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  <title><![CDATA[The Ten Cent Plague: The Great Comic Book Scare and How It Changed America]]></title>
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  <description><![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created in the pulpy, boldly illustrated pages of comic books. But no sooner had this new culture emerged than it was beaten down by church groups and a McCarthyish Congress.<p>In <em>The Ten-Cent Plague</em>, David Hadju reveals how comics, years before the rock and roll revolution, brought on a clash between postwar children and their prewar parents. Created by outsiders from the tenements, garish, shameless, and often shocking, comics became the targets of a raging generational culture divide. They were burned in public bonfires, outlawed in certain cities, and nearly destroyed by the televised hearings orchestrated by Congress. <em>The Ten-Cent Plague</em> radically revises common notions of popular culture and the divide between &quot;high&quot; and &quot;low&quot; art.</p>]]></description>
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    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
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    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
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    <rating>4</rating>
  <votes>8</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Jun 26 00:00:00 -0700 2008</read_at>
  <date_added>Fri Jun 20 17:48:51 -0700 2008</date_added>
  <date_updated>Thu Jun 26 15:23:18 -0700 2008</date_updated>
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    <body><![CDATA[(Reprinted from the Chicago Center for Literature and Photography [cclapcenter.com]. I am the original author of this essay, as well as the owner of CCLaP; it is not being reprinted here illegally.)<br/><br/>Fifty years after the fact, it seems that most of us have at least a general idea of the c...<a href="http://www.goodreads.com/review/show/25022665">more...</a>]]></body>
    
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      <review>
  <id>23501147</id>
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    <id>970762</id>
    <name><![CDATA[Jim]]></name>
    <location><![CDATA[Crown Point, IN]]></location>
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  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
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  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>2</rating>
  <votes>3</votes>
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  <read_at>Tue Jun 10 00:00:00 -0700 2008</read_at>
  <date_added>Mon Jun 02 05:02:44 -0700 2008</date_added>
  <date_updated>Thu Jun 12 23:18:36 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I heard David Hajdu in an NPR interview discussing this book, and it sounded pretty interesting. I looked forward to reading this, but it was a bit of a disappointment. The central focus of this book is the public uproar over comic books in the late 1940s and 1950s. Relative to the American cultural...<a href="http://www.goodreads.com/review/show/23501147">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/23501147]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/23501147]]></link>
</review>
      <review>
  <id>18000288</id>
    <user>
    <id>467338</id>
    <name><![CDATA[Dan]]></name>
    <location><![CDATA[Athens, GA]]></location>
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    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
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  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>4</rating>
  <votes>3</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[all comic fans, anyone opposed to censorship]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Mar 01 00:00:00 -0800 2008</read_at>
  <date_added>Tue Mar 18 06:08:20 -0700 2008</date_added>
  <date_updated>Thu Apr 03 20:26:22 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[When I think about all the uproar over the last few years over video game violence, about how they teach kids to kill and desensitive them, when I think of all the Jack Thompsons of the world (and thankfully there's only one) suing game publishers for what they purport to do, I am still glad to know...<a href="http://www.goodreads.com/review/show/18000288">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/18000288]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/18000288]]></link>
</review>
      <review>
  <id>47141711</id>
    <user>
    <id>2009363</id>
    <name><![CDATA[Jim]]></name>
    <location><![CDATA[Athens, GA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2009363-jim-marshall]]></link>
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  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1234801114s/1870771.jpg</small_image_url>
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  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>4</rating>
  <votes>2</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Feb 25 00:00:00 -0800 2009</read_at>
  <date_added>Sun Feb 22 08:40:49 -0800 2009</date_added>
  <date_updated>Thu Feb 26 10:01:18 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[For the last two years, I've been reading graphic narratives with a small group of doctoral students, and I came to this book because of my conversations with them. We've been concentrating on 'serious' graphic narratives (Speigelman's Maus, Satrapi's Persepolis, Sacco's Palestine, Thompson's Blanke...<a href="http://www.goodreads.com/review/show/47141711">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/47141711]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/47141711]]></link>
</review>
      <review>
  <id>24255975</id>
    <user>
    <id>725162</id>
    <name><![CDATA[le-trombone]]></name>
    <location><![CDATA[Chicago, IL]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/725162-le-trombone]]></link>
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  <text_reviews_count type="integer">142</text_reviews_count>
  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
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  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>2</rating>
  <votes>2</votes>
  <spoiler_flag>false</spoiler_flag>
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            <shelf name="nonfiction--history" />
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Aug 08 00:00:00 -0700 2008</read_at>
  <date_added>Wed Jun 11 12:53:52 -0700 2008</date_added>
  <date_updated>Tue Aug 26 20:44:34 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[A better title for this book might have been &quot;The Circumstances That Caused Bill Gaines To Create Mad Magazine&quot;<br/><br/>It's not unusual to focus on a small group to make a larger historical point, but the details of the anti-comic book hysteria (and it did reach the point of mob panic)...<a href="http://www.goodreads.com/review/show/24255975">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/24255975]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/24255975]]></link>
</review>
      <review>
  <id>22656819</id>
    <user>
    <id>126153</id>
    <name><![CDATA[Lola]]></name>
    <location><![CDATA[Portland, OR]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/126153-lola-wallace]]></link>
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    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
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  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>4</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
            <shelf name="americana" />
        <shelf name="history" />
      </shelves>
  <recommended_for><![CDATA[people interested in the issue of censorship; comix nerds]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri May 30 00:00:00 -0700 2008</read_at>
  <date_added>Tue May 20 19:50:40 -0700 2008</date_added>
  <date_updated>Fri May 30 17:44:34 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[In <em>Positively 4th Street</em>, David Hajdu examined how four individuals (Bob Dylan, Richard Farina and Joan and Mimi Baez), or at least their images, embodied the contradictions of 1960s America. <em>The Ten-Cent Plague</em> focuses on an earlier, more forgotten battle in twentieth-century American culture wars:...<a href="http://www.goodreads.com/review/show/22656819">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/22656819]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/22656819]]></link>
</review>
      <review>
  <id>22505195</id>
    <user>
    <id>873149</id>
    <name><![CDATA[Bill]]></name>
    <location><![CDATA[Astoria, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/873149-bill]]></link>
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  <isbn>0374187673</isbn>
  <isbn13>9780374187675</isbn13>
  <text_reviews_count type="integer">142</text_reviews_count>
  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1234801114m/1870771.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1234801114s/1870771.jpg</small_image_url>
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  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>4</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun May 18 00:00:00 -0700 2008</read_at>
  <date_added>Sun May 18 16:02:46 -0700 2008</date_added>
  <date_updated>Sun May 18 16:14:51 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[So here's the thing about this book.<br/><br/>I enjoyed it. It was an excellent account of the conflict with comic books between about 1935 and 1952.<br/><br/>The author, David Hajdu, did a good job talking about the contexts and subtexts; he traced the line of important events well.  He assigne...<a href="http://www.goodreads.com/review/show/22505195">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/22505195]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/22505195]]></link>
</review>
      <review>
  <id>20499111</id>
    <user>
    <id>273523</id>
    <name><![CDATA[danny]]></name>
    <location><![CDATA[Portland, OR]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/273523-danny]]></link>
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  <isbn>0374187673</isbn>
  <isbn13>9780374187675</isbn13>
  <text_reviews_count type="integer">142</text_reviews_count>
  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1234801114m/1870771.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1234801114s/1870771.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1870771.The_Ten_Cent_Plague_The_Great_Comic_Book_Scare_and_How_It_Changed_America</link>
  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>3</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
            <shelf name="history" />
        <shelf name="sociological" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Apr 17 00:00:00 -0700 2008</read_at>
  <date_added>Fri Apr 18 19:15:17 -0700 2008</date_added>
  <date_updated>Sat May 03 16:32:27 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Overall, I enjoyed this book, but because of the writing style, it didn't blow me out of the water...<br/><br/>The narrative takes place primarily in post WWII America.  The political and social landscape is greatly influenced and shaped by America's emergence as a military and political world pow...<a href="http://www.goodreads.com/review/show/20499111">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/20499111]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/20499111]]></link>
</review>
      <review>
  <id>19499090</id>
    <user>
    <id>817438</id>
    <name><![CDATA[Lisa]]></name>
    <location><![CDATA[Saint Paul, MN]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/817438-lisa]]></link>
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  <id type="integer">1870771</id>
  <isbn>0374187673</isbn>
  <isbn13>9780374187675</isbn13>
  <text_reviews_count type="integer">142</text_reviews_count>
  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1234801114m/1870771.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1234801114s/1870771.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1870771.The_Ten_Cent_Plague_The_Great_Comic_Book_Scare_and_How_It_Changed_America</link>
  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>2</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
            <shelf name="2008-reading-list" />
        <shelf name="nonfiction" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Fri Apr 04 21:39:24 -0700 2008</date_added>
  <date_updated>Sat Apr 12 12:05:40 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Lots of research went into this book.  It's filled with quotations and excerpts from numerous sources from the comic world both modern and historical.  If you're interested in comics, then you'll probably really enjoy this book, because, after all, there really isn't enough written about comics--des...<a href="http://www.goodreads.com/review/show/19499090">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/19499090]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/19499090]]></link>
</review>
      <review>
  <id>19384710</id>
    <user>
    <id>80243</id>
    <name><![CDATA[Gregory]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/80243-gregory]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1178652068p3/80243.jpg]]></image_url>
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  <id type="integer">1870771</id>
  <isbn>0374187673</isbn>
  <isbn13>9780374187675</isbn13>
  <text_reviews_count type="integer">142</text_reviews_count>
  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1234801114m/1870771.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1234801114s/1870771.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1870771.The_Ten_Cent_Plague_The_Great_Comic_Book_Scare_and_How_It_Changed_America</link>
  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>4</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Apr 16 00:00:00 -0700 2008</read_at>
  <date_added>Thu Apr 03 12:44:33 -0700 2008</date_added>
  <date_updated>Thu Apr 03 12:44:33 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[The Ten Cent Plague recalls a time in American history when juvenile delinquency was on the rise and top of mind. So the cause had to be found and rooted out.  What was it? Comic books.  Just years after images of nazi's burning books reached America, we rolled up our sleeves and had some bonfires o...<a href="http://www.goodreads.com/review/show/19384710">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/19384710]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/19384710]]></link>
</review>
      <review>
  <id>38716113</id>
    <user>
    <id>1104532</id>
    <name><![CDATA[Thomas]]></name>
    <location><![CDATA[Lutherville Timonium, MD]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1104532-thomas]]></link>
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  <id type="integer">3313129</id>
  <isbn>1433210282</isbn>
  <isbn13>9781433210280</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic Book Scare and How It Changed America]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1255881104m/3313129.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1255881104s/3313129.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3313129.The_Ten_Cent_Plague_The_Great_Comic_Book_Scare_and_How_It_Changed_America</link>
  <average_rating>3.80</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created in the pulpy, boldly illustrated pages of comic books. But no sooner had this new culture emerged than it was beaten down by church groups and a McCarthyish Congress.<p>In <em>The Ten-Cent Plague</em>, David Hajdu reveals how comics, years before the rock and roll revolution, brought on a clash between postwar children and their prewar parents. Created by outsiders from the tenements, garish, shameless, and often shocking, comics became the targets of a raging generational culture divide. They were burned in public bonfires, outlawed in certain cities, and nearly destroyed by the televised hearings orchestrated by Congress. <em>The Ten-Cent Plague</em> radically revises common notions of popular culture and the divide between &quot;high&quot; and &quot;low&quot; art.</p>]]>
  </description>
  <published>2008</published>
</book>

    <rating>0</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
            <shelf name="could-not-finish" />
        <shelf name="history" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Nov 26 15:47:33 -0800 2008</date_added>
  <date_updated>Wed Nov 26 15:50:56 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This just didn't interest me. The narration was a little dull. I'm not a big fan of comic books, so maybe it's not a surprise that I didn't finish this book. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/38716113]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/38716113]]></link>
</review>
      <review>
  <id>25968371</id>
    <user>
    <id>179318</id>
    <name><![CDATA[Qiana]]></name>
    <location><![CDATA[Columbia, SC]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/179318-qiana]]></link>
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    <book>
  <id type="integer">1870771</id>
  <isbn>0374187673</isbn>
  <isbn13>9780374187675</isbn13>
  <text_reviews_count type="integer">142</text_reviews_count>
  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1234801114m/1870771.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1234801114s/1870771.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1870771.The_Ten_Cent_Plague_The_Great_Comic_Book_Scare_and_How_It_Changed_America</link>
  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>4</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Sep 10 00:00:00 -0700 2008</read_at>
  <date_added>Mon Jun 30 18:26:50 -0700 2008</date_added>
  <date_updated>Wed Sep 10 17:33:42 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Excellent for understanding the pivotal years surrounding the early debates over censorship in the comic book industry.  It's easy to forget just how influential the medium was when nearly 90% of boy and girls under 18 were reading comics! Hajdu spends quite a bit of time on the rise and fall of EC ...<a href="http://www.goodreads.com/review/show/25968371">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/25968371]]></url>
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</review>
      <review>
  <id>69225745</id>
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  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
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  <average_rating>3.61</average_rating>
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  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
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    <rating>5</rating>
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  <read_at>Tue Aug 25 00:00:00 -0700 2009</read_at>
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  <date_updated>Fri Aug 28 11:13:32 -0700 2009</date_updated>
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    <body><![CDATA[Back before rock and roll, there were comics: teens loved them, and parents thought they were trash.  Self-proclaimed experts blamed comics for everything that was wrong with kids these days, in terms that will sound very familiar to people who've followed the controversy over video games.  (One wri...<a href="http://www.goodreads.com/review/show/69225745">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/69225745]]></url>
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      <review>
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    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
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  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>5</rating>
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  <read_at>Tue May 05 00:00:00 -0700 2009</read_at>
  <date_added>Tue May 05 15:47:49 -0700 2009</date_added>
  <date_updated>Tue May 05 16:01:57 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The 50s saw two waves of hysteria sweep the United States -- one, over the supposed infiltration of the US government by communist spies, and the second, over comic books. At the height of this national panic, comic books were burned in great bonfires reminiscent of the Nazis and repressive legislat...<a href="http://www.goodreads.com/review/show/55066410">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/55066410]]></url>
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</review>
      <review>
  <id>51562312</id>
    <user>
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    <name><![CDATA[Matt]]></name>
    <location><![CDATA[Columbia, MO]]></location>
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  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
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  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Sun Apr 05 05:44:15 -0700 2009</date_added>
  <date_updated>Sun Apr 05 05:56:43 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Hajdu retells one of the most often told stories in comics culture, that of Fredrick Wertham's _Seduction of the Innocent_ study linking delinquency and the comics, and the subsequent drive to ban comics that ended the era of EC and ushered in what someone, maybe Doug Wolk, called a wave of enforced...<a href="http://www.goodreads.com/review/show/51562312">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/51562312]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/51562312]]></link>
</review>
      <review>
  <id>45783204</id>
    <user>
    <id>610692</id>
    <name><![CDATA[King  Dinösaur]]></name>
    <location><![CDATA[Olympia, WA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/610692-king-din-saur]]></link>
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  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
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  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>4</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Sun Mar 01 00:00:00 -0800 2009</read_at>
  <date_added>Sun Feb 08 18:49:14 -0800 2009</date_added>
  <date_updated>Mon Mar 02 19:14:43 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A history of hysteria.  Comic books banned and burned.  Psychobabble from ignorant agents of Truth, Jutice and the American Way.  Crazy, crazy times.  The birth and death of an American art-form.  Read it and weep.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/45783204]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/45783204]]></link>
</review>
      <review>
  <id>50689586</id>
    <user>
    <id>2169192</id>
    <name><![CDATA[Jason]]></name>
    <location><![CDATA[Alexandria, VA]]></location>
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  <isbn>0312428235</isbn>
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  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
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  <average_rating>3.18</average_rating>
  <ratings_count>11</ratings_count>
  <description>
    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;&lt;DIV&gt;&lt;DIV&gt;<p>In the years between the end of World War II and the mid-1950s, American popular culture was first created in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics, in this engrossing history. </p><p></p>&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;]]>
  </description>
  <published>2008</published>
</book>

    <rating>3</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Sat Mar 28 01:56:16 -0700 2009</date_added>
  <date_updated>Wed Apr 01 18:17:08 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[OK time for the latest entry in my ongoing effort to understand the forces that shaped my youth. I was born in 1970, and was in to comic books before I could read. Throughout my childhood, every comic book cover I could remember was marred by a little symbol with a 50's sort of aesthetic for the &quot;...<a href="http://www.goodreads.com/review/show/50689586">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/50689586]]></url>
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</review>
      <review>
  <id>45663393</id>
    <user>
    <id>1891035</id>
    <name><![CDATA[Dan]]></name>
    <location><![CDATA[Euclid, OH]]></location>
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  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
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  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>2</rating>
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  <read_at>Thu Jul 10 00:00:00 -0700 2008</read_at>
  <date_added>Sat Feb 07 12:43:50 -0800 2009</date_added>
  <date_updated>Sat Feb 07 12:44:52 -0800 2009</date_updated>
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    <body><![CDATA[Some of my favorite comic books are the horror anthology comics published by EC Comics in the 1950's. This book focuses on that era of comics and specifically on how a wave of hysteria built up to the point that government forces pushed many of the publishers, writers out of the business for good.<br/>...<a href="http://www.goodreads.com/review/show/45663393">more...</a>]]></body>
    
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      <review>
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  <isbn>0374187673</isbn>
  <isbn13>9780374187675</isbn13>
  <text_reviews_count type="integer">142</text_reviews_count>
  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
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  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Mon Feb 16 00:00:00 -0800 2009</read_at>
  <date_added>Sun Feb 08 06:54:12 -0800 2009</date_added>
  <date_updated>Mon Feb 16 19:23:50 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I was worried when I first started this book that there would be a lot of overlap with another comics history I read, Men of Tomorrow by Gerard Jones. Yet they were two very different approaches to the same topic. This book very much focussed on the public furor over comic books in the 1950s and wha...<a href="http://www.goodreads.com/review/show/45724811">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/45724811]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/45724811]]></link>
</review>
      <review>
  <id>41659020</id>
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    <id>113980</id>
    <name><![CDATA[Trin]]></name>
    <location><![CDATA[Los Angeles, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/113980-trin]]></link>
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  <isbn>0374187673</isbn>
  <isbn13>9780374187675</isbn13>
  <text_reviews_count type="integer">142</text_reviews_count>
  <title>
    <![CDATA[The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1234801114m/1870771.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1234801114s/1870771.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1870771.The_Ten_Cent_Plague_The_Great_Comic_Book_Scare_and_How_It_Changed_America</link>
  <average_rating>3.61</average_rating>
  <ratings_count>401</ratings_count>
  <description>
    <![CDATA[In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created&#8212;in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress&#8212;only to resurface with a crooked smile on its face in <em>Mad</em> magazine.<br/><br/>The story of the rise and fall of those comic books has never been fully told&#8212;until <em>The Ten-Cent Plague</em>. David Hajdu&#8217;s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.<br/><br/>When we picture the 1950s, we hear the sound of early rock and roll. <em>The Ten-Cent Plague </em>shows how&#8212;years before music&#8212;comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.<br/><br/><em>The Ten-Cent Plague </em>radically revises common notions of popular culture, the generation gap, and the divide between &#8220;high&#8221; and &#8220;low&#8221; art. As he did with the lives of Billy Strayhorn and Duke Ellington (in <em>Lush Life</em>) and Bob Dylan and his circle (in <em>Positively 4th Street</em>), Hajdu brings a place, a time, and a milieu unforgettably back to life.]]>
  </description>
  <published>2008</published>
</book>

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  <read_at>Mon Jan 05 00:00:00 -0800 2009</read_at>
  <date_added>Fri Jan 02 17:42:43 -0800 2009</date_added>
  <date_updated>Mon Jan 12 15:13:55 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A workmanlike account of the rise and fall of comic books, from their creation in the early part of the 20th century to their near-destruction at its midpoint. Hajdu provides ample quotage both from interviews with comic book creators and from the various writings of comic book detractors. Basically...<a href="http://www.goodreads.com/review/show/41659020">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/41659020]]></url>
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