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  <title><![CDATA[Incident at 20 Mile]]></title>
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    <![CDATA[Incident at 20 Mile]]>
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    <![CDATA[Based on a true event. I ordinarily do not care for Westerns of any sort; this is more.]]>
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  <date_updated>Sat Mar 15 07:45:51 -0700 2008</date_updated>
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    <body><![CDATA[A wonderful book; would make a great movie. Based on a true event. The survivors became best friends. Only time in the &quot;old west&quot; that a Chinese man was treated decently]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/17796714]]></url>
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  <title>
    <![CDATA[Incident At Twenty-Mile]]>
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    <![CDATA[What is it about single-monikered artists that inclines them toward constantly remaking themselves? Trevanian, for instance, changes fictional genres about as often as Madonna changes hair styles. In <em>Shibumi</em> he wrote a  classic early-'80s paranoid thriller à la Robert Ludlum, complete with a Zen-trained assassin protagonist who, in addition to being the world's most accomplished killer, is also so gifted tantrically speaking that he can give a woman multiple mind-blowing orgasms from three states away. Then came <em>The Summer of Katya</em>, a tender romance set in Basque country in 1917. <em>The Main</em> was yet another switch--a profound exploration of character masquerading as a police procedural set in Montreal. In <em>Incident at Twenty-Mile</em> Trevanian changes hats yet again and produces a remarkable novel set in the Old West. <p> The year is 1898 and the place is Twenty-Mile, a dying silver-mining town in the hills of Wyoming. Matthew, a young drifter who models himself after the Ringo Kid, a character in a dime-store novel, arrives and soon manages to ingratiate himself with the citizenry. Though given to fabricating tales about his past (one skeptical citizen tells him, &quot;You know what you are young man? You're a natural born con. That was pretty slick, the way you picked up on one of my girls singing upstairs and parlayed it into telling me that your ma was religious, that your folds were dead, and that you were all alone in this cruel, cruel world.&quot;), Matthew seems a harmless enough fellow to the folk who employ him in various odd jobs. Then one day, escaped murderer Hamilton Leider concocts a crazy plan to rob the silver mine and young Matthew becomes the lynchpin in the town's struggle for survival. Gritty, violent, and resolutely unromantic when it comes to the romance of the West, <em>Incident at Twenty-Mile</em> is a harrowing and memorable foray into the past. <em>--Margaret Prior</em></p>]]>
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  <read_at>Fri Jan 01 00:00:00 -0800 1999</read_at>
  <date_added>Fri Nov 14 10:15:51 -0800 2008</date_added>
  <date_updated>Fri Nov 14 10:16:23 -0800 2008</date_updated>
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    <body><![CDATA[It's difficult to know just how to classify this book at first glance. Trevanian, pseudonym for a Rodnet Whitaker, former professor at the University of Texas, insists all his books are spoofs. But the book is clearly much more than just a send-up of the classic Western revenge novel.<br/>The &quot;...<a href="http://www.goodreads.com/review/show/37720719">more...</a>]]></body>
    
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      <review>
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    <![CDATA[What is it about single-monikered artists that inclines them toward constantly remaking themselves? Trevanian, for instance, changes fictional genres about as often as Madonna changes hair styles. In <em>Shibumi</em> he wrote a  classic early-'80s paranoid thriller à la Robert Ludlum, complete with a Zen-trained assassin protagonist who, in addition to being the world's most accomplished killer, is also so gifted tantrically speaking that he can give a woman multiple mind-blowing orgasms from three states away. Then came <em>The Summer of Katya</em>, a tender romance set in Basque country in 1917. <em>The Main</em> was yet another switch--a profound exploration of character masquerading as a police procedural set in Montreal. In <em>Incident at Twenty-Mile</em> Trevanian changes hats yet again and produces a remarkable novel set in the Old West. <p> The year is 1898 and the place is Twenty-Mile, a dying silver-mining town in the hills of Wyoming. Matthew, a young drifter who models himself after the Ringo Kid, a character in a dime-store novel, arrives and soon manages to ingratiate himself with the citizenry. Though given to fabricating tales about his past (one skeptical citizen tells him, &quot;You know what you are young man? You're a natural born con. That was pretty slick, the way you picked up on one of my girls singing upstairs and parlayed it into telling me that your ma was religious, that your folds were dead, and that you were all alone in this cruel, cruel world.&quot;), Matthew seems a harmless enough fellow to the folk who employ him in various odd jobs. Then one day, escaped murderer Hamilton Leider concocts a crazy plan to rob the silver mine and young Matthew becomes the lynchpin in the town's struggle for survival. Gritty, violent, and resolutely unromantic when it comes to the romance of the West, <em>Incident at Twenty-Mile</em> is a harrowing and memorable foray into the past. <em>--Margaret Prior</em></p>]]>
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  <date_added>Sat Aug 30 16:57:19 -0700 2008</date_added>
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    <body><![CDATA[I was leery of reading a book by a &quot;one-name&quot; author. I don't think of authors in the same way as I think of Cher &amp; Madonna.<br/><br/>But what a fantastic book! He takes classic western characters - the beautiful, virginal, store keeper's daughter, the hard-working, suspicious German imm...<a href="http://www.goodreads.com/review/show/31612872">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/31612872]]></url>
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</review>
      <review>
  <id>5590948</id>
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    <name><![CDATA[Bob]]></name>
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    <![CDATA[Incident At Twenty-Mile]]>
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    <![CDATA[What is it about single-monikered artists that inclines them toward constantly remaking themselves? Trevanian, for instance, changes fictional genres about as often as Madonna changes hair styles. In <em>Shibumi</em> he wrote a  classic early-'80s paranoid thriller à la Robert Ludlum, complete with a Zen-trained assassin protagonist who, in addition to being the world's most accomplished killer, is also so gifted tantrically speaking that he can give a woman multiple mind-blowing orgasms from three states away. Then came <em>The Summer of Katya</em>, a tender romance set in Basque country in 1917. <em>The Main</em> was yet another switch--a profound exploration of character masquerading as a police procedural set in Montreal. In <em>Incident at Twenty-Mile</em> Trevanian changes hats yet again and produces a remarkable novel set in the Old West. <p> The year is 1898 and the place is Twenty-Mile, a dying silver-mining town in the hills of Wyoming. Matthew, a young drifter who models himself after the Ringo Kid, a character in a dime-store novel, arrives and soon manages to ingratiate himself with the citizenry. Though given to fabricating tales about his past (one skeptical citizen tells him, &quot;You know what you are young man? You're a natural born con. That was pretty slick, the way you picked up on one of my girls singing upstairs and parlayed it into telling me that your ma was religious, that your folds were dead, and that you were all alone in this cruel, cruel world.&quot;), Matthew seems a harmless enough fellow to the folk who employ him in various odd jobs. Then one day, escaped murderer Hamilton Leider concocts a crazy plan to rob the silver mine and young Matthew becomes the lynchpin in the town's struggle for survival. Gritty, violent, and resolutely unromantic when it comes to the romance of the West, <em>Incident at Twenty-Mile</em> is a harrowing and memorable foray into the past. <em>--Margaret Prior</em></p>]]>
  </description>
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    <rating>5</rating>
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  <recommended_for><![CDATA[anyone who enjoys an interesting story.]]></recommended_for>
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  <read_at>Sat Dec 01 00:00:00 -0800 2007</read_at>
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    <body><![CDATA[<a href="http://www.goodreads.com/search/search?q=Trevanian" title="Trevanian">Trevanian</a><br/>[http://www.trevanian.com]<br/>Trevanian has always been one of my favorite authors and I have never been disappointed with his work, no matter what his style.  This &quot;western&quot; is full of the suspense this writer is so adept at.  It is every bit as exciting as all of Trevani...<a href="http://www.goodreads.com/review/show/5590948">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/5590948]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/5590948]]></link>
</review>
      <review>
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    <name><![CDATA[Tommyb]]></name>
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    <![CDATA[What is it about single-monikered artists that inclines them toward constantly remaking themselves? Trevanian, for instance, changes fictional genres about as often as Madonna changes hair styles. In <em>Shibumi</em> he wrote a  classic early-'80s paranoid thriller à la Robert Ludlum, complete with a Zen-trained assassin protagonist who, in addition to being the world's most accomplished killer, is also so gifted tantrically speaking that he can give a woman multiple mind-blowing orgasms from three states away. Then came <em>The Summer of Katya</em>, a tender romance set in Basque country in 1917. <em>The Main</em> was yet another switch--a profound exploration of character masquerading as a police procedural set in Montreal. In <em>Incident at Twenty-Mile</em> Trevanian changes hats yet again and produces a remarkable novel set in the Old West. <p> The year is 1898 and the place is Twenty-Mile, a dying silver-mining town in the hills of Wyoming. Matthew, a young drifter who models himself after the Ringo Kid, a character in a dime-store novel, arrives and soon manages to ingratiate himself with the citizenry. Though given to fabricating tales about his past (one skeptical citizen tells him, &quot;You know what you are young man? You're a natural born con. That was pretty slick, the way you picked up on one of my girls singing upstairs and parlayed it into telling me that your ma was religious, that your folds were dead, and that you were all alone in this cruel, cruel world.&quot;), Matthew seems a harmless enough fellow to the folk who employ him in various odd jobs. Then one day, escaped murderer Hamilton Leider concocts a crazy plan to rob the silver mine and young Matthew becomes the lynchpin in the town's struggle for survival. Gritty, violent, and resolutely unromantic when it comes to the romance of the West, <em>Incident at Twenty-Mile</em> is a harrowing and memorable foray into the past. <em>--Margaret Prior</em></p>]]>
  </description>
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    <body><![CDATA[Fiction]]></body>
    
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    <![CDATA[Incident At Twenty-Mile]]>
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    <![CDATA[What is it about single-monikered artists that inclines them toward constantly remaking themselves? Trevanian, for instance, changes fictional genres about as often as Madonna changes hair styles. In <em>Shibumi</em> he wrote a  classic early-'80s paranoid thriller à la Robert Ludlum, complete with a Zen-trained assassin protagonist who, in addition to being the world's most accomplished killer, is also so gifted tantrically speaking that he can give a woman multiple mind-blowing orgasms from three states away. Then came <em>The Summer of Katya</em>, a tender romance set in Basque country in 1917. <em>The Main</em> was yet another switch--a profound exploration of character masquerading as a police procedural set in Montreal. In <em>Incident at Twenty-Mile</em> Trevanian changes hats yet again and produces a remarkable novel set in the Old West. <p> The year is 1898 and the place is Twenty-Mile, a dying silver-mining town in the hills of Wyoming. Matthew, a young drifter who models himself after the Ringo Kid, a character in a dime-store novel, arrives and soon manages to ingratiate himself with the citizenry. Though given to fabricating tales about his past (one skeptical citizen tells him, &quot;You know what you are young man? You're a natural born con. That was pretty slick, the way you picked up on one of my girls singing upstairs and parlayed it into telling me that your ma was religious, that your folds were dead, and that you were all alone in this cruel, cruel world.&quot;), Matthew seems a harmless enough fellow to the folk who employ him in various odd jobs. Then one day, escaped murderer Hamilton Leider concocts a crazy plan to rob the silver mine and young Matthew becomes the lynchpin in the town's struggle for survival. Gritty, violent, and resolutely unromantic when it comes to the romance of the West, <em>Incident at Twenty-Mile</em> is a harrowing and memorable foray into the past. <em>--Margaret Prior</em></p>]]>
  </description>
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  <read_at>Wed Jul 02 00:00:00 -0700 2008</read_at>
  <date_added>Wed Jul 02 12:25:27 -0700 2008</date_added>
  <date_updated>Wed Jul 02 12:29:03 -0700 2008</date_updated>
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    <body><![CDATA[This a page-turner Western.  The characters are somewhat predictable, but Trevanian is a great story-teller, and I didn't care.  The ending of this tale is not what you would typically expect of this genre.  I would advise you not to read the &quot;list&quot; of characters at the end of the novel.  ...<a href="http://www.goodreads.com/review/show/26136620">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/26136620]]></url>
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  <title>
    <![CDATA[Incident At Twenty-Mile]]>
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  <average_rating>3.41</average_rating>
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    <![CDATA[What is it about single-monikered artists that inclines them toward constantly remaking themselves? Trevanian, for instance, changes fictional genres about as often as Madonna changes hair styles. In <em>Shibumi</em> he wrote a  classic early-'80s paranoid thriller à la Robert Ludlum, complete with a Zen-trained assassin protagonist who, in addition to being the world's most accomplished killer, is also so gifted tantrically speaking that he can give a woman multiple mind-blowing orgasms from three states away. Then came <em>The Summer of Katya</em>, a tender romance set in Basque country in 1917. <em>The Main</em> was yet another switch--a profound exploration of character masquerading as a police procedural set in Montreal. In <em>Incident at Twenty-Mile</em> Trevanian changes hats yet again and produces a remarkable novel set in the Old West. <p> The year is 1898 and the place is Twenty-Mile, a dying silver-mining town in the hills of Wyoming. Matthew, a young drifter who models himself after the Ringo Kid, a character in a dime-store novel, arrives and soon manages to ingratiate himself with the citizenry. Though given to fabricating tales about his past (one skeptical citizen tells him, &quot;You know what you are young man? You're a natural born con. That was pretty slick, the way you picked up on one of my girls singing upstairs and parlayed it into telling me that your ma was religious, that your folds were dead, and that you were all alone in this cruel, cruel world.&quot;), Matthew seems a harmless enough fellow to the folk who employ him in various odd jobs. Then one day, escaped murderer Hamilton Leider concocts a crazy plan to rob the silver mine and young Matthew becomes the lynchpin in the town's struggle for survival. Gritty, violent, and resolutely unromantic when it comes to the romance of the West, <em>Incident at Twenty-Mile</em> is a harrowing and memorable foray into the past. <em>--Margaret Prior</em></p>]]>
  </description>
  <published>1998</published>
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  <date_added>Sun Feb 24 15:23:32 -0800 2008</date_added>
  <date_updated>Sun Feb 24 15:28:44 -0800 2008</date_updated>
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    <body><![CDATA[I didn't finish this book. It was too horrible, crude and dark. I was very disappointed.]]></body>
    
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    <![CDATA[What is it about single-monikered artists that inclines them toward constantly remaking themselves? Trevanian, for instance, changes fictional genres about as often as Madonna changes hair styles. In <em>Shibumi</em> he wrote a  classic early-'80s paranoid thriller à la Robert Ludlum, complete with a Zen-trained assassin protagonist who, in addition to being the world's most accomplished killer, is also so gifted tantrically speaking that he can give a woman multiple mind-blowing orgasms from three states away. Then came <em>The Summer of Katya</em>, a tender romance set in Basque country in 1917. <em>The Main</em> was yet another switch--a profound exploration of character masquerading as a police procedural set in Montreal. In <em>Incident at Twenty-Mile</em> Trevanian changes hats yet again and produces a remarkable novel set in the Old West. <p> The year is 1898 and the place is Twenty-Mile, a dying silver-mining town in the hills of Wyoming. Matthew, a young drifter who models himself after the Ringo Kid, a character in a dime-store novel, arrives and soon manages to ingratiate himself with the citizenry. Though given to fabricating tales about his past (one skeptical citizen tells him, &quot;You know what you are young man? You're a natural born con. That was pretty slick, the way you picked up on one of my girls singing upstairs and parlayed it into telling me that your ma was religious, that your folds were dead, and that you were all alone in this cruel, cruel world.&quot;), Matthew seems a harmless enough fellow to the folk who employ him in various odd jobs. Then one day, escaped murderer Hamilton Leider concocts a crazy plan to rob the silver mine and young Matthew becomes the lynchpin in the town's struggle for survival. Gritty, violent, and resolutely unromantic when it comes to the romance of the West, <em>Incident at Twenty-Mile</em> is a harrowing and memorable foray into the past. <em>--Margaret Prior</em></p>]]>
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    <![CDATA[What is it about single-monikered artists that inclines them toward constantly remaking themselves? Trevanian, for instance, changes fictional genres about as often as Madonna changes hair styles. In <em>Shibumi</em> he wrote a  classic early-'80s paranoid thriller à la Robert Ludlum, complete with a Zen-trained assassin protagonist who, in addition to being the world's most accomplished killer, is also so gifted tantrically speaking that he can give a woman multiple mind-blowing orgasms from three states away. Then came <em>The Summer of Katya</em>, a tender romance set in Basque country in 1917. <em>The Main</em> was yet another switch--a profound exploration of character masquerading as a police procedural set in Montreal. In <em>Incident at Twenty-Mile</em> Trevanian changes hats yet again and produces a remarkable novel set in the Old West. <p> The year is 1898 and the place is Twenty-Mile, a dying silver-mining town in the hills of Wyoming. Matthew, a young drifter who models himself after the Ringo Kid, a character in a dime-store novel, arrives and soon manages to ingratiate himself with the citizenry. Though given to fabricating tales about his past (one skeptical citizen tells him, &quot;You know what you are young man? You're a natural born con. That was pretty slick, the way you picked up on one of my girls singing upstairs and parlayed it into telling me that your ma was religious, that your folds were dead, and that you were all alone in this cruel, cruel world.&quot;), Matthew seems a harmless enough fellow to the folk who employ him in various odd jobs. Then one day, escaped murderer Hamilton Leider concocts a crazy plan to rob the silver mine and young Matthew becomes the lynchpin in the town's struggle for survival. Gritty, violent, and resolutely unromantic when it comes to the romance of the West, <em>Incident at Twenty-Mile</em> is a harrowing and memorable foray into the past. <em>--Margaret Prior</em></p>]]>
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    <![CDATA[What is it about single-monikered artists that inclines them toward constantly remaking themselves? Trevanian, for instance, changes fictional genres about as often as Madonna changes hair styles. In <em>Shibumi</em> he wrote a  classic early-'80s paranoid thriller à la Robert Ludlum, complete with a Zen-trained assassin protagonist who, in addition to being the world's most accomplished killer, is also so gifted tantrically speaking that he can give a woman multiple mind-blowing orgasms from three states away. Then came <em>The Summer of Katya</em>, a tender romance set in Basque country in 1917. <em>The Main</em> was yet another switch--a profound exploration of character masquerading as a police procedural set in Montreal. In <em>Incident at Twenty-Mile</em> Trevanian changes hats yet again and produces a remarkable novel set in the Old West. <p> The year is 1898 and the place is Twenty-Mile, a dying silver-mining town in the hills of Wyoming. Matthew, a young drifter who models himself after the Ringo Kid, a character in a dime-store novel, arrives and soon manages to ingratiate himself with the citizenry. Though given to fabricating tales about his past (one skeptical citizen tells him, &quot;You know what you are young man? You're a natural born con. That was pretty slick, the way you picked up on one of my girls singing upstairs and parlayed it into telling me that your ma was religious, that your folds were dead, and that you were all alone in this cruel, cruel world.&quot;), Matthew seems a harmless enough fellow to the folk who employ him in various odd jobs. Then one day, escaped murderer Hamilton Leider concocts a crazy plan to rob the silver mine and young Matthew becomes the lynchpin in the town's struggle for survival. Gritty, violent, and resolutely unromantic when it comes to the romance of the West, <em>Incident at Twenty-Mile</em> is a harrowing and memorable foray into the past. <em>--Margaret Prior</em></p>]]>
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  <published>1998</published>
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    <![CDATA[What is it about single-monikered artists that inclines them toward constantly remaking themselves? Trevanian, for instance, changes fictional genres about as often as Madonna changes hair styles. In <em>Shibumi</em> he wrote a  classic early-'80s paranoid thriller à la Robert Ludlum, complete with a Zen-trained assassin protagonist who, in addition to being the world's most accomplished killer, is also so gifted tantrically speaking that he can give a woman multiple mind-blowing orgasms from three states away. Then came <em>The Summer of Katya</em>, a tender romance set in Basque country in 1917. <em>The Main</em> was yet another switch--a profound exploration of character masquerading as a police procedural set in Montreal. In <em>Incident at Twenty-Mile</em> Trevanian changes hats yet again and produces a remarkable novel set in the Old West. <p> The year is 1898 and the place is Twenty-Mile, a dying silver-mining town in the hills of Wyoming. Matthew, a young drifter who models himself after the Ringo Kid, a character in a dime-store novel, arrives and soon manages to ingratiate himself with the citizenry. Though given to fabricating tales about his past (one skeptical citizen tells him, &quot;You know what you are young man? You're a natural born con. That was pretty slick, the way you picked up on one of my girls singing upstairs and parlayed it into telling me that your ma was religious, that your folds were dead, and that you were all alone in this cruel, cruel world.&quot;), Matthew seems a harmless enough fellow to the folk who employ him in various odd jobs. Then one day, escaped murderer Hamilton Leider concocts a crazy plan to rob the silver mine and young Matthew becomes the lynchpin in the town's struggle for survival. Gritty, violent, and resolutely unromantic when it comes to the romance of the West, <em>Incident at Twenty-Mile</em> is a harrowing and memorable foray into the past. <em>--Margaret Prior</em></p>]]>
  </description>
  <published>1998</published>
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  <date_added>Mon Nov 23 01:17:22 -0800 2009</date_added>
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    <![CDATA[What is it about single-monikered artists that inclines them toward constantly remaking themselves? Trevanian, for instance, changes fictional genres about as often as Madonna changes hair styles. In <em>Shibumi</em> he wrote a  classic early-'80s paranoid thriller à la Robert Ludlum, complete with a Zen-trained assassin protagonist who, in addition to being the world's most accomplished killer, is also so gifted tantrically speaking that he can give a woman multiple mind-blowing orgasms from three states away. Then came <em>The Summer of Katya</em>, a tender romance set in Basque country in 1917. <em>The Main</em> was yet another switch--a profound exploration of character masquerading as a police procedural set in Montreal. In <em>Incident at Twenty-Mile</em> Trevanian changes hats yet again and produces a remarkable novel set in the Old West. <p> The year is 1898 and the place is Twenty-Mile, a dying silver-mining town in the hills of Wyoming. Matthew, a young drifter who models himself after the Ringo Kid, a character in a dime-store novel, arrives and soon manages to ingratiate himself with the citizenry. Though given to fabricating tales about his past (one skeptical citizen tells him, &quot;You know what you are young man? You're a natural born con. That was pretty slick, the way you picked up on one of my girls singing upstairs and parlayed it into telling me that your ma was religious, that your folds were dead, and that you were all alone in this cruel, cruel world.&quot;), Matthew seems a harmless enough fellow to the folk who employ him in various odd jobs. Then one day, escaped murderer Hamilton Leider concocts a crazy plan to rob the silver mine and young Matthew becomes the lynchpin in the town's struggle for survival. Gritty, violent, and resolutely unromantic when it comes to the romance of the West, <em>Incident at Twenty-Mile</em> is a harrowing and memorable foray into the past. <em>--Margaret Prior</em></p>]]>
  </description>
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  <isbn13>9780312970239</isbn13>
  <text_reviews_count type="integer">6</text_reviews_count>
  <title>
    <![CDATA[Incident At Twenty-Mile]]>
  </title>
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  <average_rating>3.41</average_rating>
  <ratings_count>97</ratings_count>
  <description>
    <![CDATA[What is it about single-monikered artists that inclines them toward constantly remaking themselves? Trevanian, for instance, changes fictional genres about as often as Madonna changes hair styles. In <em>Shibumi</em> he wrote a  classic early-'80s paranoid thriller à la Robert Ludlum, complete with a Zen-trained assassin protagonist who, in addition to being the world's most accomplished killer, is also so gifted tantrically speaking that he can give a woman multiple mind-blowing orgasms from three states away. Then came <em>The Summer of Katya</em>, a tender romance set in Basque country in 1917. <em>The Main</em> was yet another switch--a profound exploration of character masquerading as a police procedural set in Montreal. In <em>Incident at Twenty-Mile</em> Trevanian changes hats yet again and produces a remarkable novel set in the Old West. <p> The year is 1898 and the place is Twenty-Mile, a dying silver-mining town in the hills of Wyoming. Matthew, a young drifter who models himself after the Ringo Kid, a character in a dime-store novel, arrives and soon manages to ingratiate himself with the citizenry. Though given to fabricating tales about his past (one skeptical citizen tells him, &quot;You know what you are young man? You're a natural born con. That was pretty slick, the way you picked up on one of my girls singing upstairs and parlayed it into telling me that your ma was religious, that your folds were dead, and that you were all alone in this cruel, cruel world.&quot;), Matthew seems a harmless enough fellow to the folk who employ him in various odd jobs. Then one day, escaped murderer Hamilton Leider concocts a crazy plan to rob the silver mine and young Matthew becomes the lynchpin in the town's struggle for survival. Gritty, violent, and resolutely unromantic when it comes to the romance of the West, <em>Incident at Twenty-Mile</em> is a harrowing and memorable foray into the past. <em>--Margaret Prior</em></p>]]>
  </description>
  <published>1998</published>
</book>

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  <date_added>Thu Aug 27 03:55:11 -0700 2009</date_added>
  <date_updated>Thu Aug 27 03:55:11 -0700 2009</date_updated>
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  <url><![CDATA[http://www.goodreads.com/review/show/69062159]]></url>
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