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  <title><![CDATA[Writing Horror]]></title>
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  <description><![CDATA[Oftentimes how-to books fall short because they spend too  much time with the basics and not enough time explaining the nuances  of their subject. <em>Writing Horror,</em> by the Horror Writers Association, doesn't fall into that trap; the authors of the  39 articles in this anthology assume you can write, and thus  they concentrate on getting the most out of working in the horror genre. The result is more like an inspirational guide than a how-to book. Of specific interest is the small section on writing horror comic books, featuring essays on E. C. Comics by Dan Chichester (who has done several Clive Barker adaptations as well as a well-received run on <em>Daredevil</em>), and &quot;Breaking All Codes&quot; by David Quinn (who broke all sorts of taboos in his bloody and sexy <em>Faust</em>). Other authors include Joe R. Lansdale, Joyce Carol Oates, and the one and only Harlan Ellison.]]></description>
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    <![CDATA[Writing Horror]]>
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    <![CDATA[Oftentimes how-to books fall short because they spend too  much time with the basics and not enough time explaining the nuances  of their subject. <em>Writing Horror,</em> by the Horror Writers Association, doesn't fall into that trap; the authors of the  39 articles in this anthology assume you can write, and thus  they concentrate on getting the most out of working in the horror genre. The result is more like an inspirational guide than a how-to book. Of specific interest is the small section on writing horror comic books, featuring essays on E. C. Comics by Dan Chichester (who has done several Clive Barker adaptations as well as a well-received run on <em>Daredevil</em>), and &quot;Breaking All Codes&quot; by David Quinn (who broke all sorts of taboos in his bloody and sexy <em>Faust</em>). Other authors include Joe R. Lansdale, Joyce Carol Oates, and the one and only Harlan Ellison.]]>
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    <body><![CDATA[Excellent collection of essays on horror fiction covering everything from inspiration, motivation, creating believable characters and so on. What it boils down to- and this really applies to anyone wanting to be a good writer- is read, read, read and then read some more. Sure, there are no original ...<a href="http://www.goodreads.com/review/show/79229576">more...</a>]]></body>
    
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    <![CDATA[Oftentimes how-to books fall short because they spend too  much time with the basics and not enough time explaining the nuances  of their subject. <em>Writing Horror,</em> by the Horror Writers Association, doesn't fall into that trap; the authors of the  39 articles in this anthology assume you can write, and thus  they concentrate on getting the most out of working in the horror genre. The result is more like an inspirational guide than a how-to book. Of specific interest is the small section on writing horror comic books, featuring essays on E. C. Comics by Dan Chichester (who has done several Clive Barker adaptations as well as a well-received run on <em>Daredevil</em>), and &quot;Breaking All Codes&quot; by David Quinn (who broke all sorts of taboos in his bloody and sexy <em>Faust</em>). Other authors include Joe R. Lansdale, Joyce Carol Oates, and the one and only Harlan Ellison.]]>
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    <body><![CDATA[This book is a collection of essays about different aspects of writing horror and the writing career in general, written by the members of the Horror Writers Association (HWA).<br/><br/>The book I read years ago was the 1st edition. The HWA has recently put out a trade paperback 2nd edition with a...<a href="http://www.goodreads.com/review/show/2553950">more...</a>]]></body>
    
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    <![CDATA[Oftentimes how-to books fall short because they spend too  much time with the basics and not enough time explaining the nuances  of their subject. <em>Writing Horror,</em> by the Horror Writers Association, doesn't fall into that trap; the authors of the  39 articles in this anthology assume you can write, and thus  they concentrate on getting the most out of working in the horror genre. The result is more like an inspirational guide than a how-to book. Of specific interest is the small section on writing horror comic books, featuring essays on E. C. Comics by Dan Chichester (who has done several Clive Barker adaptations as well as a well-received run on <em>Daredevil</em>), and &quot;Breaking All Codes&quot; by David Quinn (who broke all sorts of taboos in his bloody and sexy <em>Faust</em>). Other authors include Joe R. Lansdale, Joyce Carol Oates, and the one and only Harlan Ellison.]]>
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    <![CDATA[Oftentimes how-to books fall short because they spend too  much time with the basics and not enough time explaining the nuances  of their subject. <em>Writing Horror,</em> by the Horror Writers Association, doesn't fall into that trap; the authors of the  39 articles in this anthology assume you can write, and thus  they concentrate on getting the most out of working in the horror genre. The result is more like an inspirational guide than a how-to book. Of specific interest is the small section on writing horror comic books, featuring essays on E. C. Comics by Dan Chichester (who has done several Clive Barker adaptations as well as a well-received run on <em>Daredevil</em>), and &quot;Breaking All Codes&quot; by David Quinn (who broke all sorts of taboos in his bloody and sexy <em>Faust</em>). Other authors include Joe R. Lansdale, Joyce Carol Oates, and the one and only Harlan Ellison.]]>
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    <![CDATA[Oftentimes how-to books fall short because they spend too  much time with the basics and not enough time explaining the nuances  of their subject. <em>Writing Horror,</em> by the Horror Writers Association, doesn't fall into that trap; the authors of the  39 articles in this anthology assume you can write, and thus  they concentrate on getting the most out of working in the horror genre. The result is more like an inspirational guide than a how-to book. Of specific interest is the small section on writing horror comic books, featuring essays on E. C. Comics by Dan Chichester (who has done several Clive Barker adaptations as well as a well-received run on <em>Daredevil</em>), and &quot;Breaking All Codes&quot; by David Quinn (who broke all sorts of taboos in his bloody and sexy <em>Faust</em>). Other authors include Joe R. Lansdale, Joyce Carol Oates, and the one and only Harlan Ellison.]]>
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    <![CDATA[Oftentimes how-to books fall short because they spend too  much time with the basics and not enough time explaining the nuances  of their subject. <em>Writing Horror,</em> by the Horror Writers Association, doesn't fall into that trap; the authors of the  39 articles in this anthology assume you can write, and thus  they concentrate on getting the most out of working in the horror genre. The result is more like an inspirational guide than a how-to book. Of specific interest is the small section on writing horror comic books, featuring essays on E. C. Comics by Dan Chichester (who has done several Clive Barker adaptations as well as a well-received run on <em>Daredevil</em>), and &quot;Breaking All Codes&quot; by David Quinn (who broke all sorts of taboos in his bloody and sexy <em>Faust</em>). Other authors include Joe R. Lansdale, Joyce Carol Oates, and the one and only Harlan Ellison.]]>
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    <![CDATA[Oftentimes how-to books fall short because they spend too  much time with the basics and not enough time explaining the nuances  of their subject. <em>Writing Horror,</em> by the Horror Writers Association, doesn't fall into that trap; the authors of the  39 articles in this anthology assume you can write, and thus  they concentrate on getting the most out of working in the horror genre. The result is more like an inspirational guide than a how-to book. Of specific interest is the small section on writing horror comic books, featuring essays on E. C. Comics by Dan Chichester (who has done several Clive Barker adaptations as well as a well-received run on <em>Daredevil</em>), and &quot;Breaking All Codes&quot; by David Quinn (who broke all sorts of taboos in his bloody and sexy <em>Faust</em>). Other authors include Joe R. Lansdale, Joyce Carol Oates, and the one and only Harlan Ellison.]]>
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