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  <title><![CDATA[Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones]]></title>
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  <description><![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.<br/><br/><br/><em>From the Hardcover edition.</em>]]></description>
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  <original_title>Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones</original_title>
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  <title>
    <![CDATA[Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones]]>
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    <![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.]]>
  </description>
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  <read_at>Sun Jun 22 00:00:00 -0700 2008</read_at>
  <date_added>Sun Jun 22 07:09:16 -0700 2008</date_added>
  <date_updated>Sun Jun 22 07:22:16 -0700 2008</date_updated>
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    <body><![CDATA[The book was quite detailed up until the late 70's. Though, one of my pet peeves was the author's insistence (in the early portion of the book) of using lyrics to pepper some of the stories, e.g.: 'Marianne Faithful turned to Mick and smiled sweetly and said, 'don't worry.'' (Lyrics from 'She Smiled...<a href="http://www.goodreads.com/review/show/25110987">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Old Gods Almost Dead]]>
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    <![CDATA[The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London's Marquee club in 1962 through their current all-time box office record-setting Bridges to Babylon worldwide tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death -- while steadfastly refusing to fade away. Now Stephen Davis, The New York times bestselling author of Hammer of the Gods and Walk This Way, who has covered the Stones for three decades, presents their whole story, replete with vivid details on the Stones's musical successes -- and personal excesses -- drawn from interviews with the band, their ex-wives and lovers, members of their entourage, and fellow musicians.  The first new biography of the Rolling Stones since the early 1980s, the most comprehensive book to date, and one of the few to cover all the band's members, Old Gods Almost Dead includes twenty-four dazzling, previously unpublished photographs. Inspired by their millions of fans' curiosity about the private world of the Stones, Old Gods Almost Dead is a saga as raunchily, vibrantly entertaining as the Stones themselves.         ]]>
  </description>
  <published>2000</published>
</book>

    <rating>4</rating>
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  <read_at>Thu Feb 07 00:00:00 -0800 2002</read_at>
  <date_added>Tue Feb 17 18:41:23 -0800 2009</date_added>
  <date_updated>Tue Feb 17 18:41:48 -0800 2009</date_updated>
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    <body><![CDATA[Perhaps the best rock and roll biography I have ever read. The book was detailed, informative, and written in a style that made the pages seem to fly by. A very enjoyable read.<br/>]]></body>
    
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  <title>
    <![CDATA[Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones]]>
  </title>
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  <average_rating>4.00</average_rating>
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    <![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.<br/><br/><br/><em>From the Hardcover edition.</em>]]>
  </description>
  <published>2000</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[fans of Rock n Roll, man!]]></recommended_for>
  <recommended_by><![CDATA[Brian Jones and Mick Taylor]]></recommended_by>
  <read_at></read_at>
  <date_added>Sun Nov 30 16:12:21 -0800 2008</date_added>
  <date_updated>Wed Jan 28 17:48:02 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The first two-thirds are very entertaining and informative, quite a few things I didn't know, and the middle parts should be familiar to anyone who has seen &quot;Gimme Shelter&quot; or &quot;C***s***er Blues&quot;. However, the last third is a bit &quot;People Magazine&quot;-ish, marriages and mone...<a href="http://www.goodreads.com/review/show/38971618">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/38971618]]></url>
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      <review>
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    <name><![CDATA[Darryl]]></name>
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  <title>
    <![CDATA[Old Gods Almost Dead]]>
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    <![CDATA[The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London's Marquee club in 1962 through their current all-time box office record-setting Bridges to Babylon worldwide tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death -- while steadfastly refusing to fade away. Now Stephen Davis, The New York times bestselling author of Hammer of the Gods and Walk This Way, who has covered the Stones for three decades, presents their whole story, replete with vivid details on the Stones's musical successes -- and personal excesses -- drawn from interviews with the band, their ex-wives and lovers, members of their entourage, and fellow musicians.  The first new biography of the Rolling Stones since the early 1980s, the most comprehensive book to date, and one of the few to cover all the band's members, Old Gods Almost Dead includes twenty-four dazzling, previously unpublished photographs. Inspired by their millions of fans' curiosity about the private world of the Stones, Old Gods Almost Dead is a saga as raunchily, vibrantly entertaining as the Stones themselves.         ]]>
  </description>
  <published>2000</published>
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    <rating>4</rating>
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  <date_added>Wed Oct 01 05:02:28 -0700 2008</date_added>
  <date_updated>Wed Oct 01 05:07:44 -0700 2008</date_updated>
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    <body><![CDATA[Probably the most authoritative biography ever written on the Stones. It's a very interesting read, especially the parts involving Brian Jones, who co-founded the Stones in 1962 and later drowned under mysterious circumstances in 1969. I never realized the Stone's lyrics were so raunchy. I never rea...<a href="http://www.goodreads.com/review/show/34261818">more...</a>]]></body>
    
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    <![CDATA[Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones]]>
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    <![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.<br/><br/><br/><em>From the Hardcover edition.</em>]]>
  </description>
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  <read_at>Fri Feb 01 00:00:00 -0800 2002</read_at>
  <date_added>Thu Dec 20 11:00:24 -0800 2007</date_added>
  <date_updated>Thu Dec 20 11:02:26 -0800 2007</date_updated>
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    <body><![CDATA[The first third of this book is great.  Maybe even the first half.  But like the band itself, it becomes only intermittently interesting after the Altamont tale is told.  OK OK OK there were a couple of super-high notes in their career, yes yes.  I agree.  But the story thins out.  Read it because y...<a href="http://www.goodreads.com/review/show/10760327">more...</a>]]></body>
    
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  <title>
    <![CDATA[Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones]]>
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    <![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.]]>
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    <body><![CDATA[Compared to other Rock figures like Jim Morrison Chuck Negron, Kurt Cobain and Nikki Sixx, The Rolling Stones are lame.  The most &quot;Rock and Roll&quot; type thing they did was repeatedly sleep with each others wives.  I mean, after the 20th time that happens you want to burn this book.  Maybe th...<a href="http://www.goodreads.com/review/show/15194514">more...</a>]]></body>
    
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  <title>
    <![CDATA[Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones]]>
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    <![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.<br/><br/><br/><em>From the Hardcover edition.</em>]]>
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  <date_updated>Wed Jun 11 05:15:04 -0700 2008</date_updated>
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    <body><![CDATA[Outstanding book, you learned about everyones background  even Bryon Jones's.  What type of music each member really liked to play, what they really thought about Mick Taylor and Ron Wood, and what they REALLY thought about Mr. Jones's death, to who slept with who while they were &quot;married&quot;...<a href="http://www.goodreads.com/review/show/24141648">more...</a>]]></body>
    
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    <![CDATA[Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones]]>
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    <![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.<br/><br/><br/><em>From the Hardcover edition.</em>]]>
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    <body><![CDATA[A comprehensive history of the Rolling Stones. Well written, and full of great anecdotes and Stones trivia. <br/><br/>While reading the book I listened to the Rolling Stones discography as if it were a soundtrack to the book. Great fun.]]></body>
    
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      <review>
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    <![CDATA[Old Gods, Almost Dead]]>
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    <![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.<br/><br/><br/><em>From the Hardcover edition.</em>]]>
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  <date_added>Mon Oct 13 07:24:32 -0700 2008</date_added>
  <date_updated>Mon Oct 20 07:13:40 -0700 2008</date_updated>
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    <body><![CDATA[If you like the Stones or reading about the begining of the British invasion this book is riveting!  These folks are just the most... I don't know what other word to use than blessed.  Their lives are magic.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/35176584]]></url>
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  <title>
    <![CDATA[Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones]]>
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    <![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.<br/><br/><br/><em>From the Hardcover edition.</em>]]>
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  <published>2000</published>
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    <body><![CDATA[Read this for research. Kind of made me detest the stones (not their music, but the men themselves), but it was a damn good read.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/35963706]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/35963706]]></link>
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    <![CDATA[Old Gods Almost Dead]]>
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    <![CDATA[The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London's Marquee club in 1962 through their current all-time box office record-setting Bridges to Babylon worldwide tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death -- while steadfastly refusing to fade away. Now Stephen Davis, The New York times bestselling author of Hammer of the Gods and Walk This Way, who has covered the Stones for three decades, presents their whole story, replete with vivid details on the Stones's musical successes -- and personal excesses -- drawn from interviews with the band, their ex-wives and lovers, members of their entourage, and fellow musicians.  The first new biography of the Rolling Stones since the early 1980s, the most comprehensive book to date, and one of the few to cover all the band's members, Old Gods Almost Dead includes twenty-four dazzling, previously unpublished photographs. Inspired by their millions of fans' curiosity about the private world of the Stones, Old Gods Almost Dead is a saga as raunchily, vibrantly entertaining as the Stones themselves.         ]]>
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  <published>2000</published>
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    <body><![CDATA[The most thoroughly entertaining group biography I've ever read, or am likely to. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/345699]]></url>
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  <title>
    <![CDATA[Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones]]>
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    <![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.<br/><br/><br/><em>From the Hardcover edition.</em>]]>
  </description>
  <published>2000</published>
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    <rating>5</rating>
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    <body><![CDATA[A little long but great!]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/5371144]]></url>
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  <title>
    <![CDATA[Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones]]>
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    <![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.]]>
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    <![CDATA[Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones]]>
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    <![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.<br/><br/><br/><em>From the Hardcover edition.</em>]]>
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    <![CDATA[Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones]]>
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    <![CDATA[The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world&#8217;s greatest band.<br/><br/>The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London&#8217;s Marquee Club in 1962 through their latest record&#8212;setting <em>Bridges to Babylon</em> world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away.  Now Stephen Davis, the <em>New York Times </em>bestselling author of <em>Hammer of the Gods</em> and <em>Walk This Way</em>, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones&#8217; musical successes_and personal excesses.<br/><br/>Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe.  Among London&#8217;s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver&#8217;s only son, Charlie Watts, a jazz drummer.  At the same time, popular and studious Michael Philip Jagger&#8211;who, as a boy, bawled out a phonetic version of &#8220;La Bamba&#8221; with an eye-popping intensity that scared his parents&#8211;began sharing blues records with a primary school classmate, Keith &#8220;Ricky&#8221; Richards, a shy underachiever, whose idol was Chuck Berry.  In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the &#8220;the Rollin&#8217; Stones&#8221; in honor of the Muddy Waters blues classic.  <br/><br/>Using the biography of the Rolling Stones as a narrative spine, <em>Old God Almost Dead</em> builds a new, multilayered version of the Stones&#8217; story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan&#8217;s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol&#8217;s New York, the &#8220;Underground&#8221; politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution.  At the same time, <em>Old Gods Almost Dead </em>documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. <br/><br/>The first new biography of the Rolling Stones since the early 1980s, <em>Old Gods Almost Dead</em> is the most comprehensive book to date, and one of the few to cover all the band&#8217;s members.  Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them.  It is a saga as raunchily, vibrantly entertaining as the Stones themselves.<br/><br/><br/><em>From the Hardcover edition.</em>]]>
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  <published>2000</published>
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  <date_added>Tue Nov 17 13:51:41 -0800 2009</date_added>
  <date_updated>Tue Nov 17 13:51:41 -0800 2009</date_updated>
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