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  <title><![CDATA[Journalistas: 100 Years of the Best Writing and Reporting by Women Journalists]]></title>
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  <description><![CDATA[&lt;div&gt;Since their emergence as a journalistic force after the world wars, women have continued to break new ground in newspapers and magazines, redefining the world as we see it as well as the craft as it applied. Many of the pieces in <em>Journalistas</em> feel almost unsettlingly relevant today&#8212;the conclusions Emma &quot;Red&quot; Goldman drew in her 1916, &quot;the Social Aspects of Birth Control,&quot; Maddy Vegtel's 1930s article about becoming pregnant at forty, and Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's <em>Beauty Myth</em> brought feminism to a new generation; Helen Fielding's <em>Bridget Jones</em> caused a media revolution: Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candor and a host of imitators; and when two iconic women come face to face, we have at one end, Dorothy Parker on Isadora Duncan (1928), and at the other, Julie Burchill on Margaret Thatcher (2004).&lt;/div&gt;]]></description>
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        <name><![CDATA[Naomi Wolf]]></name>
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    <![CDATA[Journalistas: 100 Years of the Best Writing and Reporting by Women Journalists]]>
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    <![CDATA[&lt;div&gt;Since their emergence as a journalistic force after the world wars, women have continued to break new ground in newspapers and magazines, redefining the world as we see it as well as the craft as it applied. Many of the pieces in <em>Journalistas</em> feel almost unsettlingly relevant today&#8212;the conclusions Emma &quot;Red&quot; Goldman drew in her 1916, &quot;the Social Aspects of Birth Control,&quot; Maddy Vegtel's 1930s article about becoming pregnant at forty, and Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's <em>Beauty Myth</em> brought feminism to a new generation; Helen Fielding's <em>Bridget Jones</em> caused a media revolution: Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candor and a host of imitators; and when two iconic women come face to face, we have at one end, Dorothy Parker on Isadora Duncan (1928), and at the other, Julie Burchill on Margaret Thatcher (2004).&lt;/div&gt;]]>
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    <body><![CDATA[An interesting compilation of articles written by women over the last 100 years. Like any compilation, some were mediocre but some were really brilliant. Susan Sontag's article on torture and photography stood out in my mind as a particularly insightful look at our society and the images we now coll...<a href="http://www.goodreads.com/review/show/49275417">more...</a>]]></body>
    
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    <![CDATA[Journalistas: 100 Years of the Best Writing and Reporting by Women Journalists]]>
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    <![CDATA[&lt;div&gt;Since their emergence as a journalistic force after the world wars, women have continued to break new ground in newspapers and magazines, redefining the world as we see it as well as the craft as it applied. Many of the pieces in <em>Journalistas</em> feel almost unsettlingly relevant today&#8212;the conclusions Emma &quot;Red&quot; Goldman drew in her 1916, &quot;the Social Aspects of Birth Control,&quot; Maddy Vegtel's 1930s article about becoming pregnant at forty, and Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's <em>Beauty Myth</em> brought feminism to a new generation; Helen Fielding's <em>Bridget Jones</em> caused a media revolution: Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candor and a host of imitators; and when two iconic women come face to face, we have at one end, Dorothy Parker on Isadora Duncan (1928), and at the other, Julie Burchill on Margaret Thatcher (2004).&lt;/div&gt;]]>
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    <body><![CDATA[   A wonderful read from the start.  Everypage is different from the next. These women are writer's doing what men did for so long. These women report from the was zone to crime to body images to interviews with celebrities and more. I found the interview about Bill Gates very interesting very inter...<a href="http://www.goodreads.com/review/show/48740643">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Journalistas: 100 Years of the Best Writing and Reporting by Women Journalists]]>
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    <![CDATA[&lt;div&gt;Since their emergence as a journalistic force after the world wars, women have continued to break new ground in newspapers and magazines, redefining the world as we see it as well as the craft as it applied. Many of the pieces in <em>Journalistas</em> feel almost unsettlingly relevant today&#8212;the conclusions Emma &quot;Red&quot; Goldman drew in her 1916, &quot;the Social Aspects of Birth Control,&quot; Maddy Vegtel's 1930s article about becoming pregnant at forty, and Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's <em>Beauty Myth</em> brought feminism to a new generation; Helen Fielding's <em>Bridget Jones</em> caused a media revolution: Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candor and a host of imitators; and when two iconic women come face to face, we have at one end, Dorothy Parker on Isadora Duncan (1928), and at the other, Julie Burchill on Margaret Thatcher (2004).&lt;/div&gt;]]>
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  <read_at>Sun Jan 01 00:00:00 -0800 2006</read_at>
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  <date_updated>Wed Dec 16 20:05:56 -0800 2009</date_updated>
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    <body><![CDATA[An excerpt from an Emma Goldman piece included in this inspiring collection of trail blazing female journalists:<br/><br/>&quot;At this most critical moment it becomes imperative for every liberty loving person to voice a fiery protest against the participation of this country in the European mass...<a href="http://www.goodreads.com/review/show/1441865">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Journalistas: 100 Years of the Best Writing and Reporting by Women Journalists]]>
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    <![CDATA[&lt;div&gt;Since their emergence as a journalistic force after the world wars, women have continued to break new ground in newspapers and magazines, redefining the world as we see it as well as the craft as it applied. Many of the pieces in <em>Journalistas</em> feel almost unsettlingly relevant today&#8212;the conclusions Emma &quot;Red&quot; Goldman drew in her 1916, &quot;the Social Aspects of Birth Control,&quot; Maddy Vegtel's 1930s article about becoming pregnant at forty, and Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's <em>Beauty Myth</em> brought feminism to a new generation; Helen Fielding's <em>Bridget Jones</em> caused a media revolution: Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candor and a host of imitators; and when two iconic women come face to face, we have at one end, Dorothy Parker on Isadora Duncan (1928), and at the other, Julie Burchill on Margaret Thatcher (2004).&lt;/div&gt;]]>
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  <read_at>Thu May 01 00:00:00 -0700 2008</read_at>
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  <date_updated>Sun Aug 02 17:02:16 -0700 2009</date_updated>
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    <body><![CDATA[This book is a great read and is not only for aspiring female journalists. The book has great stories on a variety of life topics, from work-family balance to relationships with family and friends to career advice and more. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/65918369]]></url>
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      <review>
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  <title>
    <![CDATA[Journalistas: 100 Years of the Best Writing and Reporting by Women Journalists]]>
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    <![CDATA[&lt;div&gt;Since their emergence as a journalistic force after the world wars, women have continued to break new ground in newspapers and magazines, redefining the world as we see it as well as the craft as it applied. Many of the pieces in <em>Journalistas</em> feel almost unsettlingly relevant today&#8212;the conclusions Emma &quot;Red&quot; Goldman drew in her 1916, &quot;the Social Aspects of Birth Control,&quot; Maddy Vegtel's 1930s article about becoming pregnant at forty, and Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's <em>Beauty Myth</em> brought feminism to a new generation; Helen Fielding's <em>Bridget Jones</em> caused a media revolution: Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candor and a host of imitators; and when two iconic women come face to face, we have at one end, Dorothy Parker on Isadora Duncan (1928), and at the other, Julie Burchill on Margaret Thatcher (2004).&lt;/div&gt;]]>
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  <date_updated>Tue Feb 24 18:15:42 -0800 2009</date_updated>
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    <body><![CDATA[Talk about good writing! This is a collection of essays to cherish by women such as Erica Jong, Emma Goldman, Naomi Wolf, Zelda Fitzgerald, Susan Sontag, Joan Didion, and Eleanor Roosevelt. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/47433301]]></url>
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      <review>
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    <![CDATA[Journalistas: 100 Years of the Best Writing and Reporting by Women Journalists]]>
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    <![CDATA[&lt;div&gt;Since their emergence as a journalistic force after the world wars, women have continued to break new ground in newspapers and magazines, redefining the world as we see it as well as the craft as it applied. Many of the pieces in <em>Journalistas</em> feel almost unsettlingly relevant today&#8212;the conclusions Emma &quot;Red&quot; Goldman drew in her 1916, &quot;the Social Aspects of Birth Control,&quot; Maddy Vegtel's 1930s article about becoming pregnant at forty, and Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's <em>Beauty Myth</em> brought feminism to a new generation; Helen Fielding's <em>Bridget Jones</em> caused a media revolution: Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candor and a host of imitators; and when two iconic women come face to face, we have at one end, Dorothy Parker on Isadora Duncan (1928), and at the other, Julie Burchill on Margaret Thatcher (2004).&lt;/div&gt;]]>
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  <published>2005</published>
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  <read_at>Thu Dec 01 00:00:00 -0800 2005</read_at>
  <date_added>Sun Dec 30 20:29:09 -0800 2007</date_added>
  <date_updated>Sun Dec 30 20:29:17 -0800 2007</date_updated>
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    <body><![CDATA[So much fun to go through and read pieces from some of the journalists I learned about in my journalism classes as well as many contemporary female writers. The pieces are grouped into category which makes it easy to read exactly what you're in the mood for. Each piece gives a bio of the author and ...<a href="http://www.goodreads.com/review/show/11313254">more...</a>]]></body>
    
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    <![CDATA[Journalistas: 100 Years of the Best Writing and Reporting by Women Journalists]]>
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    <![CDATA[&lt;div&gt;Since their emergence as a journalistic force after the world wars, women have continued to break new ground in newspapers and magazines, redefining the world as we see it as well as the craft as it applied. Many of the pieces in <em>Journalistas</em> feel almost unsettlingly relevant today&#8212;the conclusions Emma &quot;Red&quot; Goldman drew in her 1916, &quot;the Social Aspects of Birth Control,&quot; Maddy Vegtel's 1930s article about becoming pregnant at forty, and Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's <em>Beauty Myth</em> brought feminism to a new generation; Helen Fielding's <em>Bridget Jones</em> caused a media revolution: Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candor and a host of imitators; and when two iconic women come face to face, we have at one end, Dorothy Parker on Isadora Duncan (1928), and at the other, Julie Burchill on Margaret Thatcher (2004).&lt;/div&gt;]]>
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    <body><![CDATA[Disappointing. With a few rare exceptions, the articles seemed to have been selected, not as compelling examples of journalism, but as essays on the token social issues of a century. I guess I expected the main criteria to be exceptional writing and reporting. ]]></body>
    
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    <![CDATA[Journalistas: 100 Years of the Best Writing and Reporting by Women Journalists]]>
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    <body><![CDATA[This book is really cool. All kinds of facinating topics covered by fascinating women.]]></body>
    
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    <body><![CDATA[Just some of the most amazing reporting from some of the most amazing women in the field.]]></body>
    
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    <![CDATA[&lt;div&gt;Since their emergence as a journalistic force after the world wars, women have continued to break new ground in newspapers and magazines, redefining the world as we see it as well as the craft as it applied. Many of the pieces in <em>Journalistas</em> feel almost unsettlingly relevant today&#8212;the conclusions Emma &quot;Red&quot; Goldman drew in her 1916, &quot;the Social Aspects of Birth Control,&quot; Maddy Vegtel's 1930s article about becoming pregnant at forty, and Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's <em>Beauty Myth</em> brought feminism to a new generation; Helen Fielding's <em>Bridget Jones</em> caused a media revolution: Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candor and a host of imitators; and when two iconic women come face to face, we have at one end, Dorothy Parker on Isadora Duncan (1928), and at the other, Julie Burchill on Margaret Thatcher (2004).&lt;/div&gt;]]>
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    <![CDATA[&lt;div&gt;Since their emergence as a journalistic force after the world wars, women have continued to break new ground in newspapers and magazines, redefining the world as we see it as well as the craft as it applied. Many of the pieces in <em>Journalistas</em> feel almost unsettlingly relevant today&#8212;the conclusions Emma &quot;Red&quot; Goldman drew in her 1916, &quot;the Social Aspects of Birth Control,&quot; Maddy Vegtel's 1930s article about becoming pregnant at forty, and Eleanor Roosevelt's call for greater tolerance after America's race riots in 1943. Many have pushed other limits: Naomi Wolf's <em>Beauty Myth</em> brought feminism to a new generation; Helen Fielding's <em>Bridget Jones</em> caused a media revolution: Ruth Picardie's unflinchingly honest column about living with cancer in 1997 brought a wave of British candor and a host of imitators; and when two iconic women come face to face, we have at one end, Dorothy Parker on Isadora Duncan (1928), and at the other, Julie Burchill on Margaret Thatcher (2004).&lt;/div&gt;]]>
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