18th out of 44 books
—
186 voters
Gloriana
A fable satirizing Spenser's "The Fairie Queen" and reflecting the real life of Elizabeth I, tells of a woman who ascends to the throne upon the death of her debauched and corrupted father, King Hern. Gloriana's reign brings the Empire of Albion into a Golden Age, but her oppressive responsibilities choke her, prohibiting any form of sexual satisfaction, no matter what fet...more
Paperback, 496 pages
Published
August 1st 2004
by Aspect
(first published 1978)
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Queen Gloriana rules Albion, an alternate reality British Empire, with the help of her Chancellor, Montfallcon, and his dirty deeds in the name of the throne. Gloriana, as the title indicates, gets no release from sex and grows increasingly distraut. Montfallcon's main henchman, Quire, doesn't like how he's being treated and finds a new patron. His goal: the toppling of Albion...
Like a lot of people, the first thing that drew me to Michael Moorcock was the Elric saga. In my old age, the Moorcock...more
Like a lot of people, the first thing that drew me to Michael Moorcock was the Elric saga. In my old age, the Moorcock...more
Moorcock has posited himself as the rebel of fantasy, sapping the high walls built by Howard and Tolkien. He is a well-spoken and thoughtful critic of the complete lack of romance in either of these would-be romances, but the love in Gloriana's court is anything but courtly.
There is a delightful Quentin Crisp quote about how innovation is not 'seeing your neighbor to the left has a straight walk and your neighbor to the right a curved and thence making your own diagonal', suffice it to say that...more
There is a delightful Quentin Crisp quote about how innovation is not 'seeing your neighbor to the left has a straight walk and your neighbor to the right a curved and thence making your own diagonal', suffice it to say that...more
Jan 02, 2009
Adam
rated it
4 of 5 stars
Recommends it for:
Fans of Peake,Spenser, and Shakespeare
Shelves:
literature-fantastique,
black-comedy
Another flamboyant cast of decadents from Moorcock. A tribute to Peake’s Titus Groan and tribute/critique of Spenser’s Faerie Queene, this is more of reworking of assumptions and symbols that the myth of the British Empire rests on then an alternative history(though it’s a good one). A fantasy construct, not hinging on an adventure or a quest, filled with madness, political intrigue, travelers from other realms, automatons. Doctor Dee, court rituals, court poetry, and lots of sex. Captain Arctur...more
Mar 23, 2008
Tim Pendry
rated it
5 of 5 stars
Recommends it for:
Anyone
Shelves:
alternative-histories,
five-star
A book that shows that Moorcock can really write and think.
This Gothic Elizabethan fantasy shows an alternate world (in which Moorcock specialises) which clearly, consciously or not in his successors' cases, is part of the same fantasy complexes of Philip Pullman, Neil Gaiman and the American Tim Powers. This is not steam-punk perhaps but sail-punk.
Hidden within the folds of the story (and Moorcock folds his stories in time and space like the folds of a rose) are some serious ruminations on po...more
This Gothic Elizabethan fantasy shows an alternate world (in which Moorcock specialises) which clearly, consciously or not in his successors' cases, is part of the same fantasy complexes of Philip Pullman, Neil Gaiman and the American Tim Powers. This is not steam-punk perhaps but sail-punk.
Hidden within the folds of the story (and Moorcock folds his stories in time and space like the folds of a rose) are some serious ruminations on po...more
May 15, 2013
Neale
rated it
3 of 5 stars
·
review of another edition
Shelves:
science-fiction-and-fantasy
‘Gloriana’ is Michael Moorcock’s tribute to the incomparable Mervyn Peake. The young Moorcock was a great admirer of Peake’s work when it was little known, became a friend in his tragic last illness and assisted in the publication of ‘Titus Alone’.
Structurally, Moorcock’s book has many similarities to the Gormenghast books: the sprawling castle with its worlds-within-worlds, the large and quirky cast of fancifully named characters, the elaborate and ceremonial descriptions – although it is all...more
Structurally, Moorcock’s book has many similarities to the Gormenghast books: the sprawling castle with its worlds-within-worlds, the large and quirky cast of fancifully named characters, the elaborate and ceremonial descriptions – although it is all...more
Well, finally I've got to the end of Gloriana, the now fulfill'd Queen.
I've read through the reviews already posted and agree with much of what has been said, but I'll start my review by saying that I really enjoyed it.
I'll also point out from the outset that I have read Gormenghast but that my memory retention is so bad that my reading of that didn't really affect my enjoyment of Gloriana.
There was something about the book that I can't put my finger on, but shall nevertheless try.
The whole no...more
I've read through the reviews already posted and agree with much of what has been said, but I'll start my review by saying that I really enjoyed it.
I'll also point out from the outset that I have read Gormenghast but that my memory retention is so bad that my reading of that didn't really affect my enjoyment of Gloriana.
There was something about the book that I can't put my finger on, but shall nevertheless try.
The whole no...more
Originally published on my blog here in June 2001.
Gloriana marks something of a new departure for Moorcock. It is more removed from the swqord-and-sorcery epics which were the inspiration for (say) the Runestaff series and is a longer novel not part of a series. It shows clear traces of its influences, but these are in the most part more literary than before.
It is possible that one of the immediate influences on Moorcock was Queen ELizabeth's Silver Jubilee, but I find it difficult to see him be...more
Gloriana marks something of a new departure for Moorcock. It is more removed from the swqord-and-sorcery epics which were the inspiration for (say) the Runestaff series and is a longer novel not part of a series. It shows clear traces of its influences, but these are in the most part more literary than before.
It is possible that one of the immediate influences on Moorcock was Queen ELizabeth's Silver Jubilee, but I find it difficult to see him be...more
Apr 04, 2011
♆ BookAddict ~ La Crimson Femme
rated it
4 of 5 stars
·
review of another edition
Recommends it for:
Scifi fans
Recommended to ♆ BookAddict by:
Senior High School AP Lit Teacher
This was the first rather deviant science fiction book I'd read as a MINOR. My AP lit teacher senior year gave those of us who survived four years of "enriched" English a gift. Only 15 of us made it through to her class. She wasn't kidding when we started as freshmen and she told us to look left, right, front and back. Only one of us would remain and qualify to see her again senior year.
As a gift for making it through, she gave us each a book she felt best represented us. She gave me this book....more
As a gift for making it through, she gave us each a book she felt best represented us. She gave me this book....more
in a far more lush and gothic olde england, a decidedly NOT virgin queen rules over a golden age of expansion, exploration, and harmony. a secret population of those who have slipped into disfavor or diminished in fame live in between the walls of her sprawling palace. her gorgeous reign of peace and prosperity is built upon the blood and misery of her unlamented insane father. she keeps a seraglio of willing creatures of every sort because she loves them too much to ever turn anyone out of her...more
I well and truly enjoyed Moorcock's romance, a phrase to be relished when read aloud or quietly alone, the book as is, brimming with court intrigue and the fates, various and imaginative, of dreamers, louts and connivers. My head is nagged, even so; haunted. What this story could have been palimpsests the one that is, built like Gloriana's palaces new upon old. The old galleries and halls of her father's violent regime are a hidden, dust-darkened skeleton underlying the golden skin stretched ove...more
Michael Moorcock is well known for having strong views on what type of fantasy he likes and what he doesn't. For instance, he doesn't like Tolkien but does like Peake, to whose memory he dedicated this book. It's a long time since I read the Gormenghast trilogy but there are some obvious parallels although I didn't dwell on these; I wanted it to stand up as a story in it's own right. And it certainly did.
The events of this story take place in some kind of alternative version of our history at wh...more
The events of this story take place in some kind of alternative version of our history at wh...more
I read this becuase my husband's a devoted Moorcock fan (they're on first name terms- isn't this internet thing amazing?) I'll diplomatically say it's just not my cup of tea - there are just too many lists of fabrics, metals, walls that makes the prose unwieldy. I did love the fact that the most powerful character was a woman - exaggerated, but still human and I can't actively dislike a book that concludes that a really good orgasm is good for queen and country. So much SF/ fantasy (especially b...more
I read it when I was pregnant, with my parents' dog at my feet. I read it in one go, in one day.
It is engrossing, funny, rich, and intriguing. The multiverse, the plot, the characters, the poetry, the culture and the worlds within the walls are really something.
My edition is the one with the original ending. Apparently Moorcock changed the rather controversial original ending but (dare I say it without getting heckled?), the original ending is very enticing.
And I love Una of Scaith. I also li...more
It is engrossing, funny, rich, and intriguing. The multiverse, the plot, the characters, the poetry, the culture and the worlds within the walls are really something.
My edition is the one with the original ending. Apparently Moorcock changed the rather controversial original ending but (dare I say it without getting heckled?), the original ending is very enticing.
And I love Una of Scaith. I also li...more
I read this for a book club, but it's the kind of book I like anyway.
Moorcock dedicated this book to the memory of Mervyn Peake, and it is indeed very Ghormanghastly. The huge palace with its complex of interlinked buildings and roofed-in alleyways, hidden rooms and secret passages behind the walls is a perfect setting for a tale of courtly intrigue, spying and seduction. I was glad to find that it has a straight-forward narrative, unlike some of his other books such as the Jerry Cornelius nove...more
Moorcock dedicated this book to the memory of Mervyn Peake, and it is indeed very Ghormanghastly. The huge palace with its complex of interlinked buildings and roofed-in alleyways, hidden rooms and secret passages behind the walls is a perfect setting for a tale of courtly intrigue, spying and seduction. I was glad to find that it has a straight-forward narrative, unlike some of his other books such as the Jerry Cornelius nove...more
I slogged through the first half of this book with little interest. There was so much exposition with so little action, and characters were piled on. An interesting setting - within the walls of the palace - was introduced, but it didn't really go anywhere.
Finally, almost two-thirds of the way through, plots started to thicken, irrelevant characters started to show up, THINGS HAPPENED.
So the book went from a total loss to a 'meh'. Looking back on the book, I'm mostly disappointed by what could h...more
Finally, almost two-thirds of the way through, plots started to thicken, irrelevant characters started to show up, THINGS HAPPENED.
So the book went from a total loss to a 'meh'. Looking back on the book, I'm mostly disappointed by what could h...more
This is an incredibly lush story about an idealized England. Albion has emerged from tyranny and into a Golden Age, brought about by its perfect queen, the titular Gloriana. As with most empires, there's corruption behind the scenes, however: the queen's advisor, Montfalcon, breaks quite a few eggs making the omelets necessary to keep Albion running while protecting her from his scheming. A careless mistake leads to hurt feelings and a growing sense of enmity that threatens to topple the whole k...more
This review has been hidden because it contains spoilers. To view it,
click here.
This has what we could call *highly problematic* sexual themes. The conceit is that an alternate fantasy Queen Elizabeth runs a world-spanning and semi-Utopian Empire, and has only one problem -- she can't find sexual satisfaction. Well, it's Mr. Moorcock, and he wrote it in the 70s, so what can you do. Worth reading, but incoherent, and with a pretty appalling ending, even given the conceit.
The idea behind this book is good, but the prose is sadly lacking. Michael Moorcock was apparently short a lot of words while writing this, so to make up space he tended to make long lists of things, such as every kind of inhabitant of the city. The parts that weren't eye-numbingly boring were at best mediocre, and I saw no reason to continue reading after 2 exceedingly boring chapters.
In the original edition of this novel, the rape of Gloriana is excised or at least only implied. In this edition the climactic rape is included, with a long explanation from Moorcock of why it was at first left out. Neither editorial decision seems to me a good one. I don't think Moorcock has a really good handle on what he's satirizing here and I think it leaves the book muddled.
I have tried reading this blasted book three times. I know it's me. Moorcock does a wonderful job of creating an alternate England. But, for me, something is missing. I'm not sure. Maybe its the whole take on Elizabeth. I don't know. Moorcock does write an excellent Dr. Dee, however.
Nov 11, 2011
Steve
rated it
4 of 5 stars
·
review of another edition
Recommends it for:
Keith
Shelves:
fantasy,
alternate-reality
Very well done. The standard palace intrigue/empire themes from a Moorcock perspective.
Albion, the western empire, is at the peak of a cycle, a golden age. Gloriana, the beloved queen with a fatal flaw only Moorcock could imagine, is at a critical phase of reign. The story follows an inevitable progression of events at a turning point. There are many hints of classic Moorcock philosophy; travel between the planes, debauchery of a stagnant ruling elite, etc., however the plot mainly stays true to...more
Albion, the western empire, is at the peak of a cycle, a golden age. Gloriana, the beloved queen with a fatal flaw only Moorcock could imagine, is at a critical phase of reign. The story follows an inevitable progression of events at a turning point. There are many hints of classic Moorcock philosophy; travel between the planes, debauchery of a stagnant ruling elite, etc., however the plot mainly stays true to...more
When I read the name of the first chapter ("The First Chapter: In Which Is Presented the Palace of Queen Gloriana Together with a Description of Some of Its Denizens and a Brief Account of Certain Activities Taking Place in the City of London on New Year's Eve Ending the Twelfth Year of Gloriana's Rule"), I thought it was a great joke. I soon realized however that the author actually really is using that old writing style with humongous ass sentences of description that just go on and on and on,...more
Plenty of girl-girl action, and you can't argue with a beautiful queen who can't get enough sex. Gloriana is a genuinely nice person. I liked her. The Queen of Albion and her best friend Countess Una are such a cute couple that they really should have had their own book.
On the other hand, the hero of this book, Captain Quire, is a real jerk. He's not evil in a cool way, just in a really slimy and sneaky way. If you like books where mean, creepy older men seduce young boys, and ruin their lives,...more
On the other hand, the hero of this book, Captain Quire, is a real jerk. He's not evil in a cool way, just in a really slimy and sneaky way. If you like books where mean, creepy older men seduce young boys, and ruin their lives,...more
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Michael John Moorcock is an English writer primarily of science fiction and fantasy who has also published a number of literary novels.
Moorcock has mentioned The Gods of Mars by Edgar Rice Burroughs, The Apple Cart by George Bernard Shaw and The Constable of St. Nicholas by Edward Lester Arnold as the first three books which captured his imagination. He became editor of Tarzan Adventures in 1956,...more
More about Michael Moorcock...
Moorcock has mentioned The Gods of Mars by Edgar Rice Burroughs, The Apple Cart by George Bernard Shaw and The Constable of St. Nicholas by Edward Lester Arnold as the first three books which captured his imagination. He became editor of Tarzan Adventures in 1956,...more
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“She yawned. If the Lords of Entropy were to manifest themselves on Earth again as they had in the legendary past she felt she might welcome them as a relief, at least, to her boredom. Not, of course, that she believed in those terrible prehistoric fables, though sometimes she could not help wishing that they had really existed and that she had lived in them, for they must surely have been more colourful and stimulating than this present age, where dull Reason drove bright Romance away: granite scattering mercury.”
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“Unsettled by the sudden appearance of Captain Quire within her court, Gloriana resolved to forego all frivolous entertainments and shun the more unnecessary pleasures. Yet, the queen reasoned, this surely did not apply to healthful exercise, such as riding in the royal park. Nor could she refuse to spend the remainder of the afternoon in quiet seclusion, lying face down upon a cushioned bench in her private dressing room while gentle Lady Mary rubbed all the soreness from her muscles. Such occupations were safe, and harmless. It was only afterwards, when she was sleeping deeply, that Captain Quire came to her in a dream.”
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