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108 ratings, 3.96 average rating, 7 reviews
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published
April 1st 1977
by Hill and Wang
binding
Paperback, 112 pages
isbn
0374521395
(isbn13: 9780374521394)
description
In his first book, French critic Roland Barthes defines the complex nature of writing, as well as the social, historical, political, and personal forc...more
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other reviews (showing 1-20 of 164)
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literarytheory
Read in October, 2002
Cryptograms of the writing of novels and histories with an singular approach using the styles of Flaubert, Camus, Balzac, Voltaire, Rousseau, Cayrol, Gide, Borges, Beckett, and on and so forth, to make some point about the Novel, History, and the languages found and made. It's a dense book, and it even seems that Susan Sontag is trying to make you not read it in her preface. This book was probably too much for the heavy American literary audience at one time, but I'm not so sure now. Then again ...more
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I only feel like reading Barthes mid-morning, at the caffeine crest. I'm skimming this as part of an obligatory lit-survey. His particular statement of 'classic vs. romantic' is perceptive (smooth, monotonous, compacted 'relational' diction as opposed to a more various and individually colorful word-choice) but needlessly elaborate; Strachey says the same thing, but in less than half the page-space.
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2 comments
Read in December, 2007
Barthes was trained as a philosopher, so his account of French literary history is a little dated. Also, his lectures are too brief and one-sided to be compelling. That said, this presents a provocative counterargument to Jean-Paul Sartre's equally relevant What is Literature?, pointing up some of the weaknesses in Sartre's case for a "committed" or "engaged" literature.
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Read in September, 2008
I wouldn't recommend this book as an intro to Barthes. Susan Sontag even seems to think the same. She wrote the preface. I might rather recommend Mythologies if you want to ease into Barthes. Of course, how you read is up to y o u.
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Barthes is pure intellectual pleasure. Here he combines a history of the actions of writing that are applicable to many areas of life. A must read for the arts.
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If this is less staggeringly powerful than "Mythologies" and "S/Z", it's only by an eyelash. A must-read for any serious writer -- or reader.
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