<?xml version="1.0" encoding="UTF-8"?>
<GoodreadsResponse>
	<Request>
		<authentication>false</authentication>
		    <method><![CDATA[]]></method>
	</Request>
	
<book id="293192">
  <title><![CDATA[Men, Women, and Chain Saws: Gender in the Modern Horror Film]]></title>
  <isbn><![CDATA[0691006202]]></isbn>
  <isbn13><![CDATA[9780691006208]]></isbn13>
  <work>
  <best-book-id type="integer">293192</best-book-id>
  <books-count type="integer">5</books-count>
  <default-description>Before &lt;i&gt;Men, Women, and Chain Saws&lt;/i&gt;, most film critics assumed that horror (especially slasher) films entail a male viewer sadistically watching the plight of a female victim. Carol Clover argues convincingly that both male and female viewers not only identify with the victim, but experience, through the actions of the &quot;final girl,&quot; a climactic moment of female power. As the &lt;i&gt;Boston Globe&lt;/i&gt; writes, &lt;i&gt;Men, Women, and Chain Saws&lt;/i&gt; &quot;challenges simplistic assumptions about the relationship between gender and culture... [Clover] suggests that the 'low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity.&quot; Be forewarned, though: Clover addresses an academic audience, so her language can be heavy going.  &lt;p&gt;  Related title: &lt;i&gt;The Dread of Difference: Gender and   the Horror Film&lt;/i&gt; by Barry Keith Grant </default-description>
  <id type="integer">364105</id>
  <media-type nil="true"></media-type>
  <original-language-id type="integer" nil="true"></original-language-id>
  <original-publication-day type="integer" nil="true"></original-publication-day>
  <original-publication-month type="integer" nil="true"></original-publication-month>
  <original-publication-year type="integer">1992</original-publication-year>
  <original-title>Men, Women, and Chain Saws: Gender in the Modern Horror Film</original-title>
  <rating-dist>total:170|5:58|4:78|3:29|2:4|1:1|</rating-dist>
  <ratings-count type="integer">170</ratings-count>
  <ratings-sum type="integer">698</ratings-sum>
  <reviews-count type="integer">276</reviews-count>
  <text-reviews-count type="integer">27</text-reviews-count>
</work>

  <average_rating><![CDATA[4.11]]></average_rating>
  <ratings_count><![CDATA[139]]></ratings_count>
  <text_reviews_count><![CDATA[22]]></text_reviews_count>
  <url><![CDATA[http://www.goodreads.com/book/show/293192.Men_Women_and_Chain_Saws_Gender_in_the_Modern_Horror_Film]]></url>
  <authors>
        <author id="169364">
      <name><![CDATA[Carol J. Clover]]></name>
      <role><![CDATA[]]></role>
      <url><![CDATA[http://www.goodreads.com/author/show/169364.Carol_J_Clover]]></url>
      <average_rating><![CDATA[4.11]]></average_rating>
      <ratings_count><![CDATA[170]]></ratings_count>
      <text_reviews_count><![CDATA[27]]></text_reviews_count>
    </author>
      </authors>
  <reviews start="1" end="20" total="276">
    <review id="7225505">
  <user id="406662">
    <name><![CDATA[Lauryl]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/406662-lauryl?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>3</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="feminist-film-criticism" />
        <shelf name="gender-studies" />
      </shelves>
  <recommended_for><![CDATA[anyone, provided they like non-fiction feminist discourse or horror films]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Oct 01 00:00:00 -0700 2007</read_at>
  <date_added>Wed Oct 03 16:17:56 -0700 2007</date_added>
  <date_updated>Wed Nov 07 13:21:40 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Okay, so at the moment, I'm actually halfway through it, but I'm enjoying it immensely, not least because it combines my love of horror movies with my love of analyzing the crap out of everything for its feminist implications.  The writing is crisp and succinct and a bit less dry than reading, say, ...<a href="http://www.goodreads.com/review/show/7225505">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/7225505?utm_medium=api]]></url>
</review>
    <review id="2447600">
  <user id="157197">
    <name><![CDATA[Andy]]></name>
    <location><![CDATA[San Francisco, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/157197-andy?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>2</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Jan 01 00:00:00 -0800 2003</read_at>
  <date_added>Wed Jun 27 10:30:27 -0700 2007</date_added>
  <date_updated>Wed Jun 27 10:32:26 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book is a very accesible treatise on what it means to rape and dismember women on screen. It does repeat itself somewhat but I think this is a timely read considering the upswing in &quot;torture-porn&quot; these days. (Aren't you so fucking thrilled we live in a world where that term had to be...<a href="http://www.goodreads.com/review/show/2447600">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/2447600?utm_medium=api]]></url>
</review>
    <review id="67789601">
  <user id="172457">
    <name><![CDATA[Mike]]></name>
    <location><![CDATA[Chicago, IL]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/172457-mike?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[murderers, hill people, troglodytes, ghouls]]></recommended_by>
  <read_at>Sat Aug 01 00:00:00 -0700 2009</read_at>
  <date_added>Mon Aug 17 15:02:02 -0700 2009</date_added>
  <date_updated>Mon Aug 17 15:02:58 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Written almost two decades ago, back in ’92, <em>Men, Women, and Chain Saws</em> confronts the (then) prevailing consensus that horror movies were about guys watching girls get brutalized. The author argues that there is often a &quot;final girl&quot; who by the end of the movie fights back against the opp...<a href="http://www.goodreads.com/review/show/67789601">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/67789601?utm_medium=api]]></url>
</review>
    <review id="1289516">
  <user id="74766">
    <name><![CDATA[Jordan]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/74766-jordan?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>1</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="criticism" />
        <shelf name="movies" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue May 01 00:00:00 -0700 2007</read_at>
  <date_added>Fri May 18 06:07:02 -0700 2007</date_added>
  <date_updated>Fri May 18 06:07:08 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[I liked this one well enough. For an academic book discussing movies, it's surprisingly free of jargon. Clover's analysis of misogyny (well, lack thereof) in slasher flicks is original, and while she chooses some slightly odd examples here and there (<em>Witchboard</em>? <em>Pumpkinhead</em>?), the book is valuable a...<a href="http://www.goodreads.com/review/show/1289516">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/1289516?utm_medium=api]]></url>
</review>
    <review id="39859788">
  <user id="1792117">
    <name><![CDATA[Rhys]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1792117-rhys?utm_medium=api]]></url>
  </user>
    <rating>3</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Nov 01 00:00:00 -0700 2008</read_at>
  <date_added>Thu Dec 11 07:36:21 -0800 2008</date_added>
  <date_updated>Thu Dec 11 07:43:49 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Okay, I didn't read the entire book, I read excerpted chapters from my horror films class reader. I got a lot of insight about horror films from this book which I promptly applied to my own writing, but I could have done without some of the Marxist overtones. And though it was interesting to get a f...<a href="http://www.goodreads.com/review/show/39859788">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/39859788?utm_medium=api]]></url>
</review>
    <review id="7325268">
  <user id="478923">
    <name><![CDATA[Tracey]]></name>
    <location><![CDATA[Philadelphia, PA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/478923-tracey?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>1</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Sep 01 00:00:00 -0700 2007</read_at>
  <date_added>Fri Oct 05 17:56:11 -0700 2007</date_added>
  <date_updated>Wed Nov 14 06:44:31 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[i liked this book... it got me thinking and reading more into the horror movies i know and love and even introduced me to some i now want to see. the end kinda goes off on a tangent i think but i love most of it... she has put a lot of thought into it.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/7325268?utm_medium=api]]></url>
</review>
    <review id="43935486">
  <user id="1902110">
    <name><![CDATA[Felix]]></name>
    <location><![CDATA[Darmstadt, 05, Germany]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1902110-felix?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="theory" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Feb 18 00:00:00 -0800 2009</read_at>
  <date_added>Thu Jan 22 09:33:14 -0800 2009</date_added>
  <date_updated>Wed Feb 18 04:02:15 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Carol J. Clover in this book sets out to refute the thesis that horror films cater to sadistic impulses and that their viewers are identifying with the perpetrators of on-screen atrocities. This refusal to join the chorus of horror's condemnators alone makes me partial to her arguments. But its not ...<a href="http://www.goodreads.com/review/show/43935486">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/43935486?utm_medium=api]]></url>
</review>
    <review id="4156780">
  <user id="171543">
    <name><![CDATA[Dirk]]></name>
    <location><![CDATA[Chicago, IL]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/171543-dirk?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>2</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[any film buff]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Sep 23 15:39:51 -0700 2007</read_at>
  <date_added>Mon Aug 06 11:01:52 -0700 2007</date_added>
  <date_updated>Mon Aug 06 11:02:56 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[If you see only one movie this year, read this book.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/4156780?utm_medium=api]]></url>
</review>
    <review id="20460699">
  <user id="1048045">
    <name><![CDATA[Dfordoom]]></name>
    <location><![CDATA[Australia]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1048045-dfordoom?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>1</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="non-fiction" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Jan 30 00:00:00 -0800 2007</read_at>
  <date_added>Fri Apr 18 08:55:16 -0700 2008</date_added>
  <date_updated>Fri Apr 18 08:55:44 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[In <em>Men, Women and Chainsaws</em>, written in 1992, Carol J. Clover looks at the horror movies of the preceding two decades, focusing particularly on low-budget films and even more particularly on that most despised of all sub-genres, the slasher film.  Clover disputes the traditional interpretation of su...<a href="http://www.goodreads.com/review/show/20460699">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/20460699?utm_medium=api]]></url>
</review>
    <review id="15364532">
  <user id="128099">
    <name><![CDATA[Leah]]></name>
    <location><![CDATA[Detroit, MI]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/128099-leah?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Jan 01 00:00:00 -0800 2003</read_at>
  <date_added>Wed Feb 13 17:10:25 -0800 2008</date_added>
  <date_updated>Wed Feb 13 17:16:52 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I read this book a few years ago and then reread a bit of it this fall.  It's a film crit view of slasher movies (The Texas Chainsaw Massacre being the first and best example), possession movies and rape/revenge movies, with the focus on gender dynamics and the fact that oftentimes female characters...<a href="http://www.goodreads.com/review/show/15364532">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/15364532?utm_medium=api]]></url>
</review>
    <review id="57397359">
  <user id="927624">
    <name><![CDATA[Alicia]]></name>
    <location><![CDATA[Madison, WI]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/927624-alicia?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Tue May 26 13:10:26 -0700 2009</date_added>
  <date_updated>Tue May 26 13:10:26 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[One of my very favorite pieces of gender-based film theory. I recommend this one to all horror-film loving females (and males) interested in deconstructing tropes common to the genre.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/57397359?utm_medium=api]]></url>
</review>
    <review id="18654010">
  <user id="792953">
    <name><![CDATA[Emily]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/792953-emily?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Jan 01 00:00:00 -0800 2004</read_at>
  <date_added>Tue Mar 25 22:51:05 -0700 2008</date_added>
  <date_updated>Tue Mar 25 22:58:43 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[If you like B-grade horror flicks and have a hankerin' for feminist theory, you'll love this book . . . Clover looks at a huge spectrum of horror films, from the lowest of the low (&quot;I Spit On Your Grave,&quot; &quot;Ms. 45,&quot;) to big budget successes (&quot;Halloween,&quot; &quot;Carrie&quot;...<a href="http://www.goodreads.com/review/show/18654010">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/18654010?utm_medium=api]]></url>
</review>
    <review id="16107326">
  <user id="873514">
    <name><![CDATA[Emily]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/873514-emily?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="film" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Fri Feb 22 12:55:05 -0800 2008</date_added>
  <date_updated>Fri Feb 22 13:06:22 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[One of the most original, readable, and persuasive works of film scholarship out there, and, unlike so much academic writing, it's both complex *and* refreshingly clear.  Clover's concept of &quot;The Final Girl&quot; -- like Laurie in &quot;Halloween&quot; or the screaming blonde in the cut-offs in...<a href="http://www.goodreads.com/review/show/16107326">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/16107326?utm_medium=api]]></url>
</review>
    <review id="14639900">
  <user id="877936">
    <name><![CDATA[Showbiz Jim]]></name>
    <location><![CDATA[Denton, TX]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/877936-showbiz-jim?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="film" />
      </shelves>
  <recommended_for><![CDATA[anyone interested in gender/queer/feminist studies and/or film.]]></recommended_for>
  <recommended_by><![CDATA[Heather Walker]]></recommended_by>
  <read_at>Wed Jun 01 00:00:00 -0700 2005</read_at>
  <date_added>Tue Feb 05 11:58:06 -0800 2008</date_added>
  <date_updated>Tue Feb 05 12:04:39 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Whether you like horror and slasher movies or not, Carol J. Clover's book is a landmark in queer/gender/feminist film criticism.  I haven't seen most of the films she discusses and it still blew my mind.  The way I read and interpret movies has completely changed because of this book.  The writing i...<a href="http://www.goodreads.com/review/show/14639900">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/14639900?utm_medium=api]]></url>
</review>
    <review id="44468191">
  <user id="865172">
    <name><![CDATA[rachael]]></name>
    <location><![CDATA[Clemmons, NC]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/865172-rachael?utm_medium=api]]></url>
  </user>
    <rating>3</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Jan 02 00:00:00 -0800 2009</read_at>
  <date_added>Mon Jan 26 19:43:31 -0800 2009</date_added>
  <date_updated>Thu Feb 05 15:34:18 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Read half. Need to read something else. Sorry Kyle Jones.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/44468191?utm_medium=api]]></url>
</review>
    <review id="15109600">
  <user id="878153">
    <name><![CDATA[Ren]]></name>
    <location><![CDATA[Portland, OR]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/878153-ren?utm_medium=api]]></url>
  </user>
    <rating>0</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Jun 19 00:00:00 -0700 2009</read_at>
  <date_added>Sun Feb 10 20:18:13 -0800 2008</date_added>
  <date_updated>Fri Jun 19 15:16:12 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I wanted to like this book more than I did.  The psychoanalytic method of film criticism forms the basis for her critique which she uses to present an interesting if problematic perspective on the slasher and other horror films. I didn't agree with everything she had to say but her perspective was c...<a href="http://www.goodreads.com/review/show/15109600">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/15109600?utm_medium=api]]></url>
</review>
    <review id="14166103">
  <user id="859578">
    <name><![CDATA[Steve]]></name>
    <location><![CDATA[Manchester, The United Kingdom]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/859578-steve?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Thu Jan 31 09:55:10 -0800 2008</date_added>
  <date_updated>Sat Feb 02 10:57:19 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Deeply interesting, but also deeply arguable.  Clover's perspectives on Alien/Ripley are illuminating and, I feel, spot on.  On the other hand, does I Spit on Your Grave realy deserve such a reading?<br/><br/>Having said this, it's a great book to read in a public space - realy gets attention, if ...<a href="http://www.goodreads.com/review/show/14166103">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/14166103?utm_medium=api]]></url>
</review>
    <review id="20023142">
  <user id="123598">
    <name><![CDATA[Whitney]]></name>
    <location><![CDATA[Provo, UT]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/123598-whitney?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="film-studies" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Apr 18 00:00:00 -0700 2008</read_at>
  <date_added>Sat Apr 12 15:39:44 -0700 2008</date_added>
  <date_updated>Fri Apr 18 22:31:19 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Fantastic critique of male/female spectatorship in horror film. &quot;Her Body Himself&quot; being the most famous/helpful chapter, I found the chapter on rape-revenge films to be fascinating. Plus, Clover is so funny. She makes the funniest jokes in a dry, chain-saw-humor kind of way.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/20023142?utm_medium=api]]></url>
</review>
    <review id="16427851">
  <user id="56585">
    <name><![CDATA[Judd]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/56585-judd?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[men, women and candidates for gender reassignment]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Jan 01 00:00:00 -0800 2002</read_at>
  <date_added>Tue Feb 26 11:35:30 -0800 2008</date_added>
  <date_updated>Tue Feb 26 11:37:18 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Nice to see a horror movie from a feminist perspective.  Since reading and analyzing this, I see macho men in a whole new light: wearing tights and tassels wasn't just dynamic wrestling costumes, it turns out!]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/16427851?utm_medium=api]]></url>
</review>
    <review id="41212941">
  <user id="1340750">
    <name><![CDATA[Brea]]></name>
    <location><![CDATA[Los Angeles, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1340750-brea?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[alyx]]></recommended_by>
  <read_at>Tue Feb 24 00:00:00 -0800 2009</read_at>
  <date_added>Mon Dec 29 14:06:15 -0800 2008</date_added>
  <date_updated>Tue Feb 24 17:00:17 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[as per alyx's suggestion, i only read chapters 1 and 3 of this. both were good. very academic - something i've almost forgotten how to read - but well-written, 90s feminist assessment of the horror genre. ]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/41212941?utm_medium=api]]></url>
</review>
    </reviews>
</book>
</GoodreadsResponse>