something white and male and English, a rare beast these days that has made this the seventh work out of 45 read this year that fits that all too often ubiquitous combination of characteristics. I turned to the stacks ...more
May 15, 2008 Laura rated it it was amazing
Shelves: classic, english-lit
Many critics consider this to be Forster’s masterpiece, and it is hard to imagine a more searing and poignant examination of the social, philosophic, and economic issues facing England during the fascinating window between Queen Victoria and World War I. Forster uses three families—the intellectual and impractical Schlegels, the materialistic and empire-building Wilcoxes (who drove through the bucolic Shropshire countryside and “spoke of Tariff Reform”), and the working class Basts—to explore th ...more
Jun 14, 2008 Cecily rated it really liked it  ·  review of another edition
Shelves: classics
"Only connect" is doubtless the most famous line from this book, and typical of Forster's knack for sprinkling unexpectedly modern-sounding phrases into his prose.

This is the story of the Schlegel sisters: half German Edwardians living in London. They are intellectual and comfortably off, but more bohemian/Bloomsbury than establishment. They encounter the wealthier and more conservative Wilcoxes and the struggling clerk Leonard Bast. Their altruistic attempts at social engineering are someti
The Schlegel sisters seemed like characters plucked straight out of a Jane Austen book, or books. Some combination of Emma Woodhouse (Emma) and the Dashwood sisters (Sense and Sensibility). But the story and the style are entirely Forster's. The focus of the story is the social class differences in English society. The setting is Edwardian Era England, sandwiched tightly between the end of the Victorian Era and the beginning of World War I. Most of Forster's novels were published in this 1st dec ...more
Barry Pierce
I started out liking this. I was even thinking this was going to be my first four-star novel of the year. However, as Howards End progressed I found myself caring less and less about what was going on. By the time I was 50% of the way through I was just waiting for it to finish. I felt the exact same way about Where Angels Fear to Tread. Maybe it's Forster's prose? I don't know. I think Forster and I are going to have a turbulent relationship.
Aug 13, 2015 Apatt rated it it was amazing
Shelves: fave-classics
I vaguely remember seeing the film adaptation of Howards (no apostrophe-s!) End decades ago. I don’t remember much about the plot, I just vaguely (mis)remembered it as a story of some mad old biddy giving a house to Emma Thompson. I suppose if you must give away a house to someone Emma Thompson is not a bad choice, she is pretty cool. Anyway, after recently reading A Room with a View and The Machine Stops I have added E.M. Forster to my much coveted list of favorite classic authors (he missed ...more
Aug 25, 2014 Edward rated it really liked it  ·  review of another edition
Suggestions for Further Reading
A Note on the Text

--Howards End

Explanatory Notes
I'm afraid I'm going to end up saying most of exactly the same things as I said about A Passage to India, but I guess this one gets an extra star? I'm not sure if that's completely fair, but I rather think I might be mellowing in my old age - I'm starting to give stars for enjoyment. I hear that's what one ages.

So firstly, I was a little bit surprised to find myself liking this book at all, because Forster is rather snotty and British, and he does have a tendency to wax lyrical about the meaning
helen the bookowl
While this book has an interesting plot and deals with various themes, it wasn't executed as well as I would've hoped.
It basically deals with two sisters, Helen and Margaret, and their sister dynamics and family dynamics. However, this is also a story of differences between the middle class and the poor, love, death, hope and revenge. As you can see, the plot contains multiple strong elements, but what had me puzzled was the fact that Forster centers everything around the estate called Howards
Jul 08, 2011 Eric rated it really liked it  ·  review of another edition
Shelves: ficciones
My first Forster; and despite half-consciously interpolating Woolf-like reveries for Mrs. Wilcox—she’s like Mrs. Dalloway but described from a great distance—I enjoyed it very much. Forster’s structure is a perfect fusion of the dramatic and the essayistic; his style maintains a careful balance of lyricism and exposition; and his characters are at once individuals and types. It’s easy to see why Forster is, or was, such a critical darling, especially if that critic be the grave, pouchy-eyed Lion ...more
3.5 stars. I like the symbolism in E.M. Forster’s novel ‘Howards End’. Houses seem to symbolize the different periods: Howards End, described as “the old and little red brick” which represents the old rural England in contrast to new flats in London “expensive – with cavernous entrance halls, full of concierges and palms” which are a sign of modern times to come. E.M. Forster portrayed skillfully the three main families and their houses, symbolizing three different social classes at the beginnin ...more
Glenn Sumi
Howards End is a chatty, witty, philosophical novel about the state of England in the years leading up to the first world war.

There’s a sharp sense of place (Howards End, the estate, was modelled after Forster’s childhood home), and by focusing on three separate families, you certainly understand the social hierarchy of Edwardian England. The book’s famous epigraph (“Only connect...”) refers to the need for humans to empathize with others, cutting across boundaries of class, culture, geography a
Oct 13, 2016 Trish rated it really liked it  ·  review of another edition
Shelves: classics
Well, this took me long enough to finish! I swear, I always become the laziest, most sluggish reader the second classes start up. I read about one book every quarter, it's pathetic. But, tardiness aside, I've heard about this book for ages and I'm so glad I finally know what all the hullabaloo's about.

It's a good book, but not my favorite Forster. I daresay, I think A Room With a View is holistically better. But I fully appreciate the sentiment, dramatics, and philosophy expressed in Howards En
Apr 16, 2008 Happyreader rated it liked it
Shelves: fiction, classics
While "only connect . . ." is the book's epigraph, this book also makes me think of the Dalai Lama's statement that "kindness without wisdom is cruelty." The Wilcox family may be positioned as the book's villians but both Schlegel women cause their share of harm too and only faintly seem to make their own connections.

Sep 30, 2013 Zorena rated it really liked it
Shelves: classics, literature, 1001
Beautifully written and what I was expecting when I started this book but it's so much more than that. Bucolic settings pave the way for lessons in Victorian era mores, economics and class.

First off I have to say that I love the heroines in this book. It's so nice to see women portrayed as having opinions on something other than clothes and the household. Meg and Helen are wonderful idealists albeit misguided. They work towards helping the working class to better their lives.

I'm honestly at a
Aug 24, 2016 Kenchiin rated it it was amazing  ·  review of another edition
I'd love to write one of those reviews with important quotes from the book, but since I couldn't decide which would be better I will just let my rating speak for itself.
Sep 18, 2012 Alex rated it really liked it
There are a million books about the inner lives of English people. Here is one of them.

ps I can't begin to express how much it bothers me that there's no apostrophe in Howards.
At this point in my reading life, I have read two other E.M. Forster novels - A Passage to India and A Room with a View. I enjoyed both of them, thought they were exceptionally well-written with wonderfully rich descriptions.

I liked Howards End a bit less.

It's a decent story, though not unusual. Three different families - a wealthy, old-money family, the Wilcoxes; an idealistic German family that values culture and experience over material gain, the Schlegels; and then there's Mr. Bast, a scrapp
Sep 22, 2007 Joe rated it it was amazing  ·  review of another edition
Recommends it for: anyone who loves flawless literature
"I'm afraid that in nine cases out of ten Nature pulls one way and human nature another."

Young and impressionable at the age of 18, I fell in love with an older man who introduced me to E.M. Forster. Being a busy college student, I never gave myself the time to read his works, but instead watched every movie version. Howards End was my favorite.

Ten years later, I finally read the book.

And it stirred in me the kind of visceral response that only true art can do.

This is more than a novel about
Sep 19, 2009 Lobstergirl rated it really liked it  ·  review of another edition
Recommends it for: Pierce Brosnan
Recommended to Lobstergirl by: Neville Chamberlain
Shelves: fiction
There's always something in Forster's work that prevents me from completely loving it. It's clever and satisfying. Maybe it's that the divisions between those who are artistic and culturally appreciative (those with soul) and those who are crass, commercial, grasping, too much of the machine age (those who lack soul) are drawn a little too crudely. Or maybe it's because I know I'm supposed to side with the artistic people, but their conversations are so silly and verging on nonsensical. I suppos ...more
D.B. Woodling
Mar 19, 2015 D.B. Woodling rated it really liked it
Taking place in England, turn-of-the-twentieth century, Howards End is a stately country residence, housing the affluent Wilcoxes. But, more importantly, it symbolizes a stubborn hold on the polished sophistication of an era and a condemnation of the railways, urban development, and factories quickly perverting an unblemished countryside.

So much has been made of Forster’s awkward fixation on sexual passion, no more so desperately transparent and palpable than in Howards End. It is only when the
Bundan önce E. M. Forster'dan Manzaralı Bir Oda'yı okumuştum. Tabirimi mazur görün; ancak Howards End'in Manzaralı Bir Oda'nın bir üst modeli olduğunu söylemem mümkün. Her iki kitapta da farklı sosyal sınıflardan insanlar ve bu "sınıflar"ın ilişkilerini okuyoruz. Bu kitapta ise bunları daha ayrıntılı bir şekilde okumak mümkün.

Howards End'de şu üç aile üzerinden 1900lerinden başındaki İngiltere'ye hâkim olan (ve aslında dünyaya hâlâ hâkim olan) sert sınıflı toplum yapısı başarıyla anlatılıyor: H
I thoroughly enjoyed this 1910 classic! I had (of course) seen the Merchant-Ivory film adaptation before but I found the book had more depth to it. The film was true to the plot but the book contained some philosophical themes, such as what things are worth striving for in life, which the film understandably couldn't portray as well (or at all).
 Lisa A. ✿
Good grief!!

(Image Source: Clip arts)
Aug 31, 2009 Tatiana rated it liked it  ·  review of another edition
Recommends it for: those who appreciate classics
Shelves: classics, 1001, 2010
"Howard's End" strangely reminded me of several Jane Austen's books. Same themes of blending of classes ("Emma"), sisterly love ("Sense and Sensibility"), and witty humor. However this book was not as compelling as any of Austen's.

As much as liked this complex story of relationships between three families belonging to three different classes of pre-war England; as much as I enjoyed the exploration of turn-of-the-century issues of women's equality, great disparity between rich and poor, social i
Jun 01, 2016 Cphe rated it really liked it  ·  review of another edition
I enjoyed this, it's another of those classics that I've always felt that I should read at some stage. Quite a sad and poignant story overall. A gentler novel of a bygone age. A beautifully delivered story although I could not with all honesty say that I enjoyed the cast of characters here, the exceptions being that main character, Margaret who had an affinity with Howards End and the somewhat downtrodden, to my mind at least Dolly Wilcox. Well worth the time.
May 04, 2009 KrisAnne rated it really liked it
Stupidly enough, I hadn't read this book until now. I'd heard plenty of people bandy about the "only connect" epigram that kicks off the book, and now that I've read the book, I see how incorrectly this epigram is usually applied. "Only connect" doesn't refer to connecting with people, except indirectly. It's about connecting the outer life of "telegrams and anger" (i.e. the sensible, get-things-done life) with the inner life of emotions, intellect, striving after beauty and truth, undsoweiter-- ...more
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Edward Morgan Forster, generally published as E.M. Forster, was an novelist, essayist, and short story writer. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society. His humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect".

He had five
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“Only connect!” 116 likes
“Death destroys a man: the idea of Death saves him.” 93 likes
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